Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 101 dela Džon Filip u našem katalogu
Ukratko
Mary MacKay Caird, later Mrs James Glen (1847 - 1940) (1866) je slika autora Džon Filip koja privlači najviše pažnje; original se nalazi u muzeju Scottish National Gallery, Edinburgh. Nakon toga, pogled se seli na William Borthwick Johnstone (1804 - 1868) (1865) i Gonzalo de Vilches, 1st Earl of Vilches (?) (1850). Među 101 dela umetnika Džon Filip u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
A young woman is presented in a medium shot, her presence defined by a quiet, formal elegance. She holds a small dog, a detail that anchors the composition in a sense of domestic intimacy. The subject is positioned against a dark, textured background of foliage, which recedes into a distant, twilight landscape. Light enters from the upper left, casting a soft glow upon her face and chest, while the deep…
An elderly man gazes toward the right, his expression marked by quiet introspection and a sense of wisdom. This bust-length portrait utilizes a low-key, dramatic atmosphere to establish a somber tone. The subject's weathered skin and the subtle textures of his clothing are rendered through visible brushstrokes, suggesting the tactile reality of a life lived. Lighting originates from the upper left, casting soft shadows across the right side of the…
A young man occupies the center of this intimate space, his body turned in a three-quarter view that suggests a sudden, quiet movement. He gazes toward the left, his eyes fixed on something unseen beyond the frame, lending the scene a sense of suspended animation. A heavy, dark mantle drapes over his shoulders, its deep shadows swallowing the light, while a crisp white collar breaks the darkness with a sharp,…
The portrait titled Ellen Brown, Mrs William Borthwick Johnstone emerges from the canvas as a quiet study of a woman in her prime. Painted by John Phillip in 1861, the work captures Ellen Brown, the daughter of J. C. Brown, ARSA. She sits with a composed grace that suggests a life of refinement and settled purpose. There is a stillness in her gaze that invites the viewer into her private…
This oil on canvas portrait is titled Rev. Alexander Dyce Davidson, 1807 - 1872. Free Church minister. The work was executed by the artist John Phillip about 1850. It depicts the subject, Rev. Alexander Dyce Davidson, in a formal bust-length composition. The sitter is positioned slightly off-center, facing toward the viewer's right while his gaze meets the observer directly. He is shown wearing a dark clerical garment and a white…
Dorothea Harriet Gibbs (1840 -1914), as a child1844 · Tyntesfield
12
Provost George Henry (1850-1853)1845
13
Disgorging the Fly1841
14
The Highland Home1845
15
Tasso in Disguise Relating his Persecutions to his Sister1840
16
Self Portrait1840
17
Mrs Jean Chalmers1840
18
A Scotch Fair1848
19
The Orange Girl1854 · Birmingham Museum and Art Gallery
20
A Spanish Gipsy Mother1852 · Royal Collection
21
El Paseo1854 · Royal Collection
22
Princess Feodora of Hohenlohe-Langenburg (1839-1872)1852 · Royal Collection
23
Princess Charlotte of Belgium (1840-1927)1852 · Royal Collection
24
Collecting the Offering in a Scottish Kirk1855 · York Art Gallery
25
La Perla de Triana1852
26
William Brodie RSA, sculptor1850
27
John Innes1850
28
Gypsy Musicians of Spain (Spanish Minstrels)1855
29
Sketch for "Drawing For The Militia"1849
30
The Marriage of the Princess Victoria Adelaide, Princess Royal (1840-1901) later Empress of Prussia, to Crown Prince Frederick William of Prussia (1831-1888) later Emperor Frederick III, Emperor of G1858
31
The Promenade1859
32
The Antonia1863
33
The Prison Window1857
34
Princess Beatrice (1857-1944) later Princess Henry of Battenberg1860 · Royal Collection
35
Spanish Boys Playing at Bull-fighting1860 · Scottish National Gallery
36
John Phillip, 1817 - 1867. Artist (Self-portrait)1863
37
William Borthwick Johnstone, 1804 - 1868. Artist1861 · Scottish National Portrait Gallery
38
Samuel Bough, 1822 - 1878. Landscape painter1856 · Scottish National Portrait Gallery
39
Spanish peasants at the well1859
40
Albert (1819–1861), Prince Consort1859
41
La Loteria Nacional1860
42
House of Commons - Study for 'At The House of Commons'1860
43
Kate Nickleby1862
44
Miss Jean Isabella Ross1856
45
Sketch for "The Marriage of the Princess Royal"1858
46
Agua-Bendita - A Church Scene1861
47
The Artist's Spanish Guide1856
48
The Pride of Seville1858
49
La Bomba1863
50
O Nannie, Wilt Thou Gang Wi'me1859
51
Dolores, A Spanish Widow1862
52
Una Maja Bonita1856
53
Spanish Peasants - The Wayside in Andalucia1863
54
'La Gloria': A Spanish Wake1864 · Scottish National Gallery
55
Donald Kennedy of Drumashie, Inverness1865
56
The Spanish Flower Seller1864
57
The Fortune Teller
58
First steps
59
Self-portraitScottish National Gallery
60
The Brig 'Manly'1834
61
Sketch for 'A Scotch Fair'1848
62
Spanish CarnivalFitzwilliam Museum
63
A Highland PiperRoyal Collection
64
Two Boys: Study after 'Spanish Boys Playing at Bull-fighting' (NG 534)Scottish National Gallery
65
Sir Thomas Blaikie, Provost of Aberdeen 1839-47, 1853-56
66
John Smith, First City Architect to Aberdeen
67
Bal Masque
68
Nude Bather - after Rubens
69
Gathering The Offerings
70
Highland Lassie
71
Self Portrait
72
Portrait of a Lady
73
James Hardie
74
Cornelius van der Geest - after Van Dyck
75
The Artist and his Wife
76
Self Portrait
77
Lady Gordon and her Child
78
The Bohemian Woman
79
Charity
80
Scotch Washing
81
Presbyterian catechisingScottish National Gallery
82
Faith1864 · Muzej Londona
83
Trilobite from Golden Grove
84
In The Garden, Seville
85
At the Opera
86
Spanish Industry
87
Fiesta Time
88
Fair At Seville
89
Life Among The Gypsies, Seville
90
A scottish fair
91
A Scottish Christening
92
A Gypsy Water-Carrier of Seville
93
The orange seller
94
Lord Palmerston Addressing the House of Commons
95
A Scotch Roadside Inn
96
Lady Playing The MandolinWolverhampton Art Gallery
97
The Evil Eye
98
The Dying Contrabandista1858 · Royal Collection
99
The Marriage of Victoria, Princess Royal, 25 January 18581860 · Royal Collection
100
The Letter-Writer of Seville1854 · Royal Collection
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Džon Filip | Slike iz ovog spiska |
|---|---|---|---|
 Royal Collection |
London | 9 | A Spanish Gipsy Mother, El Paseo, Princess Feodora of Hohenlohe-Langenburg (1839-1872) |
 Scottish National Gallery |
Edinburgh | 8 | Mary MacKay Caird, later Mrs James Glen (1847 - 1940), William Borthwick Johnstone (1804 - 1868), Ellen Brown, Mrs William Borthwick Johnstone |
 Scottish National Portrait Gallery |
Edinburg | 3 | Rev. Alexander Dyce Davidson, 1807 - 1872. Free Church minister, William Borthwick Johnstone, 1804 - 1868. Artist, Samuel Bough, 1822 - 1878. Landscape painter |
 Tyntesfield |
3 | Oil painting, Antony Gibbs (1841 - 1907), aged 3, Dorothea Harriet Gibbs (1840 -1914), as a child | |
 Музеј Прадо |
Мадрид | 1 | Gonzalo de Vilches, 1st Earl of Vilches (?) |
 Birmingham Museum and Art Gallery |
Birmingem | 1 | The Orange Girl |
 York Art Gallery |
York | 1 | Collecting the Offering in a Scottish Kirk |
 Fitzwilliam Museum |
1 | Spanish Carnival |
Izaberite deceniju da biste videli original koji je definiše.
A young man occupies the center of this intimate space, his body turned in a three-quarter view that suggests a sudden, quiet movement. He gazes toward the left, his eyes fixed on something unseen beyond the frame, lending the scene a sense of suspended animation. A heavy, dark mantle drapes over his shoulders, its deep shadows swallowing the light, while a crisp white collar breaks the darkness with a sharp,…
A young woman is presented in a medium shot, her presence defined by a quiet, formal elegance. She holds a small dog, a detail that anchors the composition in a sense of domestic intimacy. The subject is positioned against a dark, textured background of foliage, which recedes into a distant, twilight landscape. Light enters from the upper left, casting a soft glow upon her face and chest, while the deep…
Mary MacKay Caird, later Mrs James Glen (1847 - 1940) (1866), Scottish National Gallery, Edinburgh. Slede William Borthwick Johnstone (1804 - 1868) (1865) i Gonzalo de Vilches, 1st Earl of Vilches (?) (1850).
49 godina: Mary MacKay Caird, later Mrs James Glen (1847 - 1940) datira iz 1866, a Džon Filip je rođen/a 1817.
Mary MacKay Caird, later Mrs James Glen (1847 - 1940), William Borthwick Johnstone (1804 - 1868), Gonzalo de Vilches, 1st Earl of Vilches (?), Ellen Brown, Mrs William Borthwick Johnstone, Rev. Alexander Dyce Davidson, 1807 - 1872. Free Church minister, Ann Allan, James Blaikie of Craigiebuckler, Provost of Aberdeen (1833-1835), Sketch after Rubens, Oil painting i Antony Gibbs (1841 - 1907), aged 3. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 101 dela umetnika Džon Filip, datiranih od 1831 do 1866.
Većinom u Royal Collection (London), Scottish National Gallery (Edinburgh) i Scottish National Portrait Gallery (Edinburg). Tabela muzeja iznad sadrži njih sve.
U 1850s: 26 od 100 dela na ovoj stranici nastalo je tada, od čega je Gonzalo de Vilches, 1st Earl of Vilches (?).
Na ovoj stranici, najstarije delo je iz Ann Allan (1831), a najnovije iz Mary MacKay Caird, later Mrs James Glen (1847 - 1940) (1866).
Man (4), Woman (3) i Portrait (3), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 6 od 100 dela na ovoj stranici.
Academic realism, sudeći po originalima na ovoj stranici.
A Spanish Gipsy Mother, El Paseo i Princess Feodora of Hohenlohe-Langenburg (1839-1872): Royal Collection, London čuva 9 dela sa ove stranice.
Rođen u suroviom pejzažu Aberdeena u Škotskoj 1817. godine, Džon Filip će na kraju prevazići svoje skromne početke i postati jedan od najemotivnijih glasova viktorijanske ere. Poznat pod nadimkom „Španski Filip”, njegov put bio je put duboke transformacije, krećući se od pedantnih, sumornih prikaza škotskog ruralnog života ka suncem okupanim, vibrantnim platnima Južne Evrope. Njegove rane godine obeležio je nagli uspon talenta koji je privukao pažnju uticajnih mecenasa, pre svega lorda Panmure, čija je velikodušnost pružila neophodan most da Filip 1836. godine stigne do Kraljevog akademskog izložbenog prostora u Londonu. Upravo u ovoj prestižnoj instituciji Filip je pronašao svoje umetničko pleme, pridruživši se uticajnoj grupi poznatoj kao The Clique. Predvođen ekscentričnim Ričardom Dadom, ovaj krug umetnika delio je duboko poštovanje prema narativnom realizmu Vilijama Hogartha i dramatičnim pejzažima Dejvida Vilka, principima koji će postati temelj Filipovog ranog tehničkog majstorstva.
Tokom formativnih godina, Filipov četkica bila je posvećena dostojanstvu i naporu škotskog naroda. Sa preciznošću koja je govorila direktno duši njegove domovine, beležio je tiho, često iscrpljujuće postojanje malih poljoprivrednika. Ova rani radovi odlikovali su se pedantnom pažnjom posvećenom detaljima i osećajem pobožne domaćinstvenosti, odražavajući kulturne struje kasne viktorijanske Škotske. Međutim, ključna prekretnica dogodila se 1851. godine, podstaknuta savetom lekara da potraži toplije klimatske uslove radi svog zdravlja. Ovo putovanje u Španiju nije bilo samo restorativno putovanje, već umetničko ponovno rađanje. Dok je lutao ulicama Sevilje i Madrida, senke Škotske su zamenjene blistavim svetlom Andaluzije. Uticaj španskih majstora kao što su Bartolom Tamajo, Bartolome Esteban Muriljo i Dijego Velaskez počeo je da prožima njegovo delo, suštinski menjajući njegovu paletu boja i pristup formi.
Prelazak iz detaljnog, gotovo dokumentarnog stila njegove škotske periode u mnogo širi, slikarstveniji stil označava najfascinantniju evoluciju u Filipovoj karijeri. Iako se u početku odupirao rastućem prerafaelitnom pokretu, njegova kasnija dela, kao što je Pisac pisama, Sevilja, počela su da pokazuju suptilno povezivanje sa njihovim luminističkim kvalitetima. Kako su njegova putovanja produbljavala njegovu povezanost sa španskim duhom, njegov potezi četkicom postali su sigurniji i ekspresivniji, odražavajući razvoj kasnih radova savremenika poput Džona Evereta Milisa. Odstupao je od krutih kontura ka istraživanju teksture i atmosfere, koristeći impasto tehniku kako bi uhvatio vrelinu i prašinu španskog pejzaža.
Ovo stilsko sazrevanje dostiglo je svoj vrhunac 1860-ih godina, kada su njegove kompozicije postale grandioznije i emotivnije snažne. Njegova sposobnost da ispreplete sledeće elemente definisala je njegovu zrelu fazu:
Velika dostignuća kao što su Rana karijera Murilja (1864) i La Gloria (1865) stoje kao svedočanstva ovog perioda majstorstva. U ovim delima, Filip nije samo slikao subjekte; on je slikao samu istoriju umetnosti, odajući počast majstorima koji su inspirisali njegovu sopstvenu metamorfozu. Njegovo nasleđe ostaje ono od graditelja mostova — između sumornih tradicija škotskog žanrovskog slikarstva i živopisnog, svetlošću ispunjenog romantizma Mediterana. Iako je njegov život prekinut 1867. godine, Džon Filip je za sobom ostavio korpus dela koji nastavlja da očarava, pozivajući posmatrače da zakorače iz sivih magli Severa u večni, zlatni sjaj svojih španskih snova.
