Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 156 dela Žil Dypre u našem katalogu
Ukratko
L'Automne je slika autora Žil Dypre koja privlači najviše pogleda. Nakon toga, pogled se seli na Forest View (1850) i Un orage en mer (fin des années 1880). Među 156 dela umetnika Žil Dypre u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
A dirt road winds through a wooded landscape, drawing the eye toward a distant, hazy horizon. The scene captures a moment of seasonal transition, where the foliage of the trees has turned to shades of yellow and brown. Along the path, figures and animals move through the landscape, suggesting the rhythmic, everyday labor of countryside life. The atmosphere is heavy with the stillness of an overcast day, where light filters…
Forest View is a moody and atmospheric landscape painting that captures a dramatic forest scene under a turbulent sky. The composition is dominated by a large, detailed tree positioned slightly left of center, which anchors the foreground. To the right, a small stream or pool reflects the light from the sky, creating a focal point in the lower portion of the work. The color palette is somber and earthy, consisting…
Portrait de l'artiste au soleil couchant : Une Ode à la Nature Dramatique La peinture "Portrait de l’artiste au soleil couchant" attribuée à Jules Dupré représente une œuvre emblématique du mouvement Barbizon, incarnant les préoccupations esthétiques et émotionnelles qui définissent cette période artistique française. Datée probablement vers 1875, cette huile sur toile témoigne d'une maîtrise exceptionnelle de la couleur et d’une sensibilité profonde pour capturer la puissance brute et la…
In this 1865 oil on canvas, we find ourselves standing before a landscape that feels heavy with the scent of damp earth and approaching rain. The composition is anchored by a gnarled, skeletal tree, its dark limbs reaching upward like veins against a turbulent sky. There is a profound sense of stillness here, yet it is a restless quiet, the kind that precedes a storm. The palette is muted, leaning…
A cluster of thatched-roof cottages occupies the center of this 1840 landscape, nestled between mature, heavy-limbed trees. A dirt path cuts through the foreground, leading the eye toward a horse-drawn carriage moving through the village. The scene is defined by a dramatic, cloud-filled sky that casts dappled light across the uneven, muddy terrain. Earthy tones of ochre and sienna ground the composition, while cool blues and bright whites emerge from…
To stand before Jules Dupré’s Landscape with Cattle at Limousin is to be enveloped by a moment suspended between tranquility and impending drama. This magnificent oil on canvas, dating from 1837, transports the viewer deep into the heart of rural France. It is more than just a depiction of grazing cattle beneath an expansive sky; it is a masterful study in atmospheric tension. Duppré captures that fleeting energy inherent in…
The air feels heavy and damp, thick with the scent of river water and the soft rustle of willow leaves. A lone figure stands waist-deep in the still, dark water, his silhouette breaking the surface as he holds a fishing rod with patient intent. Around him, the willow trees stretch toward the sky, their long, leafy branches dipping low to touch the water's edge. The scene is one of profound…
A massive, dark silhouette of an oak tree dominates the left side of this oil on canvas painting, extending vertically toward the upper edge of the frame. To the right, a secondary cluster of darker trees creates a boundary for a central opening in the sky. Within this gap, bright, turbulent clouds are illuminated from behind, casting light that reflects upon the surface of a pool below. The color palette…
The Cottage by the Roadside, Stormy Sky1860 · Art Institute of Chicago
12
On the Road1856 · Art Institute of Chicago
13
Le chêne
14
Two Boats in a Storm1872 · Art Institute of Chicago
15
Autumn Landscape1850 · Ermitaž
16
Pointe de dunes1831 · Kelvingrove Art Gallery and Museum
17
The Estuary Farm1830 · Art Institute of Chicago
18
Evening on the French Coast near Dieppe1830 · Reading Public Museum
19
Setting Sun over a Marsh1837
20
Landscape1832
21
Marsh at Setting Sun1832 · The Mesdag Collection
22
View of the Pastures of the Limousin (France)1835 · Minneapolis Institute of Art
23
A Bright Day1837 · Walters Art Museum
24
The Pond1837 · Minneapolis Institute of Art
25
In the Landes, France1841 · Leeds Art Gallery
26
Fontainebleau Oaks1840 · Minneapolis Institute of Art
27
Setting Sun After the Storm1851
28
Cows near a Pond1850 · Musée Hyacinthe Rigaud
29
The Path of Cayeux-sur-Mer1850
30
The Pond1850
31
Sunset1850
32
Wooded Path1850 · Musée des Beaux-Arts de Caen
33
Cows in a Pond1852 · National Gallery of Ireland
34
The Windmill1850 · Cleveland Museum of Art
35
On the river1850 · Nacionalni muzej lepih umetnosti
36
Landscape with a pond.1850 · Nacionalni muzej u Varšavi
37
Untitled (Landscape)1850 · Minneapolis Institute of Art
38
On the Marsh1850 · Brooklyn Museum
39
Landscape with a pond1855 · Nacionalni muzej u Varšavi
40
Landscape with Cows near a Pool of Water1857 · Rijksmuseum Twenthe
41
The Windmill1857 · Scottish National Gallery
42
Still Life with a grey Jug1862 · Nationalmuseum
43
Riverbanks1870
44
Evening1865 · Musée d'Arts de Nantes
45
The Morning1865 · Musée d'Arts de Nantes
46
Choppy Sea1870 · Hamburger Kunsthalle
47
Marshland1870 · Cleveland Museum of Art
48
A Fisherman1867 · Scottish National Gallery
49
Village Scene, Sunset1870 · Minneapolis Institute of Art
50
Barks Fleeing Before the Storm1870 · Art Institute of Chicago
51
Sunset on the Coast1870 · Walters Art Museum
52
At Sea1870 · Walters Art Museum
53
Le Crotoy1868 · The Mesdag Collection
54
Calm before the storm1870
55
Landscape with Cattle1865
56
The Old Oak1870 · National Gallery of Art
57
Open Sea1868
58
Landscape (with cow at the water).1877 · Museum Gouda
59
Landscape with Cow1872 · Saint Louis Art Museum
60
Evening1877 · The Mesdag Collection
61
Sunset1877 · The Mesdag Collection
62
Bridge to L'Isle-Adam1872 · The Mesdag Collection
63
Sunset over the Forest1875
64
Landscape with River1884
65
Sunset (Coucher du soleil)1884
66
A Stiff Breeze1879
67
Sunset1879 · Museum Boijmans Van Beuningen
68
View in the Woods, Jules Dupré, 1840 - 18891889 · Rijksmuseum
69
A Village by Night, Jules Dupré, 1840 - 18891889 · Rijksmuseum
70
Cattle Watering1888
71
Scenery with farmhouses under trees
72
Forest-landscape, wash-women at the brook
73
Portrait Of Guillaume Roumy, Uncle Of Pauline Ono
74
Portrait of Jean-Victor Schnetz
75
Autoportrait de l'artiste à son chevalet
76
Le vieux chêne à l'abreuvoir après 1880
77
Marine
78
Paysanne assise sous un chêne et son chien
79
Le port Saint Nicolas à ParisMusée Condé
80
La vanne
81
Landscape by moonlight1852 · Nacionalni muzej u Varšavi
82
VACHES AU BORD DE L'EAULuvr
83
Forest Landscape1840 · Ermitaž
84
Landscape with Cows1870 · Ermitaž
85
La petite charretteLuvr
86
SOLEIL COUCHANT SUR UN MARAISLuvr
87
MarineLuvr
88
Landscape with Cattle WateringNorfolk Museums
89
A Country CottageLeeds Art Gallery
90
A SeascapeNational Gallery of Ireland
91
LandscapeDetroit Institute of Arts
92
Cows DrinkingRhode Island School of Design Museum of Art
93
The Old WindmillRhode Island School of Design Museum of Art
94
LandscapeRhode Island School of Design Museum of Art
95
Shipping in a breezeFitzwilliam Museum
96
Watering PlaceMuzej finih umetnosti u Bostonu
97
Cottages by the SeaMuzej finih umetnosti u Bostonu
98
Cattle on the DunesMuzej finih umetnosti u Bostonu
99
LandscapeFine Arts Museums of San Francisco
100
The RiverThe Frick Collection
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Žil Dypre | Slike iz ovog spiska |
|---|---|---|---|
 Luvr |
Pariz | 12 | Portrait de l'artiste, VACHES AU BORD DE L'EAU, La petite charrette |
 Art Institute of Chicago |
Čikago | 5 | The Cottage by the Roadside, Stormy Sky, On the Road, Two Boats in a Storm |
 The Mesdag Collection |
Haga | 5 | Marsh at Setting Sun, Le Crotoy, Evening |
 Minneapolis Institute of Art |
Minneapolis | 5 | View of the Pastures of the Limousin (France), The Pond, Fontainebleau Oaks |
 Ermitaž |
Sankt Peterburg | 4 | Village Landscape, Autumn Landscape, Forest Landscape |
 Walters Art Museum |
Baltimore | 3 | A Bright Day, Sunset on the Coast, At Sea |
 Nacionalni muzej u Varšavi |
Varšava | 3 | Landscape with a pond., Landscape with a pond, Landscape by moonlight |
 Rhode Island School of Design Museum of Art |
Providens | 3 | Cows Drinking, The Old Windmill, Landscape |
Izaberite deceniju da biste videli original koji je definiše.
To stand before Jules Dupré’s Landscape with Cattle at Limousin is to be enveloped by a moment suspended between tranquility and impending drama. This magnificent oil on canvas, dating from 1837, transports the viewer deep into the heart of rural France. It is more than just a depiction of grazing cattle beneath an expansive sky; it is a masterful study in atmospheric tension. Duppré captures that fleeting energy inherent in…
A cluster of thatched-roof cottages occupies the center of this 1840 landscape, nestled between mature, heavy-limbed trees. A dirt path cuts through the foreground, leading the eye toward a horse-drawn carriage moving through the village. The scene is defined by a dramatic, cloud-filled sky that casts dappled light across the uneven, muddy terrain. Earthy tones of ochre and sienna ground the composition, while cool blues and bright whites emerge from…
Forest View is a moody and atmospheric landscape painting that captures a dramatic forest scene under a turbulent sky. The composition is dominated by a large, detailed tree positioned slightly left of center, which anchors the foreground. To the right, a small stream or pool reflects the light from the sky, creating a focal point in the lower portion of the work. The color palette is somber and earthy, consisting…
In this 1865 oil on canvas, we find ourselves standing before a landscape that feels heavy with the scent of damp earth and approaching rain. The composition is anchored by a gnarled, skeletal tree, its dark limbs reaching upward like veins against a turbulent sky. There is a profound sense of stillness here, yet it is a restless quiet, the kind that precedes a storm. The palette is muted, leaning…
The canvas presents a seascape dominated by a heavy, low-hanging sky that occupies the upper two-thirds of the frame. Swirling, tempestuous clouds in shades of deep ochre, muddy brown, and black move across the upper register. In the lower left foreground, a dark, silhouetted sailboat tilts at a sharp angle, its hull cutting through choppy, agitated waves. A second, smaller vessel is positioned further in the distance toward the right,…
L'Automne. Slede Forest View (1850) i Un orage en mer (fin des années 1880).
L'Automne, Forest View, Un orage en mer (fin des années 1880), Portrait de l'artiste, Autumn, Village Landscape, Landscape with Cattle at Limousin, Willows, with a Man Fishing, Valley of the River Loire i Oak pool. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 156 dela umetnika Žil Dypre, datiranih od 1830 do 1889.
Većinom u Luvr (Pariz), Art Institute of Chicago (Čikago) i The Mesdag Collection (Haga). Tabela muzeja iznad sadrži njih sve.
U 1850s: 20 od 100 dela na ovoj stranici nastalo je tada, od čega je Forest View.
Na ovoj stranici, najstarije delo je iz The Estuary Farm (1830), a najnovije iz View in the Woods, Jules Dupré, 1840 - 1889 (1889).
Landscape (9), Sky (8) i Clouds (8), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 17 od 100 dela na ovoj stranici.
Barbizon school, sudeći po originalima na ovoj stranici.
Portrait de l'artiste, VACHES AU BORD DE L'EAU i La petite charrette: Luvr, Pariz čuva 5 dela sa ove stranice.
Žul Dupre (1811–1889) predstavlja temeljnu figuru unutar škole Barbizon, umetničkog pokreta koji je zastupao sirovo zapažanje i emocionalni odjek u pejzažnom slikarstvu. Za razliku od svojih savremenika poput Korota, koji su često težili lirskoj lepoti i mirnoj tišini, Dupre se borio sa mračnijom, olujnijom stranom prirode. Posedovao je jedinstvenu sposobnost da uhvati bes nevremena, melankolično veličanstvo sumraka i neumoljivu energiju elemenata, prenoseći ta iskustva sa neprevaziđenim intenzitetom. Rođen u Nantesu u Francuskoj, Duprejevo umetničko putovanje počelo je usred bujajućeg fascinizma prema prirodnom svetu i njegovoj sposobnosti da izazove profunda, često turbulentna, ljudska osećanja.
Njegovo rano detinjstvo pružilo je temelj pedantne pažnje posvećene detaljima i poštovanja prema zanatskoj veštini, kvaliteta koje je usavršavao radeći u očeve proizvodnji porcelana. Ovo formativno iskustvo kasnije će se preneti na njegove sopstvene umetničke poduhvate, što je posebno vidljivo u njegovim ranim radovima koji istražuju složenost dekoracije keramike. Kao šegrt dekoratora porcelana, naučio je disciplinu finih linija i tekstura, veštinu koja će se vremenom razviti u njegovo majstorstvo u rukovanju atmosferskom dubinom i organskim oblicima.
Tokar Duprejeve karijere nepovratno je oblikovalo njegovo susret sa revolucionarnim platnima Džona Konstabla. Ovo izlaganje engleskim pejzažnim tradicijama zapalilo je želju da uhvati suštinu dinamike prirode — neumoljivo pomeranje lišća pod dejstvom vetra i dramatičnu igru svetlosti i senke tokom najnestabilnijih sati dana. Putujući u Veliku Britaniju 1831. godine, Dupre je izvršio duboka proučavanja ovih engleskih majstora, vraćajući se u Francusku sa portfoliom slika koji će redefinisati njegov pristup pejzažu.
Posebnu inspiraciju pronašao je u obalnim oblastima oko Sauthemptona i Plimuta. Ovi ogromni prostori vode, koji su odražavali turbulentna neba, pružili su mu savršenu laboratoriju za proučavanje olujnog kretanja oblaka i pokreta mora. Njegova dela iz ovog perioda nisu samo prikazi pejzaža; ona su visceralni izrazi raspoloženja i osećanja, prožeti opipljivim osećajem drame, pa čak i tuge. Prihvatavajući estetiku Barbizona, Dupre je davao prednost ekspresivnim paletama boja i odvažnim potezima četkice umesto idealizovanim ili uglađenim prikazima, omogućavajući samoj teksturi boje da ogleda grubost zemlje.
Kao ključna figura grupe Barbizon, Dupre je razvio bliske veze sa drugim legendarnim slikarima, uključujući Teodora Rusoa. Njegov uspon unutar francuskog umetničkog etablmenta obeležili su značajni prekretnice, kao što su njegovo prihvatanje u Salon i dobijanje zvaničnog priznanja kroz medalje za njegove pejzaže. Njegov rad postao je sinonim za određenu zvučnu i rezonantnu harmoniju boja, gde se svetlost zalazećeg sunca ili mrak nadolazeće oluje mogu osetiti onoliko koliko se i vide.
Danas se Žul Dupre pamti kao jedan od najuticajnijih francuskih pejzažnih umetnika 19. veka. Njegov doprinos umetnosti leži u sposobnosti da premosti jaz između čystog zapažanja i romantične emocije. Kroz dela kao što su La Petite Charrette, Krave koje prelaze preko forda i njegove evokativne prikaze rečnih pejzaža, naučio je generacije umetnika da priroda nije samo predmet koji treba naslikati, već moćna sila koja se mora iskusiti. Njegovo nasleđe ostaje utisnuto u teškim, atmosferskim teksturama i dramatičnim, disajućim nebima koja nastavljaju da očaravaju modernu maštu.
