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A painting made for you, by hand

Intellectual Depression

Handgjord oljereproduktion

Handmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer. ( Byt till tryck Byt till digital bild)

Beskrivning av samlarobjekt

A stark black silhouette of a skeletal tree rises against a rich yellow background in this haunting 1980 work by Gilbert & George that captures themes of decay and invites you to explore its profound depth.

Konstnärens biografi

Explore the visionary works of Sir George Gilbert Scott – renowned architect & designer of iconic structures like Liverpool Cathedral & Battersea Power Station. Discover his Gothic & modern style.

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Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standardstorlek
skräddarsydd
CM
INCH

Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.

bredd
höjd

Ange den bredd och höjd du behöver för att passa din ram eller din vägg. Eftersom detta är handmålat kan konstnären, vid ett annat format, måla lite mer runt bilden eller beskära den något – det är du som väljer. Vi skickar en digital mockup för godkännande innan målningen påbörjas. Bilden som visas på denna sida representerar inte det slutgiltiga resultatet — det är endast mockuppen som visar det.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on massivt trä bars
White Skr1
Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt trä bars
Blurside Skr1
Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt trä bars
Extended Skr1
Corner sample of the P118B picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118B Skr10
Corner sample of the P118H picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118H Skr10
Corner sample of the P118W picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118W Skr10
Corner sample of the P438Z picture frame: formgjuten polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Skr10
Corner sample of the P508JH picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P508JH Skr12
Corner sample of the P508YH picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P508YH Skr12
Corner sample of the P805H picture frame: formgjuten polystyren, 5 cm wide and 3.5 cm thick
P805H Skr10
Corner sample of the P805Z picture frame: formgjuten polystyren, 5 cm wide and 3.5 cm thick
P805Z Skr10
Corner sample of the P919BZ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P919BZ Skr10
Corner sample of the P919G picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P919G Skr10
Corner sample of the P919XJ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P919XJ Skr10
Corner sample of the P959ZH picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P959ZH Skr10
Corner sample of the P968JZ picture frame: formgjuten polystyren, 6 cm wide and 4 cm thick
P968JZ Skr12
Corner sample of the W106C picture frame: massivt trä, 5 cm wide and 3 cm thick
W106C Skr8
Corner sample of the W218G picture frame: massivt trä, 5 cm wide and 3 cm thick
W218G Skr10
Corner sample of the W218JH picture frame: massivt trä, 5 cm wide and 3 cm thick
W218JH Skr8
Corner sample of the W218Y picture frame: massivt trä, 5 cm wide and 3 cm thick
W218Y Skr10
Corner sample of the W307PJ picture frame: massivt trä, 6 cm wide and 3 cm thick
W307PJ Skr10
Corner sample of the W316G picture frame: massivt trä, 6 cm wide and 3 cm thick
W316G Skr10
Corner sample of the W316PJ picture frame: massivt trä, 6 cm wide and 3 cm thick
W316PJ Skr8
Corner sample of the W316Y picture frame: massivt trä, 6 cm wide and 3 cm thick
W316Y Skr10
Corner sample of the W398PJ picture frame: massivt trä, 5 cm wide and 3 cm thick
W398PJ Skr8
Corner sample of the W4111J picture frame: massivt trä, 6.5 cm wide and 3.5 cm thick
W4111J Skr10
Corner sample of the W500HY picture frame: massivt trä, 7 cm wide and 5 cm thick
W500HY Skr15
Corner sample of the W500JH picture frame: massivt trä, 7 cm wide and 5 cm thick
W500JH Skr15
Corner sample of the W692G picture frame: massivt trä, 8 cm wide and 4 cm thick
W692G Skr12
Corner sample of the W849H picture frame: massivt trä, 5 cm wide and 3 cm thick
W849H Skr8
Corner sample of the W940BG picture frame: massivt trä, 7.5 cm wide and 4.5 cm thick
W940BG Skr15
Corner sample of the W953PJ picture frame: massivt trä, 6 cm wide and 3.5 cm thick
W953PJ Skr8
Corner sample of the H24-GOLD picture frame: snidad trä med gesso, 10 cm wide and 6 cm thick
H24-GOLD Skr30
Corner sample of the H24-SILVER picture frame: snidad trä med gesso, 10 cm wide and 6 cm thick
H24-SILVER Skr30
Corner sample of the H36-GOLD picture frame: snidad trä med gesso, 15 cm wide and 6.5 cm thick
H36-GOLD Skr45
Corner sample of the H36-SILVER picture frame: snidad trä med gesso, 15 cm wide and 6.5 cm thick
H36-SILVER Skr45
Förhandsvisning av ram
Inramad

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Leverans över hela världen () på 3–4 veckor istället för standard 5 veckor. (2 november). Inga kompromisser med kvaliteten.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Detaljer för graverad bronsplatta

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detaljer för transparent akrylplatta

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detaljer för svart akrylplatta

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Intellectual Depression

Reproduktionsmetod

Storlek på reproduktion

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Elitkonstnär av högsta klass

Mer detaljrikedom, finess och extra produktionstid

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Inramning av reproduktion

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För konstverk eller reproduktioner som är större än 105 cm (cirka 41 tum) på någon sida, levereras ramen som ett isärplockat kit. Denna metod säkerställer en trygg leverans och förhindrar skador under transport.

Professionell montering krävs – detta är inte en produkt för självmontering.
Kitet måste monteras och duken spännas av en erfaren professionell inramare med hjälp av trälim (ingår ej), en spänntång för duk och klämmor för att hålla sargen rak medan limmet torkar. Felaktig montering eller ojämn spänning av duken kan orsaka permanenta skador på konstverket och täcks inte av vår garanti.

  • Alla massiva träribbor ingår, exakt tillkapade efter mått.

  • Monteras med de medföljande skruvarna, samt trälim för hörnfogarna, vilket inte ingår och måste anskaffas av din ramverkare.

  • Professionella verktyg krävs och ingår ej: en dukspännare och klämmor för att hålla listerna raka medan limmet torkar.

Viktigt:
Hörnjunctionerna kräver trälim, listerna måste hållas på plats med tvingar tills limmet har torkat helt, och för att spänna duken på den monterade ramen krävs en spänntång för duk. Inget av detta ingår i kitet. Vänligen kontakta en erfaren professionell rammakare innan du beställer denna storlek.

Namnskylt

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Skyddande fernissa

Glansig fernissa (förstärker färgerna, skyddar mot ljus och fukt)

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Anpassa mitt konstverk

Exempel på vad som kan ändras: Byt ut ansiktet mot ett foto från kunden; Lägg till ett husdjur (t.ex. byt ut en katt mot en hund); Inkludera ett dolt meddelande i bakgrunden; Ändra bakgrundens landskap eller detaljer.

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Expressleverans

Leverans över hela världen () inom 3–4 veckor istället för standardiserade 5 veckor. (2 november). Inga kompromisser med kvaliteten.

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Expressleverans

Leverans över hela världen () inom 5 veckor. (9 november).

Ingår

Slutgiltigt pris

Skr 3012

Totalt pris Skr 3012

Glasalternativet är endast tillgängligt i storlekar under 110 cm.

Included with every order

  • Fri expressfrakt över hela världen
  • Högkvalitativ linnecanvas
  • Fullständig fraktförsäkring
  • Garantier för återbetalning av tullavgifter
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  • 100 dagars returrätt (endast vid fel)
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  • Mängdrabatt erbjuds
This is perhaps one of Gilbert & George’s starkest pictures, concerned with imagery of a dark, malformed growth, and orbiting notions of death and decay. A black silhouette of a skeletal leafless tree appears on a rich yellow background, seeming to raise a twisted claw to the sky. The featured tree grew in Finsbury Circus in London, and was a gift from the Japanese government as reparation after World War II. A poorly-made plaque on the tree detailed its history, though both tree and plaque were removed shortly after Gilbert & George’s picture was made. This, along with several related studies from the same period, contrasts with some of the artists’ brasher pictures, which teem with life and activity.Gilbert & George, partners in life and art, have created a universe in which their entire existence is an artwork. From their very first ‘Singing Sculpture’ (1969), made whilst still students at St Martin’s School of Art, and in which they move in synch and sing along with the Depression-era song ‘Underneath the Arches’, through to their unfashionably matching tailoring, their entirety is heavily formalised. They are well-known icons of British art, although they have always, to some extent, existed as outsiders – never venturing very far from their long-term residence in Fournier Street, East London, and eating in the same cafe every day at the same time. ‘Art is for All,’ claim Gilbert & George, and ‘Art is Life.’ As they explain in their inimitable rhetorical style, the subject matter of art ‘must be the human condition: we believe in the human condition as the supreme ideal. Man is the most amazing thing of all and the whole formal side of art – colours and forms – is there only to serve the subject and is of no importance in itself. We hate art for art’s sake – we are totally opposed to it.’Gilbert & George have been chroniclers of modern life for more than 40 years; and huge swathes of life - shock, shits, crucifixes and hoodies - have met within the confines of their signature grid. The themes that concerned the artists in 1980, however, are governed by the twin poles of religion and despair – a faith in life which is bleak and empty. Intellectual Depression is prefigured by a gradual move during the 1970s towards darker themes such as depression, alcohol and madness, and draws on a motif of an earlier picture, Branch (1978), in which the austere silhouette of a naked branch appears against a red background above the heads of the artists.Alongside these thematic developments, however, was the start of a new kind of richness in the artists’ palette. Gilbert & George had recently moved away from black and white monochrome images, and had begun to develop a process employing a deep red. The year of Intellectual Depression, 1980, was the first that they used the colour yellow, in a related picture, Waiting. The depth and richness of these hues, fixed within a dark grid-like structure, creates the impression of stained-glass windows. As Suzanne Pagé has noted, ‘Like the artists of the Middle Ages, Gilbert & George create images to initiate and explain.’ We might imagine that the message preached in this work is a type of warning. Many pictures from 1980 concern the aesthetics of living with fear, and the use of yellow and black is almost sickly, recalling a hazard sign or a wasp. For such prescient artists, who prefigured an age in which terror would have such an inflated currency, this early picture barks a lesson at us about the effect of strangulation that any such climate of fear has on the intellect, and on the soul.(C) Laura McLean-Ferris 20091 Gilbert & George in interview with Irmeline Lebeer, Art Press, 47 (April 1981), 23–25.2 Private collection.3 Private collection.4 Suzanne Pagé, introduction to Gilbert & George, exh. cat. (Paris: Musée d’Art Moderne de la Ville de Paris, 1997), 16.

Frågor och svar

Hur förhåller sig "Intellectual Depression" till Sir George Gilbert Scotts samlade konstnärskap?

Inom Sir George Gilbert Scotts produktion är "Intellectual Depression" skapad i Contemporary Art-stil, med de återkommande temana death and decay themes, human condition focus, contrast to brighter works, london urban imagery.

Vilken mättnad och intensitet har "Intellectual Depression" av Sir George Gilbert Scott?

Färgerna i "Intellectual Depression" av Sir George Gilbert Scott uppvisar en Vivid Color mättnad med en Vivid intensitet.

Kan "Intellectual Depression" av Sir George Gilbert Scott, som finns i samlingen på British Council, reproduceras lagligt?

Upphovsrättsläget för "Intellectual Depression" av Sir George Gilbert Scott är tydligt: verket är fortfarande skyddat av upphovsrätt. Dess närvaro på British Council ändrar inte den statusen.

More about this painting

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In numbers

  • 1980the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it

About the original

Mått
2020.0 x 2420.0 cm

Quick facts about Sir George Gilbert Scott

  • Artistic Movement Or Style: Gothic Revival
  • Artists Or Movements Influenced By This Artist: ['Victorian Architecture']
  • Artists Who Influenced This Artist: ['Charles Barry']
  • Date Of Birth: October 8, 1839
  • Date Of Death: May 6, 1897
  • Full Name: George Gilbert Scott
  • Nationality: British
  • Notable Artworks:
    • Liverpool Cathedral
    • Battersea Power Station
    • Leeds General Infirmary
    • St Pancras Hotel
  • Place Of Birth: London, England

Konstnärsbiografi

The Architect of Victorian Grandeur

To walk through the heart of London or traverse the historic landscapes of Britain is to encounter the enduring legacy of Sir George Gilbert Scott. A titan of the nineteenth century, Scott did not merely design buildings; he sculpted the very atmosphere of the Victorian era. His life was a profound journey through the revival of medieval splendor, a pursuit that sought to breathe new life into the stone and mortar of a rapidly industrializing world. Born into an architectural dynasty, his path was paved by the influence of his father, Sir Gilbert Scott, yet George possessed a singular vision that would allow him to transcend mere imitation, establishing himself as a master of the Gothic Revival movement.

His early years were defined by a rigorous apprenticeship within the family tradition, where he absorbed the meticulous discipline required to honor historical precedents. This foundation allowed him to approach architecture not just as an engineer, but as a storyteller. He understood that every arch, every ribbed vault, and every intricate carving could serve as a vessel for spiritual and national identity. As his career progressed, Scott became a pivotal figure in reclaiming the grandeur of the Middle Ages, rejecting the cold rationality of Neoclassicism in favor of a more emotive, textured, and spiritually resonant aesthetic.

A Legacy Carved in Stone

The sheer scale of Scott’s contribution to the British landscape is staggering. His portfolio, which includes over 800 designs and restorations, reflects a man capable of navigating both the monumental and the intimate. He was a master of the Gothic Revival, a style characterized by its soaring verticality and complex ornamentation. Through his work, he brought back the dramatic interplay of light and shadow found in ancient cathedlamls, utilizing stained glass and sculptural details to create spaces that felt both timeless and divine.

Among his most celebrated achievements are structures that have become synonymous with British heritage:

  • The Midland Grand Hotel at St Pancras Station: A breathtaking masterpiece of Victorian Gothic design that remains one of London's most iconic landmarks.
  • The Albert Memorial: A grand, ornate tribute to Prince Albert, showcasing Scott's ability to handle immense sculptural complexity and symbolic depth.
  • The Foreign and Commonwealth Office: An exquisite example of how he could apply historical grandeur to the essential civic institutions of the British Empire.
  • Ecclesiastical Masterworks: His extensive work on cathedrals and churches across the United Kingdom, where he restored and reimagined sacred spaces to evoke a sense of the sublime.

The Spirit of the Gothic Revival

Beyond the physical structures, Scott’s true achievement lay in his ability to harmonize the ancient with the modern. While his heart belonged to the medieval aesthetic, he was no stranger to the technological advancements of his time. He skillfully integrated contemporary engineering and new materials into his designs, ensuring that his Gothic visions possessed the structural integrity required for the burgeoning urban centers of the nineteenth century. This synthesis of old-world charm and new-world innovation allowed his buildings to stand as resilient monuments to progress.

His influence extended far beyond his own drafting table, shaping the tastes of an entire generation of architects and designers. By championing a style that emphasized craftsmanship, detail, and historical continuity, he provided a sense of stability and beauty during a period of unprecedented social change. Today, when we gaze upon the intricate facades of his London landmarks or the solemn arches of his restored churches, we are not just looking at architecture; we are witnessing the enduring heartbeat of the Victorian spirit, preserved forever through the visionary hand of Sir George Gilbert Scott.

Kortfakta

  • Subject or theme: Death, decay, and a skeletal tree
  • Year: 1980
  • Artistic style: Stark, minimalist imagery
  • Artist: Sir George Gilbert Scott