Futurism · 1936
Bridge (Joseph Stella, 1936)
Joseph Stella (1877–1946) skapade Bridge. Den är från 1936. Det tillhör Futurism-rörelsen. Den är utförd i Oil On Canvas. Verket finns bevarat på San Francisco Museum of Modern Art i San Francisco, USA. Måtten är 127.3 × 76.5 cm.
- 1936
- Oil On Canvas
- 127.3 × 76.5 cm
- San Francisco Museum of Modern Art
Bridge i korthet
- Titel
- Bridge
- Konstnär
- Joseph Stella (1877–1946)
- Konstnär född i
- Muro Lucano, Italien
- Datum
- 1936
- Material
- Oil On Canvas
- Mått
- 127.3 × 76.5 cm
- Utställningsplats
- San Francisco Museum of Modern Art, San Francisco, USA
- Rörelse
- Futurism
- Tidsperiod
- Modern
- Motiv
- bridge, architecture, blue, black, silver, lines
Vad föreställer Bridge?
Identification of the Artwork Bridge
Joseph Stella created Bridge in 1936. This painting captures a structural rhythm through the medium of oil on canvas. It belongs to the Precisionist style, where the geometry of the modern age finds its form in pigment and cloth.
The work exists as a Precisionist Oil on Canvas Painting. It is a painting that translates the hard edges of industry into a fixed, silent arrangement. The steel and the sky are held within the weave of the fabric.
A stillness settles over the composition. The lines remain fixed.
Visual Composition and Style
The composition is a study in structural dynamism, driven by a Futurist-inspired energy. Strong verticality meets sweeping curves to create a sense of upward motion and industrial power. Sharp vertical stripes cut through the space, providing a rigid counterpoint to large, graceful parabolic arcs that sweep across the frame. These elongated, geometric shapes overlap in planes that suggest a deep, converging perspective.
A cool color palette governs the work. Deep blacks and various shades of blue, from cyan to navy, anchor the composition. Metallic silvers and whites catch the light, while glowing teal circles at the bottom suggest artificial illumination or light reflecting off steel. The texture appears smooth and blended, as if rendered in pastel or charcoal on paper, creating soft gradients within the hard-edged geometric structure. The style aligns with both Futurism and Precisionism, focusing on the rhythmic energy of urban architecture.
Technical Details and Materials
The work is an oil on canvas painting. The medium carries the weight of the structure through layered pigments. Each stroke defines a plane of light or a shadow of steel. The surface holds the tension of the composition within its woven fibers.
The dimensions of the piece are 127.3 x 76.5cm. This translates to 50 1/8 × 30 1/8 in. The scale provides a window into the geometric rhythm of the subject. It occupies a space that balances the verticality of the lines with the breadth of the frame. The physical presence of the canvas supports the structural clarity of the design.
The paint settles into the grain. It creates a smooth, blended texture that mimics the soft gradients of light on metal. The application of oil allows for the precise edges required by the style. A quiet stillness remains within the pigment.
Current Location and Collection
The painting resides within the San Francisco Museum of Modern Art in the United States. It is a permanent part of the San Francisco Museum of Modern Art collection. The work is held at the San Francisco Museum of Modern Art, the United States.
This piece belongs to the Collection SFMOMA. Its history is tied to the United States General Services Administration, formerly the Federal Works Agency and the Works Projects Administration. It was allocated to the San Francisco Museum of Modern Art. The steel and light of the composition remain preserved within these walls.
Vilket museum har Bridge?
San Francisco Museum of Modern Art
San Francisco, USA
Ursprung och institutionens historia San Francisco Museum of Modern Art grundades år 1935. Under ledning av direktören Grace L. McCann Morley opererade institutionen ursprungligen som San Francisco Museum of Art.
Högupplösta bilder av Bridge
Allmän egendom: konstnären avled 1946.
Andra storlekar, beskärningar och citering →Joseph Stella, Bridge (1936), San Francisco Museum of Modern Art. Allmän egendom
Frågor om Bridge besvarade
Vilket museum har originalet till "Bridge"?
"Bridge" av Joseph Stella visas på San Francisco Museum of Modern Art, San Francisco, USA. Museilistan avser originalverket, inte reproduktioner.
Vilket år skapades "Bridge" av Joseph Stella?
"Bridge" av Joseph Stella skapades år 1936.
Vilken teknik användes för "Bridge" av Joseph Stella?
"Bridge" av Joseph Stella är utförd i Oil On Canvas. Reproduktionerna strävar efter att återge teknikens särpräglade utseende.
Vilka är måtten på originalet av "Bridge"?
De registrerade måtten för "Bridge" av Joseph Stella är 127.3 x 76.5cm. Reproduktioner kan beställas i andra storlekar med bibehållna proportioner.
Vad föreställer "Bridge"?
"Bridge" av Joseph Stella föreställer: bridge, architecture, blue, black, silver, lines, circles.
Är bilden av "Bridge" av Joseph Stella fri att återge?
"Bridge" av Joseph Stella är allmän egendom – upphovsrätten har löpt ut. Denna status avgör hur bilden av verket får återges.
Vilken konstnär tillskrivs "Bridge"?
"Bridge" skapades av Joseph Stella. Informationen på denna sida beskriver Joseph Stellas originalverk.
Vilken stil tillhör "Bridge"?
"Bridge" av Joseph Stella tillhör Futurism-rörelsen. Denna rörelse ger det stilistiska sammanhanget för verket.
Var i Joseph Stellas karriär placerar sig "Bridge"?
"Bridge" representerar Joseph Stellas Mature Period.
Om konstnären, Joseph Stella
1877–1946, Italien
Joseph Stella
A Bridge Between Worlds: The Life and Art of Joseph Stella Joseph Stella (1877-1946) was born in Muro Lucano, Italy – a small village nestled amongst the Apennine Mountains – into a family that emigrated to New York City in 1896. Initially pursuing medicine, Stella swiftly abandoned his academic ambitions for the transformative allure of art, enrolling at the Art Students League and later honing his skills under William Merritt Chase’s tutelage at the New York School of Art. This early formative period instilled within him a deep appreciation for realism, particularly as he documented the hardships faced by Italian immigrants arriving in America – an artistic stance that stood in stark contrast to the burgeoning dynamism of the modernist movements he would soon embrace. These initial paintings served not merely as visual representations but as poignant commentaries on social realities, establishing a foundation upon which Stella would build his distinctive artistic vision.