Portret Pompejo Batoni

100 najpoznatijih slika umetnika Pompejo Batoni, svaka potpuno jedinstvena

Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 164 dela Pompejo Batoni u našem katalogu

Ukratko

Hercules at the Crossroads (detail) (1748) je slika autora Pompejo Batoni koja privlači najviše pažnje; original se nalazi u muzeju Liechtenstein Museum, Beč. Nakon toga, pogled se seli na A Knight in Rome: Charles Cecil Roberts (1778) i Gaetano II Sforza Cesarini, Duke of Segni (1768). Među 164 dela umetnika Pompejo Batoni u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.

1708 – 1787, Лука Neoclassicism Najviše dela: Uppark
Hercules at the Crossroads (detail) (1748) čiji je Pompejo Batoni1. Hercules at the Crossroads (detail) 1748 A Knight in Rome: Charles Cecil Roberts (1778) čiji je Pompejo Batoni2. A Knight in Rome: Charles Cecil Roberts 1778 Gaetano II Sforza Cesarini, Duke of Segni (1768) čiji je Pompejo Batoni3. Gaetano II Sforza Cesarini, Duke of Segni 1768

Top 10 slika umetnika Pompejo Batoni, iz ugla galerije

1
Hercules at the Crossroads (detail) (1748) čiji je Pompejo Batoni

Hercules at the Crossroads (detail)

1748 · Oil On Canvas · Liechtenstein Museum, Beč

To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

O ovom originalu
2
A Knight in Rome: Charles Cecil Roberts (1778) čiji je Pompejo Batoni

A Knight in Rome: Charles Cecil Roberts

1778 · Oil On Canvas · Музеј Прадо, Мадрид

Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

O ovom originalu
3
Gaetano II Sforza Cesarini, Duke of Segni (1768) čiji je Pompejo Batoni

Gaetano II Sforza Cesarini, Duke of Segni

1768 · Oil On Canvas · Nacionalna galerija Viktorije, Melburn

The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

Priča koja stoji iza ovog originala
4
Time Unveiling Truth (1742) čiji je Pompejo Batoni

Time Unveiling Truth

1742 · Oil · Art Institute of Chicago, Čikago

A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

Pogledajte ovo delo izbliza
6
Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764) čiji je Pompejo Batoni

Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

1764 · Oil On Canvas · Scottish National Gallery, Edinburgh

Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

Pogledajte ovo delo izbliza
7
John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761) čiji je Pompejo Batoni

John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

1761 · Oil On Canvas · Scottish National Portrait Gallery, Edinburg

The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

Priča koja stoji iza ovog originala
8
Portrait of John Woodyeare (1750) čiji je Pompejo Batoni

Portrait of John Woodyeare

1750 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

Pogledajte ovo delo izbliza
9
Peter Beckford (1740-1811), godsejer, Dorset. (1766) čiji je Pompejo Batoni

Peter Beckford (1740-1811), godsejer, Dorset.

1766 · Oil On Canvas · Statens Museum For Kunst, Kopenhagen

A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

Pogledajte ovo delo izbliza
10
The Rotterdam tobacco trader Pieter Caarten (1778) čiji je Pompejo Batoni

The Rotterdam tobacco trader Pieter Caarten

1778 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

Priča koja stoji iza ovog originala

Čuvena dela umetnika Pompejo Batoni, od 11 do 100

11Hercules at the Crossroads (1748) čiji je Pompejo BatoniHercules at the Crossroads1748 · Liechtenstein Museum 12Hercules at the Crossroads (1742) čiji je Pompejo BatoniHercules at the Crossroads1742 · Palazzo Pitti 13Hercules at the Crossroads (1765) čiji je Pompejo BatoniHercules at the Crossroads1765 · Ermitaž 14Sir Sampson Gideon and an unidentified companion (1767) čiji je Pompejo BatoniSir Sampson Gideon and an unidentified companion1767 · Nacionalna galerija Viktorije 15Peace and War (1776) čiji je Pompejo BatoniPeace and War1776 · Art Institute of Chicago 16Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831) (1780) čiji je Pompejo BatoniPortrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831)1780 · Nacionalni muzej u Krakovu 17James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753) čiji je Pompejo BatoniJames Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont)1753 · Yale Center for British Art 18Peace and Justice (1745) čiji je Pompejo BatoniPeace and Justice1745 · Montreal Museum of Fine Arts 19The infant Hercules strangling serpents in his cradle (1743) čiji je Pompejo BatoniThe infant Hercules strangling serpents in his cradle1743 · Palazzo Pitti 20Samson and Delilah (1766) čiji je Pompejo BatoniSamson and Delilah1766 · Detroit Institute of Arts 21Atis and Galathea (1761) čiji je Pompejo BatoniAtis and Galathea1761 · Nationalmuseum 22Philip Metcalfe (1766) čiji je Pompejo BatoniPhilip Metcalfe1766 · National Portrait Gallery 23Portrait of John Rolle Walter, MP and landowner, Exeter (1753) čiji je Pompejo BatoniPortrait of John Rolle Walter, MP and landowner, Exeter1753 · Statens Museum For Kunst 24Saint Andrew (1741) čiji je Pompejo BatoniSaint Andrew1741 · Art Institute of Chicago 25Portrait of Duchess Sforza Cesarini (d.1765) (1768) čiji je Pompejo BatoniPortrait of Duchess Sforza Cesarini (d.1765)1768 · Birmingham Museum and Art Gallery 26Portrait of Prince B. Kurakin (1782) čiji je Pompejo BatoniPortrait of Prince B. Kurakin1782 · Ermitaž 27Allegory of the Arts (1740) čiji je Pompejo BatoniAllegory of the Arts1740 · Städel Museum 28Portrait of Cardinal Prospero Colonna di Sciarra (1750) čiji je Pompejo BatoniPortrait of Cardinal Prospero Colonna di Sciarra1750 · Walters Art Museum 29Portrait of Cardinal Jean-François Joseph de Rochechouart (1762) čiji je Pompejo BatoniPortrait of Cardinal Jean-François Joseph de Rochechouart1762 · Saint Louis Art Museum 30Portrait of Joseph Henry of Straffan (1750) čiji je Pompejo BatoniPortrait of Joseph Henry of Straffan1750 · Walters Art Museum 31Venus Presenting Aeneas with Armour Forged by Vulcan (1748) čiji je Pompejo BatoniVenus Presenting Aeneas with Armour Forged by Vulcan1748 · Liechtenstein Museum 32James Bruce of Kinnaird, 1730 - 1794. African explorer (1762) čiji je Pompejo BatoniJames Bruce of Kinnaird, 1730 - 1794. African explorer1762 · Scottish National Portrait Gallery 33George Legge, Viscount Lewisham (1778) čiji je Pompejo BatoniGeorge Legge, Viscount Lewisham1778 · Музеј Прадо 34Thomas William Coke (1773) čiji je Pompejo BatoniThomas William Coke1773 · Holkham Hall 35Portrait of John Talbot, later 1st Earl Talbot (1773) čiji je Pompejo BatoniPortrait of John Talbot, later 1st Earl Talbot1773 · J. Paul Getty Museum 36Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736) čiji je Pompejo BatoniChrist in Glory with Saints Celsus, Julian, Marcionilla and Basilissa1736 · J. Paul Getty Museum 37Portrait of a man (1733) čiji je Pompejo BatoniPortrait of a man1733 38Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783) (1744) čiji je Pompejo BatoniPortrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783)1744 · National Gallery of Ireland 39Time Revealing Truth (1742) čiji je Pompejo BatoniTime Revealing Truth1742 · Rhode Island School of Design Museum of Art 40Christ Appearing to St. Ampelius (1742) čiji je Pompejo BatoniChrist Appearing to St. Ampelius1742 · Rhode Island School of Design Museum of Art 41Saint John the Evangelist (1741) čiji je Pompejo BatoniSaint John the Evangelist1741 · Basildon Park 42Saint Paul (1741) čiji je Pompejo BatoniSaint Paul1741 · Basildon Park 43God the Father and the Holy Spirit (1741) čiji je Pompejo BatoniGod the Father and the Holy Spirit1741 · Basildon Park 44Saint James the Less (1741) čiji je Pompejo BatoniSaint James the Less1741 · Basildon Park 45Saint Matthew (1741) čiji je Pompejo BatoniSaint Matthew1741 · Basildon Park 46Saint Philip (1741) čiji je Pompejo BatoniSaint Philip1741 · Basildon Park 47Saint Peter (1741) čiji je Pompejo BatoniSaint Peter1741 · Basildon Park 48Saint Thomas (1741) čiji je Pompejo BatoniSaint Thomas1741 · Basildon Park 49Maddalena penitente (1742) čiji je Pompejo BatoniMaddalena penitente1742 · Staatliche Kunstsammlungen Dresden 50Apollo, Euterpe and Urania (1741) čiji je Pompejo BatoniApollo, Euterpe and Urania1741 · Muzeum Palacu Króla Jana Iii w Wilanowie 51The Virgin of the Annunciation (1741) čiji je Pompejo BatoniThe Virgin of the Annunciation1741 52Apollon, Euterpe and Urania (1741) čiji je Pompejo BatoniApollon, Euterpe and Urania1741 53The Ecstasy of St Catherine of Siena (1743) čiji je Pompejo BatoniThe Ecstasy of St Catherine of Siena1743 · Museo Nazionale di Villa Guinigi 54Elector Carl Theodor of the Palatinate (1747) čiji je Pompejo BatoniElector Carl Theodor of the Palatinate1747 · Bavarske državne slikopisne kolekcije 55Pope Pius VI (1747) čiji je Pompejo BatoniPope Pius VI1747 · Bavarske državne slikopisne kolekcije 56A Lady of the Leeson Family as a Shepherdess (1751) čiji je Pompejo BatoniA Lady of the Leeson Family as a Shepherdess1751 · National Gallery of Ireland 57Presumed Portrait of the Marchesa Caterina Gabrielli as Diana (1751) čiji je Pompejo BatoniPresumed Portrait of the Marchesa Caterina Gabrielli as Diana1751 · National Gallery of Ireland 58Joseph Leeson, later 2nd Earl of Milltown (1730-1801) (1751) čiji je Pompejo BatoniJoseph Leeson, later 2nd Earl of Milltown (1730-1801)1751 · National Gallery of Ireland 59Study for "Antiochus and Stratonice" (1746) čiji je Pompejo BatoniStudy for "Antiochus and Stratonice"1746 · Cleveland Museum of Art 60Vulcan at his Forge (1750) čiji je Pompejo BatoniVulcan at his Forge1750 · Nacionalna galerija Kanade 61Purity of Heart (1752) čiji je Pompejo BatoniPurity of Heart1752 · Uppark 62Meekness (1752) čiji je Pompejo BatoniMeekness1752 · Uppark 63Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear (1751) čiji je Pompejo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear1751 · Uppark 64Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn (1751) čiji je Pompejo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn1751 · Uppark 65Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana (1751) čiji je Pompejo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana1751 · Uppark 66Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears (1752) čiji je Pompejo BatoniBenjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears1752 · Uppark 67Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear (1751) čiji je Pompejo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear1751 · Uppark 68Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora (1751) čiji je Pompejo BatoniKatherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora1751 · Uppark 69The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo (1751) čiji je Pompejo BatoniThe Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo1751 · Uppark 70Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses (1751) čiji je Pompejo BatoniLascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses1751 · Uppark 71Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall) (1747) čiji je Pompejo BatoniFrancis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall)1747 · Hatchlands Park 72Portrait of Charles Eugene, Duke of Württemberg (1728-1793) (1755) čiji je Pompejo BatoniPortrait of Charles Eugene, Duke of Württemberg (1728-1793)1755 · Landesmuseum Württemberg 73Hercules at the Crossroads (1753) čiji je Pompejo BatoniHercules at the Crossroads1753 · Galleria Sabauda 74Vulcan in his Forge (1750) čiji je Pompejo BatoniVulcan in his Forge1750 75Aeneas fleeing from Troy (1750) čiji je Pompejo BatoniAeneas fleeing from Troy1750 · Galleria Sabauda 76Truth and Mercy (1745) čiji je Pompejo BatoniTruth and Mercy1745 · Montreal Museum of Fine Arts 77Portrait of a Gentleman (1762) čiji je Pompejo BatoniPortrait of a Gentleman1762 · Rhode Island School of Design Museum of Art 78Portrait of William Legge, Second Earl of Dartmouth (1756) čiji je Pompejo BatoniPortrait of William Legge, Second Earl of Dartmouth1756 · Hood Museum of Art 79Sir Robert Davers, 5th Bt (1729-1763), aged 21 (1756) čiji je Pompejo BatoniSir Robert Davers, 5th Bt (1729-1763), aged 211756 · Ickworth 80George Lucy (1714 – 1786) (1758) čiji je Pompejo BatoniGeorge Lucy (1714 – 1786)1758 · Charlecote Park 81Self portrait (1765) čiji je Pompejo BatoniSelf portrait1765 · Bavarske državne slikopisne kolekcije 82William Fermor (1758) čiji je Pompejo BatoniWilliam Fermor1758 · Muzej fine umetnosti u Hjustonu 83Edward, Duke of York (1739-67) (1764) čiji je Pompejo BatoniEdward, Duke of York (1739-67)1764 · Royal Collection 84Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul (1757) čiji je Pompejo BatoniPope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul1757 · Minneapolis Institute of Art 85The Crucifixion (1762) čiji je Pompejo BatoniThe Crucifixion1762 · Muzej finih umetnosti u Bostonu 86Luigi Boccherini (1764) čiji je Pompejo BatoniLuigi Boccherini1764 · Nacionalna galerija Viktorije 87Portrait of Prince Abbondio Rezzonico as Senator of Rome (1765) čiji je Pompejo BatoniPortrait of Prince Abbondio Rezzonico as Senator of Rome1765 · Walters Art Museum 88portrait of a cardinal (1758) čiji je Pompejo Batoniportrait of a cardinal1758 89Academic Nude (1765) čiji je Pompejo BatoniAcademic Nude1765 90Elector Karl Theodor of the Palatinate (1775) čiji je Pompejo BatoniElector Karl Theodor of the Palatinate1775 · Bavarske državne slikopisne kolekcije 91Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799) (1775) čiji je Pompejo BatoniPortrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799)1775 · National Gallery of Ireland 92Edward Howard (1744–1767) (1766) čiji je Pompejo BatoniEdward Howard (1744–1767)1766 · Victoria and Albert Museum 93Bust-length portrait of Pope Clement XIII (1772) čiji je Pompejo BatoniBust-length portrait of Pope Clement XIII1772 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 94Alexander Stewart of Ards (1746-1791) (1773) čiji je Pompejo BatoniAlexander Stewart of Ards (1746-1791)1773 · Mount Stewart 95Self-portrait (1770) čiji je Pompejo BatoniSelf-portrait1770 96Robert Throckmorton (1750-1779) (1772) čiji je Pompejo BatoniRobert Throckmorton (1750-1779)1772 · Coughton Court 97The Right Hon. Sir John Parnell, 2nd Bt (1744–1801) (1769) čiji je Pompejo BatoniThe Right Hon. Sir John Parnell, 2nd Bt (1744–1801)1769 · Castle Ward 98Study for the Portrait of Emperor Joseph II. (1769) čiji je Pompejo BatoniStudy for the Portrait of Emperor Joseph II.1769 · Slovačka nacionalna galerija 99Portrait of John Corbet of Sundorne Castle, Shrewsbury (1773) čiji je Pompejo BatoniPortrait of John Corbet of Sundorne Castle, Shrewsbury1773 · Worcester Art Museum 100Portrait of Thomas Fortescue (1767) čiji je Pompejo BatoniPortrait of Thomas Fortescue1767

Čuvena dela Pompejo Batoni po periodima

Early Period

1733 – 1745 · 5 dela na ovoj listi
The infant Hercules strangling serpents in his cradle (1743), Pompejo Batoni #19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti Saint Andrew (1741), Pompejo Batoni #24 Saint Andrew 1741 · Art Institute of Chicago Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736), Pompejo Batoni #36 Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa 1736 · J. Paul Getty Museum Portrait of a man (1733), Pompejo Batoni #37 Portrait of a man 1733 Truth and Mercy (1745), Pompejo Batoni #76 Truth and Mercy 1745 · Montreal Museum of Fine Arts

Mature Period

1740 – 1782 · 77 dela na ovoj listi
Hercules at the Crossroads (detail) (1748), Pompejo Batoni #1 Hercules at the Crossroads (detail) 1748 · Liechtenstein Museum A Knight in Rome: Charles Cecil Roberts (1778), Pompejo Batoni #2 A Knight in Rome: Charles Cecil Roberts 1778 · Музеј Прадо Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompejo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · Nacionalna galerija Viktorije Time Unveiling Truth (1742), Pompejo Batoni #4 Time Unveiling Truth 1742 · Art Institute of Chicago Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompejo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery

Motivi koji su privlačili pažnju Pompejo Batoni

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Man 61 dela

Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompejo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · Nacionalna galerija Viktorije Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompejo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761), Pompejo Batoni #7 John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile 1761 · Scottish National Portrait Gallery Portrait of John Woodyeare (1750), Pompejo Batoni #8 Portrait of John Woodyeare 1750 · Minneapolis Institute of Art

Woman 28 dela

Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785), Pompejo Batoni #5 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley 1785 · Yale Center for British Art Hercules at the Crossroads (1748), Pompejo Batoni #11 Hercules at the Crossroads 1748 · Liechtenstein Museum Hercules at the Crossroads (1742), Pompejo Batoni #12 Hercules at the Crossroads 1742 · Palazzo Pitti Hercules at the Crossroads (1765), Pompejo Batoni #13 Hercules at the Crossroads 1765 · Ermitaž

Landscape 14 dela

Peter Beckford (1740-1811), godsejer, Dorset. (1766), Pompejo Batoni #9 Peter Beckford (1740-1811), godsejer, Dorset. 1766 · Statens Museum For Kunst Philip Metcalfe (1766), Pompejo Batoni #22 Philip Metcalfe 1766 · National Portrait Gallery Portrait of John Talbot, later 1st Earl Talbot (1773), Pompejo Batoni #35 Portrait of John Talbot, later 1st Earl Talbot 1773 · J. Paul Getty Museum Maddalena penitente (1742), Pompejo Batoni #49 Maddalena penitente 1742 · Staatliche Kunstsammlungen Dresden

Drapery 12 dela

Time Unveiling Truth (1742), Pompejo Batoni #4 Time Unveiling Truth 1742 · Art Institute of Chicago Peace and Justice (1745), Pompejo Batoni #18 Peace and Justice 1745 · Montreal Museum of Fine Arts Allegory of the Arts (1740), Pompejo Batoni #27 Allegory of the Arts 1740 · Städel Museum Saint Matthew (1741), Pompejo Batoni #45 Saint Matthew 1741 · Basildon Park

Muzeji u kojima se čuvaju originalna dela umetnika Pompejo Batoni

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Pompejo Batoni Slike iz ovog spiska
UpparkUppark 11 Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
Basildon ParkBasildon Park 9 Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 5 Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 4 Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
Liechtenstein Museum, BečLiechtenstein Museum Beč 4 Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
Art Institute of Chicago, ČikagoArt Institute of Chicago Čikago 4 Time Unveiling Truth, Peace and War, Saint Andrew
Nacionalna galerija Viktorije, MelburnNacionalna galerija Viktorije Melburn 3 Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 3 Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

Pompejo Batoni kroz decenije: jedan jedinstveni original za svaku

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Slike umetnika Pompejo Batoni: pitanja za galeriju

Koje je najpoznatije delo umetnika Pompejo Batoni?Otkrij odgovor

Hercules at the Crossroads (detail) (1748), Liechtenstein Museum, Beč. Slede A Knight in Rome: Charles Cecil Roberts (1778) i Gaetano II Sforza Cesarini, Duke of Segni (1768).

U kojoj je godini Pompejo Batoni stvorio/la Hercules at the Crossroads (detail)?Otkrij odgovor

40 godina: Hercules at the Crossroads (detail) datira iz 1748, a Pompejo Batoni je rođen/a 1708.

Koji je deset najpoznatijih slika autora Pompejo Batoni?Otkrij odgovor

Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. i The Rotterdam tobacco trader Pieter Caarten. Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je poznatih dela umetnika Pompejo Batoni?Otkrij odgovor

Naš katalog sadrži 164 dela umetnika Pompejo Batoni, datiranih od 1733 do 1785.

Gde se mogu videti najpoznatiji originali umetnika Pompejo Batoni?Otkrij odgovor

Većinom u Uppark, Basildon Park i National Gallery of Ireland (Dublin). Tabela muzeja iznad sadrži njih sve.

U kom periodu je Pompejo Batoni stvorio/la svoje najpoznatije slike?Otkrij odgovor

U 1740s: 30 od 100 dela na ovoj stranici nastalo je tada, od čega je Hercules at the Crossroads (detail).

Ko je najraniji, a koje je najkasnije čuveno delo umetnika Pompejo Batoni?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Portrait of a man (1733), a najnovije iz Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785).

Koje su teme Pompejo Batoni preferirao/la?Otkrij odgovor

Man (61), Woman (28) i Landscape (14), kroz svih 100 dela na ovoj stranici.

Sa kojim materijalima je Pompejo Batoni najčešće slikao?Otkrij odgovor

Oil On Canvas, za 64 od 100 dela na ovoj stranici.

Kojem umetničkom pravcu pripada delo umetnika Pompejo Batoni?Otkrij odgovor

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Purity of Heart, Meekness i Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear: Uppark čuva 10 dela sa ove stranice.

Pompejo Batoni: portret umetnika

Rani život i obuka

  • Rođen: Luka, Italija (1708)
  • Preminuo: 1787
  • Pompeo Batoni se preselio u Rim 1727. godine.
  • Usavršavao je svoj talenat pod mentorstvom Agostina Masuccija, Sebastiana Conce i/ili Francesca Imperialija.
  • Njegova prva samostalna narudžbina proizašla je kao rezultat obilnih kiša koje su pogodile Rim u aprilu 1732. godine.
  • Slika „Ekstaza Svete Katarine Sijenske” ilustruje njegovo akademsko usavršavanje kasnobaroknog stila.

Umetnički stil i uticaji

  • Batonijev stil crpeo je inspiraciju iz klasične antike, francuskog rokokoa, bolonjskog klasicizma, kao i od umetnika poput Nikole Puzena, Kloda Lorena, a naročito od Rafaela.
  • On se smatra pretečom neoklasicizma.
  • Njegova dela se mogu pronaći u brojnim muzejima, uključujući Pinacoteku di Brera u Milanu, Italija.

Značajna dela i narudžbina

    Devica idete sa svetima
  • Vitez u Rimu: Čarls Sesil Roberts – Slavljeni portret britanskog putnika postavljen ispred rimskih ruševina.
  • Trijumf Venecije
  • Brojni oltari za crkve u Italiji, kao što je Duomo u Sijeni.
  • Bio je veoma tražen za portretiranje, naročito od strane britanskih putnika na Velikom putovanju (Grand Tour), koji su naručivali portrete u stajaćim pozama unutar antičkih okruženja.

Razvoj i istorijski značaj

  • Batoni je postao izuzetno modni slikar u Rimu nakon što je njegov rival, Anton Rafael Mengs, otputovao u Španiju 1761. godine.
  • Prijateljstvo je stekao sa Vinkelmanom, te je težio suzdržanosti klasicizma u svom slikarstvu.
  • Njegovi portreti su dočarali duh ere Velikog putovanja, odražavajući fascinaciju klasičnom antikom među evropskim elitama.
  • Batonijeva sposobnost da spoji barokne tehnike sa novonastalim neoklasičnim idealima pozicionirala ga je kao tranzicionu figuru u istoriji italijanske umetnosti.

Nasleđe

  • Pompeo Batoni preminuo je 4. februara 1787. godine u Rimu.
  • Za sobom je ostavio nasleđe jednog od najpoznatijih italijanskih slikara svog vremena.
  • Njegova dela i dalje uživaju divljenje zbog tehničke veštine, elegantnih kompozicija i prodornih prikaza pojedinaca unutar njihovog istorijskog konteksta.
Sva 164 dela umetnika Pompejo Batoni →