Portret Viljam Pejdž

Slike umetnika Viljam Pejdž: Najpoznatijih 26 kroz oči galerije

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 26 dela Viljam Pejdž u našem katalogu

Ukratko

Za ljubitelje galerije, najpoznatije delo umetnika Viljam Pejdž je Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 (1859), čiji se original nalazi u muzeju Yale University Art Gallery, New Haven. Charles Greely Loring (1794-1867) (1845) i Shakespeare Reading (1873) čine triju koju svako oko prepoznaje. Od 26 dela umetnika Viljam Pejdž u našem katalogu, galerija u nastavku predstavlja 26 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1811 – 1885, Albani Academic realism Najviše dela: Smithsonian American Art Museum
Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 (1859) čiji je Viljam Pejdž1. Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 1859 Charles Greely Loring (1794-1867) (1845) čiji je Viljam Pejdž2. Charles Greely Loring (1794-1867) 1845 Shakespeare Reading (1873) čiji je Viljam Pejdž3. Shakespeare Reading 1873

Top 10 slika umetnika Viljam Pejdž u galeriji

1
Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 (1859) čiji je Viljam Pejdž

Henry Stevens (1819-1886), B.A. 1843, M.A. 1846

1859 · Oil On Canvas · Yale University Art Gallery, New Haven

In this 1859 oil on canvas, we find ourselves in the quiet, private sanctuary of a library, seated across from Henry Stevens. The composition is a three-quarter length portrait that places the viewer at eye-level, creating an immediate, almost conversational intimacy with the sitter. Stevens is positioned centrally, his presence anchored by the heavy, rectangular geometry of the bookshelves that rise behind him. The atmosphere is one of profound intellectual…

O ovom originalu
2
Charles Greely Loring (1794-1867) (1845) čiji je Viljam Pejdž

Charles Greely Loring (1794-1867)

1845 · Oil On Canvas · Harvard Art Museums, Kembriđ

A single light source carves a face from the dark. The subject, Charles Greely Loring, sits in a quiet, heavy stillness, his gaze meeting the viewer from a slight angle. Shadows pool in the folds of his skin and the deep recesses of his clothing, creating a sense of physical volume that feels almost tactile. The white of his shirtfront acts as a sharp, bright anchor against a sea of…

Pogledajte ovo delo izbliza
3
Shakespeare Reading (1873) čiji je Viljam Pejdž

Shakespeare Reading

1873 · Oil On Canvas · Smithsonian American Art Museum, Vašington, D.C.

A man sits in a moment of profound stillness, his attention anchored to a small book held within his hands. The composition is a vertical three-quarter length portrait, positioning the subject slightly off-center to create an intimate, scholarly atmosphere. Deep browns, burgundies, and dark greens dominate the palette, grounding the figure in a somber, academic environment. Light enters from the upper left, casting soft shadows across the face and catching…

O ovom originalu
4
Josiah Quincy (1772-1864) (1843) čiji je Viljam Pejdž

Josiah Quincy (1772-1864)

1843 · Oil On Canvas · Harvard Art Museums, Kembriđ

A single light source strikes from the upper left, carving a face out of the heavy dark. Josiah Quincy sits in a three-quarter view, his presence defined by the sharp white of a cravat against the deep shadows of his torso. The background is an indeterminate void, a darkness that offers no horizon, only depth. This is a study in chiaroscuro, where the light does not merely illuminate but actively…

Pogledajte ovo delo izbliza
5
Colonel William Leete Stone (1839) čiji je Viljam Pejdž

Colonel William Leete Stone

1839 · Oil On Canvas · Cleveland Museum of Art, Klivlend

A single quill pen rests against a stack of papers, its tip poised as if caught in a moment of sudden thought. The light strikes the white linen of a cravat, a sharp contrast against the heavy, dark tones of the background. This is the world of Colonel William Leete Stone, rendered in oil on canvas in 1839. He does not look at the viewer. Instead, his gaze is directed…

Priča koja stoji iza ovog originala
6
Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830) (1843) čiji je Viljam Pejdž

Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830)

1843 · Oil · Harvard Art Museums, Kembriđ

In this 1843 oil portrait, we encounter the presence of Sir Benjamin Thompson, later known as Count Rumford. The subject is presented in a dignified profile, a choice that emphasizes the sharp, thoughtful contours of his features. He is depicted in a bust-length composition, his head and upper torso emerging from a dark, undifferentiated background that pushes his likeness toward the viewer. The lighting is deliberate, sweeping in from the…

Priča koja stoji iza ovog originala
7
Moses, Aaron and Hur on Mount Horeb (1857) čiji je Viljam Pejdž

Moses, Aaron and Hur on Mount Horeb

1857 · Oil On Canvas · Smithsonian American Art Museum, Vašington, D.C.

In this 1857 oil on canvas, we find ourselves drawn into a heavy, atmospheric moment on Mount Horeb. The scene captures a profound instance of physical and spiritual exhaustion, where the weight of leadership meets the necessity of communal support. Three men are locked in a struggle against fatigue, their forms emerging from a deep, murky darkness that swallows the background. The lighting is handled with a deliberate chiaroscuro, casting…

O ovom originalu
8
Mrs. William Page (1860) čiji je Viljam Pejdž

Mrs. William Page

1860 · Oil On Canvas · Detroit Institute of Arts, Detroit

In this vertical, three-quarter length portrait, Mrs. William Page by William Page occupies a space of quiet dignity. She sits slightly off-center to the right, a placement that allows the eye to wander toward the monumental architecture looming to her left. The composition creates a deliberate balance between the living presence of the subject and the ancient, weathered stone of the Roman Colosseum. This structural tension draws the viewer into…

Priča koja stoji iza ovog originala
9
Cupid and Psyche (1843) čiji je Viljam Pejdž

Cupid and Psyche

1843 · Oil · Fine Arts Museums of San Francisco, San Francisco

This romantic and atmospheric oil painting, created in 1843, depicts two figures in an intimate embrace amidst a dark, wooded setting. The composition is characterized by a heavy asymmetrical balance, with the large, luminous forms of the two subjects positioned on the right side of the frame, contrasting against a lighter landscape on the left. The color palette utilizes deep, shadowy tones of forest green, black, and umber, which are…

O ovom originalu
10
Untitled (La Bella) (1852) čiji je Viljam Pejdž

Untitled (La Bella)

1852 · Oil On Canvas · Smithsonian American Art Museum, Vašington, D.C.

The gaze of the subject in Untitled (La Bella) meets the viewer with a quiet, steady presence. Painted by William Page in 1852, this portrait captures a single female figure in a moment of poised stillness. She exists within a space that feels both intimate and distant, her form emerging from a dark, indistinct background that offers no distractions from her character.

O ovom originalu

Slike umetnika Viljam Pejdž, rangirane od 11 do 26

11Venus Guiding Eneas and the Trojans to the Latin Shore (1862) čiji je Viljam PejdžVenus Guiding Eneas and the Trojans to the Latin Shore1862 · Smithsonian American Art Museum 12Portrait of a Young Man (1832) čiji je Viljam PejdžPortrait of a Young Man1832 · Smithsonian American Art Museum 13Charlotte Cushman (1853) čiji je Viljam PejdžCharlotte Cushman1853 · National Portrait Gallery 14Sarah Leaning on a Bannister (1840) čiji je Viljam PejdžSarah Leaning on a Bannister1840 · Smithsonian American Art Museum 15Mrs. Abraham Conger (Mary Rutgers McCrea Hedges) (1838) čiji je Viljam PejdžMrs. Abraham Conger (Mary Rutgers McCrea Hedges)1838 · Muzej finih umetnosti u Bostonu 16Quarrel of Achilles and Agamemnon (1832) čiji je Viljam PejdžQuarrel of Achilles and Agamemnon1832 · Smithsonian American Art Museum 17Young Merchants (1842) čiji je Viljam PejdžYoung Merchants1842 · Pennsylvania Academy of Fine Arts 18William Lloyd Garrison (1845) čiji je Viljam PejdžWilliam Lloyd Garrison1845 · Muzej finih umetnosti u Bostonu 19Thomas Wren Ward (1786-1858) (1845) čiji je Viljam PejdžThomas Wren Ward (1786-1858)1845 · Harvard Art Museums 20Harriet Hosmer (1855) čiji je Viljam PejdžHarriet Hosmer1855 · Muzej finih umetnosti u Bostonu 21Catharine Jane Eliot Norton (Mrs. Andrews Norton) (1793-1879) (1856) čiji je Viljam PejdžCatharine Jane Eliot Norton (Mrs. Andrews Norton) (1793-1879)1856 · Harvard Art Museums 22Portrait of Senator Charles Sumner (1874) čiji je Viljam PejdžPortrait of Senator Charles Sumner1874 · Los Angeles County Museum of Art 23Charles Sumner (1874) čiji je Viljam PejdžCharles Sumner1874 · Smithsonian American Art Museum 24Charles William Eliot (1834-1926) (1875) čiji je Viljam PejdžCharles William Eliot (1834-1926)1875 · Harvard Art Museums 25Self Portrait (1860) čiji je Viljam PejdžSelf Portrait1860 · Detroit Institute of Arts 26View of Athens (1820) čiji je Viljam PejdžView of Athens1820 · Benaki Museum

Motivi koji su privlačili pažnju Viljam Pejdž

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Man 8 dela

Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 (1859), Viljam Pejdž #1 Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 1859 · Yale University Art Gallery Charles Greely Loring (1794-1867) (1845), Viljam Pejdž #2 Charles Greely Loring (1794-1867) 1845 · Harvard Art Museums Shakespeare Reading (1873), Viljam Pejdž #3 Shakespeare Reading 1873 · Smithsonian American Art Museum Josiah Quincy (1772-1864) (1843), Viljam Pejdž #4 Josiah Quincy (1772-1864) 1843 · Harvard Art Museums

Portrait 7 dela

Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830) (1843), Viljam Pejdž #6 Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830) 1843 · Harvard Art Museums Untitled (La Bella) (1852), Viljam Pejdž #10 Untitled (La Bella) 1852 · Smithsonian American Art Museum Portrait of a Young Man (1832), Viljam Pejdž #12 Portrait of a Young Man 1832 · Smithsonian American Art Museum Charlotte Cushman (1853), Viljam Pejdž #13 Charlotte Cushman 1853 · National Portrait Gallery

Woman 5 dela

Mrs. William Page (1860), Viljam Pejdž #8 Mrs. William Page 1860 · Detroit Institute of Arts Venus Guiding Eneas and the Trojans to the Latin Shore (1862), Viljam Pejdž #11 Venus Guiding Eneas and the Trojans to the Latin Shore 1862 · Smithsonian American Art Museum Sarah Leaning on a Bannister (1840), Viljam Pejdž #14 Sarah Leaning on a Bannister 1840 · Smithsonian American Art Museum Untitled (La Bella) (1852), Viljam Pejdž #10 Untitled (La Bella) 1852 · Smithsonian American Art Museum

Dark tones 3 dela

Colonel William Leete Stone (1839), Viljam Pejdž #5 Colonel William Leete Stone 1839 · Cleveland Museum of Art Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 (1859), Viljam Pejdž #1 Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 1859 · Yale University Art Gallery Sarah Leaning on a Bannister (1840), Viljam Pejdž #14 Sarah Leaning on a Bannister 1840 · Smithsonian American Art Museum

Muzeji u kojima se čuvaju originalna dela umetnika Viljam Pejdž

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Viljam Pejdž Slike iz ovog spiska
Smithsonian American Art Museum, Vašington, D.C.Smithsonian American Art Museum Vašington, D.C. 8 Shakespeare Reading, Moses, Aaron and Hur on Mount Horeb, Untitled (La Bella)
Harvard Art Museums, KembriđHarvard Art Museums Kembriđ 6 Charles Greely Loring (1794-1867), Josiah Quincy (1772-1864), Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830)
Muzej finih umetnosti u Bostonu, BostonMuzej finih umetnosti u Bostonu Boston 3 Mrs. Abraham Conger (Mary Rutgers McCrea Hedges), William Lloyd Garrison, Harriet Hosmer
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 Mrs. William Page, Self Portrait
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Henry Stevens (1819-1886), B.A. 1843, M.A. 1846
Cleveland Museum of Art, KlivlendCleveland Museum of Art Klivlend 1 Colonel William Leete Stone
Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 1 Cupid and Psyche
National Portrait Gallery, Vašington, D.C.National Portrait Gallery Vašington, D.C. 1 Charlotte Cushman

Viljam Pejdž, jedno autentično delo po deceniji

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Slike umetnika Viljam Pejdž: odgovori galerije

Koja je najpoznatija slika umetnika Viljam Pejdž?Otkrij odgovor

Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 (1859), Yale University Art Gallery, New Haven. Slede Charles Greely Loring (1794-1867) (1845) i Shakespeare Reading (1873).

Koliko je godina imao/la Viljam Pejdž kada je dovršio/la Henry Stevens (1819-1886), B.A. 1843, M.A. 1846?Otkrij odgovor

48 godina: Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 datira iz 1859, a Viljam Pejdž je rođen/a 1811.

Koja su najbolja 10 dela umetnika Viljam Pejdž?Otkrij odgovor

Henry Stevens (1819-1886), B.A. 1843, M.A. 1846, Charles Greely Loring (1794-1867), Shakespeare Reading, Josiah Quincy (1772-1864), Colonel William Leete Stone, Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830), Moses, Aaron and Hur on Mount Horeb, Mrs. William Page, Cupid and Psyche i Untitled (La Bella). Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je dela stvorio/la Viljam Pejdž?Otkrij odgovor

Naš katalog sadrži 26 dela umetnika Viljam Pejdž, datiranih od 1820 do 1875.

Gde se nalaze najpoznatiji originali umetnika Viljam Pejdž?Otkrij odgovor

Većinom u Smithsonian American Art Museum (Vašington, D.C.), Harvard Art Museums (Kembriđ) i Muzej finih umetnosti u Bostonu (Boston). Tabela muzeja iznad sadrži njih sve.

Kada je Viljam Pejdž stvorio svoje najpoznatije slike?Otkrij odgovor

U 1840s: 8 od 26 dela na ovoj stranici nastalo je tada, od čega je Charles Greely Loring (1794-1867).

Koja su najranija i najkasnija poznata dela umetnika Viljam Pejdž?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz View of Athens (1820), a najnovije iz Charles William Eliot (1834-1926) (1875).

Kojim se motivima Viljam Pejdž najčešće bavio?Otkrij odgovor

Man (8), Portrait (7) i Woman (5), kroz svih 26 dela na ovoj stranici.

U kojoj je tehnici najviše radio/la Viljam Pejdž?Otkrij odgovor

Oil On Canvas, za 12 od 26 dela na ovoj stranici.

Sa kojim umetničkim pravcem je Viljam Pejdž povezan/a?Otkrij odgovor

Academic realism, sudeći po originalima na ovoj stranici.

Koje originale umetnika Viljam Pejdž poseduje Smithsonian American Art Museum?Otkrij odgovor

Shakespeare Reading, Moses, Aaron and Hur on Mount Horeb i Untitled (La Bella): Smithsonian American Art Museum, Vašington, D.C. čuva 8 dela sa ove stranice.

Viljam Pejdž: umetnik

Život i umetnički put Viljama Pejdža

Rođen u Albani, u Sjedinjenim Američkim Državama, Viljam Pejdž bio je svestran američki slikar i portretiści. Njegovo rano obrazovanje započelo je u kancelariji Frederika de Pejstera, nakon čega su usledile studije u studiju Džejmsa Heringa. Vremenom je postao učenik Semjuela F. Morsa i upisao Nacionalnu akademiju dizajna, gde su njegove crteži u klasi za antikitet doneli mu srebrnu medalju. Nakon kratkog perioda studiranja teologije na Teološkom seminaru Andover i koledžu Emherst, on se vratio svetu umetnosti.

Pejdžova karijera vodila ga je između Njujorka i Bostona, a na kraju je proveo jedanaest godina boravka u Firenci i Rimu. Tokom svog boravka u Italiji, slikao je portrete istaknutih ličnosti, kao što su Robert i Elizabet Brauning. Bio je duboko inspirisan delima velikih majstora, naročito Ticinom, čiji je metod slikarstva pokušao da otkrije. Njegove kopije Ticinovih dela bile su toliko izuzetne da je jedno od njih jednom zaplenjeno od strane firentinskih vlasti pod uverenjem da je reč o originalu.

Značajna dela i nasleđe

Tokom svoje dugogാപove karijere, Pejdž je obrađivao širok spektar tema, od religijskih scena kao što su "Mojsije i Aron na planini Horeb" i "Sveta porodica" do portreta istaknutih pojedinaca. Njegovo portretstvo obuhvatalo je likove:

Pored svog slikarstva, Pejdž je bio čovek raznolikih interesovanja; napisao je knjigu „Nova geometrijska metoda merenja ljudske figure“ i držao patente za razne unapređenja u izradi pušaka i čamaca. Preminuo je na Staten Islandu.

Sva 26 dela umetnika Viljam Pejdž →