Porträtt av Masaccio

The 97 Most Famous Masaccio Paintings, Each One of a Kind

Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 97 verk av Masaccio i vår katalog

In short

Treenigheten (1428) is the Masaccio painting that draws the most eyes. After it, the eye goes to Tiondet (1425) and Utdrivningen ur paradiset (1426). Among the 97 works of Masaccio in our catalog, these 97 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1401 – 1428, San Giovanni Valdarno Tidig renässans Flest verk: Santa Maria del Carmine

Top 10 paintings by Masaccio, through the gallery's eye

1
Treenigheten (1428) av Masaccio

Treenigheten

1428 · Fresko

The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important works of the early Renaissance period. The painting is housed in the Santa Maria Novella church in Florence, Italy. Artistic Innovations The Trinity by Masaccio was a groundbreaking work that introduced several artistic innovations. It is one of the first monumental Renaissance…

2
Tiondet (1425) av Masaccio

Tiondet

1425 · Fresko

Scenen utspelar sig i Brancacci-kapellet i basilikan Santa Maria del Carmine i Florens. Här ger fresken med titeln Tiondet av Masaccio ett bibliskt narrativ liv på kapellets väggar. Detta verk, beställt av Felice Brancacci, utgör en betydelsefull del av en större cykel tillägnad Sankt Petrus liv. Luften i kapellet tycks bära på tyngden av denna heliga historia, medan gestalterna rör sig genom ett ögonblick av djup betydelse.

3
Utdrivningen ur paradiset (1426) av Masaccio

Utdrivningen ur paradiset

1426 · Fresko

Den tunga tystnaden i Brancacci-kapellet i kyrkan Santa Maria del Carmine i Florens, Italien, bär på tyngden av en djup tragedi. Här andas väggarna berättelsen om Utdrivningen ur paradiset, en fresco målad av Masaccio omkring år 1425. Luften tycks förtätas kring gestalterna när de står inför sin plötsliga, oåterkalleliga utvisning från paradiset. Denna scen markerar början på ett större narrativ och fungerar som den första frescon i en serie tillägnad…

4
Rendering av Tribute Money (Detalj) av Masaccio

Rendering av Tribute Money (Detalj)

Fresko

Denna fängslande detalj härstammar från Masaccios banbrytande fresk, ”Tribute Money”, ett avgörande verk i Brancacci-kapellet i Florens. Verket, som utfördes omkring 1426, representerar en vändpunkt i den västerländska konsten genom att röra sig bort från den gotiska tidens stiliserade konventioner mot en ny era av naturalism och humanistiskt uttryck.

5
Predella panel from the Pisa Altar (1426) av Masaccio

Predella panel from the Pisa Altar

1426 · Oil On Panel · Staatliche Museen zu Berlin, Berlin

To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…

6
The Madonna of Humility (1424) av Masaccio

The Madonna of Humility

1424 · Tempera On Panel

In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…

7
Trinity (detail) (1425) av Masaccio

Trinity (detail)

1425 · Fresco · Santa Maria Novella, Florens

The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.

8
Two panels from the Pisa Altarpiece (1426) av Masaccio

Two panels from the Pisa Altarpiece

1426 · Tempera On Panel · Staatliche Museen zu Berlin, Berlin

In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…

9
Trinity (1425) av Masaccio

Trinity

1425 · Fresco · Santa Maria Novella, Florens

To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…

10
Trinity (detail) (1425) av Masaccio

Trinity (detail)

1425 · Acrylic On Canvas · Santa Maria Novella, Florens

Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…

Masaccio's famous paintings, numbers 11 to 97

11Vy över Cappella Brancacci (innan restaurering) (1426) av MasaccioVy över Cappella Brancacci (innan restaurering)1426 · Santa Maria del Carmine 12Trinity (scheme of the perspective) (1425) av MasaccioTrinity (scheme of the perspective)1425 · Santa Maria Novella 13Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) av MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 14St Peter Healing the Sick with his Shadow (detail) (1426) av MasaccioSt Peter Healing the Sick with his Shadow (detail)1426 15Freskoer i Cappella Brancacci (högra vy) 1426-82 (1426) av MasaccioFreskoer i Cappella Brancacci (högra vy) 1426-821426 · Santa Maria del Carmine 16Madonna Casini (1426) av MasaccioMadonna Casini1426 17Adam and Eve banished from Paradise (1427) av MasaccioAdam and Eve banished from Paradise1427 18The Distribution of Alms and the Death of Ananias (detail) (1426) av MasaccioThe Distribution of Alms and the Death of Ananias (detail)1426 19Freskoer i Brancacci Kapellen (vänster vy) (1426) av MasaccioFreskoer i Brancacci Kapellen (vänster vy)1426 · Santa Maria del Carmine 20Baptism of the Neophytes (1427) av MasaccioBaptism of the Neophytes1427 21Christ in the Garden of Gethsemane (detail) (1424) av MasaccioChrist in the Garden of Gethsemane (detail)1424 · Lindenau-Museum 22Crucifixion (1426) av MasaccioCrucifixion1426 · Museo di Capodimonte 23Tribute Money (detail) (1426) av MasaccioTribute Money (detail)1426 24The Agony in the Garden (1426) av MasaccioThe Agony in the Garden1426 25St Peter Healing the Sick with his Shadow (detail) (1426) av MasaccioSt Peter Healing the Sick with his Shadow (detail)1426 26St. Juvenal Triptych (1422) av MasaccioSt. Juvenal Triptych1422 27Maria and Child (1426) av MasaccioMaria and Child1426 28Tribute Money (detail) (1426) av MasaccioTribute Money (detail)1426 29The Expulsion from the Garden of Eden (detail) (1426) av MasaccioThe Expulsion from the Garden of Eden (detail)1426 30Birth tray (1428) av MasaccioBirth tray1428 31The Baptism of the Neophytes (1426) av MasaccioThe Baptism of the Neophytes1426 32Raising of the Son of Theophilus and St Peter Enthroned (1426) av MasaccioRaising of the Son of Theophilus and St Peter Enthroned1426 33The Distribution of Alms and the Death of Ananias (detail) (1426) av MasaccioThe Distribution of Alms and the Death of Ananias (detail)1426 34Adoration of the Knigs (1428) av MasaccioAdoration of the Knigs1428 35Tribute Money (detail) (1426) av MasaccioTribute Money (detail)1426 36Tribute Money (1426) av MasaccioTribute Money1426 37The Expulsion from the Garden of Eden (1426) av MasaccioThe Expulsion from the Garden of Eden1426 38Tribute Money (detail) (1426) av MasaccioTribute Money (detail)1426 39Raising of the Son of Theophilus and St Peter Enthroned (detail) (9) (1426) av MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail) (9)1426 40San Giovenale Triptych. Right panel. (1422) av MasaccioSan Giovenale Triptych. Right panel.1422 41Crucifixion (1426) av MasaccioCrucifixion1426 42Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) av MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 43Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) av MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 44The Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) av MasaccioThe Raising of the Son of Theophilus and St Peter Enthroned (detail)1426 45Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) av MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 46Christ in the Garden of Gethsemane (detail) (1424) av MasaccioChrist in the Garden of Gethsemane (detail)1424 · Lindenau-Museum 47San Giovenale Triptych. Central panel (1423) av MasaccioSan Giovenale Triptych. Central panel1423 48Distribution of Alms and Death of Ananias (1425) av MasaccioDistribution of Alms and Death of Ananias1425 49Profile Portrait of a Young Man av MasaccioProfile Portrait of a Young Man 50Profile Portrait of a Young Man (1425) av MasaccioProfile Portrait of a Young Man1425 · National Gallery of Art 51Rendering of the Tribute Money av MasaccioRendering of the Tribute Money 52Distribution of the Goods of the Community and the Death of Ananias (detail) av MasaccioDistribution of the Goods of the Community and the Death of Ananias (detail) 53St. Giovenale Triptych av MasaccioSt. Giovenale Triptych 54The Expulsion from Paradise av MasaccioThe Expulsion from Paradise 55The Adoration of the Magi av MasaccioThe Adoration of the Magi 56St. Peter Baptizing the Neophytes av MasaccioSt. Peter Baptizing the Neophytes 57Birth Salver av MasaccioBirth Salver 58Medallion av MasaccioMedallion 59Madonna and Child av MasaccioMadonna and Child 60Madonna Enthroned av MasaccioMadonna Enthroned 61St Jerome and St John the Baptist av MasaccioSt Jerome and St John the Baptist 62Christ in the Garden of Gethsemane (1424) av MasaccioChrist in the Garden of Gethsemane1424 · Lindenau-Museum 63San Giovenale Triptych. Left panel (1422) av MasaccioSan Giovenale Triptych. Left panel1422 64Portrait of a Young Woman (1425) av MasaccioPortrait of a Young Woman1425 65Distribution of the Goods of the Community and the Death of Ananias av MasaccioDistribution of the Goods of the Community and the Death of Ananias 66The Holy Trinity with the Virgin, St. John and Two Donors av MasaccioThe Holy Trinity with the Virgin, St. John and Two Donors 67The Cricifixion of St. Peter. The Beheading of St. John the Baptist av MasaccioThe Cricifixion of St. Peter. The Beheading of St. John the Baptist 68La Consagración av MasaccioLa Consagración 69Crucifixion av MasaccioCrucifixion 70St Jerome and St John the Baptist 1 av MasaccioSt Jerome and St John the Baptist 1 71The Madonna and Child with Saint Anne av MasaccioThe Madonna and Child with Saint Anne 72Two panels from the Pisa Altarpiece av MasaccioTwo panels from the Pisa Altarpiece 73Portrait of a young man av MasaccioPortrait of a young manIsabella Stewart Gardner Museum 74View of the Cappella Brancacci (after restoration) av MasaccioView of the Cappella Brancacci (after restoration) 75Putto and a Small Dog (back side of the Berlin Tondo) av MasaccioPutto and a Small Dog (back side of the Berlin Tondo) 76The Madonna and Child with st.Anna. (1424) av MasaccioThe Madonna and Child with st.Anna.1424 77Plate of Nativity (Berlin Tondo) (1427) av MasaccioPlate of Nativity (Berlin Tondo)1427 · Staatliche Museen zu Berlin 78Madonna with Child and Angels (1426) av MasaccioMadonna with Child and Angels1426 · National Gallery 79The Distribution of Alms and the Death of Ananias (1426) av MasaccioThe Distribution of Alms and the Death of Ananias1426 · Santa Maria del Carmine 80St Peter Healing the Sick with his Shadow (1426) av MasaccioSt Peter Healing the Sick with his Shadow1426 · Santa Maria del Carmine 81San Giovenale Triptych (1422) av MasaccioSan Giovenale Triptych1422 82Raising of the Son of Teophilus and St.Peter Enthroned (1427) av MasaccioRaising of the Son of Teophilus and St.Peter Enthroned1427 · Santa Maria del Carmine 83St Paul (1426) av MasaccioSt Paul1426 · Museo Nazionale di San Matteo 84Carnesecchi Triptych (1423) av MasaccioCarnesecchi Triptych1423 85Adoration of the Magi (1426) av MasaccioAdoration of the Magi1426 · Staatliche Museen zu Berlin 86Martyrdom of San Giovanni Battista (1426) av MasaccioMartyrdom of San Giovanni Battista1426 · Gemäldegalerie 87Predella panel from the Pisa Altar (1426) av MasaccioPredella panel from the Pisa Altar1426 · Staatliche Museen zu Berlin 88A Bearded Carmelite Saint (1426) av MasaccioA Bearded Carmelite Saint1426 · Gemäldegalerie 89Madonna Casini (1426) av MasaccioMadonna Casini1426 90Madonna of Humility (1420) av MasaccioMadonna of Humility1420 · National Gallery of Art 91Repentance of Saint Peter (1425) av MasaccioRepentance of Saint Peter1425 · Santa Maria del Carmine 92San Agustín av MasaccioSan AgustínGemäldegalerie 93St. Andrew (1426) av MasaccioSt. Andrew1426 · J. Paul Getty Museum 94Carmelita av MasaccioCarmelitaGemäldegalerie 95St. Jerome av MasaccioSt. JeromeGemäldegalerie 96St.Girolamo end Giovanni Battista (1428) av MasaccioSt.Girolamo end Giovanni Battista1428 · National Gallery 97Crucifixion of St Peter (1426) av MasaccioCrucifixion of St Peter1426 · Staatliche Museen zu Berlin

Masaccio's famous paintings, period by period

The subjects that held Masaccio's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Masaccio's originals

De 8 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Masaccio Målningar från denna lista
Santa Maria del Carmine, FlorensSanta Maria del Carmine Florens 7 Vy över Cappella Brancacci (innan restaurering), Freskoer i Cappella Brancacci (högra vy) 1426-82, Freskoer i Brancacci Kapellen (vänster vy)
Staatliche Museen zu Berlin, BerlinStaatliche Museen zu Berlin Berlin 6 Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo)
Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín
Santa Maria Novella, FlorensSanta Maria Novella Florens 4 Trinity (detail), Trinity, Trinity (detail)
Lindenau-Museum, AltengauLindenau-Museum Altengau 3 Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Profile Portrait of a Young Man, Madonna of Humility
National Gallery, LondonNational Gallery London 2 Madonna with Child and Angels, St.Girolamo end Giovanni Battista
Museo di Capodimonte, NeapelMuseo di Capodimonte Neapel 1 Crucifixion

Masaccio across the years: the unique originals of each

Masaccio's dated originals shown here fit into about ten years, 1420 to 1428: the eye follows them year by year.

Verk per år

Pick a year to see its originals.

Masaccio's paintings: questions for the gallery

What is the single most famous work of Masaccio?Reveal the answer

Treenigheten (1428). Tiondet (1425) and Utdrivningen ur paradiset (1426) come next.

At what age did Masaccio create Treenigheten?Reveal the answer

27 years old: Treenigheten dates from 1428, and Masaccio was born in 1401.

Which ten paintings by Masaccio are the most famous?Reveal the answer

Treenigheten, Tiondet, Utdrivningen ur paradiset, Rendering av Tribute Money (Detalj), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity och Trinity (detail). The ranking above gives each one's year and museum.

How many works by Masaccio are known?Reveal the answer

Our catalog holds 97 works by Masaccio, dated from 1420 to 1428.

Where can the most famous Masaccio originals be seen?Reveal the answer

Mostly in Santa Maria del Carmine (Florens), Staatliche Museen zu Berlin (Berlin) och Gemäldegalerie (Berlin). The museum table above lists them all.

During which period did Masaccio create the best-known paintings?Reveal the answer

In 1426: 41 of the 97 works on this page were made then, Utdrivningen ur paradiset among them.

Which famous Masaccio painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Madonna of Humility (1420) and the latest Treenigheten (1428).

What subjects did Masaccio favour?Reveal the answer

Saints (30), Religious (25) och Renaissance (15), across the 97 works on this page.

What materials did Masaccio paint with most?Reveal the answer

Tempera On Panel, for 6 of the 97 works on this page.

Which movement does the work of Masaccio belong to?Reveal the answer

Tidig renässans, judging by the originals on this page.

What Masaccio originals can I see at the Santa Maria del Carmine?Reveal the answer

Vy över Cappella Brancacci (innan restaurering), Freskoer i Cappella Brancacci (högra vy) 1426-82 och Freskoer i Brancacci Kapellen (vänster vy): the Santa Maria del Carmine, Florens holds 7 of the works on this page.

Where can I order a hand-painted Masaccio reproduction?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

Masaccio: a portrait of the artist

Masaccio (1401-1428): The Dawn of Renaissance Realism

Tommaso di Ser Giovanni di Simone Guidi Cassai, better known as Masaccio (meaning "clumsy Tom"), was a pivotal figure in the Early Italian Renaissance. Born on December 21, 1401, in San Giovanni Valdarno, Italy, and dying tragically young in 1428, his brief career revolutionized painting with groundbreaking realism, perspective, and chiaroscuro (the use of strong contrasts between light and dark). Despite his short life, Masaccio’s impact on subsequent generations of artists was profound, establishing a new standard for naturalism and influencing the course of Western art.

Early Life and Training

Masaccio's origins were humble; he descended from a family involved in cabinet making – Ser Giovanni di Simone Cassai, his father, was a notary, and Monna Iacopa di Martinozzo di Dino, his mother. Orphaned at age five when his father died unexpectedly, Masaccio’s brother, Giovanni (Lo Scheggia), also pursued artistic endeavors, though he signed only one painting – a testament to the secretive nature of Renaissance artists' lives. The details surrounding Masaccio’s formative years remain frustratingly sparse; no definitive master has been identified, which contributes to the enduring mystery surrounding his rapid ascent to artistic mastery and his revolutionary techniques. Despite this lack of documented training, scholars believe he likely apprenticed around 1415, absorbing influences from masters like Giotto di Bondone – a predecessor celebrated for his pioneering naturalism – and Filippo Brunelleschi, whose rediscovery of linear perspective fundamentally reshaped artistic representation.

Artistic Development and Major Works

Masaccio’s artistic journey began with an initial fascination for Giotto's expressive frescoes in Padua Cathedral, where he meticulously studied the artist’s masterful use of color and emotion. However, Masaccio swiftly surpassed Giotto’s achievements in perspective and anatomical accuracy, demonstrating a profound understanding of mathematical principles and human anatomy—skills honed through observation and experimentation. He was profoundly impacted by Brunelleschi's architectural innovations, particularly his groundbreaking application of linear perspective in the Duomo of Florence – an endeavor that inspired Masaccio to translate these spatial concepts into his paintings. His artistic breakthroughs centered around mastering linear perspective and chiaroscuro. Masaccio skillfully employed vanishing points and mathematical precision to create a convincing illusion of depth on a two-dimensional surface, mirroring Brunelleschi’s architectural vision. Simultaneously, he achieved unparalleled realism by manipulating light and shadow—a technique known as chiaroscuro—to sculpt forms and imbue his figures with palpable emotion. This dramatic interplay of light and dark elevated Masaccio's paintings beyond mere representation; they conveyed a sense of psychological depth previously unheard of in art. Masaccio’s most celebrated achievement was undoubtedly the Brancacci Chapel frescoes in Santa Maria del Carmine, Florence – a collaborative effort with Masolino—which remain among the finest examples of Early Renaissance painting. The frescoes depict scenes from Saint Peter's life, capturing dramatic narratives and conveying profound emotional resonance through masterful use of perspective and chiaroscuro. Particularly noteworthy is “The Tribute Money,” where Masaccio’s innovative depiction of spatial recession and anatomical detail established a new standard for naturalism—a standard that would inspire Leonardo da Vinci and Michelangelo centuries later. His influence extended beyond Florence, shaping the artistic sensibilities of artists across Italy and cementing his place as one of the foundational figures of Western art history.

Historical Significance and Legacy

Masaccio’s legacy transcends mere stylistic innovation; he fundamentally altered the intellectual landscape of Renaissance art. By rejecting medieval conventions and embracing humanist ideals—inspired by classical antiquity—he ushered in a new era of artistic exploration and creativity. Giorgio Vasari, the renowned biographer of artists, recognized Masaccio's genius as unparalleled, proclaiming him "the best painter of his generation" and highlighting his ability to imitate nature with breathtaking precision. Despite dying prematurely at the age of twenty-six – circumstances shrouded in mystery—Masaccio’s brief but brilliant career continues to captivate scholars and artists alike, serving as a poignant reminder of the transformative power of artistic talent and innovation. His work remains an enduring testament to the dawn of Renaissance realism and its profound impact on Western culture.

Alla 97 verk av Masaccio →