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StatistikRubin415
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Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Beställ handmålad reproduktion Byt till digital bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver för att passa din ram eller vägg. Ett tryck kan endast beskäras, aldrig göras större än originalbilden, vilket innebär att ett format med en annan proportion leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi påbörjar tryckningen. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
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Rubin415
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Skr 810
Konstnärsbiografi
Tony Sjoman: The Geometry of Memory
Tony Sjoman, also known as Rubin415, is a Swedish graffiti artist born in Gothenburg (1975) to Finnish parents. His artistic journey began amidst the stark concrete landscapes of his childhood, profoundly shaped by seminal films like *Beat Street* and *Style Wars*, which ignited his passion for lettering and instilled a belief in trusting intuition—a lesson learned from witnessing the unapologetic pride of graffiti pioneers. This formative experience propelled him toward New York City in 1998, where he embraced a more open approach to creativity and rediscovered the joy inherent in artistic expression.- Early Influences: Sjoman’s fascination with graffiti stemmed from witnessing *Beat Street* on television at age nine, sparking an immediate connection to the rebellious spirit of street art and its roots in hip-hop culture.
- Formal Training & Exploration: After a hiatus from painting lasting approximately eight years, Sjoman returned to his craft with renewed vigor, revisiting foundational techniques honed during his youth and prioritizing experimentation.
- The Move to New York City: Recognizing the vibrancy of artistic communities in NYC, Sjoman relocated permanently in 1998, immersing himself in a dynamic environment that fostered continuous growth and inspiration.
Graffiti Roots & Artistic Evolution
Sjöman’s initial foray into art involved repurposing stolen spray markers—a playful rebellion against the uniformity of his Gothenburg surroundings—reflecting the influence of graffiti legends like Nic 707 (R.I.P.). He honed his skills through jams in the Bronx, absorbing wisdom from seasoned artists who championed spontaneity and conviction. This dedication to raw expression fueled his artistic development, transitioning him from simple lettering to a sophisticated visual language characterized by layered forms and meticulous attention to detail.- Early Technique: Sjoman began experimenting with spray cans and markers alongside fellow graffiti artists in the Bronx, absorbing invaluable lessons about improvisation and authenticity.
- Shift Towards Minimalism: His artistic style evolved from early lettering explorations into a distinctive aesthetic rooted in geometric abstraction and minimalist principles—a stylistic hallmark that distinguishes his work globally.
Murals & Collaborations: A Dialogue Between Form & Place
Sjöman’s murals traverse Scandinavia and numerous US cities, including the Greater New York City area, demonstrating a commitment to transforming urban spaces through impactful visual narratives. Notable projects include the Aqueduct Racetrack Mural Project (2013) and ‘Domino Walls’-project (2014), collaborations with VICE Magazine, Heineken, and MTV—reflecting his willingness to engage with diverse artistic partnerships. He’s actively involved in group exhibitions across the United States and continues to refine his craft through ongoing commissions and studio endeavors.- Notable Commissions: Sjoman's murals have graced locations such as Nike headquarters, Lululemon stores, and American Express buildings, showcasing his ability to adapt his artistic vision to various contexts.
- Collaborative Projects: His partnerships with brands like VICE Magazine and Heineken underscore his openness to collaborative endeavors that amplify artistic impact.
Recognition & Artistic Legacy
Tony Sjoman’s work has garnered critical acclaim and appeared in publications including *The New York Times*, Juxtapoz, and NBC. In 2016, he released his debut monograph, *Rubin: New York / Scandinavia*, documenting the first decade of his career—a testament to his unwavering dedication to artistic exploration and visual storytelling. His enduring influence extends beyond individual artworks; he embodies the spirit of Graffuturism, blending geometric precision with meditative contemplation—leaving an indelible mark on contemporary street art and fostering a dialogue between form and place.
Tony Sjöman
1975 - , Sweden
Kortfakta
- Artistic Movement Or Style: Graffuturism
- Artists Or Movements Influenced By This Artist: ['Old School Graffiti']
- Artists Who Influenced This Artist:
- Beat Street
- Style Wars
- Date Of Birth: 1975
- Full Name: Tony Sjoman
- Nationality: Swedish
- Notable Artworks: ['Brooklyn Fine Art Print Fair']
- Place Of Birth: Gothenburg, Sweden