Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 41 dela Лукас Ван Фалкенборх u našem katalogu
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Fisherman at the forest pond (with self portrait) (1590) je slika autora Лукас Ван Фалкенборх koja privlači najviše pažnje; original se nalazi u muzeju Kunsthistorisches Museum, Beč. Nakon toga, pogled se seli na Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg (1579) i Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor (1583). Među 41 dela umetnika Лукас Ван Фалкенборх u našem katalogu, ovih 32 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
The forest breathes through a dense canopy of moss green and ochre. Sunlight filters through the thick leaves in soft, diffused patches, illuminating a tranquil pond that sits nestled within the timber. A fisherman sits by the water's edge, a solitary figure anchored in the stillness of the woodland. Nearby, another figure moves along a path, a ghost in the periphery of the trees. The air feels heavy with the…
The figure of Duchess Sibylle stands with a quiet, commanding presence, her silhouette defined by the structured weight of a dark gown. Light enters from the upper left, catching the intricate textures of her lace ruff and the subtle sheen of her attire. She is positioned slightly off-center, creating a balanced tension against a heavy red drapery that anchors the right side of the composition. A small white animal rests…
A single figure occupies the center of the frame, a young man anchored against a dark, undifferentiated void. He is Matthias II of Habsburg, captured in 1579 before he ascended to the throne of the Holy Roman Empire. The light enters from the upper left, carving the contours of his face and casting soft, deliberate shadows that give his limbs a sculptural weight. He does not lean; he occupies the…
A single figure commands the vertical space, a young man anchored against a backdrop of structured shadow. He wears the heavy, dark doublet of a nobleman, its surface catching the light in a way that suggests the stiffness of fine fabric and the coldness of metal. Around his neck, a white lace ruff rises like a sharp, frozen wave, framing a face that holds the stillness of a monument. The…
Portrait of Emperor Matthias (1557-1619) when Archduke, in the guise of P. Cornelius Scipio Major1580 · Kunsthistorisches Museum
12
Autumn landscape (October)1585 · Kunsthistorisches Museum
13
The Emperor's walk in the woods in front of Neugebäude Palace1590
14
Landscape with a Rural Festival1588
15
The Tower of Babel1595
16
The Tower of Babel1620 · Musée d'Art et d'Histoire de Genève
17
Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor1579 · Kunsthistorisches Museum
18
Meuse Landscape with Mine and Smelters1580 · Kunsthistorisches Museum
19
The Tower of Babel1550 · Bavarske državne slikopisne kolekcije
20
Landscape with rock and mines1555
21
Landscape with Fair1568 · Bavarske državne slikopisne kolekcije
22
Animals Grazing beneath Trees1573 · Städel Museum
23
Landscape near Dinant1575 · Nacionalni muzej stare umetnosti
24
A View on the Meuse with Miners1576 · Felbrigg Hall
25
Mountainous landscape with the temptations of Christ1568 · Rijksmuseum Twenthe
26
Mountain range landscape1567 · Gemäldegalerie
27
Autumn Landscape (September)1585 · Kunsthistorisches Museum
28
Winter landscape (January or February)1586 · Kunsthistorisches Museum
29
The Harvest1600 · Palais des Beaux-Arts de Lille
30
Emperor Rudolf II at a Drinking CureKunsthistorisches Museum
31
FishmarketKraljevski muzej lepih umetnosti u Antverpenu
32
Mountain Landscape with Predatory Ambush and Stucco FurnaceKunsthistorisches Museum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Лукас Ван Фалкенборх | Slike iz ovog spiska |
|---|---|---|---|
 Kunsthistorisches Museum |
Beč | 14 | Fisherman at the forest pond (with self portrait), Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg, Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor |
 Bavarske državne slikopisne kolekcije |
Minhen | 2 | The Tower of Babel, Landscape with Fair |
 Museum Mayer van den Bergh |
Antwerp | 1 | Portrait Bust of a Youth |
 Statens Museum For Kunst |
Kopenhagen | 1 | Peasants Making Merry (Kermis) |
 New York Historical Society |
New York City | 1 | Extensive landscape with plundering soldiers |
 Slovačka nacionalna galerija |
Bratislava | 1 | Poultry Seller (Market Scene) |
 Musée d'Art et d'Histoire de Genève |
Ženeva | 1 | The Tower of Babel |
 Städel Museum |
Frankfurt | 1 | Animals Grazing beneath Trees |
Izaberite deceniju da biste videli original koji je definiše.
The figure of Duchess Sibylle stands with a quiet, commanding presence, her silhouette defined by the structured weight of a dark gown. Light enters from the upper left, catching the intricate textures of her lace ruff and the subtle sheen of her attire. She is positioned slightly off-center, creating a balanced tension against a heavy red drapery that anchors the right side of the composition. A small white animal rests…
A single figure occupies the center of the frame, a young man anchored against a dark, undifferentiated void. He is Matthias II of Habsburg, captured in 1579 before he ascended to the throne of the Holy Roman Empire. The light enters from the upper left, carving the contours of his face and casting soft, deliberate shadows that give his limbs a sculptural weight. He does not lean; he occupies the…
The forest breathes through a dense canopy of moss green and ochre. Sunlight filters through the thick leaves in soft, diffused patches, illuminating a tranquil pond that sits nestled within the timber. A fisherman sits by the water's edge, a solitary figure anchored in the stillness of the woodland. Nearby, another figure moves along a path, a ghost in the periphery of the trees. The air feels heavy with the…
Fisherman at the forest pond (with self portrait) (1590), Kunsthistorisches Museum, Beč. Slede Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg (1579) i Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor (1583).
55 godina: Fisherman at the forest pond (with self portrait) datira iz 1590, a Лукас Ван Фалкенборх je rođen/a 1535.
Fisherman at the forest pond (with self portrait), Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg, Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor, Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor, Portrait Bust of a Youth, Peasants Making Merry (Kermis), Extensive landscape with plundering soldiers, The emperor walking in the woods near Neugebäude Palace, Poultry Seller (Market Scene) i Peasant tavern. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 41 dela umetnika Лукас Ван Фалкенборх, datiranih od 1549 do 1595.
Većinom u Kunsthistorisches Museum (Beč), Bavarske državne slikopisne kolekcije (Minhen) i Museum Mayer van den Bergh (Antwerp). Tabela muzeja iznad sadrži njih sve.
U 1570s: 8 od 32 dela na ovoj stranici nastalo je tada, od čega je Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg.
Na ovoj stranici, najstarije delo je iz Portrait Bust of a Youth (1549), a najnovije iz The Tower of Babel (1595).
Man (4), Lace ruff (3) i Gold embroidery (3), kroz svih 32 dela na ovoj stranici.
Oil On Panel, za 5 od 32 dela na ovoj stranici.
Northern renaissance, sudeći po originalima na ovoj stranici.
Fisherman at the forest pond (with self portrait), Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg i Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor: Kunsthistorisches Museum, Beč čuva 14 dela sa ove stranice.
Rođen u Leuvenu, u okviru Havarijeških Nemačkih zemalja, Лукас Ван Фалкенборх bio je član istaknutog flamanske umetničke porodice. Njegov umetnički put započeo je 1560. godine kada je ušao u samoreg u Mehelenu, gde je savladao fine tehnike akvarela. Njegova karijera bila je obeležena stalnim kretanjem i nestalnošću; nakon ikonoklastičnog besa iz 1566. godine, on i njegov brat Marten napustili su Antwerpen, tražeći utočište u Ahenu i Nemačkoj. Njegova putovanja vodila su ga kroz dolinu reke Meze, što je uključivalo i znameniti pogled na Liège 1567. godine, kao i boravak u Ahenu i Gornjoj Austriji. Do 1575. godine vratio se u Antwerpen, gde je na kraju služio kao dvorski slikar arhiduksu Matiji. Godine 1593. pridružio se svom bratu u Frankfurtu na Majni, gde je ostao sve do svoje smrti.
Лукас Ван Фалкенборх je prvenstveno bio poznat po svojim pejzažima, u kojima je često koristio perspektivu ptice iz leta. Njegova dela su se često preplivala, spajajući stvarne topografske detalje sa izoštevanim elementima, kao što su stenoviti predeli sa gvožarama ili religiozne scene. Pored pejzaža, stvarao je i portrete za arhiduka Matiju, uključujući prikaz samog arhiduka i njegove supruge, Sibile od Jülika-Kleve-Berga. Njegov bogat repertoar obuhvatio je:
