Придбайте репродукцію Red Mobile - Александр Мильне Кадер

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Between the 1920s and ‘30s, Calder regularly made long study and work trips to Paris, where he began to participate in the Abstraction-Création group. Finally, in 1932, at the Galleria Vignon – owned by Marie Cuttolì, an avant-garde collector – he exhibited for the first time, presenting thirty mobile works that were to pave the way for other mobiles to come. Fifteen of these were operated artificially by motors and others were composed of naturally oscillating parts. Later constructions often had supports or were suspended in the air, and were normally composed of painted metal sheets joined by a metal skeleton of slender veins and stems. Apparently it was Marcel Duchamp, on a visit to the exhibition by his American friend, who gave their name to these graceful, floating structures, which could catch the slightest change in the breeze, in stark contrast to the basic characteristics of traditional sculpture - gravity and stability. The Parisian context and close interest of the avant-guard led to the mechanical and biomorphic nature of these works being associated with the organic motifs of the surrealist painting and sculpture of Jean Mirò and Jean Arp. The Dadaist legacy of interest in movement, better still if unpredictable and casual in its effects and forms, which Calder combined with a preference for abstract and heavily stylised language, was stimulated by attention towards primitive cultures, which for the artist essentially meant the ethnic heritage of Native Americans, encountered while wandering around the United States in his youth. These influences spawned abstract anatomies, like this large Red Mobile, always in movement with a calculated balance, aimed at creating a visual equivalent of the harmonious yet unpredictable activity of nature.

Біографія митця

Introduction to Alexander Milne Calder

Alexander Milne Calder (MILL-nee) was a Scottish-American sculptor whose groundbreaking approach to art revolutionized the visual landscape of the 20th century. Born in Aberdeen, Scotland, on August 23, 1846, Calder’s artistic journey began amidst the burgeoning Arts and Crafts Movement, profoundly shaped by his father's influence as a stonemason—a craft he himself diligently honed early in life. He attended the Royal Academy in Edinburgh, immersing himself in classical sculpture traditions before embarking on a transformative relocation to London where he studied at the South Kensington School and collaborated closely with Thomas Eakins at the Pennsylvania Academy of Fine Arts. This formative period instilled within him an appreciation for both meticulous technique and expressive experimentation.

Early Life & Education: Calder’s childhood was marked by a fascination with art, nurtured by his parents' dedication to creative pursuits. Notably, he posed nude for his father’s sculpture *Man Cub*, demonstrating an early inclination towards artistic representation.
Parisian Influences: Calder’s travels to Paris exposed him to the avant-garde currents of Surrealism and Kinetic Art—movements that would irrevocably alter his artistic vision.
Philadelphia & Collaboration: He established himself in Philadelphia, where he partnered with John McArthur Jr., to realize monumental sculptures for City Hall—a project that demanded unparalleled precision and innovation.

Notable Works & Artistic Style

Calder’s oeuvre is characterized by two distinct yet interconnected styles: architectural sculpture and kinetic mobiles. His magnum opus, Philadelphia City Hall, stands as a testament to his mastery of marble and bronze, embodying the grandeur and ambition of Beaux-Arts architecture. The statue of William Penn atop the tower—a colossal undertaking—further cemented Calder’s reputation as a visionary sculptor capable of tackling ambitious projects. However, it was Calder's mobiles – delicately balanced assemblages of metal rods and hanging weights – that truly captivated audiences and established him as a pioneer in Kinetic Art. These sculptures harnessed the principles of chance and movement, reflecting Calder’s belief that “theories may be all very well for the artist himself, but they shouldn’t be broadcast to other people.”

Philadelphia City Hall: Calder's architectural sculpture showcased his meticulous attention to detail and technical prowess.
William Penn Statue: This monumental sculpture demonstrated Calder’s ability to execute large-scale projects with exceptional artistry.
Mobiles: Calder’s mobiles—characterized by their balanced movement—became iconic representations of Kinetic Art, embodying the spirit of improvisation and serendipity.

Legacy & Influence

Alexander Milne Calder's influence extended far beyond his own creations, shaping the artistic landscape of subsequent generations. His son, Alexander Stirling Calder, and grandson, Alexander ‘Sandy’ Calder—both accomplished sculptors—carried forward his legacy, perpetuating his innovative spirit and furthering the exploration of kinetic sculpture. Calder’s contributions to art history are recognized globally, with his sculptures housed in prestigious museums worldwide, including the Smithsonian American Art Museum and the Galleria Civica di Arte Moderna e Contemporanea Torino. His unwavering conviction that “art should be a surprise” continues to inspire artists today—a testament to the enduring power of his artistic vision.

Son’s Artistic Contribution: Alexander Stirling Calder, Calder's son, followed in his father's footsteps as a sculptor, furthering the family tradition of artistic excellence.
Grandson’s Artistic Legacy: Alexander ‘Sandy’ Calder—Calder’s grandson—maintained his grandfather’s pioneering spirit and expanded upon his explorations of Kinetic Art.

## Further Exploration To delve deeper into the life and work of Alexander Milne Calder, visit calder.org for comprehensive biographical information and a detailed timeline of his artistic career. Explore exhibitions showcasing Calder’s sculptures at museums across North America and Europe to experience firsthand the beauty and dynamism of his groundbreaking creations.

Александр Мильне Кадер

1898 - 1976 , Шотландія

Короткі факти

Artistic Movement Or Style: Architectural sculpture
Artists Or Movements Influenced By This Artist:
- Kinetic art
- Surrealism
Artists Who Influenced This Artist: ['John Rhind']
Date Of Birth: August 23, 1846
Date Of Death: June 14, 1923
Full Name: Alexander Milne Calder
Nationality: Scottish-American
Notable Artworks:
- Philadelphia City Hall
- William Penn statue
Place Of Birth: Aberdeen, Scotland

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Біографія митця

Introduction to Alexander Milne Calder

Notable Works & Artistic Style

Legacy & Influence

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