Immaculate Conception
1683
345.0 x 221.0 cm
Church of Santissima Annunziata del Vastato
购买高分辨率增强版数字图像,其品质远超在线预览。
每一份文件都由我们的内部专家使用先进工具与专业的后期润色技术精心打造。我们确保每一张图像都具备卓越的清晰度、精准的色彩还原度以及细腻的细节表现。
最终文件将在 72 小时内通过电子邮件交付,并针对专业、编辑及印刷用途进行了优化。其品质与顶级设计工作室、出版社和画廊所信赖的标准完全一致。
每份数字图像订单均包含
专业数字图像交付,品质保障
选择 OriginalUniqueArt.com,您获得的不仅仅是一张图像——您收到的是经过专业级增强、精雕细琢的数字艺术作品,并享有满意保证。以下是您的订单中自动包含的所有内容:
邮件快速送达
您的高分辨率数字图像文件将在下单后 72 小时内通过电子邮件发送给您 —— 即可立即使用。
AI 增强型数字文件
您的艺术品经过专业优化,结合先进的 AI 技术与人工修饰,确保呈现极致的细节、清晰度与色彩准确度。
终身免费重发服务
不小心删除了文件或找不到了?没关系——我们将随时为您免费重发。
无需进口费用,始终如一
即刻拥有您的艺术作品,无需支付任何关税、税费或运费——数字下载始终免税。
色彩精准保证
我们通过专业工具与色彩管理技术,确保您的数字图像尽可能真实地还原原作色彩。
60天满意保证
如果您对所购买的数字图像不满意,我们将在60天内为您进行修改或退还100%的款项——无需任何解释。
100% 退款保证
如果不满意?在收到数字文件后的60天内,我们为您提供全额退款——无需任何理由。
批量订单优惠
购买 3 张图片可享 10% 折扣 - 购买 5 张可享 15% 折扣 - 购买 10+ 张可享 20% 折扣。非常适合创意项目、画廊和机构使用。
艺术家简介
domenico piola was a genoese painter of the baroque period. he was the leading artist in genoa in the second half of the 17th century, working on ceiling frescoes for many genoese churches and palaces and canvas paintings for private collectors. his family studio was highly prolific. he was a frequent collaborator with other artists. piola was an italian painter, draughtsman, printmaker and designer. he was the leading artist in genoa in the second half of the 17th century, working for both public and private collectors. his first teacher was his 17-year older brother-in-law stefano camogli. piola was further trained by his older brother pellegro and then studied under pellegro’s teacher, giovanni domenico cappellino (1580–1651).
from 1650 onwards, the piola family played a dominant role in the decoration of genoese ceilings for nearly a century. while domenico was the key figure in the family studio, known as casa piola, in the second half of the 17th century, other members were piola's younger brother, his brother-in-law stefano camogli, his three sons, and his two sons-in-law. the studio streamlined the design and production of decorated ceilings. the studio also produced designs for sculptors and for craftsmen in wood, ceramics and metalwork.
in 1684–5 domenico visited milan, piacenza, bologna and asti. at piacenza, he painted decorations in the casa baldini. in genoa in 1688 he and gregorio de’ ferrari began to decorate rooms in the palazzo rosso on the theme of the four seasons, piola executing autumn and winter and ferrari the more lyrical spring and summer. preparatory drawings for winter survive (genoa, palazzo rosso; london, british museum).
piola's early copies after giovanni benedetto castiglione and his working relationship with valerio castello in the late 1640s and early 1650s encouraged the development of a more baroque style. piola absorbed castiglione's work as is visible in the communion of clare of montefalco (london, british museum) and his paintings in the oratory of st john the baptist at spotorno.piola's style was fully matured by 1670. the influence of parmese art was strengthened after the return of gregorio de’ ferrari from parma circa 1672. correggio’s style encouraged piola’s own predilection for diagonal movement, bright colours and strongly foreshortened figures. in 1674 ferrari married piola’s daughter. the work of the casa piola was considerably augmented. in the 1670s and 1680s the two artists collaborated on many fresco projects.in 1684 piola began to fresco the choir of san leonardo and two rooms in the villa gropallo at zerbino; all work was interrupted in this year after a french bombardment destroyed much of genoa, including domenico’s house and studio.
piola also often collaborated with his brother-in-law stefano camogli, a specialist still life and animal painter. examples compositions in which camogli was responsible for the still life elements and piola for the figures are the allegory of summer (collection torriglia chiavari, palazzo rocca) and the allegory of peace and abundance (private collection).
other members of the piola family who were artists included domenico’s brother, giovanni andrea and his three sons paolo gerolamo, anton maria, and giovanni battista; his two sons-in-law, gregorio de’ ferrari (his most distinguished pupil and married to his daughter margherita piola) and domenico parodi; and his brother-in-law stefano camogli. the large family studio, called casa piola excelled in both quadratura fresco decoration and canvases. generations of artists, down to the 20th century, descended from the line of piola-de ferrari, including giovanni maria de simoni, who died in 1913 in the original residence of domenico’s family.
piola is represented in the following collections: museo dell'accademia ligustica di belle arti, genoa; palazzo bianco, genoa; palazzo rosso gallery, genoa; drawings from the biblioteca ambrosiana, milan; the royal collection, london; courtauld institute of art, london; j. paul getty museum, los angeles; fine arts museums of san francisco; hermitage museum, saint petersburg, amongst others.
more...
domenico piola
1627 - 1703 , Italy