Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 93 dela Jules Lefebvre u našem katalogu
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Iz perspektive galerije, najpoznatije delo umetnika Jules Lefebvre je Portrait of James A. Campbell (1895). Graziella (1878) i Nymph and Bacchus (1866) čine triju koju svako oko prepoznaje. Od 93 dela umetnika Jules Lefebvre u našem katalogu, galerija u nastavku predstavlja 80 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
A gentleman sits in repose upon a bench, framed by a lush, soft-focus landscape. He is dressed in the formal attire of the late nineteenth century, wearing a dark suit, waistcoat, and tie that signal a position of wealth and social standing. His expression is calm, marked by a gentle demeanor that suggests a moment of quiet reflection. Beside him, three dogs are positioned within the composition, their presence adding…
The oil painting titled Graziella was executed by Jules Lefebvre in 1878. This work was commissioned by Catharine Lorillard Wolfe. The subject of the portrait is the daughter of a Neapolitan fisherman, a figure drawn from the narrative of Alphonse de Lamartine’s tale of the same name.
Step closer to observe the quietude of this scene. Here, within a lush, natural setting, we find a nymph seated amidst the soft textures of the forest. The composition centers on her form, alongside a small child reaching upward, while a male figure remains partially obscured by the surrounding foliage in the background. There is a certain stillness to the way the light falls from the upper left, casting gentle…
Jules Lefebvre painted Alexander Agassiz (1835-1910) in 1901 in Paris, France. The subject was a Swiss-American zoologist and oceanographer who made significant contributions to the study of marine life and ocean beds. He was the son of the Swiss naturalist Louis Agassiz.
Seated Woman1887 · Harvard Art Museums
12
An Elderly Greek Woman1888
13
Diana, Chasseresse
14
Sketch for the Salon of Letters of the Hôtel de Ville de Paris: The Parisian Muses (ceiling)1893 · Petit Palais
15
Portrait of the Countess Oswald de Kerchove de Denterghem1898 · Museum of Fine Arts Ghent (MSK)
16
Portrait of Count Oswald de Kerchove de Denterghem1898 · Museum of Fine Arts Ghent (MSK)
17
Sleeping Vestal1902 · Musée de Picardie
18
Young Woman with Morning Glories in Her Hair
19
clemence isaure
20
A Reclining Nude
21
Istina1870 · Musée d'Orsay
22
La jeune rieuse1861 · Musée de Picardie
23
Diana1879 · Dahesh Museum of Art
24
Maid Servant (also known as Serving tea)1880 · Pera Museum
25
The Feathered Fan1884
26
Portrait of Edna Barger of Connecticut1884
27
The Language of the Fan1882
28
Ophelia1890
29
A Pensive Moment1886
30
Lauretta1895 · National Gallery of Ireland
31
The Transteverinemusée Muséum départemental des Hautes-Alpes
32
An Allegory of Victory
33
La poesie antique
34
Lia
35
Study for Psyche
36
A Bride of Sorrento
37
La Cigale photogravure
38
La Cigale photogravure dt
39
Venitienne
40
untitled (415)
41
untitled (9898)
42
Eve
43
Nude woman sitting on a saddle, front
44
Chloe (study)
45
Mediterranean Beauty
46
A Young Girl in Profile
47
Variation on 'La Cigale'
48
Mignon
49
The Italian Girl wih orange
50
A Bathing Nude
51
Yvonne
52
Nymph with Morning Glory Flowers
53
Pandora 1Nacionalni muzej lepih umetnosti
54
Girl with a Mandolin
55
untitled (533)
56
Arms folded across chest
57
untitled (678)
58
untitled
59
Morning Glory
60
Nymph et bacchus
61
untitled (4362)
62
Demi nude
63
truth
64
Portrait of a Lady
65
Portrait of a Young Lady
66
untitled (755)
67
Susanne (Unfinished)
68
Portrait of an Ottoman
69
Mary magdalene in the cave
70
The Language of the FanChrysler Museum of Art
71
la fiancee
72
Love Hurts
73
Portrait_of_Julia_Foster_Ward big
74
portrait of a women
75
Chloé1875
76
La Cigale1872 · Nacionalna galerija Viktorije
77
The Death of Priam1861
78
Lady godivaMusée de Picardie
79
Odalisque1874 · Art Institute of Chicago
80
Diana surprised1879 · Nacionalni muzej lepih umetnosti
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Jules Lefebvre | Slike iz ovog spiska |
|---|---|---|---|
 Museum of Fine Arts Ghent (MSK) |
Gent | 3 | Slave with a Bowl of Fruit, Portrait of the Countess Oswald de Kerchove de Denterghem, Portrait of Count Oswald de Kerchove de Denterghem |
 Musée de Picardie |
Amiens | 3 | Sleeping Vestal, La jeune rieuse, Lady godiva |
 Musée d'Orsay |
Pariz | 2 | Nymph and Bacchus, Istina |
 Harvard Art Museums |
Kembriđ | 2 | Alexander Agassiz (1835-1910), Seated Woman |
 Nacionalni muzej lepih umetnosti |
Buenos Aires | 2 | Pandora 1, Diana surprised |
 Metropoliten музеј у Њујорку |
Њујорк | 1 | Graziella |
 Joslyn Art Museum |
Omaha | 1 | Study for Chloé |
 Musée des Beaux-Arts de Rouen |
Ruan | 1 | Grisélidis |
Izaberite deceniju da biste videli original koji je definiše.
Step closer to observe the quietude of this scene. Here, within a lush, natural setting, we find a nymph seated amidst the soft textures of the forest. The composition centers on her form, alongside a small child reaching upward, while a male figure remains partially obscured by the surrounding foliage in the background. There is a certain stillness to the way the light falls from the upper left, casting gentle…
The oil painting titled Graziella was executed by Jules Lefebvre in 1878. This work was commissioned by Catharine Lorillard Wolfe. The subject of the portrait is the daughter of a Neapolitan fisherman, a figure drawn from the narrative of Alphonse de Lamartine’s tale of the same name.
A gentleman sits in repose upon a bench, framed by a lush, soft-focus landscape. He is dressed in the formal attire of the late nineteenth century, wearing a dark suit, waistcoat, and tie that signal a position of wealth and social standing. His expression is calm, marked by a gentle demeanor that suggests a moment of quiet reflection. Beside him, three dogs are positioned within the composition, their presence adding…
Jules Lefebvre painted Alexander Agassiz (1835-1910) in 1901 in Paris, France. The subject was a Swiss-American zoologist and oceanographer who made significant contributions to the study of marine life and ocean beds. He was the son of the Swiss naturalist Louis Agassiz.
Portrait of James A. Campbell (1895). Slede Graziella (1878) i Nymph and Bacchus (1866).
59 godina: Portrait of James A. Campbell datira iz 1895, a Jules Lefebvre je rođen/a 1836.
Portrait of James A. Campbell, Graziella, Nymph and Bacchus, Alexander Agassiz (1835-1910), Study for Chloé, Grisélidis, Slave with a Bowl of Fruit, Eugene Louis Napoleon Bonaparte, Frances Margaret Lawrance, Lady Vernon (d 1940) i Ondine. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 93 dela umetnika Jules Lefebvre, datiranih od 1861 do 1902.
Većinom u Museum of Fine Arts Ghent (MSK) (Gent), Musée de Picardie (Amiens) i Musée d'Orsay (Pariz). Tabela muzeja iznad sadrži njih sve.
U 1870s: 11 od 80 dela na ovoj stranici nastalo je tada, od čega je Graziella.
Na ovoj stranici, najstarije delo je iz La jeune rieuse (1861), a najnovije iz Sleeping Vestal (1902).
Women (6), Nude figure (6) i Portrait (4), kroz svih 80 dela na ovoj stranici.
Oil On Canvas, za 5 od 80 dela na ovoj stranici.
Akademski realizam, sudeći po originalima na ovoj stranici.
Slave with a Bowl of Fruit, Portrait of the Countess Oswald de Kerchove de Denterghem i Portrait of Count Oswald de Kerchove de Denterghem: Museum of Fine Arts Ghent (MSK), Gent čuva 3 dela sa ove stranice.
Žul Žozef Lefevr stoji kao svetlosna figura u istoriji francuske umetnosti devetnaestog veka, slikar čija je četkica posedovala retku sposobnost da zabeleži i fizičku savršenost ljudske forme i duboki osećaj eterične gracioznosti. Rođen u Tornu 1834. godine, Lefevrov put bio je put disciplinovane majstorstva i umetničke posvećenosti. Preselivši se u Pariz sa svega šesnaest godina, potpuno je uronio u strogu atmosferu visoke škole umetnosti École nationale supérieure des Beaux-Arts. Pod vođstvom cenjenog Leona Konjea, Lefevr nije samo učio tehniku; on je nasledio tradiciju klasičnog izvrsnosti koja će definisati celokupno njegovo delo. Njegovi rani trijumfi, pre svega osvajanje prestižne nagrade Prix de Rome 1861. godine, signalizirali su dolazak umetnika kojem je bila suđena uloga kamenog temeljca akademskog pokreta.
Suština Lefevrovog rada leži u onome što kritičari često nazivaju „akademskom elegancijom“. Posedovao je neprevaziđenu veštinu u prikazivanju ženske figure, tretirajući kožu sa luminoznim kvalitetom koji je izgledao kao da sija iznutra. Njegove kompozicije retko su služile čistoj provokaciji; umesto toga, one su težile uzvišenju subjekta kroz meku svetlost i delikatnu, harmoničnu paletu boja. U remek-delima kao što je Chloé, može se uočiti kako on spaja klasični mir sa atmosferskom vezom sa prirodom, stvarajući osećaj vanvremenosti koji prevazilazi eru u kojoj je slika nastala. Bilo da je prikazivao mitološke figure ili savremene portrete, njegov rad zadržava dosledno poštovanje prema lepoti i pedantnu pažnju posvećenu suptilnim teksturama tkanine i tela.
Izvan njegovih pojedinačnih platna, istorijski značaj Lefevra duboko je ukorenjen u njegovoj ulozi edukatora i mentora. Njegov studio postao je žarište za sledeću generaciju velikih slikara, premošćujući jaz između tradicionalnog francuskog akademicizma i pokreta koji su se pojavljivali krajem devetnaestog veka. Njegov uticaj protezao se daleko preko granica, oblikujući ruke i oči učenika koji će kasnije definisati američki impresionizam i evropski modernizam. Među njegovim najistaknutijim učenicima bili su:
Ovo pedagoško nasleđe osiguralo je da, iako su se stilovi pomerali ka impresionizmu i dalje, osnovni principi crteža i svetlosti — sami stubovi Lefevrove sopstvene prakse — ostanu vitalni. Njegovo plodno prisustvo na Pariskom salonu, sa sedamdeset dve izložene radove između 1855. i 1898. godine, učvrstilo je njegov status stuba umetničkog establishmenta. Kroz dela kao što su upečatljiva Lady Godiva i dostojanstveni Portrait of James A. Campbell, Lefevr je uhvatio duh jednog doba, ostavljajući za sobom korpus dela koji i danas očarava posmatrače svojim sofisticiranim spojem realizma, romantizma i neprevaziđene tehničke virtuoznosti.
