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Plate sherd

South African artist Tamar Mason (b. 1966) creates evocative textile-based works exploring rural life, community & memory. See her solo exhibition at Pippy Houldsworth Gallery.

Handgjord oljereproduktion

Handmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer. (Köp tryck Köp tryckKöp bild Köp bild)

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Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.

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Du kan ange egna mått för att passa en specifik ram eller yta. Om den valda storleken inte matchar originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka målningen med ytterligare handmålade element. En digital skiss skickas till dig för godkännande innan produktionen påbörjas.
Observera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast skissen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer en dimension från den fördefinierade listan för att bevara originalproportionerna.

Exempel på vad som kan anpassas: Byt ut ansiktet mot ett foto av kunden; Lägg till ett husdjur (t.ex. byt ut en katt mot en hund); Inkludera ett dolt meddelande i bakgrunden; Ändra bakgrundens landskap eller element.
Efter beställning kommer OriginalUniqueArt.com team att mejla kunden för instruktioner och tillhandahålla en skissförhandsvisning

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Totalpris

$ 300

reproduction

Plate sherd

Tryckteknik

Reproduktionsstorlek

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Totalpris

$ 300

Om konstverket

This plate sherd was excavated by Archaeological Services Inc. in Toronto. The ceramic sherd is from a plate decorated with the “Mount Zion” pattern made by C. J. Mason and Co., a Staffordshire pottery company operating in England from the 1820s to the 1840s. C. J. Mason and Co. produced a series of biblical themed transferware patterns, each with a bible reference or quotation inscribed inside a tombstone maker’s mark on the base.

Om konstnären

Tamar Mason: Weaving Narratives of Rural South Africa

Tamar Mason (born Johannesburg, South Africa, 1966) stands as a compelling figure in contemporary textile art, particularly within the context of South African visual culture. Her artistic journey began with formative experiences collaborating on community projects focused on empowering women artisans from rural communities—a practice that continues to inform her creative vision and methodology. This dedication to fostering skill development alongside storytelling has undeniably shaped her distinctive aesthetic. Mason’s formal training solidified her foundation in art through a diploma from Scuola Lorenzo dei Medici, Florence (1987), followed by a Bachelor of Arts degree from the University of South Africa (1993). These academic pursuits instilled a critical understanding of artistic history and technique, which she subsequently honed as co-director of The Artists’ Press, a lithographic studio committed to publishing limited edition artworks by prominent South African artists like William Kentridge and Diane Victor. This collaborative endeavor underscores her belief in the importance of dialogue within the art world and champions the preservation of artisanal practices. Her artistic output centers around intricately woven textiles—a medium she expertly utilizes to explore themes of memory, identity, and the enduring legacy of rural traditions. Mason’s work isn't merely decorative; it’s a deliberate act of documentation and reflection on landscapes and communities often marginalized in mainstream narratives. She draws inspiration from the rich cultural heritage of South Africa, specifically referencing the concept of “Threads of Knowing,” which speaks to the transmission of knowledge across generations—a core element present in her artistic process. Recent exhibitions have cemented Mason’s reputation as a significant voice within the contemporary art scene. Notably, she showcased "Seeing Shadows," her inaugural solo exhibition at Pippy Houldsworth Gallery in November 2024, accompanied by insightful commentary from curator Pippy Houldsworth. Furthermore, her inclusion in “Where the Waters Clash…”—a group exhibition at Goodman Gallery—demonstrates her engagement with broader artistic conversations. Beyond gallery showings, Mason’s pieces reside in collections spanning international institutions like The Smithsonian (Washington, D.C.), furthering their impact and ensuring their preservation for future generations. Her work has been recognized by organizations such as the School of the Art Institute of Chicago and the Institute of Contemporary Art Miami. Mason's artistic contributions extend beyond individual artworks; she actively participates in initiatives promoting textile arts education and fostering connections between artists and communities. Collaborations with museums like Paula’s Museo Inima (Bel Horizonte, Brazil) and the Nelson Mandela Metropolitan Art Museum (Port Elizabeth) highlight her commitment to disseminating cultural understanding and celebrating craftsmanship. Her involvement in projects such as “An Odyssey in Print”—a Smithsonian Libraries exhibition—underscores her dedication to preserving artistic heritage and engaging audiences globally.
Tamar Mason

Tamar Mason

1966 - , South Africa

Snabbfakta

  • Artistic Movement Or Style: Textile Art
  • Date Of Birth: 1966
  • Full Name: Tamar Mason
  • Nationality: South African
  • Notable Artworks:
    • Threads of Knowing: The Future
    • Plate sherd
  • Place Of Birth: Johannesburg, South Africa