Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 99 dela Emili Kar u našem katalogu
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Tanoo, Q.C.I. je slika autora Emili Kar koja privlači najviše pažnje; original se nalazi u muzeju Royal BC Museum, Viktorija. Nakon toga, pogled se seli na Strait of Juan de Fuca (1936) i Dancing Trees (1940). Među 99 dela umetnika Emili Kar u našem katalogu, ovih 99 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
A Forest of Totems The air feels heavy with the scent of damp earth and cedar as we step into this lush, green expanse. Tall totem poles rise from the foreground, their surfaces etched with intricate, swirling designs that seem to pulse with a life of their own. These wooden sentinels stand guard over a quiet corner of the woods, where the light filters through a thick canopy of leaves.…
In the sweeping expanse of Emily Carr’s 1936 masterpiece, Strait of Juan de Fuca, the viewer is invited to witness a profound dialogue between the rugged earth and the restless sea. This evocative landscape captures more than just a geographical location; it captures a moment of atmospheric tension where the heavy, cloud-laden sky meets the enduring strength of the coastal mountains. The composition is anchored by two prominent rock formations…
Dancing Trees - Emily Carr (1871 - 1945) — A Pioneer's Vision of British Columbia Emily Carr’s *Dancing Trees*, painted in 1937-40, stands as a testament to her singular artistic vision—a fusion of Post-Impressionism and an unwavering connection to the landscape of British Columbia. More than just a depiction of trees; it embodies Carr's profound engagement with both the natural world and Indigenous culture, reflecting a period marked by significant…
In the heart of the dense, mist-shrouded landscapes of British Columbia, there exists a realm where the boundary between the physical world and the spiritual plane begins to dissolve. Emily Carr’s 1930 masterpiece, “British Columbia Forest,” serves as a profound gateway into this ethereal domain. This is not merely a landscape painting; it is an emotional excavation of the wild. Through her singular lens, the forest ceases to be a…
Emily Carr's “Tanoo,” painted in 1912, is more than just a depiction of totem poles; it’s a profound meditation on the spirit of the Pacific Northwest and the enduring connection between Indigenous peoples and their ancestral lands. Created during a pivotal period of change for both Canada and its First Nations communities, this watercolor offers a rare glimpse into a world largely untouched by modern influence – a world where…
In the 1931 painting House Near Woods, Emily Carr presents a serene and tranquil scene that captures a moment of quietude within the Canadian landscape. The composition centers on a small, white house with a red roof, positioned atop a hill as it overlooks a vast, surrounding forest. This wooden cabin sits nestled within a clearing, surrounded by the dense, thick growth of the woods.
Reforestation - A Vision of Resilience Emily Carr’s “Reforestation,” painted in 1936 during her prolific period exploring British Columbia's landscapes, stands as a testament to her unwavering fascination with the natural world and her ability to translate its spirit onto canvas. This monumental artwork embodies Group of Seven principles—bold brushstrokes, flattened perspective, and an uncompromising commitment to capturing raw emotion—resulting in a scene that transcends mere depiction; it communicates a…
In the quietude of the Pacific Northwest, where the mist clings to the rugged bark of ancient conifers, Emily Carr captures a moment of profound stillness in Young Pines And Sky. This evocative piece serves as a window into a world where the boundary between the earth and the heavens feels beautifully permeable. The composition centers on a cluster of resilient young pines, their silhouettes reaching upward with a quiet,…
The world settles into a quiet, silvered stillness. Before a modest wooden dwelling, a Haida ceremonial pole rises against the landscape, its carved face fixed in a steady, unblinking gaze. This black-and-white watercolor captures a moment of profound gravity, where the textures of wood and shadow merge. The house, with its dark walls and a hint of a red roof, sits tucked beneath the presence of the totem. There is…
Created in 1911, this oil on cardboard work captures a specific moment of transition in the artist's development. The composition focuses on the structural presence of a dwelling within the Brittany landscape. Through a controlled application of paint, the work explores the relationship between built forms and the surrounding environment. The medium of cardboard lends a specific texture to the surface, influencing the way the oil pigment sits upon the…
Trees in France1911 · McMichael Canadian Art Collection
12
(forest landscape)Royal BC Museum
13
Cha-atl, Field with PoleRoyal BC Museum
14
Crécy-en-BrieRoyal BC Museum
15
Brittany, France1911 · McMichael Canadian Art Collection
16
Totem Poles, Kitseukla1912 · Vancouver Art Gallery
17
Indian Totem pole, Yan, Queen Charlotte Islands1912
18
Totem Mother1928 · Vancouver Art Gallery
19
Kitwancool1928
20
Blunden Harbour1930
21
Portrait of Woo1932 · Nacionalna galerija Kanade
22
Grizzly Bear Totem, Angidah, Nass River1930 · Nacionalna galerija Kanade
23
Indian Hut, Queen Charlotte Islands1930 · Nacionalna galerija Kanade
24
Totem and Forest1931 · Vancouver Art Gallery
25
Guyasdoms D'Sonoqua1930 · Art Gallery of Ontario
26
Tree In Autumn
27
Forest (Tree Trunks)1938 · Nacionalna galerija Kanade
28
Landscape1940 · Nacionalna galerija Kanade
29
Self-portrait1939 · Nacionalna galerija Kanade
30
Sawmills, Vancouver1912 · McMichael Canadian Art Collection
31
A Haida Village1929 · McMichael Canadian Art Collection
32
Logger’s Cull
33
Shoreline
34
Heart Of The Forest
35
A Rushing Sea Of Undergrowth
36
Yan Q.C.I.1912 · Art Gallery of Hamilton
37
Dancing Sunlight1937 · McMichael Canadian Art Collection
38
lampRoyal BC Museum
39
Self-portrait1924 · Vancouver Art Gallery
40
Four Children in a Breton Cottage1911 · Nacionalna galerija Kanade
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Breton Farm Yard1911 · McMichael Canadian Art Collection
42
Autumn in France1911 · Nacionalna galerija Kanade
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Indian Totem pole, Hazelton, Skeena River, BC1912
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Graveyard Entrance, Campbell River1912 · Nacionalna galerija Kanade
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The Welcome Man1913 · Nacionalna galerija Kanade
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Totem Pole at Hazelton1912 · Nacionalna galerija Kanade
47
Memalilaqua, Knight Inlet1912 · Nacionalna galerija Kanade
48
Community House Ucluelet1912 · Montreal Museum of Fine Arts
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Indian War Canoe1912 · Montreal Museum of Fine Arts
50
First Nations War Canoes in Alert Bay1912
51
Arbutus Tree1922 · Nacionalna galerija Kanade
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Heina1928 · Nacionalna galerija Kanade
53
Vanquished1930 · Vancouver Art Gallery
54
Tree Trunk1931 · Vancouver Art Gallery
55
Tree (spiralling upward)1933 · Vancouver Art Gallery
56
Red Cedar1931 · Vancouver Art Gallery
57
Old Timer1932
58
Big Raven1931 · Vancouver Art Gallery
59
Forest Landscape1932 · Nacionalna galerija Kanade
60
Among the Firs1931
61
Untitled (Seascape)1935
62
In the Forest, BC1935 · Art Gallery of Ontario
63
Blue Sky1936
64
A Forest Clearing1935
65
Sky1935 · Nacionalna galerija Kanade
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Forest Landscape No. 21935 · Nacionalna galerija Kanade
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Seascape1935 · Nacionalna galerija Kanade
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Strait of Juan de Fuca1936 · Nacionalna galerija Kanade
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Landscape1935 · Nacionalna galerija Kanade
70
Wind in the Tree Tops1939
71
Sombreness Sunlit1940
72
Happiness1939
73
Clearing1942 · Nacionalna galerija Kanade
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Forest Landscape No. 11939 · Nacionalna galerija Kanade
75
Odds and Ends1939
76
Kispiox VillageRoyal BC Museum
77
MelonsRoyal BC Museum
78
Untitled (forest scene)Royal BC Museum
79
Kitseukla
80
Heina, Maude Island, Queen Charlotte IslandsRoyal BC Museum
81
Odds And Ends
82
Heina
83
Forest, British Columbia
84
Don’t pickle me away as a ‘done’
85
Self Portrait
86
Indian Church -
87
Sunshine And Tumult
88
Trees
89
Autumn Woods
90
Trees Love To Toss And Sway; They Make Such Happy Noises
91
Gitwangak, Queen Charlotte Islands
92
Totem Walk At Sitka
93![Untitled [Skedans, Queen Charlotte Islands] čiji je Emili Kar](/media/artworks/images-thumb/d0/d7/d0d77f9fa039d25a761f21e549246072.jpg)
Untitled [Skedans, Queen Charlotte Islands]Royal BC Museum
94
Ada and Louise Outside Cedar CanimRoyal BC Museum
95
Mrs. Douse, Chieftainess of KitwancoolRoyal BC Museum
96
RootsRoyal BC Museum
97
Study in Colour and FormRoyal BC Museum
98
Scorned As Timber, Beloved Of The SkyVancouver Art Gallery
99
Indian ChurchArt Gallery of Ontario
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Emili Kar | Slike iz ovog spiska |
|---|---|---|---|
 Nacionalna galerija Kanade |
Otava | 23 | House in Brittany, Portrait of Woo, Grizzly Bear Totem, Angidah, Nass River |
 Royal BC Museum |
Viktorija | 15 | Tanoo, Q.C.I., Kitwangar Pole, (forest landscape) |
 McMichael Canadian Art Collection |
Von | 11 | Strait of Juan de Fuca, Dancing Trees, British Columbia Forest |
 Vancouver Art Gallery |
Vancouver | 10 | Totem Poles, Kitseukla, Totem Mother, Totem and Forest |
 Art Gallery of Ontario |
Toronto | 3 | Guyasdoms D'Sonoqua, In the Forest, BC, Indian Church |
 Montreal Museum of Fine Arts |
Montreal | 2 | Community House Ucluelet, Indian War Canoe |
 The Robert McLaughlin Gallery |
Oshawa | 1 | House Near Woods |
 Art Gallery of Hamilton |
Hamilton | 1 | Yan Q.C.I. |
Izaberite deceniju da biste videli original koji je definiše.
Emily Carr's “Tanoo,” painted in 1912, is more than just a depiction of totem poles; it’s a profound meditation on the spirit of the Pacific Northwest and the enduring connection between Indigenous peoples and their ancestral lands. Created during a pivotal period of change for both Canada and its First Nations communities, this watercolor offers a rare glimpse into a world largely untouched by modern influence – a world where…
In the sweeping expanse of Emily Carr’s 1936 masterpiece, Strait of Juan de Fuca, the viewer is invited to witness a profound dialogue between the rugged earth and the restless sea. This evocative landscape captures more than just a geographical location; it captures a moment of atmospheric tension where the heavy, cloud-laden sky meets the enduring strength of the coastal mountains. The composition is anchored by two prominent rock formations…
Dancing Trees - Emily Carr (1871 - 1945) — A Pioneer's Vision of British Columbia Emily Carr’s *Dancing Trees*, painted in 1937-40, stands as a testament to her singular artistic vision—a fusion of Post-Impressionism and an unwavering connection to the landscape of British Columbia. More than just a depiction of trees; it embodies Carr's profound engagement with both the natural world and Indigenous culture, reflecting a period marked by significant…
Tanoo, Q.C.I., Royal BC Museum, Viktorija. Slede Strait of Juan de Fuca (1936) i Dancing Trees (1940).
Tanoo, Q.C.I., Strait of Juan de Fuca, Dancing Trees, British Columbia Forest, Tanoo, House Near Woods, Reforestation, Young Pines And Sky, Kitwangar Pole i House in Brittany. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 99 dela umetnika Emili Kar, datiranih od 1911 do 1942.
Većinom u Nacionalna galerija Kanade (Otava), Royal BC Museum (Viktorija) i McMichael Canadian Art Collection (Von). Tabela muzeja iznad sadrži njih sve.
U 1930s: 34 od 99 dela na ovoj stranici nastalo je tada, od čega je Strait of Juan de Fuca.
Na ovoj stranici, najstarije delo je iz House in Brittany (1911), a najnovije iz Clearing (1942).
Landscape (11), Forest (8) i Trees (8), kroz svih 99 dela na ovoj stranici.
Oil On Canvas, za 10 od 99 dela na ovoj stranici.
Post-impressionism i Modernism, sudeći po originalima na ovoj stranici.
House in Brittany, Portrait of Woo i Grizzly Bear Totem, Angidah, Nass River: Nacionalna galerija Kanade, Otava čuva 23 dela sa ove stranice.
Da, kao reprodukcija: original ostaje u svom muzeju, ali svaku sliku sa ove stranice može se ručno naslikati za vas, po vašoj narudžbi, pojedinačno, direktno sa stranice te slike.
