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Iz perspektive galerije, najpoznatije delo umetnika Vladimir Lukič Borovikov je Portrait of A. and V. Gagarin (1802). Portrait of E.B. Rodzianko (1821) i Portrait of M.I.Lopukhina (1797) čine triju koju svako oko prepoznaje. Od 169 dela umetnika Vladimir Lukič Borovikov u našem katalogu, galerija u nastavku predstavlja 100 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
Two sisters, Princess A. G. Gagarina and Princess V. G. Gagarina, are captured in a moment of shared leisure. One sister, a poet, is accompanied by the other, who holds a red guitar. The composition is set against a backdrop of lush greenery and fruit-bearing trees, grounding the figures in a natural, serene environment. The interplay between the white and pink of their dresses and the deep red of the…
The Portrait of E.B. Rodzianko emerges from the canvas as a quiet encounter with the past. Created in 1821 by the artist Vladimir Borovikovsky, this work captures a specific moment in the life of Ekaterina Vladimirovna Rodzianko. She sits before us, a woman of grace, her presence held within the frame of this oil on canvas. The brushwork of Vladimir Borovikovsky brings her into the room, making her gaze feel…
The Portrait of M.I.Lopukhina, painted by Vladimir Borovikovsky in 1797, captures a moment of quiet presence that feels almost suspended in time. This work presents Maria Ivanovna Lopukhina, a young woman who was only eighteen years old when she sat for this oil on canvas. The portrait exists as a record of her youth, frozen in the delicate light of a bygone era. It is a work that carries the…
The subject rests in a three-quarter pose, leaning against a dark, indistinct surface that pushes his presence forward. He is a young man of the Russian Enlightenment, draped in a midnight blue velvet jacket that absorbs the light. Beneath this, the warm ochre and crimson of his waistcoat provide a sharp, tactile contrast to the pale, luminous skin of his face. His hair, powdered and soft, catches a directional light…
The portrait presents a Caucasian woman positioned within an oval frame. She is dressed in attire reminiscent of Ottoman-style clothing, featuring a red turban and layered garments. Gold jewelry rests against her skin, and the fabric of her dress contains intricate detailing. Her expression remains serene, though a slight melancholy is visible in her facial features. The subject is set against a hazy, indistinct landscape where distant mountains are suggested…
A. N. Astafiev's portrait by Vladimir Borovikovsky is a formal oil painting presented in a three-quarter view. The composition focuses on the subject from the chest up, positioning the figure against a dark, atmospheric background. The perspective is set at eye-level, which establishes a direct connection between the subject and the viewer. The depth of the image remains shallow, as the subject is placed before a nebulous, dark space that…
In this monochrome portrait, Vladimir Borovikovsky presents "Apostle Peter" with a quiet, solemn gravity. The composition is vertical and elongated, focusing our attention entirely on the bearded man who occupies the frame. This specific arrangement emphasizes the subject’s stature and the weight of his presence. The figure is likely Saint Peter, a conclusion supported by the keys held in his hand. These keys act as a traditional symbol of authority…
The oil painting titled Archangel Michael is a work by the artist Vladimir Borovikovsky. Created about 1794, this piece captures a moment of celestial conflict. The canvas holds a vertical struggle between light and shadow.
The portrait captures a seated woman of high aristocratic standing, rendered with the refined precision characteristic of the late 18th century. She is positioned centrally, her posture composed and her expression one of quiet poise. Soft, diffused light falls across her features, creating subtle transitions between light and shadow that define the contours of her face and the delicate texture of her skin. The background remains a muted, neutral green,…
In this portrait of a member of the Chidbov Family, Vladimir Borovikovsky presents a young woman seated upon a ledge. The composition is carefully centered around her face and upper body, drawing the viewer into an intimate encounter with her presence. She carries a contemplative expression, one that suggests a quiet dignity and perhaps a subtle hint of melancholy. This emotional depth is framed by a softly rendered landscape in…
Portrait of E.P. Dubovitskaya1809 · Yekaterinburg Museum of Fine Arts
12
Grigorij Semënovič Volkonskij1806 · Kiev National Picture Gallery
13
Portrait of S. A. Rayevskaya1813
14
Sergei Savelyevich Yakovlev1816
15
Portrait of Princess Belosselsky-Belozersky.1820 · Nacionalni muzej u Varšavi
16
Portrait of Dmitry Prokofievich Troschinsky1819 · Nacionalni umetnički muzej Ukrajine
17
St.Tsaritsa Alexandra1815
18
Portrait of Gavrila Derzhavin1795 · Ermitaž
19
Portrait of Sergei YakovlevErmitaž
20
Portrait of Catherine Vasilevny Torsukovoy1795
21
Andrew Samborski Afanasyevich1790
22
Christina, the Peasant Woman from Torzhok1795
23
Portrait of Catherine II, Empress of Russia1794 · Tretyakovljeva galerija
24
Portrait of Princess N.I. Kurakin1795 · Cleveland Museum of Art
25
Portrait of the Russian poet Gavril Derzhavin1795 · Tretyakovljeva galerija
26
Portrait of Grand Duke Konstantin Pavlovich1795
27
Portrait of Paul I1796
28
Portrait of Martha Arbeneva1798
29
Portrait of E. I. Nekludova1798
30
Portrait of F. A. Borovsky1799
31
Portrait of D. P. Troschinsky1799
32
Portrait of E Temkina1798
33
Portrait of Grand Duchess Maria Pavlovna1800
34
Portrait of Dmitry Levitzky1796
35
Portrait of Emperor Paul I1800
36
Paul I1800
37
Portrait of Count Razumovsky1800
38
Portrait of E. N. Arsenyeva1796 · Државни руски музеј
39
Portrait of A.I. Bezborodko with daughters1803
40
Portrait of Elena Aleksandrovna Naryshkina1799
41
Portrait of Alexander Semenovitsch Chvostov1801
42
Portrait of Elena Alexandrovna Naryshkina1799
43
Portrait of Count A.E.Samoilov1797 · Ermitaž
44
Portrait of Khristofor von Benckendorff1797
45
Portrait of Prince A. B. Kurakin1799
46
Portrait of Grand Duchess Yelena Pavlovna1799
47
Maria Norova1799
48
Portrait of Alexander Dmitrievich Arseniev1797 · Ermitaž
49
Portrait of D.A. Derzhavina1813
50
Portrait of A. G. and A. A. Lobanov Rostovsky1814
51
Portrait of Gavrila Romanovich Derzhavin1811
52
Portrait of Yuri F. Lisyansky1810
53
Portrait G.S. Volokonsky1806
54
Portrait of the author Alexander Labsin1805
55
Portrait of the Russian poet Evgeny Boratynsky1820
56
Portrait of a young manNacionalni muzej u Varšavi
57
Portrait of Paul I’s daughter – HelenaNacionalni muzej u Varšavi
58
St. Juliana
59
Archangel Gavriil
60
Sofia, Vera, Nadezda i Lubov
61
Jelena Pavlovna
62
Princess Lopukhina
63
Countess Vera Zavadovskaya
64
St. Alexander Nevsky
65
Kikin, Pyotr Andreyevich
66
Nathalie Petrovna Golitsyn
67
Bishop of the Russian Orthodox Church
68
Torsukov Ardalon A
69
Portrait of Nikolai Sheremetev
70
Portrait of Ekaterina Aleksandrovna Novosiltseva
71
Intercession of the Blessed Virgin Mary
72
Olenina Elizabeth Markovna
73
Jesus at the tomb
74
Ambrose
75
Praskovia Bestuzhev
76
Darya Alexandrovna Valuev
77
Skobeeva
78
Josephine Friedrichs
79
Alexander I of RussiaДржавни руски музеј
80
Portrait of Princess Margarita Ivanovna Dolgorukaya
81
Mihailovsk castle
82
Grand Duchess Elena Pavlovna
83
The Nativity of Christ
84
Alexander I
85
Labzin Evdokimovna Anna
86
Elena A. Kurakina
87
Children with a Lamb
88
Portrait of Alexander Fyodorovich Labzin
89
Lopukhin Ekaterina (Light Princess)
90
Daria Semyonovna Baratoff
91
Varvara Andreyevna Tomilova
92
Portrait of Murtaza-Kuli-Khan
93
Paul I
94
Rodzianko Ekaterina
95
Catherine Gavrilovna Gagarina
96
Praskovia I. Lopukhin, ur.Levshina
97
Anna S. Bezobrazova
98
Portrait of Yuriy Lisyansky
99
Portrait of Senator Alexey Vasilyev
100
Portrait of Countess A. I. Bezborodko with Her Daughters
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Vladimir Lukič Borovikov | Slike iz ovog spiska |
|---|---|---|---|
 Ermitaž |
Sankt Peterburg | 6 | "Portrait of Alexander Labzin" (1766-1825), Portrait of Gavrila Derzhavin, Portrait of Sergei Yakovlev |
 Nacionalni muzej u Varšavi |
Varšava | 3 | Portrait of Princess Belosselsky-Belozersky., Portrait of a young man, Portrait of Paul I’s daughter – Helena |
 Tretyakovljeva galerija |
Moskva | 6 | Portrait of Catherine II, Empress of Russia, Portrait of the Russian poet Gavril Derzhavin |
 Државни руски музеј |
St. Petersburg | 2 | Portrait of E. N. Arsenyeva, Alexander I of Russia |
 Nacionalni umetnički muzej Republike Belarus |
Minsk | 1 | Portrait of E.B. Rodzianko |
 Nacionalna galerija Armenije |
Jerevan | 1 | A. N. Astafiev's portrait |
 Mogilev Regional Museum of Local Lore named after E.R. Romanov |
Mogilev | 1 | Archangel Michael |
 Buffalo AKG Art Museum |
Buffalo | 1 | Portrait of Empress Elisabeth Alexeievna |
Izaberite deceniju da biste videli original koji je definiše.
The portrait presents a Caucasian woman positioned within an oval frame. She is dressed in attire reminiscent of Ottoman-style clothing, featuring a red turban and layered garments. Gold jewelry rests against her skin, and the fabric of her dress contains intricate detailing. Her expression remains serene, though a slight melancholy is visible in her facial features. The subject is set against a hazy, indistinct landscape where distant mountains are suggested…
The Portrait of M.I.Lopukhina, painted by Vladimir Borovikovsky in 1797, captures a moment of quiet presence that feels almost suspended in time. This work presents Maria Ivanovna Lopukhina, a young woman who was only eighteen years old when she sat for this oil on canvas. The portrait exists as a record of her youth, frozen in the delicate light of a bygone era. It is a work that carries the…
Two sisters, Princess A. G. Gagarina and Princess V. G. Gagarina, are captured in a moment of shared leisure. One sister, a poet, is accompanied by the other, who holds a red guitar. The composition is set against a backdrop of lush greenery and fruit-bearing trees, grounding the figures in a natural, serene environment. The interplay between the white and pink of their dresses and the deep red of the…
The Portrait of S. A. Rayevskaya emerges from the shadows of 1813, a moment frozen in oil on canvas. Vladimir Borovikovsky, the artist who once captured the very essence of the Russian nobility, turns his gaze toward S. A. Rayevskaya. She sits before us, her presence defined by a quiet, dignified composure that seems to hold the stillness of a private chamber. There is a sense of weight to her…
The Portrait of E.B. Rodzianko emerges from the canvas as a quiet encounter with the past. Created in 1821 by the artist Vladimir Borovikovsky, this work captures a specific moment in the life of Ekaterina Vladimirovna Rodzianko. She sits before us, a woman of grace, her presence held within the frame of this oil on canvas. The brushwork of Vladimir Borovikovsky brings her into the room, making her gaze feel…
Portrait of A. and V. Gagarin (1802). Slede Portrait of E.B. Rodzianko (1821) i Portrait of M.I.Lopukhina (1797).
45 godina: Portrait of A. and V. Gagarin datira iz 1802, a Vladimir Lukič Borovikov je rođen/a 1757.
Portrait of A. and V. Gagarin, Portrait of E.B. Rodzianko, Portrait of M.I.Lopukhina, "Portrait of Alexander Labzin" (1766-1825), Portrait of the Peasant Woman Christina, A. N. Astafiev's portrait, Apostle Peter, Archangel Michael, Portrait of Empress Elisabeth Alexeievna i Portrait of a member of the Chidbov Family. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 169 dela umetnika Vladimir Lukič Borovikov, datiranih od 1785 do 1821.
Većinom u Ermitaž (Sankt Peterburg), Nacionalni muzej u Varšavi (Varšava) i Tretyakovljeva galerija (Moskva). Tabela muzeja iznad sadrži njih sve.
U 1790s: 30 od 100 dela na ovoj stranici nastalo je tada, od čega je Portrait of M.I.Lopukhina.
Na ovoj stranici, najstarije delo je iz Portrait of the Peasant Woman Christina (1785), a najnovije iz Portrait of E.B. Rodzianko (1821).
Man (26), Woman (21) i Women (14), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 38 od 100 dela na ovoj stranici.
Rococo, sudeći po originalima na ovoj stranici.
"Portrait of Alexander Labzin" (1766-1825), Portrait of Gavrila Derzhavin i Portrait of Sergei Yakovlev: Ermitaž, Sankt Peterburg čuva 5 dela sa ove stranice.
U zlatnom dobu ruskog slikarstva, gde su emocije i aristokratski sjaj preplanjali platna, izdvaja se figura koja je svojim četkicom uspela da ovekovije samu dušu vremena. Vladimir Lukič Borovikov, umetnik čije je ime postalo sinonim za senzibilitet i nežnost, prožet je sudbinom koja spaja religioznu tradiciju i vrhunski evropski stil. Njegov put, koji je započeo u miru ukrajinskog Myrhoroda, nije bio samo niz umetničkih uspeha, već duboko emotivno putovanje kroz slojeve ljudske prirode i društvene transformacije.
Njegovi počeci bili su duboko ukorenjeni u duhovnosti; kao sin ukrajinskog kazaka i amaterskog ikonopisca, Lukič je rano stekao razumevanje za svetlost i simboliku koja definiše ikonu. Prvi umetnički koraci Borovikovovog života bili su posvećeni crkvenim ikonama, gde je učio kako da prenese beskrajno i neopipljivo na drveni podlog. Međutim, ta rani rad na religioznim temama postao je samo temelj za njegov kasniji prelazak ka portretu, gde će njegova tehnika postati instrument za istraživanje ljudske psihologije i društvenog statusa.
Preokret u njegovoj karijeri dogodio se u trenutku koji je promenio tok njegove sudbine, kada je prijatelj Vasyl Kapnist zamolio Borovikovova da stvori alegorijske slike za posetu carice Katarine II gradu Kremčuku. Carica je bila duboko impresionirana njegovim radom, što je rezultiralo pozivom da se umetnik preseli u Sankt Peterburg. Ovaj prelazak u imperialnu prestonicu bio je više od prostog promene mesta; bio je to ulazak u svet najviših krugova, gde je Borovikov, usvajajući aristokratsko prezime, postao ključni vizionar carskog dvora.
Borovikovov stil predstavlja veličanstveni most između Rokoa i Romantizma. Njegovi portreti nisu samo puki prikazi lica; oni su intimna, senzualna i detaljna studija tekstura i emocija. Pod uticajem mentora kao što su Dmitrij Levicki i Jovan Batista Lampi, ali i pod snažnim dejstvom ideja princa Nikolaja Lvova, on je razvio specifičan jezik koji je spajao eleganciju starog sveta sa novim, romantičnim unutrašnjim svetom. Njegova sposobnost da kroz delikatne pokrete i senke dočara nežnost i dostojanstvo, učinila je ga majstorom koji je portret pretvorio u priču o postojanju.
Njegovo bogatstvo stvaralaštva obuhvata oko 500 portreta, od kojih je oko 400 sačuvano kao svedočanstvo njegove nepresušne kreativnosti. Ključna dela, poput portreta Katarine II iz 1794. godine, koja su mu donela status akademika, ili kultnog portreta M. I. Lopuhine, ostala su kao neprolazni markeri ruskog portreta. Kroz svoje radove, on je uspeo da uhvati samu esenciju ruske plemićke klase i društva u jednom od najuzbudljivijih trenutaka istorije.
Kasne godine života donose novu dimenziju njegovom duši. Pripadnost slobodnom masonstvu u 1819. godini uticala je na njegov umetnički fokus, a u starosti se on vratio svojim korenima, posvećujući se ponovo ikonopisu i radu na ikonostasima, poput onog u crkvi na Smolenskom groblju. Kada je 6. aprila 1825. godine preminuo, Vladimir Lukič Borovikov nije samo ostavio za собой umetničko nasleđe; on je ostavio viziju koja i danas, kroz svoje portrete, nastavlja da nas gleda, podsećajući nas na lepotu, eleganciju i prolaznost ljudskog života.
Početak umetničkog puta
Vladimir Lukič Borovikov rođen je 24. jula 1757. godine u Mirhorodu, u današnjoj Ukrajini, u okruženju koje će mu zauvek odrediti umetnički senzibilitet. Njegov otac, Luka Borovik, bio je ukrajinski kozak i amater koji se posvetio slikanju ikona, što je mladom Vladimiru pružilo dragoceno, rano izlaganje svetom religijske umetnosti. Porodično poreklo i ta rani kontakt sa duhovnim motivima značajno su oblikovali njegove umetničke početke, pružajući mu temelj koji će kasnije premostiti prelaz iz svetosti u svet ljudske emocije. Prvi umetnički koraci Borovikov je svoju karijeru započeo slikajući ikone za lokalne crkve, usavršavajući svoje veštine u religijskom slikarstvu pre nego što je prešao na umetnost portreta, koja će ga učiniti slavnim.
Prekretnica u životu nastala je kada mu je prijatelj, Vasyl Kapnist, poverio značajan zadatak – da naslika alegorijske radove za posetu carice Katarine II gradu Kremenčuku. Ovaj trenutak je postao ključni kamen legende Borovikovca. Carska priznatost bila je neizbežna; carica je bila duboko impresionirana njegovim radovima, te je od nje dobio poziv da se preseli u Sankt Peterburg, što je predstavljalo sudbonosnu tačku u njegovoj umetničkoj karijeri.
Nakon septembra 1788. godine, Borovikov se trajno nastanio u imperialnoj prestonici, gde je usvojio aristokratsko prezime „Borovikov“ kako bi se utvrdio njegov status i položaj u društvu.
Stilski karakteristike: Borovikovljevi portreti postali su prepoznatljivi po svojoj dubokoj intimičnosti, sentimentalnoj kvaliteti i izuzetno nežnom prikazivanju tekstura koje su oživljavale svaki detalj platna.
Uticaji: Njegov umetnički put oblikovali su velika imena tog vremena; bio je pod snažnim uticajem Dmitrija Levickog i Johana Bastiana Lampija, od kojih je primao privatne lekcije. Pored njih, ideje kneza Nikolaja Lvova takođe su duboko prožimale njegovu umetničku viziju.
Umetnički pravac: Njegovo stvaralaštvo predstavlja veličanstven most između rokoko i romantizma, prirodno spajajući elemente oba stila u jedinstven umetnički jezik.
Borovikovljeva umetnička baština predstavlja veličanstveni prikaz jednog od najplodnijih perioda u ruskoj umetnosti, a njegovi najpoznatiji radovi obeležili su epohu. Među njegovim najslavnijim delima izdvajaju se portreti Katarine II, grofa Razumovskog, Dmitrija Levickog, Morteze Koli Kana Kadžara, kao i kultni portret M. I. Lopuhina, koji svedoče o njegovoj sposobnosti da na najsuptilniji način ovekoveči ljudsku dušu. Posebno je značajan Portret Katarine II (1794), delo koje je direktno utinflučalo njegov status i osiguralo mu zvanično imenovanje za akademika od strane Akademije umetnosti. Tokom celokupnog života, Borovikov je bio izuzetno produktivan umetnik, kreirajući približno 500 portreta, od čega je oko 400 njih preživelo do današnjih dana, ostavljajući nam neprocenjivo bogatstvo vizuelne istorije.
Masonstvo: Godine 1819. Borovikov postaje mason, što je značajno uticalo na njegov kasniji umetnički fokus i unutrašnje preokret u stvaralačkom radu.
Povratak ikonopisanju: U svojim poslednjim godinama, on se sve više posvećivao slikanju ikona, što je predstavljalo duboki povratak njegovim umetničkim korenima, uključujući i kreiranje veličanstvenog ikonostasa za crkvu na Smolenskom groblju.
Smrt i sahranjivanje: Vladimir Lukič Borovikov preminuo je 6. aprila 1825. godine, a sahranjen je na Lazareskom groblju manastira Aleksandra Nevskog u Sankt Peterburgu.
Istorijski značaj: On se smatra vodećim ruskim portretičarem romantične ere, čiji su radovi uspeli da zabeleže samu esenciju ruske plemićke klase i društva u jednom od najključnijih trenutaka istorije.
