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Za ljubitelje galerije, najpoznatije delo umetnika Pol Albert Besnard je Morphine Addicts (1887), čiji se original nalazi u muzeju Metropoliten музеј у Њујорку, Њујорк. Woman's Head (1890) i Pony (1892) čine triju koju svako oko prepoznaje. Od 110 dela umetnika Pol Albert Besnard u našem katalogu, galerija u nastavku predstavlja 100 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
Two women sit within the sterile confines of a laboratory, their forms caught in a pale, diffused light. The scene is quiet, heavy with a stillness that feels almost medicinal. One woman gazes directly at the viewer, her eyes carrying a weight of resignation, while her companion looks downward, lost in a private, hollowed thought. Between them, a table holds the cold geometry of scientific glassware, its transparent surfaces catching…
A single female figure occupies the frame, her head tilted in a moment of quiet repose. The composition is an intimate crop, pulling the viewer into the private space of her shoulders and face. Soft, diffused light enters from the upper left, tracing the curve of her neck and the delicate planes of her skin. This illumination creates a gentle depth, casting shadows that define her form without the need…
A single horse stands against a rustic wooden fence. The animal lifts its head, peering over the timber slats with a quiet, searching posture. Beside it, a second form remains partially obscured, a shadow of movement caught in the grain of the wood. The scene is rendered in the stark, precise language of a black and white etching. Every line of the fence and every contour of the horse's neck…
In this 1890 etching, we find a moment of profound stillness within the Besnard household. The composition focuses on four figures, captured in a state of quiet intimacy that feels almost private, as if we have stumbled upon a fleeting glance in a private sitting room. Madame Besnard is positioned in the lower left foreground, her profile offering a sense of calm stability. Behind her, the forms of their daughter,…
This oil on panel portrait depicts André-Charles Coppier in a three-quarter profile. The subject is an older man seated and facing the viewer directly. He wears a heavy, dark coat that absorbs much of the light. His hair and mustache are rendered with thick, visible brushstrokes that suggest texture and volume. The lighting originates from the upper left, casting shadows across the right side of his face and defining the…
The scene captured by this evocative work, "The Visitor," invites the viewer into an intimate moment suspended just outside the frame of time. It is not merely a depiction of people gathered at a table; it is a study in anticipation, a quiet drama unfolding under the soft wash of diffused light. The composition centers around a palpable tension—the arrival or observation of the 'Visitor' amidst a group already settled…
In this 1877 oil on canvas, a man is seated in a three-quarter length pose, turned slightly toward his right. He does not meet the viewer's gaze but looks away, his eyes directed toward an unseen point beyond the frame. The subject wears a dark, heavy suit, likely navy or black, which absorbs much of the light. His facial features are defined by soft contours and a well-groomed beard. A…
The air in the room thickens with the sudden, sharp tension of a life being extinguished. A man, Timophanes, is caught in the middle of a fatal struggle, his body reacting to the sudden intrusion of violence. A raised sword cuts through the space, its edge directed toward the central figure who is being struck down. The composition pulls the eye along diagonal lines formed by flailing limbs and the…
Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding is a work by the French painter Paul Albert Besnard. Created about 1880, this piece functions as a preparatory study for a larger commission intended for the Mairie of the 19th Arrondissement of the Ville de Paris.
In Paul Albert Besnard's Portrait of Francis Magnard, the viewer meets the subject through a steady, eye-level perspective that establishes an immediate, quiet connection. The composition centers on a medium shot of the man, who sits slightly off-center within a somber interior. To the left, a dark architectural element, resembling a column, anchors the space, while to the right, a dimly lit doorway or hallway recedes into the shadows. This…
Sketch for the Mairie du 4ème: The Return of the Fields1884 · Petit Palais
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Sketch for the Mairie du 4ème: July 14, 18801884 · Petit Palais
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Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Ceres - Abundance Encouraging Labor1880 · Petit Palais
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Sketch for the wedding hall of the town hall of the 19th arrondissement of the Ville de Paris: The Triumph of the Republic (Ceiling)1880 · Petit Palais
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Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Winter1880 · Petit Palais
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Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Autumn1880 · Petit Palais
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Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Summer1880 · Petit Palais
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Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Spring1880 · Petit Palais
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Madeleine Lerolle and Her Daughter Yvonne1879 · Cleveland Museum of Art
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The First Morning (Albert and Charlotte Dubray Besnard and their Son, Robert)1881 · Los Angeles County Museum of Art
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Sketch for the Wedding Hall of the Mairie du 1er: Winter, or The Evening of Life1886 · Petit Palais
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Sketch for the Wedding Hall of the Mairie du 1er: Summer, or the Midlife1886 · Petit Palais
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Sketch for the Wedding Hall of the Mairie du 1er: Spring or the Morning of Life1886 · Petit Palais
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Sketch for the Salon of Sciences of the Hôtel de Ville de Paris: Electricity1890 · Petit Palais
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Sketch for the Hôtel de Ville de Paris: Truth Leading the Sciences in Her Wake Spreads Her Light upon Men (Ceiling)1890 · Petit Palais
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Portrait of Madame Besnard, née Charlotte Dubray (1854-1931)1890 · Muzej Carnavalet
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Nude Holding Her Leg1886
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In the Embers1887
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Portrait of Marcel Bing (2 fragments before restoration)1895 · Petit Palais
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The First Performance of Hernani, 18301905 · Musée Victor Hugo
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The Siesta1905 · Cleveland Museum of Art
32
La Biarrote1901
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Musician (musicienne)1900
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Portrait of Camille Barrère at Palazzo Farnese1906 · Petit Palais
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On the Bridge of Trichinopoly (India)1911 · Petit Palais
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Four Panels: The Decoration of the Dome of the Vestibule d'Honneur of the Petit Palais1906 · Petit Palais
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Thought1908 · Petit Palais
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Amorous Conversation1913
39
Cardinal Mercier1916
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Horse Market in Algiers1925
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Portrait de Jean-Louis Vaudoyer (1883-1963)1932 · Muzej Carnavalet
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Le vestibule d’entrée du Petit Palais décorée par Albert Besnard -Petit Palais
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Horses1894 · Metropoliten музеј у Њујорку
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Sadness (tristesse)1877
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Sketch for the Mairie du 4ème: The Ball in the City or The Social Party1884 · Petit Palais
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Sketch for the Mairie du 4ème: The Ball in the Countryside or The Popular Festival1884 · Petit Palais
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Sketch for the Mairie du 4ème: The Apple Picking1884 · Petit Palais
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Sketch for the Mairie du 4ème: July 14, 17901884 · Petit Palais
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A Martyr1883
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Iza Sleeping1885
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Neuilly Fair1885
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La Muse Accoudée1884
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Madame Besnard1884
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Dying Woman (la Mourante)1885
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Model Asleep on the Floor1885
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Sketch for the Salon of Sciences of the Hôtel de Ville de Paris: Meteorology1890 · Petit Palais
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Horses bitten by flies.1892 · The National Museum in Poznań
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Eve1886
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Intimacy1889
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La Femme1886
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Bathing at Talloires1888
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Robert Besnard and His Donkey1888
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Apotheosis1886
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Prostitution1886
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Eve Before the Apple Tree1892
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Nude Woman by a Looking Glass1889
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Melancholy (mélancolie)1888
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Self-portrait1893
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Coquette1900
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Love Consecrated1900
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In the Crowd1900
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Discreet (discrète)1900
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Confidences1900
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Indifferent1900
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Madeleine Lemaire1900
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Intimate Fantasy1901
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Danger Passed1900
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Cast of a Net (le Coup De Filet)1900
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Zebu Team in India, Study1910 · Musée des Beaux-Arts de Pau
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The Mystic, Sketch of the Overall Composition1908 · Petit Palais
81
Un Soir
82
Edmond Pigalle1908
83
Garnet Joseph WolseleyNational Portrait Gallery
84
Bather with Child and Swan by the Sea
85
Margaret Wilhelmina Ames
86
Le femme aux cheveux roux
87
Portrait de Madame Georges Rodenbach
88
Georges Clemenceau1917
89
Getting up1913
90
Going to Bed1913
91
Leda Sleeping1913
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Gabriele D'annunzio1917
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Leda Bathing (léda Au Bain)1913
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Auguste Rodin1922
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Birth Announcement for Anne-élisabeth Besnard1922
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Back of a Woman, Study1924 · Musée des Beaux-Arts de Rouen
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Le Biarotte1929
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Carmen Standing in the Nude
99
Peacock Feathers
100
Matinée d'été
#9 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding
#13 Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Ceres - Abundance Encouraging Labor
#16 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Autumn
#17 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Summer
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
#2 Woman's Head
#11 Sketch for the Mairie du 4ème: The Return of the Fields
#13 Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Ceres - Abundance Encouraging Labor
#15 Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement of the Ville de Paris: Winter
#12 Sketch for the Mairie du 4ème: July 14, 1880
#14 Sketch for the wedding hall of the town hall of the 19th arrondissement of the Ville de Paris: The Triumph of the Republic (Ceiling)
#16 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Autumn
#17 Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: Summer
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Pol Albert Besnard | Slike iz ovog spiska |
|---|---|---|---|
 Petit Palais |
Pariz | 29 | Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding, Portrait of Francis Magnard, Sketch for the Mairie du 4ème: The Return of the Fields |
 Metropoliten музеј у Њујорку |
Њујорк | 4 | Morphine Addicts, Family, The Visitor |
 Muzej Carnavalet |
Pariz | 3 | Portrait of André Wormser (1851-1926), Pianist and Composer, Portrait of Madame Besnard, née Charlotte Dubray (1854-1931), Portrait de Jean-Louis Vaudoyer (1883-1963) |
 Cleveland Museum of Art |
Klivlend | 2 | Madeleine Lerolle and Her Daughter Yvonne, The Siesta |
 Art Institute of Chicago |
Čikago | 1 | Woman's Head |
 Musée d'Orsay |
Pariz | 1 | Portrait of André-Charles Coppier (1866-1948) |
 Los Angeles County Museum of Art |
Los Anđeles | 1 | The First Morning (Albert and Charlotte Dubray Besnard and their Son, Robert) |
 Musée Victor Hugo |
Pariz | 1 | The First Performance of Hernani, 1830 |
Izaberite deceniju da biste videli original koji je definiše.
In this 1877 oil on canvas, a man is seated in a three-quarter length pose, turned slightly toward his right. He does not meet the viewer's gaze but looks away, his eyes directed toward an unseen point beyond the frame. The subject wears a dark, heavy suit, likely navy or black, which absorbs much of the light. His facial features are defined by soft contours and a well-groomed beard. A…
Two women sit within the sterile confines of a laboratory, their forms caught in a pale, diffused light. The scene is quiet, heavy with a stillness that feels almost medicinal. One woman gazes directly at the viewer, her eyes carrying a weight of resignation, while her companion looks downward, lost in a private, hollowed thought. Between them, a table holds the cold geometry of scientific glassware, its transparent surfaces catching…
A single female figure occupies the frame, her head tilted in a moment of quiet repose. The composition is an intimate crop, pulling the viewer into the private space of her shoulders and face. Soft, diffused light enters from the upper left, tracing the curve of her neck and the delicate planes of her skin. This illumination creates a gentle depth, casting shadows that define her form without the need…
This oil on panel portrait depicts André-Charles Coppier in a three-quarter profile. The subject is an older man seated and facing the viewer directly. He wears a heavy, dark coat that absorbs much of the light. His hair and mustache are rendered with thick, visible brushstrokes that suggest texture and volume. The lighting originates from the upper left, casting shadows across the right side of his face and defining the…
On the Bridge of Trichinopoly (India) is an oil painting by the French painter and printmaker Paul Albert Besnard. Created about 1911, this work emerged from a period when the artist was exploring the effects of light and atmosphere following a visit to India. The piece captures a specific moment of communal movement, rendered with a focus on the rhythmic patterns of daily life.
The scene unfolds within the bustling atmosphere of a horse market in Algiers. In this moment, the air feels thick with the energy of commerce and the movement of animals. Paul Albert Besnard captures a specific slice of life from about 1925, freezing a period of intense activity where horses of various sizes gather amidst the trade of the marketplace. The work, titled Horse Market in Algiers, presents a world…
In this 1932 oil portrait, we find ourselves in the private, scholarly sanctuary of Jean-Louis Vaudoyer. The subject is positioned in a medium close-up, slightly off-center, which lends a natural, unforced quality to the composition. He is a man of letters, captured in a moment of quiet contemplation amidst the receding planes of a library. The atmosphere is one of profound stillness, where the weight of knowledge is felt through…
Morphine Addicts (1887), Metropoliten музеј у Њујорку, Њујорк. Slede Woman's Head (1890) i Pony (1892).
38 godina: Morphine Addicts datira iz 1887, a Pol Albert Besnard je rođen/a 1849.
Morphine Addicts, Woman's Head, Pony, Family, Portrait of André-Charles Coppier (1866-1948), The Visitor, Portrait of André Wormser (1851-1926), Pianist and Composer, The Death of Timophanes, Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding i Portrait of Francis Magnard. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 110 dela umetnika Pol Albert Besnard, datiranih od 1874 do 1932.
Većinom u Petit Palais (Pariz), Metropoliten музеј у Њујорку (Њујорк) i Muzej Carnavalet (Pariz). Tabela muzeja iznad sadrži njih sve.
U 1880s: 37 od 100 dela na ovoj stranici nastalo je tada, od čega je Morphine Addicts.
Na ovoj stranici, najstarije delo je iz The Death of Timophanes (1874), a najnovije iz Portrait de Jean-Louis Vaudoyer (1883-1963) (1932).
Woman (15), Figures (11) i Man (10), kroz svih 100 dela na ovoj stranici.
Etching, za 11 od 100 dela na ovoj stranici.
Impressionism, sudeći po originalima na ovoj stranici.
Sketch for the Mairie of the 19th Arrondissement of the Ville de Paris: The Wedding, Portrait of Francis Magnard i Sketch for the Mairie du 4ème: The Return of the Fields: Petit Palais, Pariz čuva 27 dela sa ove stranice.
Pol Albert Besnard (1849-1934) predstavlja jedinstvenu figuru u tapiseriji francuske umetnosti, slikara koji je plovio promenljivim talasima kasnog devetnaestog i početka dvadesetog veka sa neponovljivom, neklasifikabilnom gracioznošću. Rođen u Parizu, njegovo umetničko putovanje počelo je unutar strogih okvira École des Beaux-Arts, gde je studirao pod mentorstvom Žana Bremonda. Njegov rani razvoj duboko je oblikovao pedantni realizam Aleksandera Kabanela, uticaj koji je Besnardu pružio disciplinovanu akademsku osnovu. Ipak, ispod ovog klasičnog obrazovanja kucalo je srce modernizatora, onoga koji će na kraju prevazići krute granice tradicije kako bi prihvatio efemernu lepotu svetlosti i atmosfere.
Kako je njegova karijera sazrevala, Besnard je počeo da premošćuje jaz između strukturiranog sveta akademskog slikarstva i živopisnih, senzornih istraživanja impresionizma. Iako nije potpuno napustio formu zarad čiste apstrakcije, postao je majstor boje, koristeći paletu koja je delovala istovremeno luminozno i duboko emotivno. Njegovo delo karakteriše nepokolebljiva fascinacija načinom na koji svetlost interaktuje sa površinama, bilo da je reč o nežnoj koži u portretu ili impresivnim arhitektonskim prostranstvima njegovih najgrandioznijih dela. Ova sposobnost spajanja monumentalnog sa intimnim omogućila mu je da prevaziđe etikete svog doba, stvarajući stil koji deluje istovremeno vanvremenski i izrazito savremen.
Besnardov pravi genije bio je možda najvidljiviji u njegovoj sposobnosti da moderne senzibilitete prevede na grandioznu, dekorativnu razmeru. On nije samo slikao slike; on je transformisao prostore. Njegovi ambiciozni fresci, koji krase neke od najprestižnijih francuskih institucija, služe kao svedočanstvo njegove vizije umetnosti kao javnog, imerzivnog iskustva. Ova dela se mogu pronaći na mestima kao što su:
U ovim masovnim poduhvatima, Besnard je izbegavao previše dramatičnu ili teatralnu estetiku koju su favorisali mnogi njegovi savremenici. Umesto toga, koristio je suptilniji, atmosferski pristup koji je omogućavao svetlosti da vodi oko posmatjača, osiguravajući da čak i najmasovnije kompozicije zadrže osećaj poetske intimnosti i duhovne dubine.
Izvan prostranih vidika njegovih fresaka, Besnard je bio plodni stvaralac mnogo ličnijih dela. Posedovao je izvanrednu sposobnost da uhvati psihološku suštinu svojih subjekata kroz ulje, akvarel, pastel i eting. Njegovi portreti slave se ne samo zbog tehničke preciznosti, već i zbog svog dubokog emocionalnog odjeka. U njegovom prikazu Madame Georges Rodenbach, nalazi se smeo istraživački pristup lepoti koji izaziva konvencionalne norme, pokazujući njegovu veštinu u prikazivanju teksture i karaktera sa jednakim žarom.
Njegova svestranost kao grafičara i crtača omogućila mu je da eksperimentiše sa igrom senke i svetlosti na mnogo nežnijoj razmeri. Bilo da je beležio kraljevsko prisustvo Kralja i Kraljice Belgije ili tišinu pejzaža, Besnardovo delo ostaje ukorenjeno u uticaju koji podseća na Thomasa Gainsborougha — određenoj eleganciji i ritmičnom toku koji uzdižu samu temu. U konačnici, značaj Pola Alberta Besnarda leži upravo u toj dualnosti: bio je umetnik koji je mogao da vlada najvećim dvorama Francuske, dok je istovremeno hvatao najprolaznije, najnežnije šapate svetlosti.
