Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 274 dela Константин Сомов u našem katalogu
Ukratko
Od svih originala koje je Константин Сомов ostavio, najpoznatiji je Naked Young Man (B. Snezhkovsky) (1937). Odmah za njima slede The Model (1903) i Columbine's Little Tongue (1915). Naš katalog sadrži 274 dela umetnika Константин Сомов; galerija je čuvala 100 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
The painting titled Naked Young Man (B. Snezhkovsky) emerged from the brush of Konstantin Somov in 1937. It exists as a quiet study of form and presence. The artist, Konstantin Somov, captured this specific subject during a period of his life that favored the subtle and the symbolic. The work belongs to the Symbolism style, where the physical presence of the figure reaches toward something beyond the mere surface of…
The artwork titled The Model is a work by the Russian artist Konstantin Somov. Created about 1903, this piece focuses on a single subject: a nude female model. The figure is positioned in a seated pose, occupying the central space of the composition. The subject is presented in a manner that emphasizes the physical form and posture of the sitter.
In "Columbine's Little Tongue" by Konstantin Somov, we find ourselves observing a quiet, staged moment between two women. They are dressed in theatrical costumes, appearing to be caught mid-dance or in the midst of a performance. One figure is adorned in a black outfit, her face partially obscured by a mask. Beside her, the second woman wears a dress of predominantly pink hues, her head decorated with a bow. Their…
A woman in blue hangs suspended in the air. Her arms are outstretched, reaching for a sky filled with heavy, drifting clouds. She moves with a grace that suggests a dance or perhaps the silent playing of a musical instrument. Around her, the atmosphere feels thick with movement. Two other figures occupy the periphery—one to the right and another drifting in the distance to the left—as if they are witnesses…
Portrait Of A Man is a painting by the Russian artist Konstantin Somov. Born on 30 November 1869 in Saint Petersburg, Russia, Somov established himself as a painter and draughtsman. He was a co-founding member of the Mir iskusstva society, a group that influenced the artistic landscape of the period.
Book of the Marquise. Illustration 2 is a work by Konstantin Somov. Created about 1918, this piece belongs to a larger body of work produced by the artist between 1907 and 1919. During this period, Somov executed over 120 ink drawings intended for various editions of Le Livre de la Marquise.
Konstantin Somov captured a quiet moment in this portrait study of a young girl, titled Girl Olia 2. Created about 1896, the work focuses on the delicate contours of a child's likeness. The subject is depicted in profile, her head and upper body forming the central presence of the study. A secondary, lighter sketch of her face appears nearby, a ghost of a thought caught in the margins of the…
Konstantin Somov created The Date about 1896. The work captures a quiet, outdoor rendezvous between a couple. They are accompanied by dogs, adding a sense of domestic companionship to the scene. The setting features a backdrop of trees and a cloudy sky, grounding the figures in a natural landscape.
In this monochrome pencil drawing, Konstantin Somov presents Portrait A. Somova-Mikhailova, a work that focuses entirely on the quiet presence of a single female subject. The composition is centered around the woman’s face, which is framed within a delicate oval shape. This choice of format directs the viewer's attention inward, creating an intimate space for contemplation. The subject is captured in a close-up depiction, allowing for a precise study of…
Poets is a work by Konstantin Somov, executed in 1898. The artist, born in 1869 in Saint Petersburg, Russia, was a central figure in the Russian art scene at the turn of the century. He was a co-founding member of the Mir iskusstva society, a movement that sought to promote artistic innovation and cultural renewal.
Portrait of A. Somov, the Artist's Father1897
12
Rest after a Walk1896
13
Exlibris of A. Benois1902
14
Self-Portrait1902
15
Models 11899
16
Natalia Pavlovna and Earl Nulin1899
17
Sketch of the Illustrations to Gogol's 'Nevsky Prospect'1901
18
Lady with the Dog1903
19
Models 21899
20
Lady1902
21
The Lady behind the Desk (Anonymous Letter)1904
22
Women Bathing1910 · Ermitaž
23
Sketch of Book Cover1907
24
Portrait of N. Poznyakov1910
25
Portrait of S. Zvantseva1911
26
Costume sketches of Columbine for Anna Pavlova1909
27
Cover of the Fashion Magazine 'Parisian'1908
28
The Kiss. Illustration to the Book of the Marquise1908
29
Picnic. Illustration to the Book of the Marquise1908
30
Portrait of Eugine Lanceray1907
31
Portrait of Baroness Alexandra Nolde1911
32
Frontispiece to the Book N. Sapunova1913
33
Gardener Gift1914
34
Lady and Harlequin1912
35
In Love with Harlequin1912
36
Open Door on a Garden1934
37
Portrait A. Somova-Mikhailova1920
38
Book of the Marquise. Illustration 41918
39
Portrait of A. Popov1928
40
The Boxer1933
41
Portrait of B. Snezhkovsky1934
42
A reclining man1936
43
The apparition1938
44
On the Grass1919
45
A Young Girl in a Red Dress (Girl with a Letter)1912
46
A Dancing Couple
47
Portrait Of Vladimir Aleksandrovich Somov, The Artist's Nephew
48
August1885
49
Landscape with a Wicket1893
50
The Tree in the Field1897
51
Walking in Winter1896
52
Portrait of A. Benois1896
53
Lady with a Spring Landscape1897
54
In the Park of Versailles1897
55
Landscape with Lake1896
56
Evening Rides1897
57
Edge of the Forest. Ligovo1894
58
Garden1897
59
Two Ladies on the Terrace1896
60
In the Park of Versailles1894
61
Self-Portrait1898
62
Portrait of Mrs N.F. Ober1896
63
Portrait of Artist A. Benua1895
64
Letter (Mysterious Messenger)1896
65
Portrait of Artist's Mather1895
66
White Night. Sergievo1897
67
The Road in the Country1896
68
Rainbow1897 · Finnish National Gallery
69
Promenade after Rain 11896
70
Poster of Exhibition of Russian and Finnish artists1898
71
Twilight in the Old Park1897
72
Portrait of S. Dyagilev1893
73
Spring. Martyshkino1896
74
Summer Twilight. Pond1897
75
Girl Olia 11896
76
Portrait of A. Somov1897
77
Stream1897
78
Landscape in the Evening. Martyshkino1896
79
Lady at the Mirror1898
80
Versailles Park in autumn1898
81
Promenade after Rain 21896
82
In the Nursery1898
83
Landscape with Pavillion1897
84
Lady by the Pool1896
85
Confidentials1897
86
The Road to Sekerin1893
87
Exlibris of V. Loboykov1902
88
Forest1900
89
Exlibris of S. Zenger1902
90
Lovers 21905
91
Wednesday1904
92
Enchantment1902
93
Portrait of Artist E. Zvantseva1903
94
Sultana1899
95
Lady in Pink1903
96
Bosquet1901
97
Concert1900
98
Park1904
99
On the Balcony1901
100
Sunday1904
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Константин Сомов | Slike iz ovog spiska |
|---|---|---|---|
 Ermitaž |
Sankt Peterburg | 1 | Women Bathing |
 Finnish National Gallery |
Helsinki | 1 | Rainbow |
Izaberite deceniju da biste videli original koji je definiše.
Konstantin Somov captured a quiet moment in this portrait study of a young girl, titled Girl Olia 2. Created about 1896, the work focuses on the delicate contours of a child's likeness. The subject is depicted in profile, her head and upper body forming the central presence of the study. A secondary, lighter sketch of her face appears nearby, a ghost of a thought caught in the margins of the…
The artwork titled The Model is a work by the Russian artist Konstantin Somov. Created about 1903, this piece focuses on a single subject: a nude female model. The figure is positioned in a seated pose, occupying the central space of the composition. The subject is presented in a manner that emphasizes the physical form and posture of the sitter.
In "Columbine's Little Tongue" by Konstantin Somov, we find ourselves observing a quiet, staged moment between two women. They are dressed in theatrical costumes, appearing to be caught mid-dance or in the midst of a performance. One figure is adorned in a black outfit, her face partially obscured by a mask. Beside her, the second woman wears a dress of predominantly pink hues, her head decorated with a bow. Their…
The subject turns her head in profile, a quiet silhouette etched against a pale void. She gazes toward an unseen horizon, her eyes cast slightly downward in a moment of profound introspection. Every line of her face—the delicate curve of the nose, the soft swell of the lips—emerges from the paper through a meticulous dance of graphite. Her hair falls in heavy, undulating waves, rendered with a rhythmic flow that…
The painting titled Naked Young Man (B. Snezhkovsky) emerged from the brush of Konstantin Somov in 1937. It exists as a quiet study of form and presence. The artist, Konstantin Somov, captured this specific subject during a period of his life that favored the subtle and the symbolic. The work belongs to the Symbolism style, where the physical presence of the figure reaches toward something beyond the mere surface of…
Naked Young Man (B. Snezhkovsky) (1937). Slede The Model (1903) i Columbine's Little Tongue (1915).
68 godina: Naked Young Man (B. Snezhkovsky) datira iz 1937, a Константин Сомов je rođen/a 1869.
Naked Young Man (B. Snezhkovsky), The Model, Columbine's Little Tongue, Blue Bird, Portrait Of A Man, Book of the Marquise. Illustration 2, Girl Olia 2, The Date, Portrait A. Somova-Mikhailova i Poets. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 274 dela umetnika Константин Сомов, datiranih od 1885 do 1938.
Većinom u Ermitaž (Sankt Peterburg) i Finnish National Gallery (Helsinki). Tabela muzeja iznad sadrži njih sve.
U 1890s: 48 od 100 dela na ovoj stranici nastalo je tada, od čega je Girl Olia 2.
Na ovoj stranici, najstarije delo je iz August (1885), a najnovije iz The apparition (1938).
Woman (19), Women (12) i Forests (12), kroz svih 100 dela na ovoj stranici.
Oil, za 11 od 100 dela na ovoj stranici.
Symbolism, sudeći po originalima na ovoj stranici.
Константин Андрејевич Сомов, једна од најзначајнијих фигура руског сликарства, рођен је 30. новембра 1869. године у Санкт Петербургу. Одрастање у породици дубоко везаној за свет уметности имало је пресудан утицај на његов будући пут. Његов отац, Андреј Иванович Сомов, био је истакнути историчар уметности и куратор чувеног Ермитажа. Ово окружење је код младог Константина пробудило дубоку захвалност за уметност 18. века и музику још од раног детињства.
Сомов је формално студирао на Императорској Академији Уметности између 1888. и 1897. године, под менторством славног реалисте Иље Репина. Међутим, његове уметничке тежње су се ускоро одвојиле од строгих принципа реализма, што га је навело да истражује декоративније и евокативније стилове.
Сомовљев уметнички развој био је значајно обликован његовом фасцинацијом Рококо периодом. Дивио се елеганцији, грациозности и игривим темама које су преовладавале у делима француских уметника 18. века као што су Жан-Антоан Ватое и Франсоа Буше. Овај утицај је очигледан у његовим сликама, карактеристичним по деликатној четкици, пастелним бојама и фокусу на аристократске мотиве. Сомов није само копирао стил, већ га је променио, додајући му савремену сензибилност.
Експериментисао је са различитим медијима, али је посебно био талентован за аквареле и гуаш, што му је омогућило да постигне луминозне ефекте које је желео. Његова повезаност са покретом “Мир Искусства” (Свет Уметности) додатно је учврстила његов положај на руској уметничкој сцени, негујући дух иновација и естетике.
Сомов је створио разнолик корпус радова који обухвата портрете, пејзаже и жанровске сцене. Нека од његових најславнијих дела укључују:
Константин Сомов је одиграо кључну улогу у обликовању руског сликарства на прелазу 20. века. Његов прихват естетике и оживљавање Рококо сензибилитета изазвали су преовладајуће уметничке норме и отворили пут новим изражајним облицима.
Био је кључни члан покрета “Мир Искусства”, доприносећи његовој мисији промоције уметничких иновација и културне обнове. Сомовљев рад наставља да инспирише уметнике и ентузијасте широм света, учвршћујући његово наслеђе као значајну фигуру руске историје уметности. Његове слике су изложене у музејима широм света, укључујући Јарославски Уметнички Музеј у Русији, и остају део бројних престижних колекција.
Сомов је наставио да слика током целог свог живота, прилагођавајући се променљивим уметничким трендовима уз задржавање свог карактеристичног стила. Преминуо је 6. маја 1939. године, оставивши иза себе богат и трајан уметнички опус.
