Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 13 dela Viljam Arto u našem katalogu
Ukratko
Od svih originala koje je Viljam Arto ostavio, najpoznatiji je The Disguised Children, called The Attire (1790), koji se nalazi u kolekciji Musée Cognacq-Jay, Pariz. Odmah za njima slede Portrait of Two Young Girls, known as Les Gâteaux (1790) i 'The Triumph of Mercy,' from Collins' 'Ode To Mercy' (1789). Naš katalog sadrži 13 dela umetnika Viljam Arto; galerija je čuvala 13 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Two small figures occupy a quiet, shadowed room, caught in a moment of theatrical stillness. A young girl stands in the foreground, her presence defined by the luminous white of her dress and the heavy, deep blue of a voluminous cloak. The dark fur trim of her garment catches the light, creating a tactile contrast against the smooth, porcelain texture of her skin. Beside her, a young boy sits, his…
The work before us is titled Portrait of Two Young Girls, known as Les Gâteaux. It is a painting by William Artaud, an artist who lived and worked in London from his birth in 1763 until his death in 1823. This particular piece was executed vers 1790 — 1799, a period during which Artaud was establishing his presence within the British art scene.
A male figure sits encased in golden armor, his body a study of tension and anatomical precision. He is seated within a chariot, a vessel of movement caught in a moment of sudden, kinetic energy. A winged female figure pulls him forward, her drapery caught in the slipstream of their progress. The scene is a surge of motion, a Neoclassical procession where the weight of the metal meets the lightness…
The Woman Accused of Adultery is an oil on canvas painting by the British artist William Artaud. Created in England, the work dates from between 1786 and 1796. This period of production falls within the artist's active years, as Artaud lived from 1776 to 1823.
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Viljam Arto | Slike iz ovog spiska |
|---|---|---|---|
 Musée Cognacq-Jay |
Pariz | 2 | The Disguised Children, called The Attire, Portrait of Two Young Girls, known as Les Gâteaux |
 National Trust |
Warwick | 2 | The Reverend John Hammond Lucy III (1734–1823), Maria Lane (1758–1844), Mrs John Hammond Lucy |
 Yale Center for British Art |
New Haven | 1 | 'The Triumph of Mercy,' from Collins' 'Ode To Mercy' |
 Art Institute of Chicago |
Čikago | 1 | The Woman Accused of Adultery |
 Nottingham Castle Museum And Art Gallery |
Nottingham | 1 | George Coldham, Town Clerk of Nottingham |
 Government Art Collection |
London | 1 | Boy in Green |
 New Walk Museum - Art Gallery |
Leicester | 1 | Portrait of a Lady |
 National Maritime Museum |
London | 1 | Sir William Herschel (1738–1822) |
Izaberite deceniju da biste videli original koji je definiše.
A male figure sits encased in golden armor, his body a study of tension and anatomical precision. He is seated within a chariot, a vessel of movement caught in a moment of sudden, kinetic energy. A winged female figure pulls him forward, her drapery caught in the slipstream of their progress. The scene is a surge of motion, a Neoclassical procession where the weight of the metal meets the lightness…
Two small figures occupy a quiet, shadowed room, caught in a moment of theatrical stillness. A young girl stands in the foreground, her presence defined by the luminous white of her dress and the heavy, deep blue of a voluminous cloak. The dark fur trim of her garment catches the light, creating a tactile contrast against the smooth, porcelain texture of her skin. Beside her, a young boy sits, his…
The Disguised Children, called The Attire (1790), Musée Cognacq-Jay, Pariz. Slede Portrait of Two Young Girls, known as Les Gâteaux (1790) i 'The Triumph of Mercy,' from Collins' 'Ode To Mercy' (1789).
27 godina: The Disguised Children, called The Attire datira iz 1790, a Viljam Arto je rođen/a 1763.
The Disguised Children, called The Attire, Portrait of Two Young Girls, known as Les Gâteaux, 'The Triumph of Mercy,' from Collins' 'Ode To Mercy', The Woman Accused of Adultery, Dr Samuel Parr (1747–1825), DD, Portrait of a Lady of the Herrick Family, George Coldham, Town Clerk of Nottingham, Boy in Green, Portrait of a Lady i Sir William Herschel (1738–1822). Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 13 dela umetnika Viljam Arto, datiranih od 1789 do 1820.
Većinom u Musée Cognacq-Jay (Pariz), National Trust (Warwick) i Yale Center for British Art (New Haven). Tabela muzeja iznad sadrži njih sve.
U 1790s: 3 od 13 dela na ovoj stranici nastalo je tada, od čega je The Disguised Children, called The Attire.
Na ovoj stranici, najstarije delo je iz 'The Triumph of Mercy,' from Collins' 'Ode To Mercy' (1789), a najnovije iz Sir William Herschel (1738–1822) (1820).
Man (2) i Woman (2), kroz svih 13 dela na ovoj stranici.
Oil, za 2 od 13 dela na ovoj stranici.
Neoclassicism, sudeći po originalima na ovoj stranici.
The Disguised Children, called The Attire i Portrait of Two Young Girls, known as Les Gâteaux: Musée Cognacq-Jay, Pariz čuva 2 dela sa ove stranice.
Pored portretizma, Viljam Arto je okrenuo svoju pažnju i biblijskim scenama, žanru koji mu je omogućio da istražuje narativnu kompoziciju i dramatično osvetljenje. Značajan aspekt njegove karijere bila je saradnja sa Džonom Maklinom, čiji je ambiciozni projekat imao za cilj stvaranje ilustrovanog izdanja Biblije. Viljam Arto je doprineo ovom poduhvatu sa nekoliko slika, koje su potom stručno gravirali vodeći umetnici tog vremena. Ovako značajno umešavanje u proces ističe ključnu dimenziju umetničke produkcije kasnih 18. i početka 19. veka: blisku vezu između slikarstva, gravure i kulture štampanja. Gravure zasnovane na njegovim biblijskim motivima znatno su proširile njegov krug uticaja, čineći njegovo delo dostupnim široj publici, daleko izvan onih koji su mogli sebi priuštiti originalna ulja na platnu. Georg Kasper Naglerov „Novi opšti rečnik umetnika“ pruža dragocen zapis o ovim graviranim delima, demonstrirajući obim Artoovog doprinosa ovom popularnom projektu.
