Portret Per Krafft the Elder

Slike umetnika Per Krafft the Elder: Najpoznatijih 52 kroz oči galerije

Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 52 dela Per Krafft the Elder u našem katalogu

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Za ljubitelje galerije, najpoznatije delo umetnika Per Krafft the Elder je Portrait of Alois Friedrich von Brühl (1739-1793). (1767), čiji se original nalazi u muzeju Narodni muzej u Varšavi, Varšava. Portrait of Natalia Alexandrovna Repnina (1767) i Portrait of Stanisław August Poniatowski (1767) čine triju koju svako oko prepoznaje. Od 52 dela umetnika Per Krafft the Elder u našem katalogu, galerija u nastavku predstavlja 52 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1724 – 1793, Arboga Rococo Najviše dela: Nationalmuseum

Top 10 slika umetnika Per Krafft the Elder u galeriji

1
Portrait of Alois Friedrich von Brühl (1739-1793). (1767) čiji je Per Krafft the Elder

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · Narodni muzej u Varšavi, Varšava

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

2
Portrait of Natalia Alexandrovna Repnina (1767) čiji je Per Krafft the Elder

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · Ermitaž, Sankt Peterburg

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

4
Portrait of a Man (1775) čiji je Per Krafft the Elder

Portrait of a Man

1775 · Oil On Canvas · Nacionalni muzej u Krakovu, Krakov

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

5
Gustav III (1746–1792), King of Sweden (1791) čiji je Per Krafft the Elder

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · Nationalmuseum, Стокхолм

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

6
Portrait of Ignacy Krasicki (1767) čiji je Per Krafft the Elder

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · Narodni muzej u Varšavi, Varšava

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

7
Reading Boy (1758) čiji je Per Krafft the Elder

Reading Boy

1758 · Oil On Canvas · Nationalmuseum, Стокхолм

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

Slike umetnika Per Krafft the Elder, rangirane od 11 do 52

11Portrait by Carl von Fersen (1750) čiji je Per Krafft the ElderPortrait by Carl von Fersen1750 · National Portrait Gallery of Sweden 12Birgethe Dorthe and Kirstne Margarethe Colstrup (1754) čiji je Per Krafft the ElderBirgethe Dorthe and Kirstne Margarethe Colstrup1754 · Nationalmuseum 13Portrait of Stanisław Augustus Poniatowski (1760) čiji je Per Krafft the ElderPortrait of Stanisław Augustus Poniatowski1760 · Narodni muzej u Varšavi 14A Boy Reading (1758) čiji je Per Krafft the ElderA Boy Reading1758 · Nationalmuseum 15Portrait of a Boy (1762) čiji je Per Krafft the ElderPortrait of a Boy1762 · Nationalmuseum 16Elisabeth Frederike Sophie (1732–1780), Duchess of Württemberg (1762) čiji je Per Krafft the ElderElisabeth Frederike Sophie (1732–1780), Duchess of Württemberg1762 · Nationalmuseum 17Countess Teresa Kinska Poniatowska (1765) čiji je Per Krafft the ElderCountess Teresa Kinska Poniatowska1765 18Karl XIII, 1748-1818, kung av Sverige och Norge (1772) čiji je Per Krafft the ElderKarl XIII, 1748-1818, kung av Sverige och Norge1772 · Nationalmuseum 19Anna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim (1775) čiji je Per Krafft the ElderAnna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim1775 · Nationalmuseum 20Portrait of Izabela Lubomirska née Czartoryska (1767) čiji je Per Krafft the ElderPortrait of Izabela Lubomirska née Czartoryska1767 · Narodni muzej u Varšavi 21Portrait of a Boy (1773) čiji je Per Krafft the ElderPortrait of a Boy1773 · Finnish National Gallery 22Girl with Bullfinch in a Cage (1766) čiji je Per Krafft the ElderGirl with Bullfinch in a Cage1766 · Nationalmuseum 23Emanuel Swedenborg, 1688-1772, ämbetsman (1766) čiji je Per Krafft the ElderEmanuel Swedenborg, 1688-1772, ämbetsman1766 · National Portrait Gallery of Sweden 24Old Woman (1768) čiji je Per Krafft the ElderOld Woman1768 · Nationalmuseum 25Portrait of Teresa Poniatowska (1767) čiji je Per Krafft the ElderPortrait of Teresa Poniatowska1767 · Nacionalni muzej u Krakovu 26Portrait of Izabela Branicka née Poniatowska (1767) čiji je Per Krafft the ElderPortrait of Izabela Branicka née Poniatowska1767 · Nacionalni muzej u Krakovu 27Portrait of Konstancja Poniatowska née Czartoryska (1768) čiji je Per Krafft the ElderPortrait of Konstancja Poniatowska née Czartoryska1768 · Nacionalni muzej u Krakovu 28Gustav IV Adolf, 1778-1837, kung av Sverige (1785) čiji je Per Krafft the ElderGustav IV Adolf, 1778-1837, kung av Sverige1785 · Nationalmuseum 29Portrait of Gustaf IV Adolf of Sweden (1778-1837) (1785) čiji je Per Krafft the ElderPortrait of Gustaf IV Adolf of Sweden (1778-1837)1785 · National Portrait Gallery of Sweden 30Portrait of Anders Mattsson (1778) čiji je Per Krafft the ElderPortrait of Anders Mattsson1778 · National Portrait Gallery of Sweden 31Portrait of Carl Michael Bellman, 1740-1795 (1779) čiji je Per Krafft the ElderPortrait of Carl Michael Bellman, 1740-17951779 · National Portrait Gallery of Sweden 32Anna Charlotta Stapelmohr, 1754-1791, g Schröderheim (1778) čiji je Per Krafft the ElderAnna Charlotta Stapelmohr, 1754-1791, g Schröderheim1778 · National Portrait Gallery of Sweden 33The Artist's Daughter Wilhelmina (1783) čiji je Per Krafft the ElderThe Artist's Daughter Wilhelmina1783 · Nationalmuseum 34Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793) čiji je Per Krafft the ElderGustav IV Adolf, 1778 - 1837, kung av Sverige1793 · Nationalmuseum 35Manufacturer Erik Westén the younger (1787) čiji je Per Krafft the ElderManufacturer Erik Westén the younger1787 · Finnish National Gallery 36Secretary Konrad Arvid Johan Mandorf (1793) čiji je Per Krafft the ElderSecretary Konrad Arvid Johan Mandorf1793 · Finnish National Gallery 37Johan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk (1792) čiji je Per Krafft the ElderJohan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk1792 · National Portrait Gallery of Sweden 38Gustav IV Adolf, 1778-1837, konung av Sverige (1793) čiji je Per Krafft the ElderGustav IV Adolf, 1778-1837, konung av Sverige1793 · National Portrait Gallery of Sweden 39Elis Schröderheim, 1747-1795, ämbetsman (1787) čiji je Per Krafft the ElderElis Schröderheim, 1747-1795, ämbetsman1787 · National Portrait Gallery of Sweden 40Portrait of a Lady (1788) čiji je Per Krafft the ElderPortrait of a Lady1788 · Nationalmuseum 41Portrait of Bishop Ignacy Krasicki čiji je Per Krafft the ElderPortrait of Bishop Ignacy KrasickiNacionalni muzej u Krakovu 42Carl Funck, 1708-1783 čiji je Per Krafft the ElderCarl Funck, 1708-1783Nationalmuseum 43Thomas von Plomgren, 1702-1754, grosshandlare čiji je Per Krafft the ElderThomas von Plomgren, 1702-1754, grosshandlareNationalmuseum 44Mrs Dorotea Westén čiji je Per Krafft the ElderMrs Dorotea WesténFinnish National Gallery 45The Artist's Wife Maria Wilhelmina čiji je Per Krafft the ElderThe Artist's Wife Maria WilhelminaNationalmuseum 46Sofia Albertina, 1753-1829, prinsessa av Sverige čiji je Per Krafft the ElderSofia Albertina, 1753-1829, prinsessa av SverigeNational Portrait Gallery of Sweden 47David Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina Humble čiji je Per Krafft the ElderDavid Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina HumbleNational Portrait Gallery of Sweden 48Henrik af Trolle, 1730-1784 čiji je Per Krafft the ElderHenrik af Trolle, 1730-1784National Portrait Gallery of Sweden 49Brita Christina Sparre, 1720-1776, g. Törnflycht čiji je Per Krafft the ElderBrita Christina Sparre, 1720-1776, g. TörnflychtNational Portrait Gallery of Sweden 50Anders Johan von Höpken, 1712-1789, greve čiji je Per Krafft the ElderAnders Johan von Höpken, 1712-1789, greveNational Portrait Gallery of Sweden 51Augustin Ehrensvärd, 1710-1772, militär, greve čiji je Per Krafft the ElderAugustin Ehrensvärd, 1710-1772, militär, greveNational Portrait Gallery of Sweden 52Izabela Lubomirska née Czartoryska čiji je Per Krafft the ElderIzabela Lubomirska née CzartoryskaRoyal Łazienki Museum

Motivi koji su privlačili pažnju Per Krafft the Elder

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Per Krafft the Elder

7 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Per Krafft the Elder Slike iz ovog spiska
Nationalmuseum, СтокхолмNationalmuseum Стокхолм 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
Nacionalni muzej u Krakovu, KrakovNacionalni muzej u Krakovu Krakov 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
Finnish National Gallery, HelsinkiFinnish National Gallery Helsinki 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 1 Portrait of Natalia Alexandrovna Repnina
Royal Łazienki Museum, VaršavaRoyal Łazienki Museum Varšava 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder, jedno autentično delo po deceniji

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Izaberite deceniju da biste videli original koji je definiše.

Slike umetnika Per Krafft the Elder: odgovori galerije

Koja je najpoznatija slika umetnika Per Krafft the Elder?Otkrij odgovor

Portrait of Alois Friedrich von Brühl (1739-1793). (1767), Narodni muzej u Varšavi, Varšava. Slede Portrait of Natalia Alexandrovna Repnina (1767) i Portrait of Stanisław August Poniatowski (1767).

Koliko je godina imao/la Per Krafft the Elder kada je dovršio/la Portrait of Alois Friedrich von Brühl (1739-1793).?Otkrij odgovor

43 godina: Portrait of Alois Friedrich von Brühl (1739-1793). datira iz 1767, a Per Krafft the Elder je rođen/a 1724.

Koja su najbolja 10 dela umetnika Per Krafft the Elder?Otkrij odgovor

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 i Johan Gustaf Lund, född 1712, kommissarie. Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je dela stvorio/la Per Krafft the Elder?Otkrij odgovor

Naš katalog sadrži 52 dela umetnika Per Krafft the Elder, datiranih od 1748 do 1793.

Gde se nalaze najpoznatiji originali umetnika Per Krafft the Elder?Otkrij odgovor

Većinom u Nationalmuseum (Стокхолм), National Portrait Gallery of Sweden (Strängnäs) i Narodni muzej u Varšavi (Varšava). Tabela muzeja iznad sadrži njih sve.

Kada je Per Krafft the Elder stvorio svoje najpoznatije slike?Otkrij odgovor

U 1760s: 15 od 52 dela na ovoj stranici nastalo je tada, od čega je Portrait of Alois Friedrich von Brühl (1739-1793)..

Koja su najranija i najkasnija poznata dela umetnika Per Krafft the Elder?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Johan Gustaf Lund, född 1712, kommissarie (1748), a najnovije iz Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793).

Kojim se motivima Per Krafft the Elder najčešće bavio?Otkrij odgovor

Man (6), Lace (3) i Dark background (3), kroz svih 52 dela na ovoj stranici.

U kojoj je tehnici najviše radio/la Per Krafft the Elder?Otkrij odgovor

Oil On Canvas, za 8 od 52 dela na ovoj stranici.

Sa kojim umetničkim pravcem je Per Krafft the Elder povezan/a?Otkrij odgovor

Rococo, sudeći po originalima na ovoj stranici.

Koje originale umetnika Per Krafft the Elder poseduje Nationalmuseum?Otkrij odgovor

Gustav III (1746–1792), King of Sweden, Reading Boy i The Artist's Daughter Wilhelmina: Nationalmuseum, Стокхолм čuva 18 dela sa ove stranice.

Mogu li dobiti ručnu reprodukciju slike od Per Krafft the Elder?Otkrij odgovor

Da, kao reprodukcija: original ostaje u svom muzeju, ali svaku sliku sa ove stranice može se ručno naslikati za vas, po vašoj narudžbi, pojedinačno, direktno sa stranice te slike.

Per Krafft the Elder: umetnik

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.

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