Portret Robert Herdman

Slike umetnika Robert Herdman: Najpoznatijih 52 kroz oči galerije

Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 52 dela Robert Herdman u našem katalogu

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Iz perspektive galerije, najpoznatije delo umetnika Robert Herdman je John Campbell Shairp (1819–1885), LLD (1886). The young seamstress (1860) i The Arrochar Gleaner (1862) čine triju koju svako oko prepoznaje. Od 52 dela umetnika Robert Herdman u našem katalogu, galerija u nastavku predstavlja 52 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1829 – 1888 Romanticism Najviše dela: Scottish National Portrait Gallery

Top 10 slika umetnika Robert Herdman u galeriji

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Morning (1861) čiji je Robert Herdman

Morning

1861

The painting "Morning" by Robert Inerarity Herdman is a beautiful and captivating piece of art that showcases the artist's skill and attention to detail. Created in 1861, this oil on panel painting measures 31 x 23 cm and is currently displayed at the Glasgow Museums Resource Centre in the United Kingdom. Painting Description The painting features a young child wearing a blue hat with a bow on it, holding a…

Slike umetnika Robert Herdman, rangirane od 11 do 52

11Evening (1862) čiji je Robert HerdmanEvening1862 12'Who still in dreams can hear the heavenly harps' (1862) čiji je Robert Herdman'Who still in dreams can hear the heavenly harps'1862 13Fern Gatherer (1866) čiji je Robert HerdmanFern Gatherer1866 14After the Battle (1870) čiji je Robert HerdmanAfter the Battle1870 · Scottish National Gallery 15Sir Joseph Noel Paton (1821–1901) (1870) čiji je Robert HerdmanSir Joseph Noel Paton (1821–1901)1870 16Aeneas Ranald McDonell (1820–1897) (1868) čiji je Robert HerdmanAeneas Ranald McDonell (1820–1897)1868 17David Octavius Hill (1802–1870), RSA (1870) čiji je Robert HerdmanDavid Octavius Hill (1802–1870), RSA1870 · Royal Scottish Academy of Art - Architecture 18A Fountain Group, South Italy (1868) čiji je Robert HerdmanA Fountain Group, South Italy1868 19Mary, Queen of Scots The Farewell to France (1867) čiji je Robert HerdmanMary, Queen of Scots The Farewell to France1867 20Emily Merelina Meymott (1830–1911), Baroness Shand (1867) čiji je Robert HerdmanEmily Merelina Meymott (1830–1911), Baroness Shand1867 · Scottish National Gallery 21Execution of Mary, Queen of Scots (1867) čiji je Robert HerdmanExecution of Mary, Queen of Scots1867 22Evening Thoughts (1864) čiji je Robert HerdmanEvening Thoughts1864 · Scottish National Gallery 23La culla – Study in Italy (1864) čiji je Robert HerdmanLa culla – Study in Italy1864 · Royal Scottish Academy of Art - Architecture 24Charles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers (1875) čiji je Robert HerdmanCharles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers1875 25Sir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877) (1877) čiji je Robert HerdmanSir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877)1877 26C. G. Shaw (1878) čiji je Robert HerdmanC. G. Shaw1878 · County Buildings 27Sir George Harvey (1806–1876), Artist (1874) čiji je Robert HerdmanSir George Harvey (1806–1876), Artist1874 · Scottish National Portrait Gallery 28Sir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903) (1873) čiji je Robert HerdmanSir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903)1873 29Sir George Harvey (1806–1876), PRSA (1874) čiji je Robert HerdmanSir George Harvey (1806–1876), PRSA1874 · Royal Scottish Academy of Art - Architecture 30Thomas Carlyle (1876) čiji je Robert HerdmanThomas Carlyle1876 · The National Trust For Scotland 31Pleasures of Hope (1877) čiji je Robert HerdmanPleasures of Hope1877 32Lochiel's Warning (1878) čiji je Robert HerdmanLochiel's Warning1878 33David Laing (1793–1878), Antiquary (1874) čiji je Robert HerdmanDavid Laing (1793–1878), Antiquary1874 · Scottish National Portrait Gallery 34A Conventicle Preacher before the Justices (1876) čiji je Robert HerdmanA Conventicle Preacher before the Justices1876 · Royal Scottish Academy of Art - Architecture 35Sir Theodore Martin (1876) čiji je Robert HerdmanSir Theodore Martin1876 · National Portrait Gallery 36Thomas Carlyle (1795–1881) (1875) čiji je Robert HerdmanThomas Carlyle (1795–1881)1875 · Dumfries Museum And Camera Obscura 37The Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 1561 (1875) čiji je Robert HerdmanThe Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 15611875 38George Rough (1801–1888), Provost of Dundee (1853–1856) (1882) čiji je Robert HerdmanGeorge Rough (1801–1888), Provost of Dundee (1853–1856)1882 39Wae's Me (1879) čiji je Robert HerdmanWae's Me1879 40Alexander Laing, LLD, Newburgh (1885) čiji je Robert HerdmanAlexander Laing, LLD, Newburgh1885 41Self Portrait (1883) čiji je Robert HerdmanSelf Portrait1883 42Peter Clouston, Lord Provost of Glasgow (1860–1863) (1883) čiji je Robert HerdmanPeter Clouston, Lord Provost of Glasgow (1860–1863)1883 43Reverend George S. Burns, Minister of Glasgow Cathedral (1881) čiji je Robert HerdmanReverend George S. Burns, Minister of Glasgow Cathedral1881 44Sir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880) (1881) čiji je Robert HerdmanSir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880)1881 45Sir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874) (1882) čiji je Robert HerdmanSir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874)1882 46Bouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries (1883) čiji je Robert HerdmanBouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries1883 · Scottish National Portrait Gallery 47A Sprig of Arran Heather čiji je Robert HerdmanA Sprig of Arran Heather 48A Pilot čiji je Robert HerdmanA Pilot 49Saint Columba Rescuing a Captive (1883) čiji je Robert HerdmanSaint Columba Rescuing a Captive1883 50Corrie, a Crofter's Harvest čiji je Robert HerdmanCorrie, a Crofter's Harvest 51Sleep čiji je Robert HerdmanSleepLeeds Art Gallery 52Sir Joseph Noel Paton (1821–1901), RSA čiji je Robert HerdmanSir Joseph Noel Paton (1821–1901), RSARoyal Scottish Academy of Art - Architecture

Motivi koji su privlačili pažnju Robert Herdman

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Robert Herdman

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Robert Herdman Slike iz ovog spiska
Scottish National Portrait Gallery, EdinburgScottish National Portrait Gallery Edinburg 5 Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Sir George Harvey (1806–1876), Artist
Royal Scottish Academy of Art - Architecture, EdinburghRoyal Scottish Academy of Art - Architecture Edinburgh 5 David Octavius Hill (1802–1870), RSA, La culla – Study in Italy, Sir George Harvey (1806–1876), PRSA
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 3 After the Battle, Emily Merelina Meymott (1830–1911), Baroness Shand, Evening Thoughts
County Buildings, AyrCounty Buildings Ayr 1 C. G. Shaw
The National Trust For Scotland, EcclesburnThe National Trust For Scotland Ecclesburn 1 Thomas Carlyle
National Portrait Gallery, LondonNational Portrait Gallery London 1 Sir Theodore Martin
Dumfries Museum And Camera Obscura, DumfriesDumfries Museum And Camera Obscura Dumfries 1 Thomas Carlyle (1795–1881)
Leeds Art Gallery, LidsLeeds Art Gallery Lids 1 Sleep

Robert Herdman, jedno autentično delo po deceniji

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Slike umetnika Robert Herdman: odgovori galerije

Koja je najpoznatija slika umetnika Robert Herdman?Otkrij odgovor

John Campbell Shairp (1819–1885), LLD (1886). Slede The young seamstress (1860) i The Arrochar Gleaner (1862).

Koliko je godina imao/la Robert Herdman kada je dovršio/la John Campbell Shairp (1819–1885), LLD?Otkrij odgovor

57 godina: John Campbell Shairp (1819–1885), LLD datira iz 1886, a Robert Herdman je rođen/a 1829.

Koja su najbolja 10 dela umetnika Robert Herdman?Otkrij odgovor

John Campbell Shairp (1819–1885), LLD, The young seamstress, The Arrochar Gleaner, Thomas Carlyle (1795–1881), Historian and Essayist, John Tulloch (1823–1886), Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Morning, The Time of Primroses, Bonny Bell i The Gleaner. Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je dela stvorio/la Robert Herdman?Otkrij odgovor

Naš katalog sadrži 52 dela umetnika Robert Herdman, datiranih od 1854 do 1886.

Gde se nalaze najpoznatiji originali umetnika Robert Herdman?Otkrij odgovor

Većinom u Scottish National Portrait Gallery (Edinburg), Royal Scottish Academy of Art - Architecture (Edinburgh) i Scottish National Gallery (Edinburgh). Tabela muzeja iznad sadrži njih sve.

Kada je Robert Herdman stvorio svoje najpoznatije slike?Otkrij odgovor

U 1870s: 19 od 52 dela na ovoj stranici nastalo je tada, od čega je Thomas Carlyle (1795–1881), Historian and Essayist.

Koja su najranija i najkasnija poznata dela umetnika Robert Herdman?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz The Time of Primroses (1854), a najnovije iz John Campbell Shairp (1819–1885), LLD (1886).

Kojim se motivima Robert Herdman najčešće bavio?Otkrij odgovor

Victorian era (3), Portraiture (2) i Elderly man (2), kroz svih 52 dela na ovoj stranici.

Sa kojim umetničkim pravcem je Robert Herdman povezan/a?Otkrij odgovor

Romanticism, sudeći po originalima na ovoj stranici.

Koje originale umetnika Robert Herdman poseduje Scottish National Portrait Gallery?Otkrij odgovor

Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University i Sir George Harvey (1806–1876), Artist: Scottish National Portrait Gallery, Edinburg čuva 5 dela sa ove stranice.

Robert Herdman: umetnik

A Victorian Visionary: The Life and Legacy of Robert Inerarity Herdman

Robert Inerarity Herdman (1829–1888) stands as a luminous figure within the landscape of nineteenth-century Scottish art, a painter whose brush captured not merely the physical likeness of his subjects but the very soul of the Celtic Revival. Born in the quiet beauty of Rattray, near Blairgowrie, Perthshire, Herdman’s early life was marked by a profound intellectual depth. Though he initially turned his studies toward theology at St Andrews University, the calling of the canvas proved irresistible. This transition from the spiritual study of divinity to the visual exploration of light and form would define his career, allowing him to infuse his later works with a sense of sacredness and mythic resonance that few of his contemporaries could replicate. By 1847, Herdman had migrated to Edinburgh, seeking the mentorship of the era's most distinguished masters, Robert Scott Lauder and John Ballantyne. Under their rigorous tutelage, he developed a meticulous technique characterized by an extraordinary command over oil painting. His training was not merely technical but deeply philosophical; through his friendship with Professor John Stuart Blackie, Herdman became intimately acquainted with the richness of Celtic mythology and folklore. This influence acted as a guiding star for his artistic development, steering him away from mere academic realism toward a more evocative, narrative style that celebrated the pastoral beauty and spiritual heritage of Scotland.

Mastery of Portraiture and the Pastoral Ideal

Herdman’s professional ascent was marked by significant institutional recognition, including his election as an Associate of the Royal Scottish Academy in 1861 and his subsequent elevation to Fellow in 1863. His reputation as a premier portraitist was solidified through prestigious commissions from various Scottish city councils, where he captured the dignity, character, and gravitas of the nation's most prominent figures. In these works, one observes a masterful use of chiaroscuro, where light and shadow dance across the features of his subjects to reveal layers of psychological depth. His portrait of Thomas Carlyle in 1875 remains a hauntingly beautiful study, utilizing heavy impasto and somber tones to embody the intellectual intensity of the great historian. Yet, while his portraits commanded respect in the halls of power, it is perhaps his more intimate, idyllic scenes that have secured his place in the hearts of art lovers. Herdman possessed a unique ability to weave storytelling into the landscape, most notably through his celebrated series of paintings featuring young girls amidst picturesque, folkloric settings. In works such as "Morning", created in 1861, he presents a serene world where a child in a blue hat holds a musical instrument against a backdrop of tranquil mountains and water. These compositions are more than mere depictions of childhood; they are windows into a romanticized, pastoral Eden, reflecting a deep-seated nostalgia for a vanishing way of life.

Historical Significance and Artistic Endurance

The breadth of Herdman’s impact is evidenced by the enduring presence of his work in some of the world's most esteemed collections. From the National Portrait Gallery in London to the Royal Scottish Academy, his canvases continue to serve as vital touchstones for understanding the Victorian era's aesthetic and cultural shifts. His ability to bridge the gap between formal, high-society portraiture and the emotive, myth-driven landscapes of the Celtic movement allowed him to speak to a wide audience, from the political elite to the romantic dreamer. As we reflect on his life, several key elements define his enduring historical importance:
  • The Synthesis of Traditions: His unique ability to blend the rigorous academic training of Edinburgh with the burgeoning spirit of the Celtic Revival.
  • Narrative Depth: The use of landscape not just as a setting, but as a vessel for folklore, emotion, and spiritual contemplation.
  • Technical Versatility: A mastery that spanned from the somber, realistic studies of historical figures to the bright, delicate textures of his pastoral scenes.
Though he passed away in 1888, the vision of Robert Inerarity Herdman remains undimmed. His work continues to resonate as a testament to a period when art sought to reconcile the burgeoning modern world with the ancient, enchanting echoes of the Scottish past.