Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 7 verk av Charles Walch i vår katalog
Kortfattat
Av alla originalverk som Charles Walch lämnade efter sig är det mest kända Bad-Mouthing (1933), i samlingen hos Centre Pompidou, Paris. Tätt efter följer Winter (1934) och The Shepherdess (1934). Vår katalog innehåller 7 verk av Charles Walch; galleriet har bevarat de 7 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
De 3 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Charles Walch | Målningar från denna lista |
|---|---|---|---|
 Musée des Beaux-Arts |
Mulhouse | 3 | Birthday, Bâtisseurs et architectes, L'armoire à l'ange |
 Centre Pompidou |
Paris | 2 | Bad-Mouthing, Winter |
 Musée d'Art Moderne et Contemporain de Strasbourg |
Strasbourg | 2 | The Shepherdess, The Triumphant Bouquet |
Knappt ett decennium, från 1933 till 1942, gav världen varje daterat original av Charles Walch i detta urval: här är de, år för år.
Välj ett år för att se originalen.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
Bad-Mouthing (1933), Centre Pompidou, Paris. Winter (1934) och The Shepherdess (1934) följer efter.
37 år gammal: Bad-Mouthing är från 1933, och Charles Walch föddes 1896.
Vår katalog innehåller 7 verk av Charles Walch, daterade från 1933 till 1942.
Främst i Musée des Beaux-Arts (Mulhouse), Centre Pompidou (Paris) och Musée d'Art Moderne et Contemporain de Strasbourg (Strasbourg). Museitabellen ovan listar alla.
Under 1942: 3 av de 7 verk som finns på denna sida skapades då, varav The Triumphant Bouquet.
På den här sidan är det tidigaste Bad-Mouthing (1933) och det senaste The Triumphant Bouquet (1942).
Birthday, Bâtisseurs et architectes och L'armoire à l'ange: Musée des Beaux-Arts, Mulhouse har 3 av verken på denna sida.
Born in Thann, France, Charles Walch was a versatile visual artist who mastered the disciplines of painting, sculpture, and printmaking. His journey was marked by a profound personal challenge; born with a physical malformation that left his right arm atrophied and his right leg shorter than the left, he learned to navigate the world and his craft using his left hand. This necessity fostered a remarkable dexterity that would define his career. After studying at the Société Industrielle de Mulhouse, he initially worked as a fabric designer. His artistic potential was recognized by Paul Bonnet, who encouraged him to pursue formal training. This support allowed him to move to Paris to study at the Arts décoratifs, eventually establishing a lifelong studio on rue Borromée in the 15th arrondissement.
Walch's career saw significant recognition, including receiving a gold medal at the Exposition universelle de Paris in 1937 and being named a Chevalier de la Légion d'honneur. His work spanned various media, from vibrant paintings and stone sculptures such as Tendresse and Femme au chat to intricate prints like aquatints and etchings. He was part of the 1941 exhibition of the "Vingt jeunes peintres de tradition française" and contributed a flamboyant rooster as a poster for the 1944 Salon d’Automne. His artistic output included:
He passed away suddenly in his Paris studio in 1948 while actively engaged in his painting.
