From the early 1800s, the British were encouraged to emigrate to Australia and become wealthy by working the land or, from the 1850s, by trying their luck on the goldfields. This work represents the changing popular response to emigration to Australia.When
Abraham Solomon painted
Second Class in 1854, circumstances in England and Australia had changed dramatically. Gold had been discovered in Australia, transportation had virtually ceased and the political print had lost its popularity in England.
Solomon’s painting shows a
young man leaving for the goldfields, his family accompanying him on the train journey. The work is aimed at a sentimental middle-class market – when will the mother see her son again?This painting forms part of a wider genre presenting free settlers (and gold rush emigrants) to Australia and other British empire colonies. After receiving accolades at the Royal Academy,
Second Class, together with its counterpart First Class 1954, became popular through printed reproductions,being produced as a lithographic print both in England and Germany.Roger ButlerText ©
National Gallery of Australia, Canberra 2010From: Anne Gray (ed),
Australian art in the
National Gallery of Australia,
National Gallery of Australia, Canberra, 2002
常见问题与解答
Second Class - the parting: 是手绘的还是印刷的?
手工绘制:由专业画家在亚麻画布上,以油画形式临摹 Second Class - the parting: 。
Second Class - the parting: 我该选择什么尺寸?
原作尺寸为 966 x 694 cm。 尺寸从 25.8 x 38.7 cm (¥1336) 到 164.8 x 246.8 cm (¥10153) 不等;本页表格列出了主要步骤及其价格。
物流配送需要多长时间?
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《Second Class - the parting: 》的原作在哪里?
原作收藏于堪培拉的澳大利亚国立美术馆。