Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 71 dela Marko Riči u našem katalogu
Ukratko
Od svih originala koje je Marko Riči ostavio, najpoznatiji je Architectural Capriccio (1702), koji se nalazi u kolekciji Bavarske državne slikopisne kolekcije, Minhen. Odmah za njima slede Rehearsal of an opera (1709) i Rehearsal of an opera (1709). Naš katalog sadrži 71 dela umetnika Marko Riči; galerija je čuvala 71 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
In Architectural Capriccio, Marco Ricci presents a fantasy landscape constructed from various architectural elements of antiquity. The work functions as a classical capriccio, assembling disparate ruins into a fictionalized setting. Rather than a topographical record, the scene offers a re-imagined arrangement of stone and structure.
The oil painting presents a crowded indoor setting where a group of musicians and singers are gathered for an opera rehearsal. The composition is horizontal, filling the space with figures arranged in the foreground and middle ground. A muted, dark olive-green wall forms the backdrop for the assembly. In the foreground, the curves of a cello and the rectangular frame of a harpsichord are visible among the performers. The color…
Step into this grand, interior space where the air feels heavy with the anticipation of a performance. We find ourselves in a room of significant scale, perhaps a private salon or a rehearsal hall, where a group of figures has gathered for a musical session. The scene is dense, filled with the quiet energy of artists in motion. A cello rests in the immediate foreground, its dark wood grounding the…
In Moses and the Miracle of the Rock, Marco Ricci presents a scene of intense movement and crowded energy. The composition is structured through a dynamic arrangement of figures that directs the eye from the immediate foreground toward the central action of Moses. This movement is guided by fluid and expressive lines that define the limbs of the multitude and the sudden flow of water. Organic shapes dominate the landscape,…
The scene unfolds in 1722, a moment captured in The Outskirts of a Town with Women Washing Linen. This work emerges from the brush of Marco Ricci, an artist who brings the light of the Italian landscape to life. He was born in Belluno, Italy, in 1676, and his hand moves across the surface to define a world of quiet, daily labor. The air feels heavy with the presence of…
Woodland Scene with Bandits is an oil painting by Marco Ricci. Created about 1726, the work captures a moment of tension within a dense thicket. A group of bandits or travelers occupies the forest, their presence disrupting the quietude of the trees. The scene is framed by the verticality of weathered trunks and the shadows of a deep landscape view.
The painting Caprice Landscape with Ruins and a Statue is a work by the Italian artist Marco Ricci. Born in Belluno, Italy, in 1676, Ricci brought a specific Venetian sensibility to this composition. The canvas captures a moment of stillness amidst crumbling stone and weathered marble. It dates to about 1729.
We are looking at Landscape with an Allegorical Monument to Newton, a work by the Venetian painter Marco Ricci. Created about 1728, this piece presents an allegorical scene set within a landscape of ancient ruins. The composition focuses on a central structure of classical architectural elements, including a plinth with inscriptions and various sculptural figures, all positioned under a clear blue sky.
Landscape with two Praying Monks is an oil painting by Marco Ricci. The work emerged around 1729, during the final years of the artist's life. Ricci, born in 1676, lived until 1730, leaving behind a legacy defined by the atmospheric expanses of the Venetian tradition.
The scene unfolds within the frantic energy of A Wood with Peasants Alarmed by a Bear, a work that captures a sudden moment of chaos amidst the trees. This dramatic encounter is the creation of Marco Ricci, an artist whose life began in Belluno, Italy, in 1676. The painting emerges from a time of great movement in the early eighteenth century, dating to about 1725. Every brushstroke seems to pulse…
The Courtyard of a Country House1728 · Royal Collection
12
A Classical Ruin Caprice1728 · Royal Collection
13
Landscape with a Woman and Child1727 · Royal Collection
14
Landscape with Women Washing Clothes1727 · Royal Collection
15
Landscape with Peasants and Woodcutters1725 · Royal Collection
16
A Ruin Caprice with Roman Motifs1727 · Royal Collection
17
Landscape with Cattle and a Woman Speaking to a Seated Man1727 · Royal Collection
18
Villa in a Park Setting1720 · Gallerie dell'Accademia di Venezia
19
Landscape with River and Figures1720 · Gallerie dell'Accademia di Venezia
20
Landscape with Monks1705 · Scottish National Gallery
21
Ships in a Gale1707 · Indianapolis Museum of Art
22
Landscape with a road (detail).1700 · Nacionalni muzej u Varšavi
23
Christ on the Sea of Galilee1710 · Statens Museum For Kunst
24
Landscape1700
25
Landscape1700
26
Southern Landscape in Evening Light1712 · Gemäldegalerie
27
Venetian Capriccio with a body being exhumed and a Franciscan Monk in Attendance1714 · Birmingham Museum and Art Gallery
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Capriccio Landscape1712
29
Capriccio Landscape1712
30
A Winter Landscape1720 · Royal Collection
31
An Italian Town Caprice1719 · Royal Collection
32
Landscape with a Farm Building at the Centre1720 · Royal Collection
33
A Rocky Landscape with a Waterfall1720 · Royal Collection
34
A Town and Ruins Beside a River1719 · Royal Collection
35
A Wooded Landscape with Huntsmen1722 · Royal Collection
36
A Hilly Landscape with two Men on Horseback Galloping1720 · Royal Collection
37
Landscape with a Hill Town1720 · Royal Collection
38
View of Belluno1720 · Royal Collection
39
Landscape with a Sawmill1720 · Royal Collection
40
Landscape with a Foreground River and Buildings Beyond1720 · Royal Collection
41
Ruin Caprice with a Gothic Church1722 · Royal Collection
42
A Wood with Peasants Alarmed by a Bear1720 · Royal Collection
43
A Capriccio of Classical Rome1720
44
Coastal View with Tower1715
45
Landscape with Woodcutters and Two Horsemen1720 · Gallerie dell'Accademia di Venezia
46
Landscape with Watering Horses1720 · Gallerie dell'Accademia di Venezia
47
Landscape with River and Figures (detail)1720 · Gallerie dell'Accademia di Venezia
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A Rocky Landscape with Herds Watering1727 · Royal Collection
49
Landscape with a Storm1729 · Royal Collection
50
A Mountainside with Hermits1729 · Royal Collection
51
Landscape with a Rocky Stream, Peasants and Cattle1725 · Royal Collection
52
Landscape with a Horse being Ferried across a Stream1723 · Royal Collection
53
Caprice View with Roman Ruins1729 · Royal Collection
54
Mountainous Landscape with a River and a Group of Buildings Beyond1724 · Royal Collection
55
Architectural Capriccio1725
56
Stormy Region1705 · Szépművészeti Múzeum
57
Saint Jérôme dans le désert - Marco Ricci - Musée des Beaux-Arts de NarbonneMusée d'art et d'histoire de Narbonne
58
Landscape with a Monk in a StormKunsthistorisches Museum
59
Landscape1720 · Fondazione Querini Stampalia
60
A Courtyard with an Equestrian StatueRoyal Collection
61
A rocky landscape with figuresAuckland Art Gallery Toi o Tāmaki
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Landscape with a bridge and a tower (detail).Nacionalni muzej u Varšavi
63
A mountainous landscapeFinnish National Gallery
64
A Classical Landscape with Ruins
65
Classical capriccio of Rome
66
The waterfallGallerie dell'Accademia di Venezia
67
View with classical Roman ruinsCa' Rezzonico – Muzej 18. veka u Veneciji
68
LandscapeNacionalni muzej u Krakovu
69
A Courtyard of an Imaginary PalaceRoyal Collection
70
Figures among Ruins
71
Southern Landscape at TwilightStaatliche Museen zu Berlin
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Marko Riči | Slike iz ovog spiska |
|---|---|---|---|
 Royal Collection |
London | 36 | Moses and the Miracle of the Rock, The Outskirts of a Town with Women Washing Linen, Woodland Scene with Bandits |
 Gallerie dell'Accademia di Venezia |
Venecija | 6 | Villa in a Park Setting, Landscape with River and Figures, Landscape with Woodcutters and Two Horsemen |
 Yale Center for British Art |
New Haven | 2 | Rehearsal of an opera, Rehearsal of an opera |
 Nacionalni muzej u Varšavi |
Varšava | 2 | Landscape with a road (detail)., Landscape with a bridge and a tower (detail). |
 Bavarske državne slikopisne kolekcije |
Minhen | 1 | Architectural Capriccio |
 Scottish National Gallery |
Edinburgh | 1 | Landscape with Monks |
 Indianapolis Museum of Art |
Indijanapolis | 1 | Ships in a Gale |
 Statens Museum For Kunst |
Kopenhagen | 1 | Christ on the Sea of Galilee |
Izaberite deceniju da biste videli original koji je definiše.
In Architectural Capriccio, Marco Ricci presents a fantasy landscape constructed from various architectural elements of antiquity. The work functions as a classical capriccio, assembling disparate ruins into a fictionalized setting. Rather than a topographical record, the scene offers a re-imagined arrangement of stone and structure.
In Moses and the Miracle of the Rock, Marco Ricci presents a scene of intense movement and crowded energy. The composition is structured through a dynamic arrangement of figures that directs the eye from the immediate foreground toward the central action of Moses. This movement is guided by fluid and expressive lines that define the limbs of the multitude and the sudden flow of water. Organic shapes dominate the landscape,…
The scene unfolds in 1722, a moment captured in The Outskirts of a Town with Women Washing Linen. This work emerges from the brush of Marco Ricci, an artist who brings the light of the Italian landscape to life. He was born in Belluno, Italy, in 1676, and his hand moves across the surface to define a world of quiet, daily labor. The air feels heavy with the presence of…
Architectural Capriccio (1702), Bavarske državne slikopisne kolekcije, Minhen. Slede Rehearsal of an opera (1709) i Rehearsal of an opera (1709).
26 godina: Architectural Capriccio datira iz 1702, a Marko Riči je rođen/a 1676.
Architectural Capriccio, Rehearsal of an opera, Rehearsal of an opera, Moses and the Miracle of the Rock, The Outskirts of a Town with Women Washing Linen, Woodland Scene with Bandits, Caprice Landscape with Ruins and a Statue, Landscape with an Allegorical Monument to Newton, Landscape with two Praying Monks i A Wood with Peasants Alarmed by a Bear. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 71 dela umetnika Marko Riči, datiranih od 1700 do 1729.
Većinom u Royal Collection (London), Gallerie dell'Accademia di Venezia (Venecija) i Yale Center for British Art (New Haven). Tabela muzeja iznad sadrži njih sve.
U 1720s: 39 od 71 dela na ovoj stranici nastalo je tada, od čega je The Outskirts of a Town with Women Washing Linen.
Na ovoj stranici, najstarije delo je iz Landscape with a road (detail). (1700), a najnovije iz Caprice Landscape with Ruins and a Statue (1729).
Trees (13), Landscape (12) i Sky (9), kroz svih 71 dela na ovoj stranici.
Oil On Canvas, za 13 od 71 dela na ovoj stranici.
Baroque, sudeći po originalima na ovoj stranici.
Moses and the Miracle of the Rock, The Outskirts of a Town with Women Washing Linen i Woodland Scene with Bandits: Royal Collection, London čuva 36 dela sa ove stranice.
Marko Riči stoji kao ključna figura u raskošnom tapiseriji venecijanskog baroknog slikarstva, majstor čiji je četkica odisala život u atmosferske prostore 18. veka. Rođen u Belunu, u Italiji, 1676. godine, umetnički put Marka Ričija bio je duboko ukorenjen u tradiciji izvrsnosti. Njegov rani obuku započeo je pod budnim okom svog omiljenog ujaka, slavnog Sebastiana Ričija, verovatno u živopisnim umetničkim centrima Milana sredinom 1690-ih godina. Ovaj temeljni period uspostavio je duboku povezanost sa venecijanskom tradicijom, dok se 1696. godine preselio u Veneciju kako bi udružio snage sa svojim ujakom. Zajedno su započeli kolaborativnu karijeru koja će redefinisati granice pejzažnog slikarstva, spajajući klasični grandiozni stil sa novom, izražajnijom senzibilitetnošću.
Evolucija Ričijevog stila oblikovana je bogatim spojem uticaja koji su premostili jaz između strukturiranih ideala prošlosti i naglo prožimajuće slobode rokokoa. On je upio svetlostnu, atmosfersku perspektivu Klauda Lorena i Gaspara Dige, majstora koji su usavršili umetnost idealizovanog priwodnog prikaza prirode. Ipak, u njegovom radu postoji i snažniji, emotivniji strujica, izvedena iz ekspresivnog poteza četkice Salvatora Rose i opuštene, energične primene boje kakvu vidimo u delima Alesandroa Magnaskoa. Ova jedinstvena sinteza omogućila je Ričiju da ode dalje od puke topografske dokumentacije, stvarajući umesto toga pejzaže koji su delovali živo, ispunjeni pokretom, svetlošću i osećajem dramatičnog narativa.
Jedan od najupečatljivijih aspekata Ričijeve karijere bila je njegova duboka spremnost da se angažuje u kolektivnom duhu svog doba. Njegov rad je često brisao granice između individualnog autorstva i kolektivnog genija, naročito u velikim dekorativnim projektima. Značajan primer ove veličine može se naći u njegovom doprinosu dekoraciji Sale d'Ercole u Palati Fenči, gde je rame uz rame sa Sebastiano Ričijem pokazao sposobnost da vlada prostranim arhitektonskim prostorima pomoću širokih vidika i zamršenih detalja. Ovaj talenat za dizajn velikih razmera proširio se i na pozorišnu scenu, gde mu je veština dizajna operatskih scenografija omogućila da manipuliše svetlošću i prostorom kako bi stvorio imerzivne, izmišljene svetove.
Ričijev uticaj nije bio ograničen na granice Serenissima Republike. Vođen ohrabrenjem Čarlsa Montagu, 4. grofa od Mančestera — Venecijanskog ambasadora u Engleskoj — Marko Riči je započeo transformativno putovanje u London krajem 1708. godine. Ova engleska veza proširila je njegove horizonte i predstavila njegove venecijanske senzibilitete novoj međunarodnoj publici, dodatno učvrstivši njegovu reputaciju kao pan-evropskog majstora. Njegova sposobnost da prilagodi svoj stil različitim kulturnim kontekstima, dok istovremeno zadržava svoj osnovni identitet inovatora pejzaža, ostaje svedočanstvo njegove svestranosti.
Trajni šarm dela Marka Ričija leži u njegovoj sposobnosti da uhvati efemernu prirodu prirodnog sveta. Njegove slike često služe kao prozori u idealizovanu prošlost, gde klasična arhitektura i neukroćena priroda postoje u delikatnom, harmoničnom balansu. Bilo da prikazuje spokojnu vilu u parkovskom okruženju ili dinamičniji pejzaž sa rekom i figurom, Riči je koristio svetlost da vodi oko posmatrača kroz složene kompozicije, stvarajući dubinu i osećaj dubokog mira.
Njegovo tehničko umeće je očigledno u nekoliko ključnih oblasti njegovog rada:
U krajnjoj liniji, Marko Riči je bio mnogo više od običnog slikara scenografije; bio je arhitekta emocija. Kroz svoj inovativni pristup žanru pejzaža, on je otvorio put kasnijim trijumfima Kanjetoa i Gvardija, osiguravši da venecijanska tradicija pejzažnog slikarstva ostane kamen temelj evropske umetničke istorije.
