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Frijoles Canyon, Second View

A master of New Mexico landscapes, he is known for his Bandelier National Monument pastels. Discover his vibrant Southwest art today.

本页面展示的作品受版权法保护,这意味着我们无法合法地制作或销售与其完全相同的复制品。此项保护依据包括以下国际协议等: 伯尔尼公约 以及各国法律,包括下文所述的法律: 美国版权法第17编。

这种方法完全符合版权法规,因为它并不涉及对受保护艺术品的复制或翻录。相反,它是一种富有创意的重新诠释——是一件受原作启发、但与原作并不相同的全新绘画作品。

艺术微喷/版画

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Frijoles Canyon, Second View

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Naumer, a German born artist, immigrated to the U.S. in 1926 to experience the West. After six years at sea in the Merchant Marines, Naumer returned to his beloved Santa Fe. There, he began to work in pastels. As part of the Works Progress Administration Program (WPA), Naumer created a series of paintings showing scenes in Bandelier National Monument and nearby pueblos. He produced 14 pastels between 1935 and 1936 for the Park. Although Naumer worked in oils and watercolors, pastels were his preferred medium. He felt that pastels allowed him to capture “the fleeting effects of the sky and water and our own New Mexico landscapes with fast changing colors sweeping rapidly across it, for there are hundreds of different colors and shades, so one loses no time in mixing colors as in oil.” Here the artist depicts the base of the trail up to Long House, along Bandelier’s Main Loop Trail near the Visitor Center. Naumer used a black background that made his drawings glow and that highlighted the vivid colors of the local landscapes and sky.Bandelier National MonumentLos Alamos, New Mexico

常见问题与解答

Helmut Naumer, Sr. 的《Frijoles Canyon, Second View》 的对比度有多强?

Helmut Naumer, Sr. 的《Frijoles Canyon, Second View》 在明暗区域之间呈现出 Statement 的对比度。

"Frijoles Canyon, Second View" 的创作艺术家是谁?

《Frijoles Canyon, Second View》被归为Helmut Naumer, Sr.的作品。

Centennial One Object Exhibit馆藏作品“Frijoles Canyon, Second View”的复制权归属如何?

《Frijoles Canyon, Second View》的原作收藏于Centennial One Object Exhibit,该作品属于仍受版权保护。


艺术家简介

A Life Shaped by the West

Born in Reutlingen, Germany, in 1907, Helmut Naumer, Sr. moved to New York City at seventeen. By 1926, he had arrived in the United States, eventually finding his way to California to study at the Frank Wiggins Trade School and the Otis Art Institute in Los Angeles. Before settling into a life of painting, he spent six years working in the Merchant Marines. The sea provided a period of movement and distance before he returned to Santa Fe in 1932.

The landscapes of New Mexico became his primary focus. He lived for many years in the San Sebastian Ranch area near Santa Fe and also resided in Pecos. His early interests were shaped by the stories of Karl May, particularly the lore of the American West. This connection to the land and its history stayed with him through his later years in New Mexico.

The Choice of Pastel

While he worked with oils and watercolors, Naumer preferred the use of pastels. He found that this medium allowed him to catch the way light changed quickly across the sky and water. In the Southwest, colors shift rapidly across the landscape, and pastels offered a way to record these transitions without the delay of mixing oils. His technique often involved using dark backgrounds, which helped the colors of the local scenery appear to glow.

His paintings were frequently composites of landscapes rather than exact, realistic depictions of a single spot. He focused on capturing the atmosphere and the specific light of the region. This approach allowed him to translate the feeling of the New Mexico landscape into something more immediate.

Work for the National Park Service

During the 1930s, Naumer participated in the Works Progress Administration (WPA) program. He was commissioned by the National Park Service to create works for the visitor center exhibits at Bandelier National Monument. Between 1935 and 1936, he produced fourteen pastel artworks that documented scenes from the monument and nearby pueblos.

Some of his specific subjects included:

  • The Administration Building in Frijoles Canyon.
  • Taos Pueblo, showing its multi-storied buildings against the mountains.
  • Picuris Pueblo, including its church and the horno used for baking bread.
  • Scenes of the landscape near the Long House trail.

His work from this period remains in collections such as the Bandelier museum and the New Mexico Museum of Art. In 2016, the United States Postal Service featured his painting of the Administration Building on a commemorative postage stamp.

Helmut Naumer, Sr.

Helmut Naumer, Sr.

1907 - 1990 , Germany

艺术家简介

  • Full Name: Helmut Naumer, Sr.
  • Nationality: American
  • Notable Artworks:
    • Administration Building, Frijoles Canyon
    • Taos Pueblo
    • Winter Sunrise
    • Northern New Mexico Village
  • Place Of Birth: Reutlingen, Germany
  • Date Of Birth: 1907
  • Date Of Death: 1990