Оновлено Жовтень 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 214 робіт Джон Ліннелл у нашому каталозі
Коротко кажучи
З усіх оригінальних робіт, які залишив Джон Ліннелл, найвідомішою є Mrs Clare (1834) із колекції Art Gallery of South Australia, Аделаїда. Слідом за ними йдуть William Collins, R.A. (1831) та Miss Jane Puxley (1826). Наш каталог містить 214 робіт Джон Ліннелл; галерея зберегла 100 найвідоміших у світі творів, кожен із яких представлений із датою створення, назвою музею та своєю історією.
An intimate bust-length portrait, rendered in oil on an oak panel, captures an elderly woman in a moment of stillness. The subject is positioned against a dark, indeterminate background, a choice that pushes her figure forward and focuses all attention on her character. Her attire consists of a heavy, textured bodice in deep brown tones, contrasted sharply by the luminous, translucent white of her lace cap and neckerchief. This interplay…
In this 1831 oil portrait, we encounter William Collins, R.A., presented in a manner that emphasizes his professional standing and personal gravity. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the left of the frame. There is a profound sense of stillness here. The lighting is handled with a deliberate chiaroscuro effect, where a soft light falls across his pale skin and light…
The oil on canvas titled Miss Jane Puxley is a portrait by the British painter John Linnell. It captures the likeness of Jane Susanna Puxley, who lived from 1809 to 1829. The work emerged in 1826, a year when the artist exhibited the piece at the Royal Academy. A quiet stillness settles over the subject, preserved in the pigment and the weave of the fabric.
We are looking at Shepherd Boy Playing a Flute, a work painted by John Linnell in 1831. This piece captures a quiet moment in the life of a young shepherd boy as he plays a fipple flute. It is a delicate study of rural existence, rendered with a focus on the simplicity of the subject's task.
In this intimate portrait, titled Mr Clare, the artist John Linnell captures a quiet moment of introspection. Painted in London in 1834, the work presents a dignified subject through a focused, bust-length composition. The sitter gazes directly forward, his expression composed and steady, creating a sense of immediate presence between the subject and the viewer.
A Member of the Puxley Family is a portrait by John Linnell. Painted in 1826, the oil on canvas captures Jane Susanna Puxley, who lived from 1809 to 1829. She was the daughter of John Lavallin Puxley, a copper magnate from Dunboy Castle, County Cork, Ireland. The commission was requested by her father to preserve her likeness.
A Woman, Probably Lydia Price (née Rose)1835 · Yale Center for British Art
12
Sir Robert Peel (1788–1850), 2nd Bt, Prime Minister1838
13
The Reverend Edward Thomas Daniell (1804–1842)1840
14
The Fishing Party1851 · Auckland Art Gallery Toi o Tāmaki
15
Wheat1860 · Національна галерея Вікторії
16
Mr Hooper, Confectioner of Holborn1837 · Temple Newsam House
17
Wayfarers
18
John Varley1830 · Ашмолеанський музей мистецтва та археології
19
Harvest Home, Sunset - The Last Load
20
Sun behind Clouds
21
In Dovedale1814 · Yale Center for British Art
22
In Dovedale1814 · Yale Center for British Art
23
Study of a Tree ('Study from Nature')1806
24
Study from Nature At Twickenham1806
25
Evening, Bayswater1818 · Yale Center for British Art
26
Evening, Storm Clearing Off1818 · Minneapolis Institute of Art
27
Richard Trevithick (1771–1833)1816
28
The Rest on the Flight into Egypt1827 · Yale Center for British Art
29
Noon1839 · Yale University Art Gallery
30
Sheep Grazing1835 · Yale Center for British Art
31
Lady King1832
32
Charles Norris (1779–1858)1837
33
Peter King, 7th Baron King of Ockham1832 · Національна портретна галерея
34
Abraham Entertaineth Three Angels1846 · Національна галерея Канади
35
Katherine Georgina Fonnereau1846
36
Thomas Carlyle (1795–1881), Historian and Essayist1844 · Шотландська національна галерея портретів
37
The Rise of the River. Around 18571850
38
Harvest Home, Sunset The Last Load1853
39
The Prophet Balaam and the Angel1859 · Музей витончених мистецтв
40
A Finished Study for 'Reaping'1858 · Yale Center for British Art
41
A River Landscape, Sunset1860 · Yale Center for British Art
42
Contemplation1864
43
Гетземаній1849 · The Stirling Smith Art Gallery - Museum
44
At The Cottage Gate
45
Portrait of William Collins (1788-1847), ArtistНаціональна галерея Ірландії
46
Portrait of a LadyНаціональна галерея Ірландії
47
Unknown womanНаціональний музей Швеції
48
The CornfieldTe Whare O Rehua Sarjeant Gallery
49
The Timber Waggon
50
Driving The Flock
51
A Forest Road
52
View Of Southampton
53
Richard Trevithick
54
The Sandpits
55
Landscape
56
The Traveller's Rest
57
UntitledНаціональна портретна галерея
58
Captain Holland Lecky
59
Landscape With Harvesters
60
Doctor Robert Walker
61
Samuel Rogers
62
Job Offering A Sacrifice On His Return To ProsperityFitzwilliam Museum
63
Katherine Georgina Fonnereau
64
Feeding The Chicks
65
John Leifchild (1780–1862)The Congregational Memorial Hall
66
Кенсінгтонські гравієри1849 · Harris Museum - Art Gallery
67
The Assumption of the Virgin1820 · Ашмолеанський музей мистецтва та археології
68
Сайр Хъмфрі Дэві1837 · Government Art Collection
69
Hanson Toot, View in DovedaleYale Center for British Art
70
Evening
71
Leading A Barge
72
Landscape With Sheep
73
A Cottage In A Wooded Landscape
74
A Surrey Lane
75
The Timber Wagon
76
Storm In Harvest
77
Windsor Forest
78
Boy Fishing
79
Woods And Forests
80
Study Of Buildings ('study From Nature')
81
James Mcmahon
82
Contemplation
83
Ploughing At Shoreham
84
Landscape In Surrey
85
Rocky Promontory
86
A Coast Scene
87
Sunset Over A Moorland LandscapeFitzwilliam Museum
88
Woody Landscape
89
On The Beach Near Cullercoats, Northumberland
90
Under The Hawthorn
91
Pointing Out The Way
92
Cornfield CradleЙоркський художній музей
93
A View Of Hampstead Heath, London
94
Shoreham ValeFitzwilliam Museum
95
A Surrey Landscape
96
The Vale Of Dolwyddelan, As It Was
97
Summer Evening, Boys Bathing
98
Leith Hill, Surrey
99
The Bird's Nest
100
The Woodcutters
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
8 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музей | Місто | Твори Джон Ліннелл | Картини зі цього списку |
|---|---|---|---|
 Yale Center for British Art |
Нью-Хейвен | 17 | William Collins, R.A., Miss Jane Puxley, Shepherd Boy Playing a Flute |
 Fitzwilliam Museum |
7 | Job Offering A Sacrifice On His Return To Prosperity, Sunset Over A Moorland Landscape, Shoreham Vale | |
 Національна портретна галерея |
Лондон | 4 | Peter King, 7th Baron King of Ockham, Untitled |
 Art Gallery of South Australia |
Аделаїда | 2 | Mrs Clare, Mr Clare |
 Музей витончених мистецтв |
Х'юстон | 2 | John Gage, The Prophet Balaam and the Angel |
 Національний музей Швеції |
Стокгольм | 2 | Ung kvinna med gyllene gloria, Unknown woman |
 Ашмолеанський музей мистецтва та археології |
Оксфорд | 2 | John Varley, The Assumption of the Virgin |
 Національна галерея Ірландії |
Дублін | 2 | Portrait of William Collins (1788-1847), Artist, Portrait of a Lady |
Оберіть десятиліття, щоб побачити оригінальний твір, який його визначає.
The oil on canvas titled Miss Jane Puxley is a portrait by the British painter John Linnell. It captures the likeness of Jane Susanna Puxley, who lived from 1809 to 1829. The work emerged in 1826, a year when the artist exhibited the piece at the Royal Academy. A quiet stillness settles over the subject, preserved in the pigment and the weave of the fabric.
An intimate bust-length portrait, rendered in oil on an oak panel, captures an elderly woman in a moment of stillness. The subject is positioned against a dark, indeterminate background, a choice that pushes her figure forward and focuses all attention on her character. Her attire consists of a heavy, textured bodice in deep brown tones, contrasted sharply by the luminous, translucent white of her lace cap and neckerchief. This interplay…
Mrs Clare (1834), Art Gallery of South Australia, Аделаїда. Далі йдуть William Collins, R.A. (1831) та Miss Jane Puxley (1826).
42 років: Mrs Clare датована 1834 роком, а Джон Ліннелл народився(-лася) у 1792.
Mrs Clare, William Collins, R.A., Miss Jane Puxley, Shepherd Boy Playing a Flute, Mr Clare, A Member of the Puxley Family, Lady Torrens and her Family, John Gage, Mr. Jacob Barring та Ung kvinna med gyllene gloria. У рейтингу вище вказано рік створення та музей для кожної картини.
Наш каталог містить 214 робіт Джон Ліннелл, датованих періодом з 1806 по 1864.
Переважно в Yale Center for British Art (Нью-Хейвен), Fitzwilliam Museum та Національна портретна галерея (Лондон). У таблиці музеїв вище наведено їхній повний перелік.
У 1830s: 14 із 100 робіт на цій сторінці були створені тоді, серед них Mrs Clare.
На цій сторінці найдавніша робота датована Study of a Tree ('Study from Nature') (1806), а найновіша — Contemplation (1864).
Portrait (8), Victorian era (6) та Pastoral (6), у 100 роботах на цій сторінці.
Oil On Canvas, для 5 із 100 робіт на цій сторінці.
Romantic landscape painting, судячи з оригіналів на цій сторінці.
William Collins, R.A., Miss Jane Puxley та Shepherd Boy Playing a Flute: Yale Center for British Art, Нью-Хейвен зберігає 14 робіт із цієї сторінки.
John Linnell, a name perhaps less familiar than some of his contemporaries, nevertheless holds a significant place in the history of 19th-century British art. Born in Bloomsbury, London, in 1792, he embarked on an artistic journey marked by rigorous training and a unique ability to capture the essence of both rural landscapes and intimate portraits. His work, characterized by a delicate balance between traditional techniques and subtle modern influences, continues to resonate with viewers today. Linnell’s legacy lies not just in his individual paintings but also in his role as a bridge between established artistic conventions and emerging stylistic trends.
Linnell's early life provided him with an exceptional foundation for his future career. He was born into a family involved in crafts and artistry, exposing him to the world of visual creation from a young age. While precise details of his formal education remain somewhat elusive – records are scarce – it’s clear he received instruction that emphasized traditional methods. His early works, though not widely exhibited during his lifetime, already demonstrated an innate talent and a keen eye for detail. Linnell was profoundly influenced by the masters of the past, particularly Leonardo da Vinci and Vincent van Gogh, whose innovative approaches to color and composition undoubtedly shaped his own artistic vision. Interestingly, OriginalUniqueArt.com offers a glimpse into this influence, showcasing reproductions of works that clearly informed his style.
Linnell’s artistic style is immediately recognizable as a captivating blend of traditional British art with subtle hints of modernity. He possessed an extraordinary ability to render the world around him with remarkable precision, capturing not just the outward appearance but also the underlying mood and atmosphere of his subjects. His use of color was particularly noteworthy – often employing muted tones and delicate gradations to create a sense of depth and realism. Texture played a crucial role in his work as well, adding tactile quality to landscapes and portraits alike. Linnell’s compositions were carefully considered, guiding the viewer's eye through each scene with an intuitive grace. His paintings frequently evoke a feeling of nostalgia for a bygone era, transporting viewers back to the serene beauty of rural England.
Linnell’s oeuvre is rich in diverse subjects, ranging from idyllic landscapes to poignant portraits. Several works stand out as particularly noteworthy examples of his skill and artistry. “The Poet’s Garden”, for instance, masterfully captures the interplay of light and shadow within a natural setting, drawing comparisons to the evocative paintings of Pierre-Auguste Renoir. “Westminster Abbey at Night” demonstrates his talent for depicting urban landscapes with atmospheric depth, reminiscent of the works of George Stubbs and Arthur Hacker. The portrait “Baby Marcelle Roulin” is celebrated for its ability to convey innocence and beauty, while pieces like “Cap d’Antibes” and “Haying And Playing” offer serene glimpses into rural life. His portraits – such as “Doctor Robert Walker,” “Richard Trevithick,” and “General John Le Mesurier And His Wife Martha With A Legal Representative Of The British Government At The Handing Over Of The Island Of Alderney” – are distinguished by their realism, dramatic lighting, and ability to capture the individual character of his subjects. Even more evocative works like “Job Offering A Sacrifice On His Return To Prosperity” and “A Cottage In A Wooded Landscape” reveal a deep understanding of symbolism and narrative.
John Linnell’s work reflects the social and cultural landscape of 19th-century Britain. He skillfully documented everyday life – rural scenes, portraits of prominent figures – with an artistic sensibility that went beyond mere representation. His paintings offer valuable insights into the values, beliefs, and customs of his time. Linnell's influence extended beyond his own creations; he was a respected engraver as well, further demonstrating his versatility and commitment to visual arts. Today, Linnell’s legacy is preserved through reproductions available on platforms like OriginalUniqueArt.com, ensuring that his art continues to be appreciated by audiences worldwide. His unique style—a harmonious blend of tradition and innovation—solidifies his place as a significant figure in the development of British painting.
