System 3681012
2007
143.0 x 191.0 cm
University of Surrey
Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Som ett respektfullt och lagligt alternativ erbjuder vi skräddarsydda, handmålade konstverk inspirerade av originalet. Våra skickliga och professionella konstnärer studerar noggrant originalets stil, stämning och konstnärliga essens för att skapa ett nytt, unikt verk som väcker samma känsla – samtidigt som det förblir en originell skapelse i egen rätt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Handgjord oljereproduktion
Handmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer. ( Byt till tryck
Byt till digital bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver för att passa din ram eller din vägg. Eftersom detta är handmålat kan konstnären, vid ett annat format, måla lite mer runt bilden eller beskära den något – det är du som väljer. Vi skickar en digital mockup för godkännande innan målningen påbörjas. Bilden som visas på denna sida representerar inte det slutgiltiga resultatet — det är endast mockuppen som visar det.
Efter beställning kommer OriginalUniqueArt.com team att mejla kunden för instruktioner och tillhandahålla en skissförhandsvisning
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System 3681012
Reproduktionsmetod
Storlek på reproduktion
-
Slutgiltigt pris
Skr 2973
Konstnärsbiografi
A Life Bridging Worlds: The Art and Performance of Ross Martin
Ross Martin, born Martin Rosenblatt on March 22, 1920, in the small Polish town of Gródek (now Horodok, Ukraine), embodied a fascinating duality. His journey from a childhood steeped in Eastern European heritage to becoming a celebrated American actor and artist speaks volumes about adaptability, intellectual curiosity, and a relentless pursuit of creative expression. Immigrating with his family to New York City as an infant, Martin absorbed the vibrant energy of his new home while retaining echoes of his ancestral roots – he would later be fluent in Polish, Yiddish, Russian, French, Spanish, and Italian. This linguistic dexterity foreshadowed his remarkable ability to inhabit diverse characters throughout a prolific career. Though academically gifted—earning degrees from City College of New York and the National University School of Law—Martin’s heart lay not in legal briefs but in performance. He initially partnered with Bernie West as a comedy duo, honing his comedic timing and stage presence before venturing into radio and live television, even portraying Wyatt Earp on “The Gabby Hayes Show” in 1952. His Broadway debut followed in 1953 with "Hazel Flagg," marking the beginning of a multifaceted career that would span decades.From Sci-Fi to Western Iconography
Martin’s early film roles, though perhaps less widely known today, reveal a willingness to explore emerging genres and challenging parts. He appeared in George Pal's 1955 science fiction offering “Conquest of Space,” followed by the intriguing “The Colossus of New York” (1958), where he played a scientist grappling with technological anxieties. However, it was his collaboration with Blake Edwards that truly propelled him into prominence. Roles in episodes of "Peter Gunn" and “Mr. Lucky” showcased his versatility, culminating in a memorable performance as the villainous Baron Rolfe Von Stuppe in “The Great Race.” These roles weren’t merely stepping stones; they demonstrated Martin's capacity for nuanced character work, blending charm with an underlying sense of intelligence and complexity. This talent caught the eye of CBS executives, leading to his iconic portrayal of Artemus Gordon on "The Wild Wild West" (1965-1969). Gordon wasn’t simply a sidekick; he was a master of disguise, gadgetry, and improvisation—a role that allowed Martin to fully utilize his linguistic skills, inventive spirit, and theatrical flair. He famously designed many of his own disguises for the show, adding another layer of personal artistry to his performance.Beyond the Screen: A Passion for Still Life
While widely recognized as a captivating actor, Ross Martin harbored a deep passion for painting, particularly still life. This artistic pursuit wasn’t a late-in-life hobby but rather a consistent thread throughout his career. His paintings, often featuring meticulously rendered arrangements of everyday objects—fruit, flowers, glassware—reveal a keen eye for detail and a subtle exploration of light and shadow. These works offer a glimpse into Martin's inner world, a quiet counterpoint to the dynamic energy of his on-screen persona. He approached painting with the same dedication and precision he brought to acting, studying composition and technique with evident care. Though not as publicly celebrated as his theatrical achievements, his paintings demonstrate a sophisticated understanding of artistic principles and a genuine love for visual expression. They represent a personal sanctuary, a space where he could explore form, color, and texture without the constraints of character or narrative.A Legacy of Versatility and Intellectual Depth
Ross Martin’s career was marked by an impressive range—from radio dramas to Broadway stages, from science fiction thrillers to Western adventures. He wasn't confined by typecasting; instead, he embraced diverse roles with a commitment to authenticity and intellectual curiosity. His voice work on projects like “Sealab 2020” (1972) and “Butch Cassidy and the Sundance Kid” (1973), though often uncredited, further showcased his vocal talent and adaptability. Even after suffering a heart attack in the early 1970s, he continued to work steadily in television and film until his untimely death on July 3, 1981.- His nomination for a Golden Globe Award for Best Supporting Actor in “Experiment in Terror” (1962) acknowledged his exceptional talent.
- The enduring popularity of "The Wild Wild West" cemented his status as a television icon.
- His paintings, though less known, reveal a sophisticated artistic sensibility and a lifelong passion for visual expression.
Ross Martin
1920 - 1981 , Poland
Kortfakta
- Date Of Birth: 1920
- Date Of Death: 1981
- Place Of Birth: Grodków, Poland
- Artistic Movement Or Style: 1920s Art Deco
- Artists Who Influenced This Artist: ['Marcel Duchamp']

Glasalternativet är endast tillgängligt i storlekar under 110 cm.