Portret Suze Robertson

47 najpoznatijih slika umetnika Suze Robertson, izbor iz galerije

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 48 dela Suze Robertson u našem katalogu

Ukratko

Od svih originala koje je Suze Robertson ostavio, najpoznatiji je Portrait of a young girl ('Greta') (1922), koji se nalazi u kolekciji Museum Boijmans Van Beuningen, Rotterdam. Odmah za njima slede Self-portrait of Suze Robertson (1855-1922) (1890) i Portrait of a young woman (1898). Naš katalog sadrži 48 dela umetnika Suze Robertson; galerija je čuvala 47 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.

1855 – 1922, The Hague Najviše dela: Groninger Museum

Top 10 slika umetnika Suze Robertson: izbor galerije

1
Portrait of a young girl ('Greta') (1922) čiji je Suze Robertson

Portrait of a young girl ('Greta')

1922 · Oil On Panel · Museum Boijmans Van Beuningen, Rotterdam

The gaze of a young girl meets the viewer in Portrait of a young girl ('Greta'), a work painted by Suze Robertson in 1922. This portrait captures a young woman whose presence fills the space with a quiet, heavy intensity. She does not merely sit for a likeness; she exists in a moment of profound internal movement. Her expression remains enigmatic, a puzzle of shifting emotions that refuses to be…

3
Portrait of a young woman (1898) čiji je Suze Robertson

Portrait of a young woman

1898 · Oil On Panel · Rijksmuseum, Amsterdam

This work is the Portrait of a young woman by Suze Robertson. Created about 1898, the painting offers an intimate view of the subject, presented as a bust with the head turned toward the right. It is a quiet, focused study that captures a sense of stillness in the sitter's posture.

4
Old mother (1896) čiji je Suze Robertson

Old mother

1896 · Oil · Groninger Museum, Groningen

A somber, atmospheric oil painting captures an elderly woman in a dimly lit interior. Seated in profile, she turns slightly toward the viewer while her gaze remains cast downward. The composition centers on her quietude, utilizing a palette of deep browns, blacks, ochre, and muted umbers to establish a sense of melancholy. Light enters from an unseen source, perhaps a window, illuminating the texture of her headscarf and the folds…

5
The Wood Breaker (1900) čiji je Suze Robertson

The Wood Breaker

1900 · Oil On Canvas

A solitary figure leans into the heavy labor of the wood breaker. The body is a study in tension, bent against the resistance of the timber. Dark, earthy tones of deep brown and black swallow the shadows, leaving only a sharp, bright patch of white fabric on the shoulder to catch the light. This light falls upon a textured wall, creating a shallow space where the air feels thick with…

6
Lena (1923) čiji je Suze Robertson

Lena

1923 · Oil On Canvas · Dordrechts Museum, Dordht

In this 1923 oil painting, we find ourselves in a quiet, heavy moment of introspection. A nude female figure sits upon a rugged, rocky ledge, her body turned away from us in a profile that suggests a deep, internal retreat. She gazes downward toward a dark, still body of water, her posture conveying a sense of vulnerability and quietude. The composition is vertical, drawing the eye from the pale, fleshy…

7
Girl asleep (1889) čiji je Suze Robertson

Girl asleep

1889 · Oil On Canvas · Kunstmuseum Den Haag, Hag

Girl asleep is an oil on canvas painting by Suze Robertson. Created about 1889, this work is classified as genre art. It belongs to the period of Dutch realism, capturing a quiet moment of repose.

Izbor umetnika Suze Robertson se nastavlja, od 11 do 47

Motivi koji su privlačili pažnju Suze Robertson

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Suze Robertson

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Suze Robertson Slike iz ovog spiska
Groninger Museum, GroningenGroninger Museum Groningen 6 Old mother, The artist's studio with mantelpiece, Corner of the artist's studio
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 3 Portrait of a young girl ('Greta'), Still Life (Plate with Lemons), Still Life with Apples
Kunstmuseum Den Haag, HagKunstmuseum Den Haag Hag 2 Self-portrait of Suze Robertson (1855-1922), Girl asleep
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of a young woman, Boerenvrouw Aardappels Schillend
Dordrechts Museum, DordhtDordrechts Museum Dordht 2 Lena, Portrait of a Peasant Woman
Centraal Museum, UtrehtCentraal Museum Utreht 2 Plate with Apples and a Bottle, Church in Katwijk
The Mesdag Collection, HagaThe Mesdag Collection Haga 1 The cart
Rijksmuseum Twenthe, EnschedeRijksmuseum Twenthe Enschede 1 Old woman at a clock

Suze Robertson deceniju po deceniju: original koji definiše svaku od njih

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Pitanja kolekcionara o slikama umetnika Suze Robertson

Po kojem delu je Suze Robertson najpoznatiji/a?Otkrij odgovor

Portrait of a young girl ('Greta') (1922), Museum Boijmans Van Beuningen, Rotterdam. Slede Self-portrait of Suze Robertson (1855-1922) (1890) i Portrait of a young woman (1898).

Koliko je godina imao/la Suze Robertson kada je nastalo delo Portrait of a young girl ('Greta')?Otkrij odgovor

67 godina: Portrait of a young girl ('Greta') datira iz 1922, a Suze Robertson je rođen/a 1855.

Koja su deset najpoznatijih slika umetnika Suze Robertson?Otkrij odgovor

Portrait of a young girl ('Greta'), Self-portrait of Suze Robertson (1855-1922), Portrait of a young woman, Old mother, The Wood Breaker, Lena, Girl asleep, The cart, Plate with Apples and a Bottle i Still Life (Plate with Lemons). Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je slika ostavio Suze Robertson?Otkrij odgovor

Naš katalog sadrži 48 dela umetnika Suze Robertson, datiranih od 1870 do 1922.

U kojim muzejima se nalaze remek-dela umetnika Suze Robertson?Otkrij odgovor

Većinom u Groninger Museum (Groningen), Museum Boijmans Van Beuningen (Rotterdam) i Kunstmuseum Den Haag (Hag). Tabela muzeja iznad sadrži njih sve.

U kojim godinama je Suze Robertson naslikao svoja najpoznatija dela?Otkrij odgovor

U 1890s: 8 od 47 dela na ovoj stranici nastalo je tada, od čega je Self-portrait of Suze Robertson (1855-1922).

Koja su prva i poslednja čuvena originalna dela umetnika Suze Robertson?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Woman in a courtyard (1870), a najnovije iz Portrait of a young girl ('Greta') (1922).

Koje je motive Suze Robertson najčešće birao/la?Otkrij odgovor

Woman (4), Dark tones (4) i Face (3), kroz svih 47 dela na ovoj stranici.

Koju je tehniku najčešće koristio/la Suze Robertson?Otkrij odgovor

Oil On Canvas, za 4 od 47 dela na ovoj stranici.

Čija se dela umetnika Suze Robertson nalaze u Groninger Museum?Otkrij odgovor

Old mother, The artist's studio with mantelpiece i Corner of the artist's studio: Groninger Museum, Groningen čuva 6 dela sa ove stranice.

Suze Robertson: život i delo

A Life Woven in Light and Shadow: The World of Suze Robertson

Suze Robertson, born in the bustling port city of The Hague in 1855, emerged as a significant voice within Dutch art during a period of profound social and artistic change. Her life story is one of quiet determination, navigating societal expectations to forge a path as a professional artist at a time when such aspirations were often discouraged for women. Orphaned young, Robertson was raised by her aunt and uncle, who recognized and nurtured the innate artistic talent that blossomed within her. This early support proved crucial, providing the foundation for formal studies beginning in 1874 at the Royal Academy of Art in The Hague, where she quickly distinguished herself, earning a bronze and two silver medals – testaments to her burgeoning skill and dedication. Further honing her craft at the Polytechnical School in Delft, Robertson laid the groundwork for a career that would challenge conventions and offer poignant glimpses into the lives of ordinary people.

Echoes of Van Gogh: Artistic Development and Style

Robertson’s artistic journey wasn't without its practical considerations. Initially supporting herself by teaching drawing to young women in Rotterdam, she continued her own development under the guidance of Petrus van der Velden, refining her technique while simultaneously exploring her unique vision. Her subject matter gravitated towards scenes of everyday life, particularly those depicting the realities of rural existence – farm interiors, laborers at work, and the quiet dignity of agricultural communities. It is within these depictions that a striking resonance with the early works of Vincent van Gogh becomes apparent. Both artists shared an empathy for the working class and a desire to portray their lives with honesty and respect; comparisons to *The Potato Eaters* are frequently drawn, suggesting a mutual admiration or at least a parallel sensibility. Robertson’s style is characterized by a realism tempered by emotional depth, employing evocative brushwork and a keen eye for capturing the nuances of light and shadow. She wasn't merely documenting life; she was interpreting it through a lens of compassion and understanding.

A Progressive Spirit: Controversy, Recognition, and Artistic Circles

Robertson’s commitment to artistic integrity extended beyond her subject matter. While teaching in Rotterdam, she boldly advocated for her students to be allowed to draw from nude models – a remarkably progressive stance that challenged the prevailing norms of the time. This willingness to push boundaries defined not only her pedagogical approach but also her broader outlook on life and art. Her marriage in 1892 to fellow painter Richard Bisschop marked a turning point, opening doors to prominent artistic circles like Pulchri Studio and Arti et Amicitiae. These affiliations provided platforms for exhibition and recognition, culminating in a bronze medal at the prestigious Exposition Universelle in 1900. However, it was a landmark sale in 1907 that truly cemented her reputation: at the opening of a new branch of the Larensche Kunsthandel in Amsterdam, her works fetched an unprecedented 10,000 guilders – a testament to her growing acclaim and the increasing appreciation for her unique artistic vision.

Legacy of the Amsterdamse Joffers

Suze Robertson continued painting with unwavering dedication until her death in The Hague in 1922. Her legacy extends beyond individual canvases; she is remembered as a key member of the *Amsterdamse Joffers* – a collective of female artists who defied societal constraints and made significant contributions to Dutch art during the late 19th and early 20th centuries. These women challenged conventional norms, forging their own paths in a male-dominated world and paving the way for future generations of female artists. Robertson’s realistic depictions of rural life offer invaluable insights into the social conditions and everyday experiences of her time, capturing a fleeting moment in history with sensitivity and skill. Her work continues to resonate today, appreciated not only for its technical mastery but also for its enduring humanism – a testament to an artist who dared to see beauty and dignity in the lives of ordinary people.

Major Works

Robertson’s art remains a powerful reminder of the importance of empathy, observation, and artistic courage.