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Bouquet of Flowers (1612) je slika autora Roelandt Savery koja privlači najviše pažnje; original se nalazi u muzeju Liechtenstein Museum, Beč. Nakon toga, pogled se seli na Landscape with Wild Beasts (1629) i Venus and Amor and the Castle of Love (1605). Među 131 dela umetnika Roelandt Savery u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
The Bouquet of Flowers by Roelant Savery emerges from the shadows of a dark setting, a still life that captures a moment of intense botanical life. Painted in 1612, this work presents a dense arrangement of blooms that seems to overflow from its vessel. The artist, Roelant Savery, uses oil on panel to render the delicate textures of the petals and the small creatures that share this space. It is…
In this 1629 landscape, we find ourselves drawn into a secluded realm where the boundaries between the human and the animal kingdom feel remarkably thin. The scene unfolds before a structure that suggests the presence of a temple or perhaps a distant castle, providing a sense of permanence against the movement of the wild. Various animals, including birds, deer, and horses, inhabit this space, moving through a landscape that feels…
Venus and Amor and the Castle of Love is a mythological painting attributed to Roelant Savery. Created circa 1605, the work centers on the figure of Venus. The composition places the goddess within a rugged, mountainous landscape, establishing a narrative framework common to the late Mannerist tradition.
A rugged mountain scene dominates the composition, defined by towering rock formations and spindly trees that draw the eye upward toward a misty, distant peak. Small figures are scattered throughout the landscape, engaged in the physical labor of woodcutting amidst the craggy terrain. The verticality of the cliffs creates a sense of scale, contrasting the immense, jagged geology with the minute, industrious presence of the human workers. Light enters from…
In "Mountain Landscape with Fruit Sellers" by Roelant Savery, we find an asymmetrical arrangement that directs the eye through a carefully structured space. On the right side, a strong vertical element composed of large, detailed trees frames the scene, providing a sense of weight and stability. This foreground structure leads the viewer toward a vast, misty mountain backdrop. The composition creates a quiet tension between the immediate, tangible details of…
The oil on panel work, titled Pillaging of a Village, presents a chaotic and dynamic historical scene. The composition is densely packed with numerous figures, animals, and structures, creating a complex, multi-layered landscape. The subject matter focuses on the violence and disorder of war, featuring soldiers on horseback, looting wagons, and terrified civilians. The perspective is elevated, offering a wide view of the village square and a receding street that…
In Paradiesische Tiergruppe, Roelant Savery presents a dense, multi-layered landscape where the natural order is intentionally suspended. The composition brings together a surreal assembly of species that would not naturally coexist in such proximity. A large, piebald horse dominates the right foreground, its form providing a heavy, grounded presence. To the left and center, a lion and a leopard occupy the immediate foreground, their predatory forms integrated into this quiet,…
Forest Landscape with Hunters is a work by Roelant Savery, an artist born in Kortrijk, Belgium, in 1576. This oil on panel composition emerged around 1604, a period during which Savery was establishing his presence within the artistic circles of the Low Countries. The painting captures a dense, verdant woodland, integrating human figures and wildlife into a structured natural environment.
This work, titled Forest Landscape with Orpheus, was painted by Roelant Savery. The artist, who was born in Kortrijk, Belgium, around 1576, created this piece in 1615. His life and career spanned much of the early seventeenth century, until his death in 1639.
Wooded Landscape with Lions is an oil on panel by Roelant Savery. The work measures 29.5 cm in height and 49.5 cm in width. It belongs to the Dordrechts Museum. This small scale invites a close, quiet observation of the figures held within its frame.
Orpheus Charming the Animals with His Music1610 · Städel Museum
12
Boar hunting1609 · Bavarske državne slikopisne kolekcije
13
Polish Cavalry Marching through the Woods1614
14
Lions in a Landscape1622 · Hampton Court Palace
15
Nymphs and Satyr in front of a Temple1615 · Statens Museum For Kunst
16
Three Nymphs Dancing with a Satyr1615 · Statens Museum For Kunst
17
Wild Boar Hunt1615 · Museum Bredius
18
Landscape with Orpheus and the Animals1611 · Gemäldegalerie
19
Old farmer resting together with a dog1615 · Staatliche Kunsthalle Karlsruhe
20
Orpheus1628 · National Gallery
21
Orpheus playing the lyre in front of the animals1630 · Centraal Museum
22
The dapple-grey1625 · Centraal Museum
23
Noah's Ark1628 · Nacionalni muzej u Varšavi
24
Large flower still life with Crown Imperial1624 · Centraal Museum
25
Mountain Landscape with Travelers1608 · Kunsthistorisches Museum
26
Landscape with Birds (detail)1622 · Národní Galerie
27
Bouquet of Flowers in a Stone Niche1620 · Statens Museum For Kunst
28
Flowers in a Glass1613 · National Gallery
29
Landscape with Wild AnimalsRockox House
30
Landscape with Birds1628 · Kunsthistorisches Museum
31
Orpheus in the Underworld1610 · Kunsthistorisches Museum
32
Orpheus Among the Animals1626 · Kunsthistorisches Museum
33
The Paradise1626 · Staatliche Museen zu Berlin
34
Derelict Courtyard with a Beggar Woman, c. 16081608 · Albertina
35
Tyrolean Landscape (The Flight into Egypt)1606 · Ermitaž
36
Tree Landscape1607 · Bavarske državne slikopisne kolekcije
37
Great Oak Forest1608 · Bavarske državne slikopisne kolekcije
38
Rocky Landscape with Mastiffs attacking Stags, and Hinds fleeing Hunters1600 · Dudmaston Hall
39
Landscape with a ruined church by a waterfall1607 · Bavarske državne slikopisne kolekcije
40
cows + goats1601
41
Forest Landscape with Deer1622 · Dordrechts Museum
42
Battle of the Turks1614 · Gemäldegalerie
43
Deer Hunt in a Forest1619 · Musée de Grenoble
44
Mountainous Landscape with an Entrance to a Mine1612 · Detroit Institute of Arts
45
The Stranded Whale1618
46
Landscape with animals and ruins1616 · National Museum of Art, Architecture and Design
47
Horse in a Landscape1622 · Szépművészeti Múzeum
48
Landscape with Animals1615 · Szépművészeti Múzeum
49
The Creation of Birds1619 · Fitzwilliam Museum
50
Orpheus with beasts and birds1622 · Fitzwilliam Museum
51
Tower Ruin at a Bird Pond1618 · Staatliche Kunstsammlungen Dresden
52
Castle in a Forest1614 · Staatliche Kunstsammlungen Dresden
53
Wooded landscape with animals1619 · Bonnefanten Museum
54
A Landscape with Birds1615 · Hampton Court Palace
55
Noah's Ark1620 · Auckland Art Gallery Toi o Tāmaki
56
Landscape with Ruins and Animals1621 · Dordrechts Museum
57
Bird's Paradise1616 · Kraljevski muzej lepih umetnosti u Antverpenu
58
Orpheus and the Animals1617 · Kraljevski muzej lepih umetnosti u Antverpenu
59
Birds1618 · Kraljevski muzej lepih umetnosti u Antverpenu
60
Day Lily and other Flowers in a Vase in a Niche1614 · Wallraf-Richartz-Museum
61
Flowers in a Glass in a Niche1611
62
Rocky Landscape with Animals1615 · Muzej finih umetnosti u Bostonu
63
Mountain Landscape with Woodcutters1610 · Statens Museum For Kunst
64
Herds in Ruins1617 · Curtius Museum
65
Mountainous Landscape with Figures and a Bridge1610 · Nationalmuseum
66
Woodland Stream1610 · Narodna galerija Prag
67
Stag Hunt1611 · Narodna galerija Prag
68
Still life with a rose, a grasshopper and a mouse1622 · Noordbrabants Museum
69
Landscape with Orpheus playing the violin; trees and rocks move, beasts and birds are enchanted1619 · Bonnefanten Museum
70
Wooded landscape with animals and a ruin1619 · Kunsthandel P. de Boer
71
Flowers in a glass vase, 16151615 · Vancouver Art Gallery
72
Flower bouquet in a glass vase in a niche with a lizard and a dragonfly, 16121612
73
Flower still life in a niche1617 · Staatliche Kunsthalle Karlsruhe
74
Forest with Deer1610 · Saint Louis Art Museum
75
The Paradise (detail)1618 · Národní Galerie
76
Landscape with Birds (detail)1622 · Národní Galerie
77
Bouquet of Flowers (detail)1612 · Liechtenstein Museum
78
Forest Scene with Hunters1615 · Muzej finih umetnosti u Bostonu
79
Landscape with Animals1610 · Indianapolis Museum of Art
80
The Paradise1618 · Národní Galerie
81
The Paradise (detail)1618 · Národní Galerie
82
Mountainous Landscape with a Castle1609 · Музеј Тисен-Борнемиза
83
Birds and Animals in Rocky Landscape1623 · Bavarske državne slikopisne kolekcije
84
Forest Landscape1627 · Bavarske državne slikopisne kolekcije
85
Mountain Landscape with Tobias and the Angel1630 · Bavarske državne slikopisne kolekcije
86
Noah Thanking God for Having Saved Creation1625 · Musée des Beaux-Arts
87
Orpheus spielt vor den Tieren1626
88
Rocky Landscape1632 · Szépművészeti Múzeum
89
Landscape with Lions Attacking a Cow1628 · Szépművészeti Múzeum
90
Paradies (Im Hintergrund: Der Sündenfall)1628 · Kunsthistorisches Museum
91
Bison attacked by three dogs1626 · Museum of Fine Arts Ghent (MSK)
92
Landscape with Ruin and Cattle near a Pond1630 · Centraal Museum
93
Bouquet of Flowers1625 · Groeningemuseum
94
Landscape with the Flight into Egypt1624 · National Gallery of Art
95
Woods after a storm1630 · Hamburger Kunsthalle
96
Landscape with ruins1630 · Fondation Custodia
97
Still life with flowers in a glass berkemeyer with a lizard, frog and dragonfly on a ledge1637 · Fitzwilliam Museum
98
The Dodo
99
Flowers in a Niche1621
100
Rocky Landscape1606 · Ermitaž
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Roelandt Savery | Slike iz ovog spiska |
|---|---|---|---|
 Kunsthistorisches Museum |
Beč | 10 | Landscape with Wild Beasts, Venus and Amor and the Castle of Love, Mountain Landscape with Woodcutters |
 Bavarske državne slikopisne kolekcije |
Minhen | 9 | Paradiesische Tiergruppe, Forest Landscape with Orpheus, Boar hunting |
 Národní Galerie |
Prag | 6 | Landscape with Birds (detail), The Paradise (detail), Landscape with Birds (detail) |
 Szépművészeti Múzeum |
Budimpešta | 7 | Horse in a Landscape, Landscape with Animals, Rocky Landscape |
 Centraal Museum |
Utreht | 5 | Orpheus playing the lyre in front of the animals, The dapple-grey, Large flower still life with Crown Imperial |
 Statens Museum For Kunst |
Kopenhagen | 4 | Nymphs and Satyr in front of a Temple, Three Nymphs Dancing with a Satyr, Bouquet of Flowers in a Stone Niche |
 Dordrechts Museum |
Dordht | 3 | Wooded Landscape with Lions, Forest Landscape with Deer, Landscape with Ruins and Animals |
 Fitzwilliam Museum |
3 | The Creation of Birds, Orpheus with beasts and birds, Still life with flowers in a glass berkemeyer with a lizard, frog and dragonfly on a ledge |
Izaberite deceniju da biste videli original koji je definiše.
Venus and Amor and the Castle of Love is a mythological painting attributed to Roelant Savery. Created circa 1605, the work centers on the figure of Venus. The composition places the goddess within a rugged, mountainous landscape, establishing a narrative framework common to the late Mannerist tradition.
The Bouquet of Flowers by Roelant Savery emerges from the shadows of a dark setting, a still life that captures a moment of intense botanical life. Painted in 1612, this work presents a dense arrangement of blooms that seems to overflow from its vessel. The artist, Roelant Savery, uses oil on panel to render the delicate textures of the petals and the small creatures that share this space. It is…
In this 1629 landscape, we find ourselves drawn into a secluded realm where the boundaries between the human and the animal kingdom feel remarkably thin. The scene unfolds before a structure that suggests the presence of a temple or perhaps a distant castle, providing a sense of permanence against the movement of the wild. Various animals, including birds, deer, and horses, inhabit this space, moving through a landscape that feels…
Orpheus playing the lyre in front of the animals, painted by Roelant Savery about 1630, presents a central mythological theme of harmony through music. The composition focuses on the figure of Orpheus, whose melodic performance exerts a transformative influence over the natural world. This specific subject matter draws upon the ancient legend of the musician capable of charming all living creatures through his art.
Bouquet of Flowers (1612), Liechtenstein Museum, Beč. Slede Landscape with Wild Beasts (1629) i Venus and Amor and the Castle of Love (1605).
36 godina: Bouquet of Flowers datira iz 1612, a Roelandt Savery je rođen/a 1576.
Bouquet of Flowers, Landscape with Wild Beasts, Venus and Amor and the Castle of Love, Mountain Landscape with Woodcutters, Mountain Landscape with Fruit Sellers, Pillaging of a Village, Paradiesische Tiergruppe, Forest Landscape with Hunters, Forest Landscape with Orpheus i Wooded Landscape with Lions. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 131 dela umetnika Roelandt Savery, datiranih od 1600 do 1637.
Većinom u Kunsthistorisches Museum (Beč), Bavarske državne slikopisne kolekcije (Minhen) i Národní Galerie (Prag). Tabela muzeja iznad sadrži njih sve.
U 1610s: 47 od 100 dela na ovoj stranici nastalo je tada, od čega je Bouquet of Flowers.
Na ovoj stranici, najstarije delo je iz Rocky Landscape with Mastiffs attacking Stags, and Hinds fleeing Hunters (1600), a najnovije iz Still life with flowers in a glass berkemeyer with a lizard, frog and dragonfly on a ledge (1637).
Trees (66), Forest (47) i Birds (41), kroz svih 100 dela na ovoj stranici.
Oil On Panel, za 59 od 100 dela na ovoj stranici.
Dutch golden age i Baroque, sudeći po originalima na ovoj stranici.
Landscape with Wild Beasts, Venus and Amor and the Castle of Love i Mountain Landscape with Woodcutters: Kunsthistorisches Museum, Beč čuva 10 dela sa ove stranice.
Roelandt Savery predstavlja ključnu figuru holandskog Zlatnog doba, slavljen prvenstveno zbog svojih zadivljujućih pejzaža prožetih pedantnim prikazima flora i fauna—autentičnim spojem koji je učvrstio njegovu reputaciju jednog od vodećih botanarskih slikara tog vremena. Rođen u Kortrijku, u Belgiji, oko ente 1576. godine, Saveryev rani život obeležili su duboki nemiri španske inkvizicije. Dok je njegova porodica bežala pred stiskom Južnih Nemačkih zemalja, pronašli su utočište u Hazlemu oko 1585. godine. Upravo je tu, usred bujne umetničke energije Niskih zemalja, Savery započeo svoje formativno učenje pod mentorstvom starijeg brata Jakoba Saveryja i cenjenog Hansa Bola. Ovi rani učitelji u njemu su utemeljili temeljno razumevanje manierističkog stila, prepoznatljivog po svojoj eleganciju, veštačnosti i zamršene detaljnosti, što će kasnije poslužiti kao okviri za njegova prirodistička istraživanja.
Trajektorija Saveryjeve karijere bila je duboko oblikovana njegovim putovanjima i izlaganjem intelektualnim strujama Evrope. Oko 1604. godine, otputovao je u Prag, gde je ušao u orbitu svetih rimskih careva Rudolfa II i Matijea. Ovaj period je možda bio najpreobražajniji u njegovom životu; imperialni dvor u Pragu bio je utočište za inovacije, naučna istraživanja i umetničko eksperimentisanje. Uronjen u takvo okruženje, Savery je preduzeo intenzivna proučavanja botanike, beležeći zamršene aspekte biljnog sveta sa neprevaziđenim nivoom detalja. Njegova fascinacija prirodnim svetom nije bila samo akademska, već je odražavala šire humanističko interesovanje za posmatranje i predstavljanje prirode, istovremeno uz naučnu tačnost i estetsku gracioznost. Ova posvećenost botanarskoj ilustraciji izdvaja Saveryja od mnogih njegovih savremenika i značajno doprinosi njegovom trajnom nasleđu majstora miniature i veličanstvenosti.
Saveryjevo umetničko putovanje bilo je daleko od statičnog, dok je nastavio da upija različite stilske jezike kontinenta. Njegova putovanja kroz Italiju omogućila su mu susret sa monumentalnim nasleđom Andrea Paladija i Tizijana, uticajima koji su pomogli u usavršavanju njegove tehnike i proširenju stilskog repertoara izvan krutih struktura manierizma. Integrisanjem klasičnog veličanstva italijanske umetnosti sa preciznim, posmatračkim duhom severne tradicije, Savery je razvio jedinstven vizuelni jezik sposoban da prenese i prostranstvo pejzaža i delikatnu teksturu jednog jediničnog latice. Ova sinteza stilova omogućila mu je da neprimetno prelazi između velikih panoramskih vidika i intimnih, naučno rigoroznih studija životinja i biljaka.
Nakon povratka u Amsterdam 1616. godine, Savery se etablirao kao istaknuta figura na holandskoj umetničkoj sceni. Naselivši se u ulici Sint Antoniesbreestraat i oženivši Mariju van Berckenhorst, postao je duboko integrisan u profesionalnu nit tog doba. Njegovo članstvo u umetničkoj gildiji u Utrehtu 1618. godine dodatno je učvrstilo njegove veze sa drugim luminarima, podstičući mrežu kreativne razmene koja je obogatila njegov rad. Njegove poznije godine karakterisao je neprestani majstorstvo u prikazivanju prirodnog sveta, često fokusirajući se na egzotične vrste koje su osvajale maštu globalizujuće se Evrope.
Istorijski značaj Roelanda Saveryja leži u njegovoj sposobnosti da premosti jaz između umetnosti i nauke. Njegovo delo je možda najpoznatije po ranim ilustracijama izumrlih ili retkih vrsta fauna, poput kultnih prikaza dodo ptice. Ova dela su više od običnih slika; ona služe kao vitalni istorijski dokumenti koji beleže trenutak u vremenu pre nego što je pun uticaj ljudskog širenja zauvek izmenio prirodni pejzaž. Kroz njegovu četkicu, efemerna lepota cveta ili jedinstvena anatomija egzotične ptice postaju besmrtni sa preciznošću koja graniči sa enciklopedijskom.
Saveryjevi doprinosi razvoju pejzažne i botanarske umetnosti mogu se sažeti kroz nekoliko ključnih dostignuća:
Danas Saveryjevo delo nastavlja da očarava publiku, nudeći prozor u svet u kojem su granice između naučnog proučavanja prirode i težnje ka umetničkoj lepoti bile prelepo zamagljene. Njegovi pejzaži ostaju svedočanstvo duha Zlatnog doba—perioda definisanog nezasitom radoznalošću prema svetu i neprevaziđenom veštinom u hvatanju njegovih prolaznih čuda.
