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Балса Медиузе (1818) je slika autora Теодор Жерико koja privlači najviše pažnje; original se nalazi u muzeju Luvr, Pariz. Nakon toga, pogled se seli na Nymph and Satyr (Jupiter and Antiope) (1820) i The Oath of Brutus after the Death of Lucretia (1815). Među 183 dela umetnika Теодор Жерико u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
Monumentalno remek-delo Žana-Luja Andre Teodora Žerikoa više je od običnog prikaza pomorskog katastrofe; to je visceralna istraživanja ljudskog očaja, političkog skandala i uzvišene moći prirode. Završeno 1819. godine, ovo ogromno platno (491 x 716 cm) ovekovečuje jezivo posmrtno doba potapanja francuskog frigate Méduse 1816. godine, tragedije proizašle iz nesposobnosti i korupcije koja je šokirala čitavu Francusku.
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene; it’s a profound exploration of desire, transgression, and the inherent tension between innocence and primal instinct. Born amidst the tumultuous backdrop of post-revolutionary France, Géricault, already recognized for his dramatic intensity, sought to capture not just a narrative but an emotional truth—a…
The Oath of Brutus after the Death of Lucretia is an oil on canvas by Théodore Géricault. This history painting captures a moment of heavy, political consequence. The artist, Théodore Géricault, rendered the scene with a focus on the weight of human resolve. It emerged from his studio about 1815.
Six lions occupy a remote, spectrally illuminated lair. The scene is set within a rugged, mountainous landscape, perhaps the Atlas Mountains of Morocco. Four lions dominate the foreground and middle ground, their bodies locked in a moment of intense interaction or struggle. One lion rests on the left, while two others clash in the center, and a fourth occupies the right. High above this animal drama, a solitary figure watches…
Théodore Géricault's "The Kiss," painted in 1816, isn’t merely a depiction of lovers entwined; it’s a visceral embodiment of the burgeoning Romantic movement’s fascination with raw emotion, dramatic intensity, and the sublime. This arresting work, housed within the Thyssen-Bornemisza Museum in Madrid, transcends simple representation to become a profound meditation on passion, vulnerability, and the very essence of human connection. Géricault, already a figure known for his unflinching portrayals of…
A Symphony of Suffering: Géricault’s “Wounded Soldiers Retrating from Russia” Jean-Louis André Théodore Géricault's "Wounded Soldiers Retrating from Russia" is not merely a painting; it’s a visceral embodiment of the horrors and human cost of war, rendered with an unprecedented level of realism and emotional intensity for its time. Completed in 1814, this monumental canvas—measuring a commanding 250 x 206 cm—captures a pivotal moment during Napoleon's disastrous invasion of Russia,…
Jean-Louis André Théodore Géricault's "Study of Feet and Hands," painted in 1818, isn’t a grand statement of Romantic drama like his monumental “The Raft of the Medusa.” Instead, it offers a profoundly intimate glimpse into the artist’s meticulous process and a poignant meditation on the human form. This unassuming oil painting—measuring a modest 52 x 64 cm—is far more than just a preparatory sketch; it's a concentrated distillation of Géricault’s…
Jean-Louis André Théodore Géricault's "The Raft of the Medusa," a monumental detail from his 1818 painting, isn’t merely a depiction of shipwreck; it’s a visceral plunge into the depths of human suffering and political indictment. The scene, rendered with a dramatic intensity characteristic of Romanticism, captures the harrowing aftermath of the French frigate *Medusa*'s wreck off the coast of Mauritania in 1816. This disaster, largely attributed to the incompetence and…
In this study created about 1817, Théodore Géricault captures a moment of profound transformation and divine intrusion. The artwork, titled Leda and the Swan, brings the ancient Greek myth to life through a raw, immediate lens. We witness the instant where the boundaries between the mortal and the divine begin to blur. Leda, an Aetolian princess, finds herself intertwined with a large swan, a creature that is actually Zeus in…
Théodore Géricault's "The Wreck," painted in 1821, isn’t merely a seascape; it’s a visceral confrontation with the sublime—a raw depiction of humanity’s vulnerability against the overwhelming force of nature. Born amidst the turbulent currents of post-revolutionary France, Géricault, a figure both lauded and controversial within the burgeoning Romantic movement, channeled his own anxieties and the era's fascination with dramatic events into this monumental canvas. The painting immediately commands attention not…
The Horse Race1816 · Музеј Тисен-Борнемиза
12
Swiss Guard and Wounded Veteran1819 · Luvr
13
Mazeppa1823 · Château de Chantilly
14
Two Horses1809 · The Phillips Collection
15
A Turk (Mustapha)1820 · Luvr
16
A Carabinier with his Horse1814 · Musée des Beaux-Arts
17
Riderless Horse Races (detail)1817 · Luvr
18
Boxers1818 · Château de Chantilly
19
Horse Market: Five Horses at the Stake1816 · Luvr
20
The Epsom Derby1821 · Luvr
21
Mounted Trumpeters of Napoleon's Imperial Guard1813 · National Gallery of Art
22
Three Lovers1817 · J. Paul Getty Museum
23
Portrait of Simon Bonnesoeur-Bourginire1812 · Minneapolis Institute of Art
24
Equestrian portrait of Wincenty Krasiński.1814 · Nacionalni muzej u Varšavi
25
The Wounded Cuirassier, study1814 · Brooklyn Museum
26
Lion devouring a horseChâteau de Chantilly
27
Français Étude de bras et de main realisé par Géricault por son oeuvre Le Radeau de la Méduse1819
28
Untitled (ARJCHM)Luvr
29
Scene from the Epidemic of Yellow Fever in Cadiz1819 · Virginia Museum of Fine Arts
30
Head of a Drowned Man1819
31
Portrait of a Young Man1818 · Minneapolis Institute of Art
32
A study for a nude.1801 · Nacionalni muzej u Varšavi
33
Study of a Model1818 · J. Paul Getty Museum
34
The Martyrdom of Saint Peter1814 · Kunstmuseum Basel
35
The Scotsman1801 · Petit Palais
36
Mater dolorosa, Copy after Ribera1811 · Kunstmuseum Basel
37
Lion in ReposeWalters Art Museum
38
Equestrian Portrait of Jérôme Bonaparte, after Antoine-Jean GROS1813 · Musée Eugène Delacroix
39
Justice and Divine Vengeance Pursuing Crime1811
40
Lying Lions1812
41
The Trumpeter of the Orleans Hussars1813
42
The Trumpeter of the Lancers of the Guard1813 · Burrell Collection
43
The horse is out of the stable1810 · Musée Condé
44
Un carabinier, vu à mi-corps1814
45
Portrait of Louise Vernet1812
46
Head of a woundet Man1814 · Wallraf-Richartz-Museum
47
Untitled (ARJCJD)1814
48
The Monomaniac of Child Abduction1822
49
Horse Race, Moving to the Right1820 · Musée des Beaux-Arts de Caen
50
The Raft of the Medusa1818
51
Etude d'un homme nu (Study of a Nude Man)1817 · The New Art Gallery Walsall
52
Mounted Jockey1821 · Virginia Museum of Fine Arts
53
Portrait of a Negro1822 · Buffalo AKG Art Museum
54
Portrait Study of a Youth1819 · Kimbell Art Museum
55
The White Horse Tavern1821 · Fogg Museum
56
Cattle Market1817 · Fogg Museum
57
Fighting Horses1820 · Cleveland Museum of Art
58
Wounded Soldiers in a Cart1815 · Fitzwilliam Museum
59
Shipwrecked on a Beach (The Tempest)1822 · Yale University Art Gallery
60
Alexandre Colin1815
61
The Raft of the Medusa1818
62
Course de Chevaux montés allant à gauche, au moment du départ1822
63
Francisco de Moncada Marqués d'Aytona1815 · Amsterdam Museum
64
Riderless Racers at Rome1817 · Walters Art Museum
65
Trumpeter of the Hussars1817
66
Nude Warrior with a Spear1816 · National Gallery of Art
67
The Wild Horse Race at Rome1817
68
The Raft of the Medusa, Detalj,1819
69
Portrait of a Negro1800 · Palácio Nacional da Ajuda
70
Head of a Youth1824 · Art Gallery of South Australia
71
Portrait d'homme1825 · Musée Fabre
72
Equestrian Portrait of Charles V1814 · Fine Arts Museums of San Francisco
73
Chestnut horse in a stable1814 · Cantor Arts Center at Stanford University
74
Horses of the Auvergne1822 · University of Michigan Museum of Art
75
A Prancing Grey Horse1812 · Burrell Collection
76
The Raft of the Medusa (Le Radeau de la Méduse) - Théodore Géricault2026
77
Sheet of Figure Studies1818 · Courtauld Gallery
78
Portrait of an Artist in His Studio1820 · Luvr
79
An Officer of the Chasseurs Commanding a Charge1812 · Luvr
80
Study of a nude manNacionalni muzej u Varšavi
81
The Plaster Kiln1823 · Luvr
82
Officer of Chasseurs à Cheval of the Imperial Guard Charging1812
83
Dogs Fighting Bears1814 · Foundation E.G. Bührle Collection
84
Cheval gris au râtelier1811
85
Untitled (ARJCGT)1814
86
The Woman with Gambling Mania, ca1822
87
Deutsch Firmenschild für einen Hufschmied, Detail1814
88
Italian Landscape with Tomb1818 · Petit Palais
89
A Cart Loaded with Kegs1822 · Rhode Island School of Design Museum of Art
90
Cinq chevaux vus par la croupe1821
91
The Race of the Riderless Horses1817 · J. Paul Getty Museum
92
Dervish in His Stall1820
93
Untitled (ARJCHB)1819
94
Untitled (ARJCJF)1818
95
Untitled (ARJCHV)1817 · Palais des Beaux-Arts de Lille
96
German Der Page Mazeppa1820
97
English Anatomical Pieces1819 · Musée des Beaux-Arts de Rouen
98
A Shipwreck1817
99
Français Têtes coupées English Cut heads Português Cabeças cortadas1818
100
English Study of Feet and Hands1819
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Теодор Жерико | Slike iz ovog spiska |
|---|---|---|---|
 Luvr |
Pariz | 19 | Балса Медиузе, The Raft of the Medusa (detail), Leda and the Swan |
 Château de Chantilly |
Šantiji | 6 | Mazeppa, Boxers, Lion devouring a horse |
 J. Paul Getty Museum |
Los Anđeles | 3 | Three Lovers, Study of a Model, The Race of the Riderless Horses |
 Nacionalni muzej u Varšavi |
Varšava | 3 | Equestrian portrait of Wincenty Krasiński., A study for a nude., Study of a nude man |
 Burrell Collection |
Glasgow | 8 | The Trumpeter of the Lancers of the Guard, A Prancing Grey Horse |
 Musée Fabre |
Montpelje | 4 | Study of Feet and Hands, Portrait d'homme |
 Petit Palais |
Pariz | 3 | The Scotsman, Italian Landscape with Tomb |
 Музеј Тисен-Борнемиза |
Madrid | 2 | The Kiss, The Horse Race |
Izaberite deceniju da biste videli original koji je definiše.
Jean-Louis André Théodore Géricault's "Two Horses," painted in 1808-1809, isn’t merely a depiction of two magnificent animals; it’s a visceral exploration of movement, power, and the fleeting nature of existence. Born amidst the tumultuous backdrop of revolutionary France, Géricault was a restless spirit, rejecting the rigid formality of Neoclassicism in favor of a Romantic intensity that sought to capture raw emotion and dramatic truth. This painting, rendered in oil on…
Monumentalno remek-delo Žana-Luja Andre Teodora Žerikoa više je od običnog prikaza pomorskog katastrofe; to je visceralna istraživanja ljudskog očaja, političkog skandala i uzvišene moći prirode. Završeno 1819. godine, ovo ogromno platno (491 x 716 cm) ovekovečuje jezivo posmrtno doba potapanja francuskog frigate Méduse 1816. godine, tragedije proizašle iz nesposobnosti i korupcije koja je šokirala čitavu Francusku.
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene; it’s a profound exploration of desire, transgression, and the inherent tension between innocence and primal instinct. Born amidst the tumultuous backdrop of post-revolutionary France, Géricault, already recognized for his dramatic intensity, sought to capture not just a narrative but an emotional truth—a…
Балса Медиузе (1818), Luvr, Pariz. Slede Nymph and Satyr (Jupiter and Antiope) (1820) i The Oath of Brutus after the Death of Lucretia (1815).
27 godina: Балса Медиузе datira iz 1818, a Теодор Жерико je rođen/a 1791.
Балса Медиузе, Nymph and Satyr (Jupiter and Antiope), The Oath of Brutus after the Death of Lucretia, Lions in a Mountainous Landscape, The Kiss, Wounded Soldiers Retrating from Russia, Study of Feet and Hands, The Raft of the Medusa (detail), Leda and the Swan i The Wreck. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 183 dela umetnika Теодор Жерико, datiranih od 1800 do 1824.
Većinom u Luvr (Pariz), Château de Chantilly (Šantiji) i J. Paul Getty Museum (Los Anđeles). Tabela muzeja iznad sadrži njih sve.
U 1810s: 67 od 100 dela na ovoj stranici nastalo je tada, od čega je Балса Медиузе.
Na ovoj stranici, najstarije delo je iz Portrait of a Negro (1800), a najnovije iz Head of a Youth (1824).
Man (27), Horse (19) i Landscape (12), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 47 od 100 dela na ovoj stranici.
Romantic painting, sudeći po originalima na ovoj stranici.
Балса Медиузе, The Raft of the Medusa (detail) i Leda and the Swan: Luvr, Pariz čuva 13 dela sa ove stranice.
