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Set a boat afloat

Українська метаописка: Відкрийте для себе чарівний світ творчості Парка Джун Сіка! Його спокійні пейзажі та символічні образи роблять його видатним художником з Південної Кореї, відомим своїми полотнами "Set a Boat Afloat".

Олійная репродукція ручної роботи

Написана вручну олією на полотні у вашому розмірі та рамі, виготовлена на замовлення нашими художниками. (Замовити принт Замовити принтКупити цифрове зображення Купити цифрове зображення)

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Обирайте з наших стандартних розмірів, що відповідають оригінальним пропорціям твору мистецтва.

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Ви можете вказати власні розміри, щоб репродукція ідеально підійшла до конкретної рами або інтер'єру. Якщо вибраний вами розмір не відповідає пропорціям оригіналу, ми або обріжемо полотно, або доповнимо картину додатковими елементами, промальованими вручну. Цифровий макет буде надіслано вам на затвердження перед початком виробництва.
Зверніть увагу, що попередній перегляд на екрані не відображає фактичне обрізання або розширення зображення. Тільки макет точно покаже остаточну композицію.
Хоча ми можемо виготовити виріб у нестандартному розмірі, для збереження оригінальних пропорцій рекомендуємо обирати варіанти зі встановленого списку.

Приклади можливих змін: замінити обличчя на фото клієнта; додати домашню тварину (наприклад, замінити кота на собаку); додати приховане повідомлення на фоні; змінити ландшафт або елементи фону.
Після оформлення замовлення команда OriginalUniqueArt.com зв'яжеться з клієнтом електронною поштою для отримання інструкцій та надасть попередній макет

Доставка по всьому світу () за 3–4 тижні замість стандартних 5 тижнів. (14 Серпень). Без жодних компромісів у якості.

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Пропозиція на оптові замовлення

Загальна вартість

$ 300

reproduction

Set a boat afloat

Матеріал репродукції

Розмір репродукції

-

Підсумкова вартість

$ 300

Опис твору

The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

Біографія митця

Park Jun Sik: A Vision of Tranquility and Symbolism

Park Jun Sik, born November 16, 1991, in Giheung District, Yongin, South Korea, is a contemporary Korean artist whose paintings resonate with serene landscapes imbued with profound symbolic imagery. While biographical details remain somewhat sparse—a testament to the evolving nature of artistic legacies—his work speaks volumes about his aesthetic sensibilities and contribution to the landscape painting tradition. ### Early Life & Artistic Beginnings Little is known definitively about Park Jun Sik’s formative years beyond confirmation that he was born into a family with musical inclinations. His father holds a prominent position at BMW Korea, reflecting Yongin's economic dynamism, while his mother nurtures her passion for piano performance. From a young age, Park demonstrated an aptitude for music, participating in school band performances and covering popular Korean artists like Buzz and Flower—a formative experience that instilled within him a deep appreciation for melody and rhythm. Notably, he excelled at Gumdo, a Korean martial art rooted in Japanese Kendo, honing his physical discipline alongside artistic pursuits. This balanced approach undoubtedly shaped his perspective on creativity and execution. ### Artistic Training & Influences Park’s formal artistic education commenced at Shingal High School, where he pursued Business Administration concurrently with intensive training in Gumdo. Recognizing the importance of grounding oneself in foundational skills, he diligently honed his craft before enrolling at Digital Seoul Culture Arts University. During this period, he immersed himself in studying art history and technique—a deliberate effort to understand the artistic landscape preceding his own explorations. He cites influences from Minimalist Art and Abstract Expressionism as pivotal in shaping his stylistic vision, acknowledging the power of simplification and emotional resonance within visual representation. Artists like Kazimir Malevich, whose Suprematism championed geometric abstraction, served as a guiding force in Park’s conceptual development. ### Artistic Style & Notable Works Park Jun Sik's artistic style is characterized by an unwavering commitment to capturing the essence of nature—primarily landscapes—with remarkable precision and subtlety. He eschews ostentation, favoring muted palettes and understated brushstrokes that prioritize atmosphere and mood over literal depiction. His canvases often depict expansive vistas bathed in soft light, conveying a sense of tranquility and contemplation. Recurring motifs within his paintings – such as solitary trees, flowing water, and distant mountains – carry symbolic weight, reflecting themes of resilience, harmony, and the interconnectedness of existence. Among his most celebrated pieces is “Set a Boat Afloat,” which exemplifies Park’s mastery of technique—specifically layering translucent washes to achieve luminous effects that capture the ephemeral beauty of natural light. The artwork's composition draws inspiration from traditional Korean landscape painting conventions, yet imbues it with a distinctly modern sensibility. It stands as a testament to Park Jun Sik’s ability to honor artistic heritage while forging his own distinctive voice within the contemporary art world. ### Legacy & Significance Park Jun Sik’s contribution to Korean art lies in his unwavering dedication to exploring the expressive potential of landscape painting—a genre historically revered for its capacity to convey spiritual contemplation and evoke profound emotional responses. His work embodies a quiet confidence, reflecting an artist who understands that true beauty resides not in grand gestures but in understated elegance. As he continues to develop his artistic practice, Park Jun Sik undoubtedly represents a promising voice within the Korean art scene—a beacon of serenity and symbolism for generations to come.
Парк Джун Сык

Парк Джун Сык

1991 - , Південна Корея

Короткі факти

  • Artistic Movement Or Style: Landscape Painting
  • Date Of Birth: November 16, 1991
  • Full Name: Park Jun Sik
  • Nationality: Korean
  • Notable Artworks: ['Set a Boat Afloat']
  • Place Of Birth: South Korea (Giheung District)