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BildspelThe bait
100.0 x 140.0 cm
MAGA - Museo Arte Gallarate
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Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Byt till handmålad målning Byt till bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Du kan ange egna mått för att passa en specifik ram eller yta. Om det valda måttet inte överensstämmer med originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka bilden med en speglad eller enfärgad kant. En digital mockup skickas för ditt godkännande innan produktionen påbörjas.
Vänligen notera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast mockuppen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer ett mått från den fördefinierade listan för att bevara de ursprungliga proportionerna.
Leverans över hela världen () på 2 veckor istället för standard 4/5 veckor. (9 augusti)
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Högkvalitativ linnecanvas
Fullständig fraktförsäkring
Garantier för återbetalning av tullavgifter
Garantier för exakt färgåtergivning
60 dagars returrätt (endast vid fabrikationsfel)
100% pengarna tillbaka-garanti
Mängdrabatt erbjuds
Glasalternativet är endast tillgängligt i storlekar under 110 cm.
The bait
Giclée / Konsttryck
Reproduktionsstorlek
-
Totalpris
$ 80
Om konstnären
Innocente Fraccaroli: A Sculptor Bridging Neoclassicism and Expression
Innocente Fraccaroli (1805-1882) stands as a pivotal figure in Italian sculpture of the mid-nineteenth century, embodying the transition from the rigid formalism of neoclassical tradition to burgeoning expressive tendencies. Born in Castelrotto di Valpolicella, Italy, he embarked on his artistic journey under the tutelage of the Venice Academy of Fine Arts, where he honed his skills and garnered recognition for his talent. A decisive breakthrough arrived in 1829 when he secured the prestigious Brera Academy prize – a victory that propelled him towards further scholarly pursuits culminating in studies at Rome between 1830 and 1835. This formative period proved instrumental in shaping Fraccaroli’s artistic sensibilities, fostering connections with luminaries like Thorvaldsen and Pietro Tenerani who championed the ideals of classical sculpture. Upon returning to Milan in 1836, he decisively adopted a stylistic approach rooted in neoclassical ancestry yet infused with an unprecedented level of emotional depth. He became a steadfast participant in Brera exhibitions, cementing his reputation as a respected artist within the artistic milieu of his time and achieving considerable acclaim through involvement in landmark events such as the Great Exhibition of London (1851) and the Universal Exposition of Paris (1855). During these years, Fraccaroli’s work reflected a fervent patriotism, demonstrating his engagement with contemporary social and political concerns. However, Fraccaroli's artistic trajectory encountered obstacles in subsequent decades. Competition for public commissions proved challenging, and he failed to secure the chair in sculpture at the Brera Academy – setbacks that curtailed his prolific output. Despite these difficulties, his mature years witnessed a particular dedication to religious iconography and monumental sculptures commemorating significant historical figures. Notably, Fraccaroli bequeathed the plaster models of his most celebrated creations to Verona’s Museo Civico, ensuring their preservation for posterity. He passed away peacefully in Milan in 1882, leaving behind an enduring legacy as a sculptor who skillfully blended classical ideals with emotive artistry. His oeuvre encompasses a diverse range of subjects—primarily mythological narratives and portraits—characterized by meticulous craftsmanship and a profound understanding of sculptural technique. Fraccaroli’s style distinguishes itself through its careful attention to detail and anatomical accuracy, reflecting the influence of Thorvaldsen's sculptural mastery. Simultaneously, he injected palpable emotion into his figures, conveying psychological complexity and capturing fleeting expressions of human experience – an element that foreshadowed developments in artistic expression during the Impressionist movement. Fraccaroli’s sculptures continue to resonate with audiences today due to their ability to evoke contemplation and convey timeless themes of beauty, heroism, and spirituality. Works such as “Eve Before Sin,” “Wounded Achilles,” and “Clizia in love with the Sun” exemplify his distinctive artistic vision—a harmonious blend of classical precision and expressive dynamism that secures his place among the most significant sculptors of his era.
innocente fraccaroli
1805 - 1882 , Italy
Snabbfakta
- Artistic Movement Or Style: Neoclassical & expressive sculpture
- Artists Or Movements Influenced By This Artist:
- Renaissance
- Post-impressionist
- Artists Who Influenced This Artist:
- Thorvaldsen
- Pietro Tenerani
- Date Of Birth: December 28, 1805
- Date Of Death: 1882
- Full Name: innocente fraccaroli
- Nationality: Italian
- Notable Artworks:
- Eve Before Sin
- Wounded Achilles
- Clizia in love with the Sun
- Place Of Birth: Castelrotto di Valpolicella, Italy
