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Od svih originala koje je Joos Van Cleve ostavio, najpoznatiji je The Virgin and Child with Angels (1520), koji se nalazi u kolekciji Walker Art Gallery, Liverpud. Odmah za njima slede The Infants Christ and Saint John the Baptist Embracing (1525) i Madonna and Child (1525). Naš katalog sadrži 172 dela umetnika Joos Van Cleve; galerija je čuvala 100 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
To stand before this panel is to enter a quiet, sacred space carved out of the sixteenth century. Joos van Cleve presents us with the Virgin Mary seated upon a throne, her presence defined by a sense of regal calm. She cradles the infant Jesus, a moment of maternal tenderness that feels both profoundly human and deeply celestial. Surrounding them, a group of angels attends to the scene, their movements…
Two small, pale bodies press together in a quiet, fleshy embrace. They sit upon a soft green cushion, their limbs soft and rounded against the hard, dark lines of an architectural frame. This frame acts as a proscenium arch, a heavy stone window that separates the viewer from the divine intimacy of the scene. The light falls softly across their skin, catching the curve of a shoulder and the swell…
The air feels still in this intimate corner of the sixteenth century. A serene Madonna leans forward, her presence defined by the deep red of her mantle and the dark green of her gown. She holds the Christ Child with a tenderness that transcends the painted surface, her skin glowing with a soft, diffused light that seems to emanate from within the panel itself. They sit behind a cold stone…
A young woman is captured in a three-quarter view, her gaze directed slightly away from the viewer. She is dressed in a dark, near-black bodice and muted greyish-blue sleeves, accented by vibrant red fabric at the wrists. A white headpiece frames her face, while a fur trim adds texture to her attire. The composition focuses on the subject from the waist up, set against a flat, dark green background that…
Within the quiet confines of a structured architectural niche, a tender scene unfolds. The Virgin Mary sits in a moment of profound intimacy, her body turned toward the infant Christ as she offers him nourishment. This act of nursing transcends mere physical sustenance, acting as a quiet symbol of the divine meeting the human. Her mantle, a deep and saturated crimson, flows around her with a heavy, tactile presence, contrasting…
The Portrait of Young Man in a Black Hat is a work by the Flemish Renaissance painter Joos van Cleve. Created in 1519, this portrait captures a single moment of stillness. The subject is a young man, rendered with a quiet, steady presence. He exists within a space defined by shadow and light, his gaze directed slightly away from the viewer.
There is a certain stillness in this 1524 portrait that commands immediate attention. The subject, a young man positioned slightly off-center, gazes toward the right of the frame with a contemplative, almost distant expression. He is draped in a dark doublet, but it is the large, floppy red beret that anchors the composition. This saturated crimson creates a sharp, deliberate contrast against the muted, cool blue of the background. The…
In this oil portrait, we find ourselves in a private, hushed space with a young woman caught in a moment of profound stillness. She is likely the Virgin Mary, her gaze cast downward in a gesture of quiet contemplation. The composition focuses on her from the waist up, pulling the viewer into her intimate sphere through a medium close-up. A deep, monochromatic background of midnight blue and teal envelops her,…
The heavy, velvety folds of a red mantle anchor the composition, pressing against the deep teal of a gown. Within this weight of fabric, the Virgin Mary sits with a stillness that feels carved from the air itself. She holds the Christ Child, whose soft skin catches a light coming from the upper left. A translucent veil rests upon her head, its sheer texture nearly invisible against the pale tones…
The composition centers on the vertical axis of the cross, where the figure of Christ dominates the upper half of the frame. Below, three figures anchor the scene: the Virgin Mary in dark blue, a mourning woman kneeling, and Saint John the Evangelist in red. The palette relies on the contrast between these deep primary tones and the pale, luminous skin of the crucified figure. Soft, diffused lighting casts gentle…
The Holy Family1512 · Metropoliten музеј у Њујорку
12
The Holy Family1520 · Statens Museum For Kunst
13
Madonna and Child Eating an Apple1527 · Nacionalni muzej u Krakovu
14
Mary and Joseph, Kneeling Before the Child1513 · Staatliche Kunstsammlungen Dresden
15
Winged Altar1530 · Kunsthistorisches Museum
16
Emperor Maximilian I. (1459-1519)1508 · Kunsthistorisches Museum
17
Lamentation of Christ1524 · Städel Museum
18
The Birth of Christ1520 · Kunsthistorisches Museum
19
Virgin and Child1525 · Metropoliten музеј у Њујорку
20
Madonna with Pear1515 · Städel Museum
21
Monna Vanna Nuda1530 · Narodna galerija Prag
22
Madonna and Child with Carnation1535 · The Nelson-Atkins Museum of Art
23
Madonna and Child1524 · Museum Boijmans Van Beuningen
24
Eleanor of Austria (1498–1558), Queen of France1530 · Musée Condé
25
Assumption of Mary1501 · Sacred Art Museum of Funchal
26
Portrait of a Beardless Man1519 · Gemäldegalerie Alte Meister
27
Saint Catherine (left); Saint Mary Magdalene (right)1518 · Julius Böhler AG
28
Portrait of a Physician with Cap and Black Robe1510
29
Triptych of Incarnation1510 · Sacred Art Museum of Funchal
30
The Virgin with the Sleeping Child1517 · Szépművészeti Múzeum
31
Marientod Altarpiece - left wing1515 · Bavarske državne slikopisne kolekcije
32
Salvator Mundi1512
33
Adam1507
34
Eve1507
35
Madonna and Child with a Dominican Offering His Heart1510
36
Triptych. Centre: the Deposition from the Cross; Left wing: St John the Baptist with a Donor; Right wing: St Margaret of Antioch with a Donatrix1518 · Scottish National Gallery
37
Saint Reinhold Altar1510 · Nacionalni muzej u Varšavi
38
Portrait of Francis I, King of France1532 · Philadelphia Museum of Art
39
Rest on the flight to Egypt1513 · Kraljevski muzeji fine umetnosti Belgije
40
Lamentation of Christ1512 · Wallraf-Richartz-Museum
41
Saints Catherine and Gudula with Catharina Hackeney (née Hardenrath) and Sibilla Hackeney (née van van Merle)1515 · Wallraf-Richartz-Museum
42
Saints George and Nicasius with Georg and Nicasius Hackeney1515 · Wallraf-Richartz-Museum
43
Portrait of a woman with a rosary1516 · Museum Mayer van den Bergh
44
Noli me tangere1517 · Suermondt-Ludwig-Museum
45
Virgin and Child1515 · Julius Böhler AG
46
The Madonna and Child1512 · Kunsthandel P. de Boer
47
The Suicide of Lucretia1520 · Kunsthistorisches Museum
48
Margaretha Boghe1518 · Rubens House
49
Mary with Child1527 · Museum Catharijneconvent
50
Altarpiece of the Lamentation of Christ: The Stigmatization of Saint Francis of Assisi1522
51
Christ Appears to Mary Magdalene1524 · Julius Böhler AG
52
Mary with Child1525
53
Mary with Child1525
54
Portrait of a Young Man (Lyons)1528 · Muzej lepih umetnosti u Lionu
55
Portrait of Eleonora, Queen of France1530 · Museo Lázaro Galdiano
56
Virgin of the Annunciation1524 · Städel Museum
57
Saint Veronica Displaying the Sudarium1524 · Städel Museum
58
Joseph of Arimathea1524 · Städel Museum
59
Angel of the Annunciation1524 · Städel Museum
60
Triptych with the Lamentation of Christ1524 · Städel Museum
61
Adoration of the Magi1525 · Detroit Institute of Arts
62
Virgin Mary in Prayer1522 · National Galleries of Palazzo Spinola
63
Bust of a woman1525 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
64
Half length portrait of a man1526 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
65
Portrait of a Man with a Rosary1519 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
66
The Holy Family1520 · Currier Gallery of Art
67
Mater Dolorosa1525 · Yale University Art Gallery
68
Portrait of a Man with Gloves1528 · Gemäldegalerie
69
Madonna and Child1532 · Cincinnati Art Museum
70
Portrait of a Man with Gloves1520
71
Rest in flight1525 · Bavarske državne slikopisne kolekcije
72
Christ on the Cross1529 · Bavarske državne slikopisne kolekcije
73
Marientod Altar: Saints Christina and Gudula with donors Christina and Sibilla Hackeney behind outside: SS. Sebastian and Roch1519 · Bavarske državne slikopisne kolekcije
74
Portrait of a Lady1522 · Bavarske državne slikopisne kolekcije
75
Man dressed in black holding gloves1530
76
Henry VIII (1491-1547)1532 · Royal Collection
77
Eleanora of Austria, Queen of France (1498-1558)1532 · Royal Collection
78
Crucifixion with Virgin, Mary Magdalene and Saint John1530
79
The Holy Family1530
80
Triptych with the Adoration of the Magi1520 · Narodna galerija Prag
81
Virgin and Child1525
82
The Holy Family (Ghent)1520 · Museum of Fine Arts Ghent (MSK)
83
The Christ-Child1524 · Kraljevski muzej lepih umetnosti u Antverpenu
84
Virgin and Child with St Joseph1525
85
Portrait of Adriaan van der Goes (....-1560)1526 · Het Prinsenhof
86
Portrait of Stefano Raggio (?)1522 · National Galleries of Palazzo Spinola
87
Holy Family1530
88
Virgin and Child with Saints Anne and Joachim1520 · Kraljevski muzeji fine umetnosti Belgije
89
Portrait of Anna Laurensdr. van Spangen (....1548)1526 · Het Prinsenhof
90
Portrait of a man1520
91
portrait of a man1520
92
Madonna and Child, Madonna with the cherries1525 · Gemäldegalerie
93
Adoration of the Magi with Sigismund I of Poland.1520 · Gemäldegalerie
94
Saint Jerome in His Study1521 · Harvard Art Museums
95
Saint Jerome in His Study1528
96
Portrait of Francis I, King of France1535 · Muzej Carnavalet
97
Jesus and Saint John as infants embracing1540
98
Madonna and Child1535 · National Museum of Art, Architecture and Design
99
Self Portrait1537 · Royal Collection
100
Katlijne van Mispelteeren, The Artist's Wife1537 · Royal Collection
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Joos Van Cleve | Slike iz ovog spiska |
|---|---|---|---|
 Städel Museum |
Frankfurt | 9 | Madonna and Child, Madonna and Child in a Niche, Lamentation of Christ |
 Kunsthistorisches Museum |
Beč | 6 | Mary with Child, Winged Altar, Emperor Maximilian I. (1459-1519) |
 Bavarske državne slikopisne kolekcije |
Minhen | 6 | Marientod Altarpiece - left wing, Rest in flight, Christ on the Cross |
 Royal Collection |
London | 4 | Henry VIII (1491-1547), Eleanora of Austria, Queen of France (1498-1558), Self Portrait |
 Philadelphia Museum of Art |
Filadelfija | 5 | Portrait of a Young Man, Crucifixion, Portrait of Francis I, King of France |
| Julius Böhler AG | Starnberg | 4 | Saint Catherine (left); Saint Mary Magdalene (right), Virgin and Child, Christ Appears to Mary Magdalene |
 Wallraf-Richartz-Museum |
Keln | 4 | Lamentation of Christ, Saints Catherine and Gudula with Catharina Hackeney (née Hardenrath) and Sibilla Hackeney (née van van Merle), Saints George and Nicasius with Georg and Nicasius Hackeney |
 Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe |
Kassel | 3 | Bust of a woman, Half length portrait of a man, Portrait of a Man with a Rosary |
Izaberite deceniju da biste videli original koji je definiše.
A formal bust-length portrait captures Emperor Maximilian I within an arched, gilded frame that provides a sense of depth. The subject is positioned slightly off-center, his gaze directed toward the left. A deep forest green background provides a stark contrast to the black cap and heavy garments worn by the sitter. Gold patterns decorate the sleeves, catching the light that enters from the upper left. This lighting casts soft shadows…
The Portrait of Young Man in a Black Hat is a work by the Flemish Renaissance painter Joos van Cleve. Created in 1519, this portrait captures a single moment of stillness. The subject is a young man, rendered with a quiet, steady presence. He exists within a space defined by shadow and light, his gaze directed slightly away from the viewer.
To stand before this panel is to enter a quiet, sacred space carved out of the sixteenth century. Joos van Cleve presents us with the Virgin Mary seated upon a throne, her presence defined by a sense of regal calm. She cradles the infant Jesus, a moment of maternal tenderness that feels both profoundly human and deeply celestial. Surrounding them, a group of angels attends to the scene, their movements…
The heavy, velvety folds of a red mantle anchor the composition, pressing against the deep teal of a gown. Within this weight of fabric, the Virgin Mary sits with a stillness that feels carved from the air itself. She holds the Christ Child, whose soft skin catches a light coming from the upper left. A translucent veil rests upon her head, its sheer texture nearly invisible against the pale tones…
In Jesus and Saint John as infants embracing, Joos van Cleve draws the viewer into a private, quiet world through a close-up, eye-level view. The composition is tightly focused on the two central subjects, pulling all attention toward the tender physical connection between the infants. This intimacy is heightened by a dramatic lighting scheme reminiscent of chiaroscuro, where a strong light source from the front-left carves the figures out of…
The Virgin and Child with Angels (1520), Walker Art Gallery, Liverpud. Slede The Infants Christ and Saint John the Baptist Embracing (1525) i Madonna and Child (1525).
35 godina: The Virgin and Child with Angels datira iz 1520, a Joos Van Cleve je rođen/a 1485.
The Virgin and Child with Angels, The Infants Christ and Saint John the Baptist Embracing, Madonna and Child, Portrait of a Woman, Madonna and Child in a Niche, Portrait of Young Man in a Black Hat, Portrait of a Young Man, The Virgin in Prayer, Mary with Child i Crucifixion. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 172 dela umetnika Joos Van Cleve, datiranih od 1501 do 1540.
Većinom u Städel Museum (Frankfurt), Kunsthistorisches Museum (Beč) i Bavarske državne slikopisne kolekcije (Minhen). Tabela muzeja iznad sadrži njih sve.
U 1520s: 51 od 100 dela na ovoj stranici nastalo je tada, od čega je The Virgin and Child with Angels.
Na ovoj stranici, najstarije delo je iz Assumption of Mary (1501), a najnovije iz Jesus and Saint John as infants embracing (1540).
Woman (60), Man (39) i Child (36), kroz svih 100 dela na ovoj stranici.
Oil On Panel, za 75 od 100 dela na ovoj stranici.
Northern renaissance, sudeći po originalima na ovoj stranici.
Madonna and Child, Madonna and Child in a Niche i Lamentation of Christ: Städel Museum, Frankfurt čuva 9 dela sa ove stranice.
U užurbanom, trgovačkom srcu šesnaestoveg Antverpena, otvarala se nova era vizuelnog pripovestdanja, vođena četkicom Joosa van Clevea. Rođen oko 1485. godine u Kreveldu, u Nemačkoj, ovaj flamanski majstor renesanse pojavio se ne samo kao slikar velike veštine, već kao vizionarski most između dva sveta. Njegova karijera, koja je cvretala otprilike od 1511. do njegove smrti 1540. godine, predstavlja dubok trenutak u istoriji umetnosti u kojem su se pedantne, detaljne tradicije nederlandskih majstora susrele sa veličanstvenim, atmosferskim inovacijama koje su dopirale iz italijanske renesanse. Gledati delo van Clevea znači svedočiti nežnom plesu između taktilne stvarnosti Severne Evrope i idealizovane gracioznosti Juga.
Temelji njegovog genija postavljeni su tokom njegovih formativnih godina pod mentorstvom Jana Joesta. Ovo rigorozno učenje pružilo mu je mnogo više od same tehničke stručnosti; ono ga je uronilo u monumentalne tradicije pozno-gotičke umetnosti. Jedno od njegovih najznačajnijih ranih iskustava uključivalo je pomaganje Joestu na visokom oltaru crkve Nikolaikirhe u Kalkaru, projektu koji je zahtevao razumevanje grandiozne razmere i duhovne težine. Kroz ovaj rad, van Cleve je ovladao složenom alhemijom pripreme pigmenata i mukotrpnim slojevitim nanošenjem lazura—tehnikama koje će mu kasnije omogućiti da svojim portretima podari životopisnu svetlost, a religioznim scenama opipljiv osećaj božanstva.
Ono što istinski izdvaja Joosa van Clevea od njegovih savremenika bio je njegov nemirni, eksperimentalni duh. Dok su mnogi umetnici tog perioda ostajali vezani za rigidne stilske dogme svojih lokalnih esnafa, van Cleve je gledao ka horizontu. Postao je pionir flamanskog maniherizma, stila koji karakteriše izuzetna senzibilitetnost prema boji i izvanredno jedinstvo figura unutar kompozicije. Možda njegov najtrajniji doprinos severnoj renesansi bio je revolucionarno korišćenje pejzaža. Umesto korišćenja statičnih ili simboličkih pozadina, on je uveo prostrane, atmosferske vidike koji su udahivali život njegovim motivima, stvarajući osećaj dubine i kontinuiteta između ljudske figure i prirodnog sveta.
Ova stilska evolucija bila je duboko pod uticajem rastućih trendova u Italiji. Integracijom elemenata italijanske perspektive i fluidnijeg, ritmičnog pristupa anatomiji, transformisao je tradicionalni flamanski portret u nešto psihološki mnogo složenije. Njegovi subjekti više nisu bili samo ikone statusa; oni su posedovali unutrašnji život, emocionalnu rezonancu koja poziva posmatrača u tihi dijalog. Ova sposobnost da prenese duboku ljudsku emociju kroz suptilne izraze lica i delikatne pokrete ruku ostaje jedno od njegovih najslavnijih dostignuća.
Nasleđe Joosa van Clevea utisnuto je u samu tkaninu zlatnog doba Antverpena. Kao centralna figura umetničke zajednice grada, njegova radionica postala je svetionik inovacija, utičući na generacije slikanja koje su usledile. Njegova sposobnost da spoji sledeće elemente osigurala je njegov trajni uticaj na istoriju evropske umetnosti:
Iako je njegov život završen 1540. godine, odjeki njegove umetnosti nastavljaju da odzvanjaju. Joos van Cleve nije jednostavno pratio trendove svog vremena; on je pomogao u njihovom definisanju, ostavljajući za sobom korpus dela koji služi kao svedočanstvo transformativne moći umetničke sinteze. Njegove slike ostaju trajni prozori u period ogromnog kulturnog prelaznog doba, beležeći trenutak kada se srednjovekovni svet počeo rastvarati u svetlost moderne ere.
