更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 62 件 雅科波·贝利尼 作品收录于我们的目录中
简而言之
The Aposle Peter (1430) 是 雅科波·贝利尼 最受瞩目的画作；原作收藏于 柏林 的 柏林州立博物馆。 随后，目光会移向 Madonna and Child (1450) 和 Saint Anthony Abbot and Saint Bernardino of Siena (1459)。 在 雅科波·贝利尼 的 62 件作品中，这 60 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
To stand before Jacopo Bellini's depiction of The Apostle Peter is to encounter not merely a portrait, but a profound moment suspended in the amber glow of the early Renaissance. This oil on wood painting, dating from 1430, immediately draws the viewer into its narrative depth. Bellini masterfully captures the gravitas and intellectual weight associated with the figure of Peter. The composition itself is a lesson in visual storytelling; every…
The year is roughly 1450, and within the bustling heart of Venice, a young artist named Jacopo Bellini was quietly revolutionizing the very fabric of painting. His “Madonna and Child,” now residing in the Uffizi Gallery, isn't merely a depiction of the Virgin Mary cradling her infant son; it’s a window into the burgeoning Renaissance spirit, a testament to Bellini’s innovative approach to perspective, color, and emotional resonance. This work…
Jacopo Bellini's “Saint Anthony Abbot and Saint Bernardino of Siena,” painted in 1459, isn’t merely a depiction of two revered saints; it’s a profound meditation on faith, the natural world, and the burgeoning spirit of Renaissance Venice. This oil-on-poplar panel, now housed within the National Gallery of Art in Washington D.C., offers a rare glimpse into a pivotal moment in Venetian art – a transition from the rigid formality of…
To stand before this depiction of Saint John the Evangelist is to step into a hushed moment of profound intellectual reckoning. The air seems thick with the scent of aged vellum and deep thought. This painting captures not merely a portrait, but an entire state of being—the quiet intensity of divine revelation meeting human contemplation. The figure dominates the vertical space, his posture one of serene yet palpable engagement with…
To gaze upon this preparatory drawing by Jacopo Bellini is to step directly into the vibrant, intellectual crucible of the early Italian Renaissance. It is not merely an image; it is a blueprint of genius—a tangible record of an artist wrestling with the monumental weight and exquisite potential of classical antiquity. Rendered in the delicate interplay of charcoal and ink upon aged paper, the composition presents three distinct sculptural visions:…
A vertical, arched composition defines this Renaissance-era religious panel, presenting a standing figure of Saint Peter with a formal, iconographic presence. The subject is an elderly man, characterized by a balding head and a full, greyish-white beard, his gaze directed slightly upward and toward the viewer's left. He is draped in voluminous, layered robes: a red undergarment visible at the base, a heavy golden-yellow mantle across the torso, and a…
The scene unfolds within a highly ornate polyptych, a structure defined by two main arched panels separated by a central gilded pillar. On the left, the Archangel Gabriel kneels in profile, his presence marked by an intricately patterned gold brocade robe accented with blue. His large, feathered wings frame a moment of profound stillness. Opposite him, the Virgin Mary kneels before a decorated prie-dieu, her posture one of quiet devotion.…
This Renaissance triptych, dated to 1450, presents three holy figures arranged within a gilded Gothic architectural frame. The composition follows a symmetrical structure, featuring a larger central panel flanked by two narrower side panels. In the center, St. Jerome is depicted wearing a crimson robe, holding a book and a small model of a church. To the left, St. Francis is shown in a muted grey habit, and to the…
A solemn portrait of Saint Bernardino of Siena emerges from a dark, patterned background, rendered with the precision of the Early Renaissance. The composition focuses on a three-quarter view of the elderly saint, whose weathered skin and deep-set eyes suggest a life of intense spiritual rigor. Soft, directional light from the upper left carves out the bony structure of his face, casting gentle shadows into the folds of his monastic…
The painting titled Madonna and Child is a work by the Venetian artist Jacopo Bellini. Born in Venice, Italy, Bellini helped shape the visual language of the Renaissance through a precise, observational hand. This specific panel captures a quiet, sacred moment between mother and son.
Adoration of the Magi1460 · Pinacoteca Nazionale
12
Virgin and Child1465
13
Mourning over Christ1470 · 柏林国家美术馆
14
Profile Portrait of a Boy1470 · 国家美术馆
15
Nativity1440 · 卢浮宫
16
Dormition of the Virgin1450 · 卢浮宫
17
Presentation of the Virgin at the Temple卢浮宫
18
St. John the Baptist Preaching卢浮宫
19
Flagellation1450 · 卢浮宫
20
Johannes der Evangelist, Der Apostel Petrus1430
21
Der heilige Hieronymus1430 · 柏林国家美术馆
22
madonna and child, uffizi1450
23
Annunciation1444 · Sant'Alessandro
24
Lamentation (from the sketchook, folios 57b-58a)1440 · 卢浮宫
25
Madonna and Child1450 · 布雷拉畫廊
26
Saint Anthony Abbot and Saint Bernardino of Siena1459 · 国家美术馆
27
Madonna with Child1465 · 洛杉矶县立艺术博物馆
28
Triptych of the Virgin1464 · 威尼斯学院美术馆
29
Saint Anthony Abbot and Saint Bernardino da Siena1460
30
Album del Louvre, epigrafi e monete1450 · 卢浮宫
31
Le triomphe de Bacchus卢浮宫
32
Madonna and Child Adored by Lionello d'Este1450 · 卢浮宫
33
Ross and rider
34
Sieben Heilige
35
Profile of a man
36
Crucifix
37
Madonna mit dem KindBonnefanten Museum
38
Christus in der Vorhölle
39
Heiliger Hieronymus in der Wüste
40
The Three Dead and Three Loud
41
The scourging at the torchlight
42
Christ in the grave
43
The Twelve Apostles in a Barrel Vaulted Passage1440 · 大英博物馆
44
Sketch of young deer
45
Sketch of deer doe
46
Tomb of a prince
47
View of a fortification of Jerusalem
48
Christ's Descent into Limbo
49
saint anthony abbot and saint bernardino of sie(1
50
The Crucifixion科雷尔博物馆
51
Sketch of figures and scenes from the antique age
52
Virgin with Child威尼斯学院美术馆
53
St Michael Defeating Satan大英博物馆
54
Madonna and Child1450 · 乌菲兹美术馆
55
Madonna Tadini1450
56
Triptych of St Lawrence1464 · 威尼斯学院美术馆
57
Triptych of St Sebastian1464 · 威尼斯学院美术馆
58
Triptych of the Nativity1464 · 威尼斯学院美术馆
59
Madonna and Child1420 · 卡斯特韦基奥博物馆
60
Saint Jerome in the Desert1460 · 卡斯特韦基奥博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 雅科波·贝利尼 的作品 | 此列表中的画作 |
|---|---|---|---|
 卢浮宫 |
巴黎 | 10 | Epigrafi e Statue, Nativity, Dormition of the Virgin |
 威尼斯学院美术馆 |
威尼斯 | 5 | Triptych of the Virgin, Virgin with Child, Triptych of St Lawrence |
 国家美术馆 |
华盛顿 | 3 | Saint Anthony Abbot and Saint Bernardino of Siena, Profile Portrait of a Boy, Saint Anthony Abbot and Saint Bernardino of Siena |
 柏林国家美术馆 |
柏林 | 3 | Saint Peter, Mourning over Christ, Der heilige Hieronymus |
 柏林州立博物馆 |
柏林 | 2 | The Aposle Peter, St John the Evangelist |
 大英博物馆 |
伦敦 | 2 | The Twelve Apostles in a Barrel Vaulted Passage, St Michael Defeating Satan |
 卡斯特韦基奥博物馆 |
维罗纳 | 2 | Madonna and Child, Saint Jerome in the Desert |
 大都会艺术博物馆 |
纽约 | 1 | Madonna and Child |
选择一个年代，探索定义该时代的原创杰作。
A seated Virgin Mary holds the Christ Child upon her lap, framed by a deep blue, arched background. The composition is centered and vertical, emphasizing a quiet, intimate relationship between mother and child. She is draped in voluminous red robes, while the Child wears a golden yellow tunic. Beneath them, an earthy green foreground provides a grounded base for the figures. The use of gold leaf in the large, circular…
To stand before Jacopo Bellini's depiction of The Apostle Peter is to encounter not merely a portrait, but a profound moment suspended in the amber glow of the early Renaissance. This oil on wood painting, dating from 1430, immediately draws the viewer into its narrative depth. Bellini masterfully captures the gravitas and intellectual weight associated with the figure of Peter. The composition itself is a lesson in visual storytelling; every…
The scene unfolds within a highly ornate polyptych, a structure defined by two main arched panels separated by a central gilded pillar. On the left, the Archangel Gabriel kneels in profile, his presence marked by an intricately patterned gold brocade robe accented with blue. His large, feathered wings frame a moment of profound stillness. Opposite him, the Virgin Mary kneels before a decorated prie-dieu, her posture one of quiet devotion.…
The year is roughly 1450, and within the bustling heart of Venice, a young artist named Jacopo Bellini was quietly revolutionizing the very fabric of painting. His “Madonna and Child,” now residing in the Uffizi Gallery, isn't merely a depiction of the Virgin Mary cradling her infant son; it’s a window into the burgeoning Renaissance spirit, a testament to Bellini’s innovative approach to perspective, color, and emotional resonance. This work…
In this Renaissance-era painting, Jacopo Bellini presents the biblical scene of the Adoration of the Magi. Created about 1460, the work captures the moment the Holy Family receives the Magi, a subject centered on the reverence shown to the Christ Child. The composition brings together the figures of Mary, Joseph, and the Magi within a structured setting, marking a significant moment of divine revelation through the interaction of these central…
The painting presents a tight, triangular arrangement of three figures set against a dark, indistinct background. In the foreground, the pale, luminous skin of the deceased Christ is the primary focus, his body positioned to reveal the anatomical structure of the torso and the musculature of the chest. A wound is visible in his side. Flanking the central figure are two mourning individuals, likely the Virgin Mary and Saint John…
The Aposle Peter (1430)，柏林州立博物馆, 柏林。紧随其后的是 Madonna and Child (1450) 和 Saint Anthony Abbot and Saint Bernardino of Siena (1459)。
30岁：The Aposle Peter创作于1430年，雅科波·贝利尼出生于1400年。
The Aposle Peter, Madonna and Child, Saint Anthony Abbot and Saint Bernardino of Siena, St John the Evangelist, Epigrafi e Statue, Saint Peter, Annunciation, St. Jerome with St. Francis and St. Anthony Abbot, Saint Bernardino of Siena 及 Madonna and Child。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 62 件 雅科波·贝利尼 的作品，创作年代从 1420 年至 1470 年。
多见于 卢浮宫 (巴黎), 威尼斯学院美术馆 (威尼斯) 及 国家美术馆 (华盛顿)。上方的博物馆列表列出了所有相关机构。
在 1450s 期间：本页 60 件作品中有 14 件创作于该时期，其中包含 Madonna and Child 件作品。
在本页面中，最早的作品创作于 Madonna and Child (1420)，最晚的创作于 Mourning over Christ (1470)。
Virgin mary (8), Child (7) 及 Religious (7)，共计 60 件作品。
Tempera On Panel，共计 10 件（本页共有 60 件作品）。
根据本页面的原作，Early renaissance
Epigrafi e Statue, Nativity 及 Dormition of the Virgin：卢浮宫, 巴黎收藏了本页中 10 件作品。
雅各布·贝利尼（Jacopo Bellini）是威尼斯及意大利北部蓬勃发展的文艺复兴绘画风格中的关键人物。他不仅仅是一位画家，更是这一风格的奠基性创新者之一；通过对自然的细致观察以及对线性透视法的精湛运用，他重塑了当时的艺术审美——而这种技术在之前的威尼斯艺术传统中几乎是缺失的。尽管 Bellini 的原作画布如今仅存寥寥，难以让人一睹其昔日的辉煌，但他的艺术遗产主要寄托于那些精美绝伦的素描手稿之中，例如收藏于大英博物馆和卢浮宫的珍品。这些绘稿揭示了他对壮丽景观与复杂建筑设计的深厚痴迷，为我们洞察其艺术创作过程提供了无价的线索，并预示了那个时代即将出现的诸多风格变革。
雅各布约于 1396 年出生于威尼斯，他的成长岁月沉浸在晚期哥特式那丰富且具装饰性的艺术传统之中。史料表明，他曾是名震一方的艺术家 Gentile da Fabriano 的弟子，后者的画室创作了当时最具雄心与华丽色彩的壁画作品。这段显赫的师承关系无疑使 Bellini 培养了对细节、色彩和谐以及装饰复杂性的终身鉴赏力。在他职业生涯的早期，约在 1411 年至 1412 年间，他活跃于佛洛里尼（Foligno），并与那些定义了国际哥特风格的大师们并肩作战，共同完成了 Trinci 宫殿那宏伟壮丽的壁画创作。
约在 1423 年，Bellini 前往佛罗伦萨的旅程成为了他艺术生涯的重要转折点。这次访问使他置身于一场由 Brunelleschi、Donatello 和 Masaccio 等艺术巨匠引领的激烈实验之巅。在佛罗伦萨，他接触到了当时正处于兴起阶段的线性透视科学，这一发现从根本上改变了他处理空间与深度的艺术手法。通过将威尼斯根源中那种抒情且具装饰性的优雅，与佛罗伦萨创新者所追求的结构严谨性及空间清晰度完美融合，Bellini 开始锻造出一种独特的视觉语言。这种艺术上的综合，使他能够超越中世纪那种扁平且具有象征意义的平面感，转而向一种更具沉浸感、如同窗棂般真实描绘世界的境界迈进。
随着艺术事业的推进，Bellini 成为建立一个统治威尼斯艺术界数代之久的家族王朝的核心人物。他的影响力不仅体现在个人创作上，更体现在教学传承之中，他将自己的创新技法悉数传授给了儿子 Gentile 和 Giovanni。通过这两位继承者，他在光影、风景与透视领域的实验种子，最终绽放成了与 Bellini 之名紧密相连的高文艺复兴时期的辉煌盛景。他的作品充当了连接过去装饰传统与未来人文主义现实主义的桥梁，使他成为意大利艺术演进过程中不可或缺的关键环节。
雅各布·贝利尼的历史意义在于他扮演了变革催化剂的角色。尽管他的许多创作成果仍以笔墨纸砚这种亲密而细腻的媒介形式留存，但那些素描手稿本身已构成了威尼斯文艺复兴的蓝图。他能够构思出复杂且具有多层深度的景观以及符合数学逻辑的建筑结构，这为后继者们探索威尼斯潟湖那迷人的大气美感奠定了坚实基础。研习 Bellini 的作品，便是见证艺术家的目光如何开始真正掌握深度幻觉的瞬间，这一时刻永远改变了人类感知绘画世界的方式。
