Portret Marion Post Wolcott

Slike umetnika Marion Post Wolcott: Najpoznatijih 65 kroz oči galerije

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Iz perspektive galerije, najpoznatije delo umetnika Marion Post Wolcott je Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi (1940). Coney Island Lunch (1938) i White man in shack (1938) čine triju koju svako oko prepoznaje. Od 65 dela umetnika Marion Post Wolcott u našem katalogu, galerija u nastavku predstavlja 65 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1910 – 1990 Documentary photography Najviše dela: Boca Raton Museum of Art

Top 10 slika umetnika Marion Post Wolcott u galeriji

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Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi (1940) čiji je Marion Post Wolcott

Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi

1940

This poignant black and white photograph by Marion Post Wolcott offers a powerful glimpse into the hardships of the American South during the Great Depression. Captured in 1940 in Natchez, Mississippi, it depicts two women, burdened with heavy loads – one carrying a box of surplus relief commodities on her head – walking along a dusty path. More than just a snapshot, this image serves as a testament to human…

Slike umetnika Marion Post Wolcott, rangirane od 11 do 65

11Large white house (1938) čiji je Marion Post WolcottLarge white house1938 12Coal miners' card game on the porch, Chaplin, West Virginia (1938) čiji je Marion Post WolcottCoal miners' card game on the porch, Chaplin, West Virginia1938 13Miner's wife on porch of their home, an abandoned company store. Pursglove, West Virginia (1938) čiji je Marion Post WolcottMiner's wife on porch of their home, an abandoned company store. Pursglove, West Virginia1938 14French mulatto farmer. Melrose, Louisiana (1940) čiji je Marion Post WolcottFrench mulatto farmer. Melrose, Louisiana1940 15Proprietor of a poolhall playing cards, Woodstock, Vermont (1939) čiji je Marion Post WolcottProprietor of a poolhall playing cards, Woodstock, Vermont1939 16Barn and silos on rich farmland. Bucks County, Pennsylvania (1939) čiji je Marion Post WolcottBarn and silos on rich farmland. Bucks County, Pennsylvania1939 17Dancing during the Cotton Carnival. Memphis, Tennessee (1940) čiji je Marion Post WolcottDancing during the Cotton Carnival. Memphis, Tennessee1940 18Daughter of a Cajun family returning home after fishing in Cane River. Melrose, Louisiana (1940) čiji je Marion Post WolcottDaughter of a Cajun family returning home after fishing in Cane River. Melrose, Louisiana1940 19Sulky Races, Shelby County Fair, Kentucky (1940) čiji je Marion Post WolcottSulky Races, Shelby County Fair, Kentucky1940 20Woman lying in the sun, Miami Beach, Florida (1939) čiji je Marion Post WolcottWoman lying in the sun, Miami Beach, Florida1939 21The hazards of travel by car. Jackson, Kentucky (1940) čiji je Marion Post WolcottThe hazards of travel by car. Jackson, Kentucky1940 22Hanging bands of tobacco in barn to dry, Russell Spear's farm. Near Lexington, Kentucky (1940) čiji je Marion Post WolcottHanging bands of tobacco in barn to dry, Russell Spear's farm. Near Lexington, Kentucky1940 23Gambling (skin game) in juke joint on Saturday night, near Moore Haven, Florida (1941) čiji je Marion Post WolcottGambling (skin game) in juke joint on Saturday night, near Moore Haven, Florida1941 24Advertisement on the side of a drugstore, Wendell, North Carolina (1939) čiji je Marion Post WolcottAdvertisement on the side of a drugstore, Wendell, North Carolina1939 25Selling watermelons on Saturdays and court day in Jackson, Breathitt County, Kentucky (1940) čiji je Marion Post WolcottSelling watermelons on Saturdays and court day in Jackson, Breathitt County, Kentucky1940 26Migrant agricultural workers waiting in line behind truck in the field, for a day's work. Near Belle Glade, Florida (1939) čiji je Marion Post WolcottMigrant agricultural workers waiting in line behind truck in the field, for a day's work. Near Belle Glade, Florida1939 27County judge on the main street, Leadville, Colorado (1941) čiji je Marion Post WolcottCounty judge on the main street, Leadville, Colorado1941 28Work horses on a Farm Security Administration project. Scott's Bluff, Nebraska (1941) čiji je Marion Post WolcottWork horses on a Farm Security Administration project. Scott's Bluff, Nebraska1941 29Counting ballots to see whether the town will go wet or dry. Woodstock, Vermont (1940) čiji je Marion Post WolcottCounting ballots to see whether the town will go wet or dry. Woodstock, Vermont1940 30Flint River Farms School, near Montezuma, Georgia (1939) čiji je Marion Post WolcottFlint River Farms School, near Montezuma, Georgia1939 · Boca Raton Museum of Art 31Corn shucking at the Fred Wilkins farm. Stem, North Carolina (1939) čiji je Marion Post WolcottCorn shucking at the Fred Wilkins farm. Stem, North Carolina1939 32Pahokee Hotel, migrant vegetable picker's quarters. Near Homestead, Florida (1941) čiji je Marion Post WolcottPahokee Hotel, migrant vegetable picker's quarters. Near Homestead, Florida1941 33Child in doorway of shack of migrant pickers and packing house workers, near Belle Glade, Florida (1939) čiji je Marion Post WolcottChild in doorway of shack of migrant pickers and packing house workers, near Belle Glade, Florida1939 34Hot lunches for children of agricultural workers in day nursery of Okeechobee, Migratory Labor camp. Belle Glade, Florida (1941) čiji je Marion Post WolcottHot lunches for children of agricultural workers in day nursery of Okeechobee, Migratory Labor camp. Belle Glade, Florida1941 35Haircutting in front of general store on Saturday afternoon, Marcella Plantation. Mileston, Mississippi (1939) čiji je Marion Post WolcottHaircutting in front of general store on Saturday afternoon, Marcella Plantation. Mileston, Mississippi1939 36Peddler who goes from door to door, selling hardware and groceries. Woodstock, Vermont (1940) čiji je Marion Post WolcottPeddler who goes from door to door, selling hardware and groceries. Woodstock, Vermont1940 37A fireplace in an old mud hut which was built and is still lived in by a French mulatto family, near the John Henry plantation. Melrose, Louisiana (1940) čiji je Marion Post WolcottA fireplace in an old mud hut which was built and is still lived in by a French mulatto family, near the John Henry plantation. Melrose, Louisiana1940 38The Whittler, an old Negro man (ex slave) Camden, Alabama (1939) čiji je Marion Post WolcottThe Whittler, an old Negro man (ex slave) Camden, Alabama1939 39The Titus Oakley family stripping, tying, and grading tobacco in their bedroom. Granville, County, North Carolina (1939) čiji je Marion Post WolcottThe Titus Oakley family stripping, tying, and grading tobacco in their bedroom. Granville, County, North Carolina1939 40Farmers sleeping in a white camp room in a warehouse. They often must remain several days before their tobacco is sold. Durham, North Carolina (1939) čiji je Marion Post WolcottFarmers sleeping in a white camp room in a warehouse. They often must remain several days before their tobacco is sold. Durham, North Carolina1939 41Negro men and women working in a field, Bayou Bourbeaux Plantation. Natchitoches, Louisiana (1940) čiji je Marion Post WolcottNegro men and women working in a field, Bayou Bourbeaux Plantation. Natchitoches, Louisiana1940 42Migrant agricultural workers waiting in line behind truck in the field, for pay for day's work. Near Belle Glade, Florida (1939) čiji je Marion Post WolcottMigrant agricultural workers waiting in line behind truck in the field, for pay for day's work. Near Belle Glade, Florida1939 43Children of migrant workers. Near Homestead, Florida (1939) čiji je Marion Post WolcottChildren of migrant workers. Near Homestead, Florida1939 44Picketing copper miners on strike waiting for the scabs (strikebreakers) to come out of the mine. Ducktown, Tennessee (1939) čiji je Marion Post WolcottPicketing copper miners on strike waiting for the scabs (strikebreakers) to come out of the mine. Ducktown, Tennessee1939 45Migrants playing checkers (with bottle caps), on a juke joint porch after a freeze out of vegetable crops. Near Okeechobee, Florida (1940) čiji je Marion Post WolcottMigrants playing checkers (with bottle caps), on a juke joint porch after a freeze out of vegetable crops. Near Okeechobee, Florida1940 46Oldest child of migrant packing house workers preparing supper. Her parents work during the day and sometimes until 2 A.M. The children are left alone. Near Homestead, Florida (1939) čiji je Marion Post WolcottOldest child of migrant packing house workers preparing supper. Her parents work during the day and sometimes until 2 A.M. The children are left alone. Near Homestead, Florida1939 47Mexican woman, seasonal labor contracted for by planters, picking cotton on Knowlton Plantation, Perthshire, Mississippi Delta, Mississippi (1939) čiji je Marion Post WolcottMexican woman, seasonal labor contracted for by planters, picking cotton on Knowlton Plantation, Perthshire, Mississippi Delta, Mississippi1939 48Jorena Pettway sorting peas inside her smokehouse. She still has many fruits and vegetables, which she canned last year, on the shelves around her. Gee's Bend, Alabama (1939) čiji je Marion Post WolcottJorena Pettway sorting peas inside her smokehouse. She still has many fruits and vegetables, which she canned last year, on the shelves around her. Gee's Bend, Alabama1939 49Meeting of the Colored County Land Use Planning Committee to work on county maps, in school house, Yanceyville, North Carolina (1940) čiji je Marion Post WolcottMeeting of the Colored County Land Use Planning Committee to work on county maps, in school house, Yanceyville, North Carolina1940 50A woman from New Jersey picking beans. Hampers are heavy and must be moved along as one picks. Homestead, Florida (1939) čiji je Marion Post WolcottA woman from New Jersey picking beans. Hampers are heavy and must be moved along as one picks. Homestead, Florida1939 51Migrant family from Missouri camping out in cane brush. One woman said, We ain't never lived like hogs before, but we sure does now. Canal Point, Florida (1939) čiji je Marion Post WolcottMigrant family from Missouri camping out in cane brush. One woman said, We ain't never lived like hogs before, but we sure does now. Canal Point, Florida1939 52Lake Providence Grocery (1938) čiji je Marion Post WolcottLake Providence Grocery1938 53Carnival signs, Strawberry Festival. Plant City, Florida (1978) čiji je Marion Post WolcottCarnival signs, Strawberry Festival. Plant City, Florida1978 54Winter Tourists Picnicking on Beach near Sarasota, Fla. (1980) čiji je Marion Post WolcottWinter Tourists Picnicking on Beach near Sarasota, Fla.1980 · Amon Carter Museum of American Art 55Children of Tenant Farmer, Younger One with Severe Rickets from Malnourishment. Land Worn Out from Cotton-Tobacco Culture, near Wadesboro, North Carolina čiji je Marion Post WolcottChildren of Tenant Farmer, Younger One with Severe Rickets from Malnourishment. Land Worn Out from Cotton-Tobacco Culture, near Wadesboro, North Carolina 56Mountains (1938) čiji je Marion Post WolcottMountains1938 57The Piney Hotel (1938) čiji je Marion Post WolcottThe Piney Hotel1938 58Tourist Cabins (1938) čiji je Marion Post WolcottTourist Cabins1938 59Coal Miner's child carrying home a can of kerosene, Scotts Run, West Virginia (1938) čiji je Marion Post WolcottCoal Miner's child carrying home a can of kerosene, Scotts Run, West Virginia1938 60Fields of shucked corn. Near Marion, Virginia (1940) čiji je Marion Post WolcottFields of shucked corn. Near Marion, Virginia1940 61Mountaineers cutting tobacco. Jackson, Kentucky (1940) čiji je Marion Post WolcottMountaineers cutting tobacco. Jackson, Kentucky1940 62Couple carrying home groceries, kerosene on horseback. Kentucky Mountains (1940) čiji je Marion Post WolcottCouple carrying home groceries, kerosene on horseback. Kentucky Mountains1940 63Man Playing Guitar on Porch, Natchitoches, Louisiana (1940) čiji je Marion Post WolcottMan Playing Guitar on Porch, Natchitoches, Louisiana1940 · Ogden Museum of Southern Art 64Corn shocks and split rail fence (1978) čiji je Marion Post WolcottCorn shocks and split rail fence1978 65Living quarters and (1982) čiji je Marion Post WolcottLiving quarters and1982

Čuvena dela Marion Post Wolcott po periodima

Motivi koji su privlačili pažnju Marion Post Wolcott

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Marion Post Wolcott

3 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Marion Post Wolcott Slike iz ovog spiska
Boca Raton Museum of Art, Boca RatonBoca Raton Museum of Art Boca Raton 1 Flint River Farms School, near Montezuma, Georgia
Amon Carter Museum of American Art, Fort WorthAmon Carter Museum of American Art Fort Worth 1 Winter Tourists Picnicking on Beach near Sarasota, Fla.
Ogden Museum of Southern Art, New OrleansOgden Museum of Southern Art New Orleans 1 Man Playing Guitar on Porch, Natchitoches, Louisiana

Marion Post Wolcott, jedno autentično delo po deceniji

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Slike umetnika Marion Post Wolcott: odgovori galerije

Koja je najpoznatija slika umetnika Marion Post Wolcott?Otkrij odgovor

Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi (1940). Slede Coney Island Lunch (1938) i White man in shack (1938).

Koliko je godina imao/la Marion Post Wolcott kada je dovršio/la Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi?Otkrij odgovor

30 godina: Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi datira iz 1940, a Marion Post Wolcott je rođen/a 1910.

Koja su najbolja 10 dela umetnika Marion Post Wolcott?Otkrij odgovor

Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi, Coney Island Lunch, White man in shack, Mule getting shod, White man on wagon, Workers and truck, Gathering of black men, Two black men sitting outside tin shack, Three black women cooking i Black workers. Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je dela stvorio/la Marion Post Wolcott?Otkrij odgovor

Naš katalog sadrži 65 dela umetnika Marion Post Wolcott, datiranih od 1938 do 1982.

Gde se nalaze najpoznatiji originali umetnika Marion Post Wolcott?Otkrij odgovor

Većinom u Boca Raton Museum of Art (Boca Raton), Amon Carter Museum of American Art (Fort Worth) i Ogden Museum of Southern Art (New Orleans). Tabela muzeja iznad sadrži njih sve.

Kada je Marion Post Wolcott stvorio svoje najpoznatije slike?Otkrij odgovor

U 1930s: 37 od 65 dela na ovoj stranici nastalo je tada, od čega je Coney Island Lunch.

Koja su najranija i najkasnija poznata dela umetnika Marion Post Wolcott?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Coney Island Lunch (1938), a najnovije iz Living quarters and (1982).

Kojim se motivima Marion Post Wolcott najčešće bavio?Otkrij odgovor

American history (5), Rural america (5) i Great depression (3), kroz svih 65 dela na ovoj stranici.

Sa kojim umetničkim pravcem je Marion Post Wolcott povezan/a?Otkrij odgovor

Documentary photography i Social documentary photography, sudeći po originalima na ovoj stranici.

Marion Post Wolcott: umetnik

The Genesis of a Visionary Eye

Born in the quiet enclave of Montclair, New Jersey, Marion Post Wolcott’s journey toward becoming one of America's most poignant visual chroniclers was shaped by a childhood of both artistic richness and personal upheaval. Growing up amidst the vibrant, bohemian atmosphere of Greenwich Village after her parents' divorce, she was immersed in a world where music and dance were not merely entertainments but vital expressions of the human spirit. This early exposure to the arts instilled in her a profound sensitivity to rhythm and emotion—a quality that would later define her photographic compositions.

Her studies at the New School further refined this aesthetic sensibility, yet it was her encounter with the work of Viennese photographer Trude Fleischmann that truly ignited her technical passion. As the shadows of Nazi persecution loomed over Europe, Wolcott’s return to the United States was marked by a burgeoning awareness of the world's fragility, setting the stage for a career dedicated to documenting the raw, unvarnished truths of the American experience.

Documenting Dignity Amidst Desolation

When Wolcott joined the Farm Security Administration in the late 1930s, she stepped into a landscape of profound economic devastation. Her lens became a tool for social justice, capturing the quiet resilience of those caught in the grip of the Great Depression. Unlike some of her contemporaries who focused solely on the tragedy of poverty, Wolcott possessed a unique ability to find dignity within the struggle. Whether she was documenting the weary strength of black workers in rural fields or the heavy burdens carried by women in Natchez, Mississippi, her images transcended mere reportage.

Her work in the Jim Crow South provided an unflinching look at systemic inequality, yet she approached her subjects with an unwavering empathy that prevented her photos from becoming purely exploitative. Through her camera, the struggle for survival was elevated to a narrative of human endurance, turning the dust and hardship of the American South into a powerful testament to the strength of the human soul.

A Lasting Legacy of Social Realism

The technical mastery of Wolcott’s work lies in its stark, silver gelatin simplicity. Utilizing the profound emotional weight of black and white photography, she stripped away the distractions of color to focus on texture, light, and expression. Her compositions were often direct and unpretentious, mirroring the honesty of her subjects. Through her involvement with the New York Photo League alongside luminaries like Paul Strand and Ralph Steiner, she helped shape the movement of social realism in American photography.

  • Historical Significance: Her FSA archive remains an essential primary source for studying the Great Depression and the Jim Crow era.
  • Artistic Influence: She pioneered a style of documentary photography that balances journalistic truth with poetic composition.
  • Humanitarian Impact: Her work brought the overlooked realities of rural America to the forefront of national consciousness.