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BesökstatistikOn the Gothic Line
1990
91.0 x 71.0 cm
Usher Gallery
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Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Köp handmålat konstverk Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver, för att passa din ram eller din vägg. Ett tryck kan endast beskäras, aldrig göras större än bilden, vilket innebär att ett format med en annan formform leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi trycker något. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
On the Gothic Line
Giclée / Konsttryck
Reproduktionsstorlek
-
Totalpris
Skr 793
Om konstnären
Susan Wilson: A Painter Rooted in Observation and Emotion
Susan Wilson (b. Dunedin, New Zealand 1951) embarked on an artistic journey marked by radical convictions and a profound connection to the natural world—a trajectory that would ultimately shape her distinctive style and enduring legacy within British art history. Expelled from teacher training college for outspoken political views, Wilson’s formative years instilled in her a commitment to challenging conventions and advocating for social justice, values that would permeate her artistic practice throughout her life. Following initial explorations into nursing and travel—particularly encompassing South America—Wilson arrived in England in 1982, enrolling at Camberwell School of Arts and Crafts and subsequently the Royal Academy Schools. These institutions provided crucial grounding in traditional techniques while fostering an openness to experimentation and innovation, shaping her artistic vision and establishing her as a respected tutor and mentor. Her artistic development gained momentum through fellowships awarded by Cheltenham & Gloucester College of Art and Technology and prestigious organizations like Venice Biennale and The Richard Ford Scholarship to Spain. Recognition from influential bodies such as the Spectator Competition cemented her reputation as a gifted artist capable of capturing both formal beauty and emotional depth—a hallmark of her oeuvre. Wilson’s artistic output spanned diverse mediums, including oil paintings, etchings, and prints, reflecting her unwavering dedication to direct observation and meticulous detail. Her subjects ranged from intimate portraits—such as “Baroness Helena Kennedy,” a poignant exploration of loneliness and introspection—to expansive landscapes imbued with the spirit of British wilderness. Notably, her work at Crossrail excavation site in North Kensington showcased her engagement with contemporary social issues alongside her mastery of artistic craft. Her paintings are characterized by textured surfaces—particularly impasto technique—that convey palpable energy and immediacy. Surrealist elements subtly interwoven into her compositions underscore her embrace of psychological exploration and challenge conventional perceptions of reality. Wilson’s artistic style aligns closely with Expressionism and Surrealism, demonstrating a willingness to push boundaries and express profound emotional resonance. Throughout her career, Wilson maintained active involvement in the art world as an artist interpreter at The National Portrait Gallery and a member of ARTES committee—roles that underscored her commitment to fostering dialogue and disseminating knowledge about art and culture. Her enduring influence extends beyond her own artistic achievements; she served as a tutor at Chelsea School of Art and contributed significantly to the training of future generations of artists, ensuring that her distinctive vision continued to inspire creativity and critical engagement. Her work is held by institutions such as The Usher Gallery in Lincoln and The National Trust—a testament to its enduring appeal and recognition within British art heritage. Susan Wilson’s artistic legacy stands as a beacon of conviction, observation, and emotional expression—a celebration of the transformative power of art to illuminate both inner landscapes and the beauty of the external world.
Susan Wilson
Nya Zeeland
Snabbfakta
- Artistic Movement Or Style: Expressionism Surrealism
- Artists Or Movements Influenced By This Artist: ['Browse & Darby']
- Artists Who Influenced This Artist: ['John Wilson Carmichael']
- Date Of Birth: 1951 Dunedin New Zealand
- Full Name: Susan Wilson
- Nationality: New Zealander British
- Notable Artworks:
- Wild London
- Baroness Helena Kennedy
- Place Of Birth: Dunedin New Zealand