The mocking of Christ
The light fades into the dark.
Özetle
The mocking of Christ (1699), en çok ilgi çeken Anthoni Schoonjans tablosudur; orijinali Viyana, Kunsthistorisches Museum bünyesinde bulunmaktadır. Ardından göz, The Apple of Eris (1690) ve Portrait of an unknown lady (1690) üzerine yoğunlaşır. Kataloğumuzdaki Anthoni Schoonjans imzalı 15 eser arasından seçilen bu 15 eser; yapıldığı yıl, sergilendiği müze ve zamana meydan okuma nedenleriyle birlikte sunulan en ünlü ve her biri eşsiz orijinal çalışmalardır.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 3 müze.
| Müze | Şehir | Anthoni Schoonjans Eserleri | Bu listedeki tablolar |
|---|---|---|---|
| Münih | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Viyana | 2 | The mocking of Christ, Vestal virgins | |
| Berlin | 1 | Portrait of crown prince Frederick William as David with a sling |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
The mocking of Christ (1699), Kunsthistorisches Museum, Viyana. Ardından The Apple of Eris (1690) ve Portrait of an unknown lady (1690) geliyor.
44 yaşında: The mocking of Christ 1699 yılına aittir ve Anthoni Schoonjans 1655 yılında doğmuştur.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew ve Elector Johann Wilhelm on Horseback. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Anthoni Schoonjans tarafından 1690 ile 1716 tarihleri arasında üretilmiş 15 eser bulunmaktadır.
Çoğunlukla Bavarian State Painting Collections (Münih), Kunsthistorisches Museum (Viyana) ve Charlottenburg Sarayı (Berlin) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1690s döneminde: Bu sayfadaki 15 eserin 10 tanesi o dönemde yapılmıştır, bunların The mocking of Christ tanesi ise The mocking of Christ arasındadır.
Bu sayfadaki en eski eser The Apple of Eris (1690), en yeni eser ise Saint Elizabeth of Hungary Distributing Alms to the Poor (1716)'dir.
Bu sayfadaki 15 eserin 2 tanesi Oil türündedir.
The Apple of Eris, Portrait of an unknown lady ve Jacob blames Laban of his deception with Lea (Genesis 29:25-27): Bavarian State Painting Collections, Münih, bu sayfadaki eserlerden 11 tanesine ev sahipliği yapmaktadır.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.