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Od svih originala koje je Vilijam Sidni Maunt ostavio, najpoznatiji je Loss and Gain (1848), koji se nalazi u kolekciji Museums at Stony Brook, Stony Brook. Odmah za njima slede School Boys Quarreling (1830) i Bar-room Scene (1835). Naš katalog sadrži 78 dela umetnika Vilijam Sidni Maunt; galerija je čuvala 76 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…
To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…
Bar-room Scene is an oil on canvas work by William Sidney Mount, executed about 1835. The artist, born in 1807 in Long Island, United States, established himself as a pioneer of American genre painting. His focus remained largely on the rural landscapes and social interactions of his native region.
In Portrait of Laertes Chapin, William Sidney Mount employs a vertical bust-length composition to establish a sense of formal dignity. The sitter is positioned slightly off-center, facing forward with a subtle three-quarter turn that provides a sculptural quality to the subject's features. This arrangement directs the viewer's attention toward the interplay of light and shadow across the face and neck.
In the Portrait of Laura Colton Chapin by William Sidney Mount, the subject sits in a quiet three-quarter view, her gaze turned slightly toward the viewer. She is framed by hair styled into intricate, tight ringlets that trace the line of her forehead, all topped by a dark, decorative headpiece. The color palette remains dominated by deep, somber tones. Her dress appears as a heavy, smooth black, which contrasts against…
In this 1832 oil on canvas, the artist William Sidney Mount gazes out from the past, presenting a formal portrait of a young man. The subject looks directly at us, capturing a moment of quiet dignity. This work, titled Self Portrait, offers a rare glimpse into the early years of William Sidney Mount as he establishes his presence through the medium of paint. He presents himself with a sense of…
In the Portrait of Julia Ann Seabury by William Sidney Mount, the subject is presented in a bust-length composition. She is positioned slightly off-center, with her gaze directed toward the viewer's right. The color palette is dominated by warm, natural tones, including the creamy white of her chemise, the red of her shawl, and the soft pinks and ochres used for her skin and the surrounding environment. The background consists…
In the Portrait of Maria Seabury by William Sidney Mount, a young woman is captured in a bust-length view. She sits slightly off-center, her steady gaze meeting the viewer with a quiet dignity. A bright white chemise and a red shawl provide a sharp contrast against the muted tones of the environment. These colors anchor her presence within the frame, separating her from the hazy atmosphere behind her.
At the Well is a work by William Sidney Mount, executed about 1848. The artist, born in Long Island, United States, was a pioneer of American genre painting, focusing his attention on the rhythms of rural life rather than grand historical narratives.
The Banjo Player by William Sidney Mount presents a young Black boy positioned within a dimly lit interior. The subject is dressed in a striped cap, a vest, and a tie. He is captured in a moment of quietude, his gaze directed toward the right of the frame.
Portrait of Hannah Muncy Smith1852 · Rhode Island School of Design Museum of Art
12
Julia Parish Raymond1851 · Muzej finih umetnosti u Bostonu
13
After Dinner1834 · Yale University Art Gallery
14
Martin Euclid Thompson1830 · Metropoliten музеј у Њујорку
15
The Painter's Triuimph (also known as Artist Showing His Own Work)1838 · Pennsylvania Academy of Fine Arts
16
Dancing on the Barn Floor1831 · Museums at Stony Brook
17
The Long Story (also known as The Tough Story)1837 · National Gallery of Art
18
Dance of the Haymakers1845 · Museums at Stony Brook
19
The Truant Gamblers (also known as Undutiful Boys)1835 · New York Historical Society
20
Ringing the Pig (also known as Scene in a Long Island Farm-Yard)1842
21
Saul and the Witch of Endor1828 · Smithsonian American Art Museum
22
Farmer Whetting His Sythe1848 · Museums at Stony Brook
23
Catching Rabbits1839 · Museums at Stony Brook
24
Caught Napping1848 · Brooklyn Museum
25
Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene1852 · Metropoliten музеј у Њујорку
26
Crane Neck Across the Marsh1841 · Museums at Stony Brook
27
Gideon Tucker1830 · Metropoliten музеј у Њујорку
28
Self Portrait With Flute1828
29
Farmers Nooning1836 · Museums at Stony Brook
30
Portrait of Reuben Merrill1832
31
Catherine Adele Smith1846
32
The Trap is Sprung1844
33
The Card Players1847
34
The Novice1847
35
Mount’s trompe l’oeil painted music stand1855
36
Cradle of Harmony Violin1851
37
Quarter of Twelve1855
38
Portrait of William Vickham Mills Smith1849 · Detroit Institute of Arts
39
Setauket Military Band1855
40
Just in Tune1849 · Museums at Stony Brook
41
Cracking Nuts1856
42
Fruit Piece: Apples on Tin Cups1863
43
The Residence of the Honorable William H. Ludlow1859
44
The Picnic1856
45
Spring Bouquet1857
46
The Banjo Player1856
47
Thomas Strongs House, Setauket, Long Island1864
48
The Bone Player1856 · Muzej finih umetnosti u Bostonu
49
Right and Left1850 · Museums at Stony Brook
50
Rustic Dance After a Sleigh Ride1830 · Muzej finih umetnosti u Bostonu
51
The Stone Bridge1843 · Музеј Тисен-Борнемиза
52
Christ Raising the Daughter of Jairus1828 · Museums at Stony Brook
53
Long Island Farmhouses1862 · Metropoliten музеј у Њујорку
54
The Painter's Triumph1838
55
Courtship (also known as Winding Up)1836 · Nelson-Atkins Museum of Art
56
Coming to the Point1854
57
Coming to the Point1854
58
Cider Making1841 · Metropoliten музеј у Њујорку
59
Dregs in the Cup (also known as Fortune Telling)1838
60
Fair Exchange, No Robbery1865 · Museums at Stony Brook
61
Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')''1845
62
Raffling for the Goose (also known as The Raffle)1837 · Metropoliten музеј у Њујорку
63
The Sportsman's Last Visit1835 · Museums at Stony Brook
64
Long Island Farmer Husking Corn1833 · Museums at Stony Brook
65
The Fence on the HillMuzej finih umetnosti u Bostonu
66
The Barn by the PoolMuzej finih umetnosti u Bostonu
67
Mrs gideon tuckerMetropoliten музеј у Њујорку
68
The raffleMetropoliten музеј у Њујорку
69
Long island farmhouses
70
Great grand fathers tale of the revolution
71
Catching Crabs
72
Self Portrait (also known as The Artist Sketching)Harvard Art Museums
73
Kitchen in the Mount House, Stony Brook
74
Catching the Tune1866 · Museums at Stony Brook
75
Cider Making1840 · Metropoliten музеј у Њујорку
76
The Power of Music1847 · Cleveland Museum of Art
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Vilijam Sidni Maunt | Slike iz ovog spiska |
|---|---|---|---|
 Museums at Stony Brook |
Stony Brook | 15 | Loss and Gain, School Boys Quarreling, Dancing on the Barn Floor |
 Metropoliten музеј у Њујорку |
Њујорк | 9 | Martin Euclid Thompson, Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, Gideon Tucker |
 Muzej finih umetnosti u Bostonu |
Boston | 5 | Julia Parish Raymond, The Bone Player, Rustic Dance After a Sleigh Ride |
 High Museum of Art |
Atlanta | 2 | Portrait of Laertes Chapin, Portrait of Laura Colton Chapin |
 Muzej fine umetnosti u Hjustonu |
Hjuston | 2 | Portrait of Julia Ann Seabury, Portrait of Maria Seabury |
 Detroit Institute of Arts |
Detroit | 2 | The Banjo Player, Portrait of William Vickham Mills Smith |
 Art Institute of Chicago |
Čikago | 1 | Bar-room Scene |
 New Britain Museum of American Art |
New Britain | 1 | At the Well |
Izaberite deceniju da biste videli original koji je definiše.
In the dim, flickering light of a subterranean cavern, William Sidney Mount captures one of the most harrowing moments in biblical lore. Saul and the Witch of Endor is not merely a depiction of a historical or religious event; it is an immersive descent into the supernatural. Created in 1828, this oil on canvas masterpiece transports the viewer to a moment of profound spiritual desperation. As King Saul, disguised in…
To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…
To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…
The Banjo Player by William Sidney Mount presents a young Black boy positioned within a dimly lit interior. The subject is dressed in a striped cap, a vest, and a tie. He is captured in a moment of quietude, his gaze directed toward the right of the frame.
Loss and Gain (1848), Museums at Stony Brook, Stony Brook. Slede School Boys Quarreling (1830) i Bar-room Scene (1835).
41 godina: Loss and Gain datira iz 1848, a Vilijam Sidni Maunt je rođen/a 1807.
Loss and Gain, School Boys Quarreling, Bar-room Scene, Portrait of Laertes Chapin, Portrait of Laura Colton Chapin, Self Portrait, Portrait of Julia Ann Seabury, Portrait of Maria Seabury, At the Well i The Banjo Player. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 78 dela umetnika Vilijam Sidni Maunt, datiranih od 1828 do 1866.
Većinom u Museums at Stony Brook (Stony Brook), Metropoliten музеј у Њујорку (Њујорк) i Muzej finih umetnosti u Bostonu (Boston). Tabela muzeja iznad sadrži njih sve.
U 1830s: 22 od 76 dela na ovoj stranici nastalo je tada, od čega je School Boys Quarreling.
Na ovoj stranici, najstarije delo je iz Saul and the Witch of Endor (1828), a najnovije iz Catching the Tune (1866).
American art (9), Rural life (9) i 19th century (6), kroz svih 76 dela na ovoj stranici.
Oil On Canvas, za 28 od 76 dela na ovoj stranici.
Genre painting, sudeći po originalima na ovoj stranici.
Loss and Gain, School Boys Quarreling i Dancing on the Barn Floor: Museums at Stony Brook, Stony Brook čuva 15 dela sa ove stranice.
