Portret Olof Johan Södermark

11 najpoznatijih slika umetnika Olof Johan Södermark, izbor iz galerije

Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 11 dela Olof Johan Södermark u našem katalogu

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Od svih originala koje je Olof Johan Södermark ostavio, najpoznatiji je Peder Anker (1830), koji se nalazi u kolekciji Bogstad, Oslo. Odmah za njima slede The German Artist Franz Riepenhausen (1828) i Presumed Self Portrait (1827). Naš katalog sadrži 11 dela umetnika Olof Johan Södermark; galerija je čuvala 11 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.

1790 – 1848, Landskrona Parish Najviše dela: Nationalmuseum

Top 10 slika umetnika Olof Johan Södermark: izbor galerije

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Portrait of Signora Vincensa čiji je Olof Johan Södermark

Portrait of Signora Vincensa

Oil · Nationalmuseum, Стокхолм

In the mid-1820s, while living in Rome, Olof Johan Södermark turned his attention away from the rigid structures of sculpture toward the intimate realities of daily existence. This oil portrait captures an employee in a Roman café, a woman caught in a moment of quiet, unposed labor. Unlike the idealized portraiture common to the era, this work rejects the polished perfection often demanded by high-society commissions. Instead, it offers a…

Izbor umetnika Olof Johan Södermark se nastavlja, od 11 do 11

Motivi koji su privlačili pažnju Olof Johan Södermark

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Olof Johan Södermark

3 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Olof Johan Södermark Slike iz ovog spiska
Nationalmuseum, СтокхолмNationalmuseum Стокхолм 8 The German Artist Franz Riepenhausen, Presumed Self Portrait, Regina. Roman Girl with Choral Necklace and Earrings
Bogstad, OsloBogstad Oslo 1 Peder Anker
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Porträtt av president Jacob August von Hartmansdorff

Olof Johan Södermark deceniju po deceniju: original koji definiše svaku od njih

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Pitanja kolekcionara o slikama umetnika Olof Johan Södermark

Po kojem delu je Olof Johan Södermark najpoznatiji/a?Otkrij odgovor

Peder Anker (1830), Bogstad, Oslo. Slede The German Artist Franz Riepenhausen (1828) i Presumed Self Portrait (1827).

Koliko je godina imao/la Olof Johan Södermark kada je nastalo delo Peder Anker?Otkrij odgovor

40 godina: Peder Anker datira iz 1830, a Olof Johan Södermark je rođen/a 1790.

Koja su deset najpoznatijih slika umetnika Olof Johan Södermark?Otkrij odgovor

Peder Anker, The German Artist Franz Riepenhausen, Presumed Self Portrait, King Karl XIV Johan, Regina. Roman Girl with Choral Necklace and Earrings, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, Gatumusikanter vid Pantheon, Porträtt av president Jacob August von Hartmansdorff, Grazia, Roman Model i Portrait of Signora Vincensa. Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je slika ostavio Olof Johan Södermark?Otkrij odgovor

Naš katalog sadrži 11 dela umetnika Olof Johan Södermark, datiranih od 1827 do 1845.

U kojim muzejima se nalaze remek-dela umetnika Olof Johan Södermark?Otkrij odgovor

Većinom u Nationalmuseum (Стокхолм), Bogstad (Oslo) i National Portrait Gallery of Sweden (Strängnäs). Tabela muzeja iznad sadrži njih sve.

U kojim godinama je Olof Johan Södermark naslikao svoja najpoznatija dela?Otkrij odgovor

U 1830s: 4 od 11 dela na ovoj stranici nastalo je tada, od čega je Peder Anker.

Koja su prva i poslednja čuvena originalna dela umetnika Olof Johan Södermark?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Presumed Self Portrait (1827), a najnovije iz Grazia, Roman Model (1845).

Čija se dela umetnika Olof Johan Södermark nalaze u Nationalmuseum?Otkrij odgovor

The German Artist Franz Riepenhausen, Presumed Self Portrait i Regina. Roman Girl with Choral Necklace and Earrings: Nationalmuseum, Стокхолм čuva 8 dela sa ove stranice.

Olof Johan Södermark: život i delo

The Precision of the Cartographer’s Eye

Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

From the Battlefield to the Roman Studio

The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

A Legacy of Neoclassical Grandeur

As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.