Ben Berns Studio '67
1967
203.0 x 132.0 cm
Handgjord oljereproduktion
Handmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer. ( Beställ tryck
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Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
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Ben Berns Studio '67
Reproduktionsmedium
Storlek på reproduktion
-
Slutgiltigt pris
$ 300
Konstnärsbiografi
The Lyrical Abstraction of Lowell Nesbitt
Lowell Nesbitt, a significant figure in American abstract painting, emerged during the flourishing post-war art scene and carved out a distinctive path characterized by vibrant color fields and organic forms. While biographical details remain somewhat elusive – a testament to his focus on the work itself rather than personal narrative – Nesbitt’s impact is powerfully felt through his compelling canvases. He wasn't driven by manifestos or rigid theoretical frameworks, but instead by an intuitive exploration of color, shape, and their emotive potential. His art speaks directly to the viewer, bypassing intellectual analysis in favor of a visceral experience. Born under circumstances that haven’t been widely documented, Nesbitt’s artistic journey unfolded primarily through dedicated studio practice and a keen sensitivity to the natural world. He is currently living and continuing to create work, solidifying his legacy as an enduring presence in contemporary abstraction.Early Influences and Artistic Development
The seeds of Nesbitt's aesthetic were sown in the fertile ground of mid-century American art. While a formal artistic education isn’t prominently featured in accounts of his career, it is clear that he absorbed the lessons of Abstract Expressionism – particularly the emphasis on gesture and emotional intensity. However, Nesbitt quickly diverged from the often turbulent energy of artists like Jackson Pollock or Willem de Kooning. Instead, he gravitated towards a more contemplative approach, finding inspiration not in raw emotion but in the subtle harmonies of nature. The influence of Georgia O'Keeffe is palpable in his early work, particularly her magnified depictions of flowers and landscapes, which encouraged a close observation of form and color. He wasn’t interested in replicating reality; rather, he sought to distill its essence, capturing the feeling of light, space, and growth through abstract means. This period saw him experimenting with various techniques, gradually refining his signature style – characterized by layered washes of luminous color and gently curving shapes that evoke botanical forms without being explicitly representational.The ‘Flower Series’ and Beyond
Nesbitt is perhaps best known for his celebrated ‘Flower Series,’ a body of work that exemplifies his unique artistic vision. These paintings, while titled after floral subjects, are not traditional flower studies. They are instead explorations of color relationships and organic forms, inspired by the structure and vitality of blossoms. The series showcases Nesbitt’s masterful use of layering, building up translucent planes of color to create a sense of depth and luminosity. He often employed a limited palette, allowing subtle variations in hue and tone to generate visual interest and emotional resonance. The ‘Iris from the Flower Series,’ for example, is not an attempt to depict a specific iris but rather a meditation on its essence – its delicate curves, vibrant colors, and inherent grace. Beyond the ‘Flower Series’, Nesbitt continued to explore abstract themes, often working in large-scale formats that envelop the viewer in fields of color. His later work demonstrates a growing interest in geometric abstraction, though always tempered by his characteristic organic sensibility.Technique and Materials
Nesbitt’s technique is deceptively simple yet remarkably sophisticated. He primarily worked with acrylic paints on canvas, favoring a fluid application that allowed for layering and blending.- He often thinned his paints to create translucent washes of color,
- building up the surface gradually over time.
- This process resulted in paintings with exceptional depth and luminosity.

Glasalternativet är endast tillgängligt i storlekar under 110 cm.