Meny
KOSTNADSFRI KONSTRÅDGIVNING
PreviewPreview Köp tryck Köp tryckKöp högupplöst digital bild Köp högupplöst digital bild SkickaSkicka
Visa detaljerVisa detaljer Lägg till i favoriter Lägg till i favoriter Ladda nerLadda ner Liknande objektLiknande objekt RöntgenRöntgen BildspelBildspel

Australian Print

A vibrant textile masterpiece featuring a striking red patterned circle on blue by Sue Reid that celebrates Yorta Yorta culture through intricate embroidery and quilting, perfect for adding warmth to your collection.

Susan Schellinck (Sue Reid), Canadian field hockey Olympian & artist. Known for evocative Australian prints capturing landscapes & moments. Honored in Nanaimo Sport Hall of Fame.

Handgjord oljereproduktion

Handmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer.

Standard
custom
CM
INCH

Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.

bredd
höjd

Du kan ange egna mått för att passa en specifik ram eller yta. Om den valda storleken inte matchar originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka målningen med ytterligare handmålade element. En digital skiss skickas till dig för godkännande innan produktionen påbörjas.
Observera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast skissen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer en dimension från den fördefinierade listan för att bevara originalproportionerna.

Exempel på vad som kan ändras: Byt ut ansiktet mot ett foto av kunden; Lägg till ett husdjur (t.ex. byt ut en katt mot en hund); Inkludera ett dolt meddelande i bakgrunden; Ändra bakgrundens landskap eller element.
Efter beställning kommer OriginalUniqueArt.com team att mejla kunden för instruktioner och tillhandahålla en skissförhandsvisning

Leverans över hela världen () på 3–4 veckor istället för standard 5 veckor. (23 juli). Inga kompromisser med kvaliteten.

why_choose_icon
Fri expressfrakt över hela världen
why_choose_icon
Högkvalitativ linnecanvas
why_choose_icon
Fullständig fraktförsäkring
why_choose_icon
Garantier för återbetalning av tullavgifter
why_choose_icon
Garantier för exakt färgåtergivning
why_choose_icon
60 dagars returrätt (endast vid fabrikationsfel)
why_choose_icon
100% pengarna tillbaka-garanti
why_choose_icon
Mängdrabatt erbjuds

Totalpris

-

reproduction

Australian Print

Teknik för reproduktion

Storlek på reproduktion

-

Slutgiltigt pris

-

Kortfakta

  • Dimensions: 124 x 105 cm
  • Title: Australian Print
  • Medium: Acrylic paint, embroidery, and machine quilting
  • Artist: susan schellinck
  • Year: 2019

Beskrivning av konstverket

A Tapestry of Connection: The Soul of Australian Print

In the evocative realm of contemporary textile art, Australian Print stands as a profound testament to the power of collaborative storytelling and cultural reverence. This exquisite piece is not merely a visual object but a rhythmic dialogue between two distinct perspectives: that of non-Indigenous artist Sue Reid and the Yorta Yorta Elder, Aunty Cynthia Hardie. Through a meticulous process of reproduction, Reid breathes new life into the original drawings of Troy Firebrace, a Yorta Yorta man, creating a work that transcends simple decoration to become a living archive of heritage. The piece serves as a vibrant bridge between ancestral memory and modern tactile expression, inviting the viewer into a space where history is felt through every stitch and pigment.

The technique employed in this masterpiece is a sophisticated marriage of medium and method. Moving far beyond the boundaries of traditional painting, Reid utilizes acrylic paint, hand embroidery, and machine quilting to build a rich, multi-dimensional surface. This layering of textures creates a sensory experience that invites the eye to wander across the fabric's topography. The interplay between the fluid application of acrylics and the structured, rhythmic precision of quilting mimics the complexity of the stories being told—a blend of organic movement and disciplined tradition. For the discerning collector, this tactile depth offers a unique presence that flat prints simply cannot replicate, making it a centerpiece of unparalleled character.

Visually, the artwork captivates with its striking use of color and symbolic geometry. A deep, resonant blue background provides a celestial stage for the central focal point: a warm, glowing red circle that pulses with an orange hue. This circular motif, reminiscent of a fingerprint or a cosmic eye, suggests themes of identity, origin, and the indelible mark left by those who came before us. The warmth radiating from the center creates a sense of profound intimacy, as if one is peering into a sacred hearth. It is a composition that balances the vastness of the Australian landscape with the concentrated intensity of human connection.

For interior designers and art enthusiasts alike, Australian Print offers an unparalleled emotional resonance. It possesses the rare ability to anchor a room, providing both a sophisticated aesthetic focal point and a deep sense of narrative weight. Whether placed in a contemporary gallery setting or a curated residential space, the work inspires contemplation on themes of collaboration, respect, and the shared human experience. To possess a reproduction of this piece is to bring into one's environment a fragment of a much larger, beautiful conversation—a celebration of the world through the lens of shared artistry and enduring respect.


Konstnärsbiografi

A Life Forged in Sport and Transformed into Art

Susan Schellinck, more widely known as Sue Reid, is an artist whose work resonates deeply with the beauty and spirit of Australia. Born in Nanaimo, Canada, on November 10, 1970, her journey began not within a studio, but on the field – specifically, the world of competitive field hockey. Schellinck’s athletic career culminated in representing Canada at the 1992 Summer Olympics in Barcelona, where she and her teammates secured seventh place, an achievement that cemented her legacy within Canadian sporting history. This early experience, demanding discipline, strategic thinking, and a profound connection to teamwork, would profoundly shape her artistic sensibilities later in life. The physicality of sport, the fleeting moments of triumph and defeat, and the inherent drama of competition became foundational elements in her visual language.

From Hockey Stick to Brush: A Transition of Passion

Following her Olympic participation, Schellinck’s focus shifted from the intense demands of professional field hockey to a new pursuit – art. This transition wasn't abrupt; rather, it was a gradual evolution driven by an enduring love for the landscapes and wildlife of Australia. Drawn to the vibrant colors, dramatic light, and untamed beauty of the continent, she began to translate her observations onto canvas. Initially, her work reflected the dynamism of her sporting past – capturing the energy and movement of athletes in action. However, as her artistic voice developed, Schellinck’s focus increasingly turned towards portraying the Australian wilderness with a remarkable sensitivity and detail. The influence of her athletic background is subtly present; a keen eye for composition, an understanding of perspective, and a celebration of strength and resilience are hallmarks of her style.

Evocative Australian Landscapes

Schellinck’s artistic signature lies in her evocative depictions of the Australian outback and its surrounding environments. She doesn't simply paint landscapes; she captures *moments* within them – a lone kangaroo silhouetted against a fiery sunset, a flock of birds taking flight over ancient gums, or the quiet stillness of a vast, open plain. Her technique is characterized by rich, layered brushstrokes that build texture and depth, creating a palpable sense of atmosphere. She employs a vibrant palette, often utilizing bold hues to convey the intensity of the Australian light, while simultaneously incorporating subtle tonal shifts to suggest shadow and form. There’s an almost cinematic quality to her work, as if she's frozen a fleeting scene from a grand epic.
  • Key Subjects: Schellinck frequently depicts iconic Australian wildlife – kangaroos, emus, wombats, and various bird species – alongside breathtaking landscapes including the Flinders Ranges, Uluru (Ayers Rock), and coastal regions.
  • Technique: She primarily works in acrylics on canvas, utilizing a layering technique to build up texture and create a sense of depth. Her brushwork is expressive and confident, conveying both precision and spontaneity.
  • Color Palette: Schellinck’s color choices are often dramatic, reflecting the intensity of the Australian light – vibrant oranges, deep reds, rich blues, and earthy greens dominate her compositions.

Recognition and Legacy

Susan Schellinck's artistic achievements have been formally recognized through induction into the Nanaimo Sport Hall of Fame. This honor speaks to not only her athletic prowess but also her dedication to her community and her embodiment of Canadian sporting values. Beyond this recognition, her artwork has gained increasing acclaim within the contemporary Australian art scene. Her pieces are exhibited in galleries across Australia and have been featured in numerous publications. Schellinck’s work is more than just pretty pictures; it's a testament to the enduring power of observation, the beauty of the natural world, and the transformative potential of pursuing one’s passions – a story beautifully rendered on canvas. Her ongoing career demonstrates a remarkable ability to blend her past experiences with her artistic vision, creating art that is both deeply personal and universally resonant.
susan schellinck

susan schellinck

1970 - , Canada

Kortfattad information

  • Artistic Movement Or Style: Landscape prints
  • Date Of Birth: November 10, 1970
  • Full Name: Susan Schellinck (Sue Reid)
  • Nationality: Canadian
  • Notable Artworks: ['Evocative Australian prints']
  • Place Of Birth: Nanaimo, Canada