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BildspelVirgin and Child
1660
60.0 x 37.0 cm
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Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Byt till handmålad målning Byt till bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Du kan ange egna mått för att passa en specifik ram eller yta. Om det valda måttet inte överensstämmer med originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka bilden med en speglad eller enfärgad kant. En digital mockup skickas för ditt godkännande innan produktionen påbörjas.
Vänligen notera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast mockuppen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer ett mått från den fördefinierade listan för att bevara de ursprungliga proportionerna.
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Högkvalitativ linnecanvas
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60 dagars returrätt (endast vid fabrikationsfel)
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
Virgin and Child
Giclée / Konsttryck
Reproduktionsstorlek
-
Totalpris
$ 80
Om konstnären
Mario Balassi: A Florentine Baroque Visionary
Mario Balassi (1604 – 1667) stands as a pivotal figure in the Florentine Baroque, embodying the synthesis of humanist ideals and artistic innovation that characterized the era. Born into a family steeped in mercantile tradition, Balassi’s early life fostered an appreciation for both commerce and culture—a duality that would profoundly shape his artistic trajectory. His formal education commenced with Jacopo Ligozzi, a Venetian artist who instilled in him a grounding in classical principles and compositional rigor. This formative influence quickly broadened when he transitioned to the atelier of Matteo Rosselli, where he honed his skills alongside luminaries like Giovanni Battista Baldinelli and Alessandro Gaddi, absorbing the stylistic nuances of Veronese and Bolognese painting.- Early Influences: Ligozzi’s emphasis on disegno (drawing) contrasted sharply with Rosselli's focus on colore (color), establishing a dual aesthetic that would permeate Balassi’s oeuvre.
- Rosselli’s Atelier: The Rosselli workshop fostered collaboration and experimentation, exposing Balassi to diverse artistic viewpoints and techniques.
- Passignano & Rome: Recognizing the importance of papal patronage and artistic advancement, Balassi sought guidance from Domenico Passignano, relocating to Rome in 1630 where he joined Passignano’s studio and worked under Pope Urban VIII. This period witnessed a significant maturation of his style, marked by an increasing mastery of chiaroscuro and a heightened sensitivity to expressive color palettes.
Notable Commissions & Artistic Achievements
Balassi's artistic reputation soared during his time in Rome, fueled by commissions from influential patrons like Taddeo Barberini—specifically the ambitious undertaking of a copy of Raphael’s *Transfiguration*, which garnered considerable acclaim for its technical brilliance and stylistic fidelity. Passignano himself lauded Balassi’s accomplishment, asserting that “he had not copied it, but detached it from Raphael’s painting,” demonstrating Balassi's ability to reinterpret classical models with originality and nuance. However, his career wasn’t without setbacks; he faced disappointment when Michelangelo Buonarroti refused to entrust him with the depiction of Christ’s crucifixion—a decision that prompted him to return to Florence.- Raphael Copy: The *Transfiguration* exemplifies Balassi's meticulous attention to detail and his profound understanding of Raphael’s compositional strategies.
- Florence Altarpieces: Balassi produced a remarkable series of altar paintings for Florentine churches, including St. Francis of Assisi at the Compagnia delle Stimmate and St. Nicholas of Tolentino Resuscitates the Birds—works characterized by dramatic lighting and emotionally resonant depictions of religious subjects.
- St. Augustine & Sant’Agostino: Balassi's frescoes in Sant’Agostino showcase his masterful use of color and texture, conveying a palpable sense of spiritual fervor.
Style & Technique – A Synthesis of Influences
Balassi’s artistic style reflects the complex interplay between Venetian Mannerism and Florentine Baroque aesthetics. He skillfully blended disegno with colore, achieving a harmonious balance that distinguishes his paintings from more purely decorative works. His compositions are often characterized by pyramidal structures—a technique borrowed from Leonardo da Vinci—which lend stability and grandeur to his scenes. Furthermore, Balassi’s meticulous observation of nature—evident in the depiction of foliage and drapery—demonstrates an unwavering commitment to realism. He was particularly adept at capturing fleeting moments of emotion and conveying spiritual depth through expressive gestures and facial expressions.Legacy & Historical Significance
Mario Balassi died in Florence on October 9, 1667, leaving behind a substantial body of work that continues to inspire admiration for its artistic merit and intellectual sophistication. His paintings stand as testament to the flourishing Baroque culture of Florence—a period marked by papal patronage, humanist scholarship, and an unprecedented surge in artistic creativity. Balassi’s contribution to Florentine art history is undeniable; he solidified the city's reputation as a center of artistic excellence and cemented his place among the foremost painters of his time. His legacy persists today through reproductions of his masterpieces—allowing viewers worldwide to experience firsthand the beauty and power of Florentine Baroque vision.
mario balassi
1604 - 1667
Snabbfakta
- Artistic Movement Or Style: Baroque
- Artists Who Influenced This Artist:
- Jacopo Ligozzi
- Matteo Rosselli
- Domenico Passignano
- Date Of Birth: 1604
- Date Of Death: 1667
- Full Name: Mario Balassi
- Nationality: Italian
- Notable Artworks:
- St Nicholas of Tolentino Resuscitates the Birds
- Noli me tangere
- Queen of Armenia
- Place Of Birth: Florence, Italy
