Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 76 dela Bartolomeus Spranger u našem katalogu
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Adoration of the Magi (1606) je slika autora Bartolomeus Spranger koja privlači najviše pogleda. Nakon toga, pogled se seli na Ulysses and Circe (1586) i Allegory of Emperor Rudolf II (1592). Među 76 dela umetnika Bartolomeus Spranger u našem katalogu, ovih 76 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
The work titled Adoration of the Magi, also recognized as The Adoration of the Kings, is a creation of the artist Bartholomeus Spranger. Born in Antwerp, Belgium, in 1546, Spranger brought a specific Northern sensibility to the religious scene. He remained active in his craft until his death in 1611. This specific piece emerged from his hand during a period of intense creative output, dated around 1590 or around 1595-6.
The air in the room feels heavy, thick with the scent of old stone and spilled wine. In this Mannerist encounter, the bodies do not merely exist; they twist. Circe, seen from behind, turns her torso in a serpentine arc, her pale skin catching a sharp, luminous light that cuts through the gloom. Her form is a curve of white against the deep, dark shadows of the background. Opposite her,…
The Allegory of Emperor Rudolf II emerges from the brush of Bartholomeus Spranger, a painter who captures a moment of intense, swirling movement. Created in 1592, this work presents a complex arrangement of figures that seem to dance through a bright, open sky. The composition draws the eye upward toward a winged figure, while below, a pyramidal structure of deities and warriors creates a sense of layered depth. Every line…
The air in this scene feels heavy, thick with the sudden, violent shift of fate. In a swirling composition of interlocking limbs and muscular torsos, the figures of Hercules, Deianira, and Nessus collide in a moment of profound struggle. The movement is restless, a serpentine energy that pulls the eye through a tangle of bodies. Hercules dominates the center, his form rendered with a powerful anatomical precision that catches the…
In this dynamic Mannerist oil painting, the goddess Minerva Victorious over Ignorance emerges as a central force of triumph. Created by Bartholomeus Spranger around 1591, the scene captures a moment of intense movement and theatrical energy. Minerva dominates the vertical space, her body held in an elegant, elongated contrapposto pose that suggests both grace and power. She wears a gleaming silver breastplate with a golden relief, paired with a light…
This oil portrait, titled Self-portrait, was executed by the artist Bartholomeus Spranger in 1585. It offers a direct encounter with the painter himself, captured during a period of significant professional development. The work measures 45 x 63 cm, providing an intimate scale for such a personal study of identity and presence.
The religious art piece "Fall of Man" by Bartholomeus Spranger presents a scene centered on the biblical narrative of the expulsion from Paradise. The composition focuses on the figures of Adam and Eve in the immediate aftermath of their transgression. These two figures occupy the central space of the work, positioned within a landscape that reflects the consequences of their actions. The subject matter specifically addresses the moment of humanity's…
A celestial hierarchy unfolds within an oval composition, capturing a moment of profound spiritual descent. At the apex, God the Father gazes downward with a solemn expression, one hand raised in blessing while the other rests upon a luminous orb that represents the universe. Beneath him, the Holy Ghost descends as a white dove, enveloped in radiant golden light. The scene is populated by cherubic angel faces emerging from soft,…
In this Mannerist oil painting, we find ourselves drawn into a crowded, dynamic scene where mythology meets a lush, hilly landscape. Apollo sits at the center of this movement, a radiant figure distinguished by a halo, his fingers engaged with a stringed instrument. He is not alone; he is surrounded by several female Muses, each caught in a moment of music or quiet conversation. The composition feels intentional yet restless,…
The Fragrance1578 · Bavarske državne slikopisne kolekcije
12
Saint Mary Magdalene1578 · Bavarske državne slikopisne kolekcije
13
Holy Family1578 · Bavarske državne slikopisne kolekcije
14
Lamentation of Christ1576 · Bavarske državne slikopisne kolekcije
15
Sine Cerere et Baccho friget Venus1590 · Kunsthistorisches Museum
16
Mountain landscape with a scene of the early history of man1569 · Staatliche Kunsthalle Karlsruhe
17
The contest between Apollo and Pan1587 · Bavarske državne slikopisne kolekcije
18
Saint Luke painting the Virgin1582 · Bavarske državne slikopisne kolekcije
19
The Flagellation of Christ1586 · Statens Museum For Kunst
20
Jael Kills Sisera1586 · Statens Museum For Kunst
21
Ecce Homo1580
22
God the father with the holy spirit and angels1582
23
Diana Resting after Hunt1597 · Szépművészeti Múzeum
24
Diana - Luna1600 · Szépművészeti Múzeum
25
Venus and Mercury put a blindfold over Cupid's eyes1597 · Germanisches Nationalmuseum
26
Portrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628)1600 · Narodna galerija Prag
27
The Suicide of Sophonisba1605 · Narodna galerija Prag
28
Amor fleeing Psyche1599
29
Standing Nude Man (Bacchus)1600
30
Diana and Actaeon1600
31
Saint Barbara1611 · Szépművészeti Múzeum
32
Venus and Mercury1585 · Kunsthistorisches Museum
33
Jupiter and Antiope1596 · Kunsthistorisches Museum
34
Allegory of Justice and Prudence1599 · Luvr
35
Venus and Adonis1587 · Rijksmuseum
36
Venus and Mars warned by Mercury1587 · Kunsthistorisches Museum
37
Hermes and Athena1585 · Прашки замak
38
Venus and Vulcan1610 · Kunsthistorisches Museum
39
Mountain landscape with a hermit1567 · Staatliche Kunsthalle Karlsruhe
40
Figure Studies1575
41
Glaucus and Scylla1582 · Kunsthistorisches Museum
42
Diana and Actaeon1585
43
Saint Margaret1583
44
Engelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 15871587 · Rijksmuseum
45
Saint George Slaying the Dragon1600 · Szépművészeti Múzeum
46
The Baptism of Christ1603 · National Museum in Wrocław
47
The Triumph of Venus1600
48
Study of a Female Nude (Venus in a Drapery)1605 · Narodni muzej u Varšavi
49
Achelous and Deianeira1600
50
The Adoration of the Kings1595 · National Gallery
51
Adoration of the Kings1595 · National Gallery
52
Mercury Carrying Psyche to Mount Olympus1611
53
Odysseus and Circe1585 · Kunsthistorisches Museum
54
St Wenceslas and St VitusNarodna galerija Prag
55
St Sigismund and St AdalbertNarodna galerija Prag
56
Vulcan and Maia1575 · Kunsthistorisches Museum
57
Ceres and Bacchus
58
AllegoryMusee des Beaux-Arts
59
Apotheosis of the Arts (Fame leading the Arts to Olympus)Narodna galerija Prag
60
Faun with Wounded Foot
61
La Peinture, la Sculpture et l'Architecture
62
Le Christ sauveur du monde
63
ALLEGORIE DE LA JUSTICELuvr
64
Venus + Mercury und Amus
65
bacchanal
66
Peter and John Heal a Cripple at the Gate of the Temple
67
Salvator Mundi
68
Faith, Hope and Charity
69
Sarah Presenting Hagar to Abraham
70
Christ blessing little children
71
Female Warrior Crushing a Satyr
72
Venus and Adonis1597 · Kunsthistorisches Museum
73
Epitaph of Goldsmith Nicolas Müller of Prague1592 · Narodna galerija Prag
74
Angelica and Medoro1600 · Alte Pinakothek
75
Hermaphrodite and the nymph Salmacis1582 · Kunsthistorisches Museum
76
Herakles and Omphale1585 · Kunsthistorisches Museum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Bartolomeus Spranger | Slike iz ovog spiska |
|---|---|---|---|
 Kunsthistorisches Museum |
Beč | 19 | Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus |
 Bavarske državne slikopisne kolekcije |
Minhen | 7 | Mercury and Venus, The Fragrance, Saint Mary Magdalene |
 Narodna galerija Prag |
Prag | 6 | Portrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628), The Suicide of Sophonisba, St Wenceslas and St Vitus |
 Szépművészeti Múzeum |
Budimpešta | 4 | Diana Resting after Hunt, Diana - Luna, Saint Barbara |
 Staatliche Kunsthalle Karlsruhe |
Karlsrue | 2 | Mountain landscape with a scene of the early history of man, Mountain landscape with a hermit |
 Statens Museum For Kunst |
Kopenhagen | 2 | The Flagellation of Christ, Jael Kills Sisera |
 Luvr |
Pariz | 2 | Allegory of Justice and Prudence, ALLEGORIE DE LA JUSTICE |
 Rijksmuseum |
Amsterdam | 2 | Venus and Adonis, Engelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 1587 |
Izaberite deceniju da biste videli original koji je definiše.
The air in the room feels heavy, thick with the scent of old stone and spilled wine. In this Mannerist encounter, the bodies do not merely exist; they twist. Circe, seen from behind, turns her torso in a serpentine arc, her pale skin catching a sharp, luminous light that cuts through the gloom. Her form is a curve of white against the deep, dark shadows of the background. Opposite her,…
The Allegory of Emperor Rudolf II emerges from the brush of Bartholomeus Spranger, a painter who captures a moment of intense, swirling movement. Created in 1592, this work presents a complex arrangement of figures that seem to dance through a bright, open sky. The composition draws the eye upward toward a winged figure, while below, a pyramidal structure of deities and warriors creates a sense of layered depth. Every line…
The work titled Adoration of the Magi, also recognized as The Adoration of the Kings, is a creation of the artist Bartholomeus Spranger. Born in Antwerp, Belgium, in 1546, Spranger brought a specific Northern sensibility to the religious scene. He remained active in his craft until his death in 1611. This specific piece emerged from his hand during a period of intense creative output, dated around 1590 or around 1595-6.
Adoration of the Magi (1606). Slede Ulysses and Circe (1586) i Allegory of Emperor Rudolf II (1592).
60 godina: Adoration of the Magi datira iz 1606, a Bartolomeus Spranger je rođen/a 1546.
Adoration of the Magi, Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus, Minerva Victorious over Ignorance, Self-portrait, Fall of Man, God the Father with the Holy Ghost and angels, Apollo and the Muses i Mercury and Venus. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 76 dela umetnika Bartolomeus Spranger, datiranih od 1567 do 1611.
Većinom u Kunsthistorisches Museum (Beč), Bavarske državne slikopisne kolekcije (Minhen) i Narodna galerija Prag (Prag). Tabela muzeja iznad sadrži njih sve.
U 1580s: 21 od 76 dela na ovoj stranici nastalo je tada, od čega je Ulysses and Circe.
Na ovoj stranici, najstarije delo je iz Mountain landscape with a hermit (1567), a najnovije iz Saint Barbara (1611).
Man (15), Woman (14) i Drapery (5), kroz svih 76 dela na ovoj stranici.
Oil, za 11 od 76 dela na ovoj stranici.
Renaissance i Northern mannerism, sudeći po originalima na ovoj stranici.
Ulysses and Circe, Allegory of Emperor Rudolf II i Hercules, Deianira, and Nessus: Kunsthistorisches Museum, Beč čuva 19 dela sa ove stranice.
Da, kao reprodukcija: original ostaje u svom muzeju, ali svaku sliku sa ove stranice može se ručno naslikati za vas, po vašoj narudžbi, pojedinačno, direktno sa stranice te slike.
Bartholomäus Spranger (1546–1611), ime koje odjekuje hodnicima severnog manirizma, bio je mnogo više od običnog slikara; bio je ključna figura koja je oblikovala umetničke senzibilitete svog vremena. Rođen u Antverpenu, kao sin trgovca sa bogatim iskustvom u putovanjima, Sprangerov rani život najavljivao je budućnost duboko prožetu umetnošću i stranim uticajima. Njegovo početno obrazovanje pod vodstvom Jana Mandijna, Fransa Mostaerta i Kornelisa van Dalema pružilo mu je čvrste temelje u slikarstvu pejzaža – što je bilo iznenađujući polaznička tačka za umetnika koji će kasnije postati čuven po svojim intenzivno senzualnim prikazima nagaćenih figura. Ipak, upravo je njegovo boravište u Parizu 1565. godine, u studiju Marca Duvala, zaista zapalilo njegov umetnički put, izlažući ga novim tehnikama i perspektivama.
Sprangerova karijera je zaista dosegla svoj vrhunac kada je 1570. godine imenovan za dvorskog slikara pape Pija V. Ipak, njegovo najtrajnije nasleđe leži u službi Svetog rimskog imperatora Rudolfa II, strastvenog kolekcionara umetnosti i ezoteričnog znanja. Preseljenje imperatorskog dvora u Prag 1581. godine označilo je prekretnicu u Sprangerovom životu. Carova fascinacija klasičnom antikom, mitologijom i alhemijom duboko je uticala na umetnikov rad. Spranger je direktno odgovorio na ove preferencije, stvarajući korpus slika u kojima dominiraju izvrsno izvedeni aktovi – često prikazani od leđa, što prenosi auru misterije i senzualnosti. To nisu bili samo dekorativni studiji; bili su to pažljivo konstruisani alegorije koje su odražavale filozofska sklonost Rudolfa II i njegovu želju da projektuje sliku moći i sofisticiranosti.
