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Ukratko
James Armstrong Thome (1840) je slika autora Nathaniel Jocelyn koja privlači najviše pažnje; original se nalazi u muzeju National Portrait Gallery, Vašington, D.C.. Nakon toga, pogled se seli na Cornelius Vanderbilt (1846) i Denison Olmsted (1791-1859), B. A. 1813, M. A. 1816 (1833). Među 9 dela umetnika Nathaniel Jocelyn u našem katalogu, ovih 9 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
Nathaniel Jocelyn rendered this oil on canvas portrait of James Armstrong Thome about 1840. Born in Augusta, Kentucky, Thome was a Presbyterian minister and a dedicated abolitionist. His life was defined by his work as a social reformer, civil rights activist, and educator. Through his ministry and lectures, he became a prominent voice in the movement for emancipation.
In this 1846 portrait, we encounter Cornelius Vanderbilt not as a distant figure of industry, but as a man of quiet, formidable gravity. The composition is a classic bust-length study, positioning him slightly off-center to create a sense of natural, unforced dignity. He faces toward the viewer's left, yet his gaze remains fixed forward, meeting the eye with a steady, unwavering directness. There is a certain weight to his presence,…
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
3 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Nathaniel Jocelyn | Slike iz ovog spiska |
|---|---|---|---|
 Yale University Art Gallery |
New Haven | 5 | Denison Olmsted (1791-1859), B. A. 1813, M. A. 1816, Mrs. Augustus Russell Street (Caroline Mary Leffingwell) (1790-1877), Reverend Edward Elias Atwater (1816-1887), B.A. 1836, M.A. (Hon.) 1839 |
 National Portrait Gallery |
Vašington, D.C. | 3 | James Armstrong Thome, Cornelius Vanderbilt, William Lloyd Garrison |
 Harvard Art Museums |
Kembriđ | 1 | Elbridge Gerry (1744-1814) |
14 godina razmaka između prvog i poslednjeg datiranog originala umetnika Nathaniel Jocelyn prikazanog ovde, 1833 i 1846: svaka godina ima svoje mesto u nastavku.
Izaberite godinu da biste videli originalna dela.
Nathaniel Jocelyn rendered this oil on canvas portrait of James Armstrong Thome about 1840. Born in Augusta, Kentucky, Thome was a Presbyterian minister and a dedicated abolitionist. His life was defined by his work as a social reformer, civil rights activist, and educator. Through his ministry and lectures, he became a prominent voice in the movement for emancipation.
Još od 1840
In this 1846 portrait, we encounter Cornelius Vanderbilt not as a distant figure of industry, but as a man of quiet, formidable gravity. The composition is a classic bust-length study, positioning him slightly off-center to create a sense of natural, unforced dignity. He faces toward the viewer's left, yet his gaze remains fixed forward, meeting the eye with a steady, unwavering directness. There is a certain weight to his presence,…
Još od 1846
James Armstrong Thome (1840), National Portrait Gallery, Vašington, D.C.. Slede Cornelius Vanderbilt (1846) i Denison Olmsted (1791-1859), B. A. 1813, M. A. 1816 (1833).
44 godina: James Armstrong Thome datira iz 1840, a Nathaniel Jocelyn je rođen/a 1796.
Naš katalog sadrži 9 dela umetnika Nathaniel Jocelyn, datiranih od 1833 do 1846.
Većinom u Yale University Art Gallery (New Haven), National Portrait Gallery (Vašington, D.C.) i Harvard Art Museums (Kembriđ). Tabela muzeja iznad sadrži njih sve.
U 1840: 3 od 9 dela na ovoj stranici nastalo je tada, od čega je James Armstrong Thome.
Na ovoj stranici, najstarije delo je iz Denison Olmsted (1791-1859), B. A. 1813, M. A. 1816 (1833), a najnovije iz Cornelius Vanderbilt (1846).
Oil On Canvas, za 2 od 9 dela na ovoj stranici.
Denison Olmsted (1791-1859), B. A. 1813, M. A. 1816, Mrs. Augustus Russell Street (Caroline Mary Leffingwell) (1790-1877) i Reverend Edward Elias Atwater (1816-1887), B.A. 1836, M.A. (Hon.) 1839: Yale University Art Gallery, New Haven čuva 5 dela sa ove stranice.
An American portrait painter and engraver renowned for his historical depictions of abolitionists and Joseph Cinqué, Nathaniel Jocelyn captured the essence of a pivotal era through his evocative and detailed artistry.
