Balancing (study for sculpture)
Modern Art
1938
45.0 x 31.0 cm
Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. ( Beställ handmålad reproduktion
Byt till digital bild)
P118B Skr10
P118H Skr10
P118W Skr10
P438Z Skr10
P508JH Skr12
P508YH Skr12
P805H Skr10
P805Z Skr10
P919BZ Skr10
P919G Skr10
P919XJ Skr10
P959ZH Skr10
P968JZ Skr12
W106C Skr8
W218G Skr10
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W218Y Skr10
W307PJ Skr10
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W4111J Skr10
W500HY Skr15
W500JH Skr15
W692G Skr12
W849H Skr8
W940BG Skr15
W953PJ Skr8
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver för att passa din ram eller vägg. Ett tryck kan endast beskäras, aldrig göras större än originalbilden, vilket innebär att ett format med en annan proportion leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi påbörjar tryckningen. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
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Balancing (study for sculpture)
Giclée / Konsttryck
Storlek på reproduktion
-
Slutgiltigt pris
Skr 793
Konstnärsbiografi
Chaim Gross: Sculptor of Emotion and Family
Chaim Gross (1902 – 1991) stands as a singular figure in American sculpture, recognized for his uncompromising approach to carving wood and bronze—a method he termed “direct carving.” Unlike many sculptors of his era who relied on molds or preparatory sketches, Gross meticulously shaped his figures from raw material, allowing the inherent qualities of the wood itself to inform the final form. This technique wasn’t merely stylistic; it represented a profound philosophical commitment to capturing the essence of human experience and familial bonds. Born in Brooklyn, New York, Gross's early life was marked by intellectual curiosity and a fascination with Jewish mysticism—Kabbalah—which profoundly shaped his artistic vision. He studied at Pratt Institute and later pursued postgraduate studies at Yale University under Josef Albers, absorbing influences from Bauhaus principles and exploring the intersection of abstraction and figuration. These formative experiences instilled in him a belief that art should strive for psychological depth and honesty. Gross’s sculptural output spanned decades, encompassing monumental works alongside intimate portraits. He consistently tackled themes of family—particularly mothers and daughters—often depicting figures intertwined in poses conveying tenderness, vulnerability, and unspoken emotion. His sculptures aren't simply representations of the human form; they are explorations of inner life, striving to convey feelings rather than merely replicating external appearances. Consider “Two Girls (11),” a poignant pencil drawing that exemplifies this dedication to capturing psychological nuance—a piece currently housed at the Smithsonian Institution. The delicate lines and subtle shading reveal Gross’s masterful ability to distill complex emotions onto paper. His artistic style evolved over time, moving from early Expressionist influences toward a more refined aesthetic characterized by organic forms and textured surfaces. However, his core conviction remained steadfast: sculpture should serve as a conduit for conveying profound human truths. Works like “Mother Playing,” completed in 1967, exemplify this commitment to capturing the palpable warmth of maternal love—a piece available for reproduction at OriginalUniqueArt.com. The artist’s meticulous attention to detail and his masterful manipulation of material contribute to an enduring impression of emotional resonance. Gross's legacy extends beyond his individual artworks. He championed a sculptural method that prioritized intuition and responsiveness to the material, rejecting academic conventions in favor of a more visceral engagement with artistic creation. Furthermore, he established the Chaim Gross Sculpture Studio in Rye Brook, New York, fostering a tradition of teaching and mentoring aspiring sculptors—a testament to his belief in the transformative power of art education. Ultimately, Chaim Gross remains an artist whose work continues to inspire contemplation on themes of family, emotion, and the enduring beauty of honest artistic expression.Chaim Gross
1902 - 1991
Kortfakta
- Artistic Movement Or Style: Expressionism
- Artists Who Influenced This Artist:
- Henri Matisse
- Pablo Picasso
- Date Of Birth: 1902
- Date Of Death: 1991
- Full Name: Chaim Gross
- Nationality: American
- Notable Artworks:
- Untitled (2 reclining women)
- Two Girls ( 11)
- Mother Playing
- Place Of Birth: Vienna, Austria

Glasalternativet är endast tillgängligt i storlekar under 110 cm.
