Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 35 dela Бертел Торвалдсен u našem katalogu
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Za ljubitelje galerije, najpoznatije delo umetnika Бертел Торвалдсен je The three Graces, čiji se original nalazi u muzeju Accademia di San Luca, Rim. Adonis (1808) i Christ čine triju koju svako oko prepoznaje. Od 35 dela umetnika Бертел Торвалдсен u našem katalogu, galerija u nastavku predstavlja 29 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
In the quiet, hallowed halls of Neoclassical mastery, few works resonate with the same ethereal tenderness as Bertel Thorvaldsen’s The Three Graces. Sculpted in 1817 during the artist's most prolific years in Rome, this marble masterpiece is far more than a mere depiction of mythological figures; it is a profound meditation on harmony, intimacy, and the timeless ideals of beauty. As one gazes upon the smooth, luminous surfaces of the…
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto pose. The figure stands with his body slightly angled towards the viewer, holding a staff or spear in one hand, while drapery is loosely gathered around his other arm and leg. The sculpture is set upon a simple, rectangular base.
To stand before this depiction of Christ is to encounter an immediate hush, a profound stillness captured in pale stone. The sculpture presents the upper torso and head of Jesus, rendered with the idealized perfection characteristic of Neoclassicism. Its surface, smooth and luminous—suggesting either fine marble or expertly finished plaster—seems to absorb and diffuse light, giving the figure an ethereal quality. The composition centers entirely on this divine presence; Christ’s…
To stand before this magnificent representation of Ganymede and the Eagle is to step directly into the luminous halls of classical mythology. The sculpture, a masterful testament to Neoclassical ideals, captures a moment suspended between divine favor and earthly devotion. It portrays Ganymede, the eternally youthful cupbearer to the gods, in an act of tender offering—presenting sustenance to the majestic eagle that perches nearby. The sheer physicality of the piece,…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is a religious subject, rendered as a marble or plaster sculpture. The figure is presented with a sense of serene presence, capturing a specific devotional mood through its form.
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this rock relief captures a moment of heavy stillness. The work was hewn between 1820 and 1821 by Lukas Ahorn, carving a permanent memory into the cliff face. It remains one of the most famous monuments in Switzerland, drawing eyes to its silent,…
In the hallowed, quietude of a Roman church interior, where light dances softly against ancient stone, stands a masterpiece that transcends the boundaries of time. The Monument of Pius VIII, sculpted by the legendary Danish master Albert Bertel Thorvaldsen in 1853, is far more than a mere commemorative marker; it is a profound dialogue between the mortal and the divine. Through the medium of exquisite Carrara marble, Thorvaldsen captures not…
Døgnets tider. Symboliseret ved fire vingede skikkelser is a relief sculpture by Bertel Thorvaldsen. Created about 1794, the work features four winged figures. These figures act as allegories for the Times of the Day.
The sculpture titled Shepherd Boy is a work by the Danish-Icelandic sculptor and medalist Bertel Thorvaldsen. Created about 1800, the figure captures a quiet moment of pastoral life. The boy sits upon a rocky outcrop, a companionable dog resting at his feet. It is a study of stillness and the simple bond between a youth and his animal.
The Three Graces with Cupid1817 · Thorvaldsens Museum
12
Hebe1816 · Staatliche Kunsthalle Karlsruhe
13
Ganymede Waters Zeus as an Eagle1817 · Thorvaldsens Museum
14
Statue of Byron1831
15
Triumph of Alexander the Great - Detail of the frieze1812 · Palata Quirinale
16
Hebe1806 · Thorvaldsens Museum
17
Jason with the Golden Fleece1803 · Thorvaldsens Museum
18
Self Portrait1810
19
Hebe1806 · Thorvaldsens Museum
20
Shepherd1817 · Manchester Art Gallery
21
Hylas Abducted by the Nymphs1831 · Thorvaldsens Museum
22
Untitled (DAQP3C)
23
Ganymede and the EagleChrysler Museum of Art
24
Venus
25
Cupid and Psyche
26
Apolo
27
Paris
28
Head of Paris
29
Venus with Apple
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Бертел Торвалдсен | Slike iz ovog spiska |
|---|---|---|---|
 Thorvaldsens Museum |
Kopenhagen | 9 | Christ, Shepherd Boy, Mercury Preparing to Kill Argus |
 Accademia di San Luca |
Rim | 3 | The three Graces, Christ, Ganimede and the eagle |
 Neue Pinakothek |
Minhen | 1 | Adonis |
 Bazilika Svetog Petra |
Vatikan | 1 | Monument of Pius VIII |
 Statens Museum For Kunst |
Kopenhagen | 1 | Døgnets tider. Symboliseret ved fire vingede skikkelser |
 Staatliche Kunsthalle Karlsruhe |
Karlsrue | 1 | Hebe |
 Palata Quirinale |
Rim | 1 | Triumph of Alexander the Great - Detail of the frieze |
 Manchester Art Gallery |
Mendester | 1 | Shepherd |
Izaberite deceniju da biste videli original koji je definiše.
Døgnets tider. Symboliseret ved fire vingede skikkelser is a relief sculpture by Bertel Thorvaldsen. Created about 1794, the work features four winged figures. These figures act as allegories for the Times of the Day.
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto pose. The figure stands with his body slightly angled towards the viewer, holding a staff or spear in one hand, while drapery is loosely gathered around his other arm and leg. The sculpture is set upon a simple, rectangular base.
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this rock relief captures a moment of heavy stillness. The work was hewn between 1820 and 1821 by Lukas Ahorn, carving a permanent memory into the cliff face. It remains one of the most famous monuments in Switzerland, drawing eyes to its silent,…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is a religious subject, rendered as a marble or plaster sculpture. The figure is presented with a sense of serene presence, capturing a specific devotional mood through its form.
The three Graces, Accademia di San Luca, Rim. Slede Adonis (1808) i Christ.
The three Graces, Adonis, Christ, Ganimede and the eagle, Christ, The Lion of Lucerne, Monument of Pius VIII, Døgnets tider. Symboliseret ved fire vingede skikkelser, Shepherd Boy i Mercury Preparing to Kill Argus. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 35 dela umetnika Бертел Торвалдсен, datiranih od 1794 do 1831.
Većinom u Thorvaldsens Museum (Kopenhagen), Accademia di San Luca (Rim) i Neue Pinakothek (Minhen). Tabela muzeja iznad sadrži njih sve.
U 1810s: 8 od 29 dela na ovoj stranici nastalo je tada, od čega je The Lion of Lucerne.
Na ovoj stranici, najstarije delo je iz Døgnets tider. Symboliseret ved fire vingede skikkelser (1794), a najnovije iz Statue of Byron (1831).
Sculpture (9), Mythology (4) i Classical art (4), kroz svih 29 dela na ovoj stranici.
Marble, za 8 od 29 dela na ovoj stranici.
Neoclassicism, sudeći po originalima na ovoj stranici.
Christ, Shepherd Boy i Mercury Preparing to Kill Argus: Thorvaldsens Museum, Kopenhagen čuva 9 dela sa ove stranice.
Albert Bertel Thorvaldsen (1770-1844) bio je danski i islandski vajar međunarodnog renomena, čije delo utelovljuje ideale neoklasicističke umetnosti. Njegova životna priča je priča o izvanrednom talentu, predano študijama i široko priznato slavi.
Rođen u Kopenhagenu, u Danskoj, u radničkoj porodici islandskih korena, Thorvalsen je pokazivao umetnički dar još od najranijih godina. Primljen je u Kraljevsku dansku akademiju umetnosti sa svega jedanaest godina. Njegova izuzetna veština donela mu je stipendiju za putovanje u Rim 1797. godine – korak koji će postati presudan i definisati čitavu njegovu karijeru.
Rim se pokazao kao idealno okruženje za Thorvalsenov umetnički razvoj. Potpuno se posvetio proučavanju antičke klasike, pedantno kopirajući drevne skulpture i upijajući njihove principe forme i proporcije. Ova nepokolebljiva posvećenost dovela ga je do razvoja jasno prepoznatljivog neoklasicističkog stila, koji karakterišu čistota linije, idealizovane forme i osećaj spokojne veličanstvenosti.
Thorvaldsen je bio duboko pod uticajem dela antičkih grčkih i rimskih vajara, kao i savremenih umetnika poput Antonija Kanove. Ipak, on se postepeno udaljavao od Kanovog raskošnijeg stila, težeći većem naglasku na jednostavnosti i suzdržanosti. Težio je tome da u svojim figurama ne dočara samo fizičku lepotu, već i moralnu vrlinu.
Godine 1838, Thorvaldsen se vratio u Dansku kao nacionalni heroj. Danska vlada podigla je Thorvaldsenov muzej u Kopenhagenu kako bi smestila njegova dela, što je svedočanstvo njegove ogromne popularnosti i umetničkog značaja. Preminuo je 1844. godine i sahranjen je u dvorištu samog muzeja.
Bertel Thorvaldsen odigrao je ključnu ulogu u oblikovanju pokreta neklasicizma. Njegove skulpture su bile široko cenjene i imitirane, utičući na generacije umetnika. Uspešno je oživnuo klasične ideale u vajarstvu, stvarajući dela koja i danas nastavljaju da izazivaju strahopoštovanje i divljenje. Njegova sposobnost da spoji tehničku veštinu sa umetničkom vizijom učvrstila mu je mesto jednog od najvažnijih vajara 19. veka.
