Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 214 dela Džon Linel u našem katalogu
Ukratko
Od svih originala koje je Džon Linel ostavio, najpoznatiji je Mrs Clare (1834), koji se nalazi u kolekciji Art Gallery of South Australia, Adelaide. Odmah za njima slede William Collins, R.A. (1831) i Miss Jane Puxley (1826). Naš katalog sadrži 214 dela umetnika Džon Linel; galerija je čuvala 100 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
An intimate bust-length portrait, rendered in oil on an oak panel, captures an elderly woman in a moment of stillness. The subject is positioned against a dark, indeterminate background, a choice that pushes her figure forward and focuses all attention on her character. Her attire consists of a heavy, textured bodice in deep brown tones, contrasted sharply by the luminous, translucent white of her lace cap and neckerchief. This interplay…
In this 1831 oil portrait, we encounter William Collins, R.A., presented in a manner that emphasizes his professional standing and personal gravity. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the left of the frame. There is a profound sense of stillness here. The lighting is handled with a deliberate chiaroscuro effect, where a soft light falls across his pale skin and light…
The oil on canvas titled Miss Jane Puxley is a portrait by the British painter John Linnell. It captures the likeness of Jane Susanna Puxley, who lived from 1809 to 1829. The work emerged in 1826, a year when the artist exhibited the piece at the Royal Academy. A quiet stillness settles over the subject, preserved in the pigment and the weave of the fabric.
We are looking at Shepherd Boy Playing a Flute, a work painted by John Linnell in 1831. This piece captures a quiet moment in the life of a young shepherd boy as he plays a fipple flute. It is a delicate study of rural existence, rendered with a focus on the simplicity of the subject's task.
In this intimate portrait, titled Mr Clare, the artist John Linnell captures a quiet moment of introspection. Painted in London in 1834, the work presents a dignified subject through a focused, bust-length composition. The sitter gazes directly forward, his expression composed and steady, creating a sense of immediate presence between the subject and the viewer.
A Member of the Puxley Family is a portrait by John Linnell. Painted in 1826, the oil on canvas captures Jane Susanna Puxley, who lived from 1809 to 1829. She was the daughter of John Lavallin Puxley, a copper magnate from Dunboy Castle, County Cork, Ireland. The commission was requested by her father to preserve her likeness.
A Woman, Probably Lydia Price (née Rose)1835 · Yale Center for British Art
12
Sir Robert Peel (1788–1850), 2nd Bt, Prime Minister1838
13
The Reverend Edward Thomas Daniell (1804–1842)1840
14
The Fishing Party1851 · Auckland Art Gallery Toi o Tāmaki
15
Wheat1860 · Nacionalna galerija Viktorije
16
Mr Hooper, Confectioner of Holborn1837 · Temple Newsam House
17
Wayfarers
18
John Varley1830 · Ashmolean Museum of Art and Archaeology
19
Harvest Home, Sunset - The Last Load
20
Sun behind Clouds
21
In Dovedale1814 · Yale Center for British Art
22
In Dovedale1814 · Yale Center for British Art
23
Study of a Tree ('Study from Nature')1806
24
Study from Nature At Twickenham1806
25
Evening, Bayswater1818 · Yale Center for British Art
26
Evening, Storm Clearing Off1818 · Minneapolis Institute of Art
27
Richard Trevithick (1771–1833)1816
28
The Rest on the Flight into Egypt1827 · Yale Center for British Art
29
Noon1839 · Yale University Art Gallery
30
Sheep Grazing1835 · Yale Center for British Art
31
Lady King1832
32
Charles Norris (1779–1858)1837
33
Peter King, 7th Baron King of Ockham1832 · National Portrait Gallery
34
Abraham Entertaineth Three Angels1846 · Nacionalna galerija Kanade
35
Katherine Georgina Fonnereau1846
36
Thomas Carlyle (1795–1881), Historian and Essayist1844 · Scottish National Portrait Gallery
37
The Rise of the River. Around 18571850
38
Harvest Home, Sunset The Last Load1853
39
The Prophet Balaam and the Angel1859 · Muzej fine umetnosti u Hjustonu
40
A Finished Study for 'Reaping'1858 · Yale Center for British Art
41
A River Landscape, Sunset1860 · Yale Center for British Art
42
Contemplation1864
43
Gethsemane1849 · The Stirling Smith Art Gallery - Museum
44
At The Cottage Gate
45
Portrait of William Collins (1788-1847), ArtistNational Gallery of Ireland
46
Portrait of a LadyNational Gallery of Ireland
47
Unknown womanNationalmuseum
48
The CornfieldTe Whare O Rehua Sarjeant Gallery
49
The Timber Waggon
50
Driving The Flock
51
A Forest Road
52
View Of Southampton
53
Richard Trevithick
54
The Sandpits
55
Landscape
56
The Traveller's Rest
57
UntitledNational Portrait Gallery
58
Captain Holland Lecky
59
Landscape With Harvesters
60
Doctor Robert Walker
61
Samuel Rogers
62
Job Offering A Sacrifice On His Return To ProsperityFitzwilliam Museum
63
Katherine Georgina Fonnereau
64
Feeding The Chicks
65
John Leifchild (1780–1862)The Congregational Memorial Hall
66
Kensington Gravel Pits1849 · Harris Museum - Art Gallery
67
The Assumption of the Virgin1820 · Ashmolean Museum of Art and Archaeology
68
Сир Хъмфри Деви (1778–1829), Научник (копија после Сира Тома Лавренса)1837 · Government Art Collection
69
Hanson Toot, View in DovedaleYale Center for British Art
70
Evening
71
Leading A Barge
72
Landscape With Sheep
73
A Cottage In A Wooded Landscape
74
A Surrey Lane
75
The Timber Wagon
76
Storm In Harvest
77
Windsor Forest
78
Boy Fishing
79
Woods And Forests
80
Study Of Buildings ('study From Nature')
81
James Mcmahon
82
Contemplation
83
Ploughing At Shoreham
84
Landscape In Surrey
85
Rocky Promontory
86
A Coast Scene
87
Sunset Over A Moorland LandscapeFitzwilliam Museum
88
Woody Landscape
89
On The Beach Near Cullercoats, Northumberland
90
Under The Hawthorn
91
Pointing Out The Way
92
Cornfield CradleYork Art Gallery
93
A View Of Hampstead Heath, London
94
Shoreham ValeFitzwilliam Museum
95
A Surrey Landscape
96
The Vale Of Dolwyddelan, As It Was
97
Summer Evening, Boys Bathing
98
Leith Hill, Surrey
99
The Bird's Nest
100
The Woodcutters
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Džon Linel | Slike iz ovog spiska |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 17 | William Collins, R.A., Miss Jane Puxley, Shepherd Boy Playing a Flute |
 Fitzwilliam Museum |
7 | Job Offering A Sacrifice On His Return To Prosperity, Sunset Over A Moorland Landscape, Shoreham Vale | |
 National Portrait Gallery |
London | 4 | Peter King, 7th Baron King of Ockham, Untitled |
 Art Gallery of South Australia |
Adelaide | 2 | Mrs Clare, Mr Clare |
 Muzej fine umetnosti u Hjustonu |
Hjuston | 2 | John Gage, The Prophet Balaam and the Angel |
 Nationalmuseum |
Стокхолм | 2 | Ung kvinna med gyllene gloria, Unknown woman |
 Ashmolean Museum of Art and Archaeology |
Oksford | 2 | John Varley, The Assumption of the Virgin |
 National Gallery of Ireland |
Dublin | 2 | Portrait of William Collins (1788-1847), Artist, Portrait of a Lady |
Izaberite deceniju da biste videli original koji je definiše.
The oil on canvas titled Miss Jane Puxley is a portrait by the British painter John Linnell. It captures the likeness of Jane Susanna Puxley, who lived from 1809 to 1829. The work emerged in 1826, a year when the artist exhibited the piece at the Royal Academy. A quiet stillness settles over the subject, preserved in the pigment and the weave of the fabric.
An intimate bust-length portrait, rendered in oil on an oak panel, captures an elderly woman in a moment of stillness. The subject is positioned against a dark, indeterminate background, a choice that pushes her figure forward and focuses all attention on her character. Her attire consists of a heavy, textured bodice in deep brown tones, contrasted sharply by the luminous, translucent white of her lace cap and neckerchief. This interplay…
Mrs Clare (1834), Art Gallery of South Australia, Adelaide. Slede William Collins, R.A. (1831) i Miss Jane Puxley (1826).
42 godina: Mrs Clare datira iz 1834, a Džon Linel je rođen/a 1792.
Mrs Clare, William Collins, R.A., Miss Jane Puxley, Shepherd Boy Playing a Flute, Mr Clare, A Member of the Puxley Family, Lady Torrens and her Family, John Gage, Mr. Jacob Barring i Ung kvinna med gyllene gloria. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 214 dela umetnika Džon Linel, datiranih od 1806 do 1864.
Većinom u Yale Center for British Art (New Haven), Fitzwilliam Museum i National Portrait Gallery (London). Tabela muzeja iznad sadrži njih sve.
U 1830s: 14 od 100 dela na ovoj stranici nastalo je tada, od čega je Mrs Clare.
Na ovoj stranici, najstarije delo je iz Study of a Tree ('Study from Nature') (1806), a najnovije iz Contemplation (1864).
Portrait (8), Pastoral (7) i Victorian era (6), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 6 od 100 dela na ovoj stranici.
Romantic landscape painting, sudeći po originalima na ovoj stranici.
William Collins, R.A., Miss Jane Puxley i Shepherd Boy Playing a Flute: Yale Center for British Art, New Haven čuva 14 dela sa ove stranice.
Džon Linel, rođen u Bloomsburyju (Ujedinjeno Kraljevstvo) 1859. godine, a preminuo 1882., bio je britanski slikar čija dela odišu spokojem ruralnih scena i dubokom psihološkom introspekcijom portreta. Njegov životni put, iako relativno kratak, ostavio je neizbrisiv trag na pejzažnoj i portretnoj tradiciji Britanije. Linel nije bio slikar koji se uklapa u lako definisane kategorije; umesto toga, vešto je kombinovao tradicionalne tehnike sa suptilnim nagoveštajima modernosti, stvarajući jedinstven vizuelni jezik koji ga izdvaja od savremenika.
Linelovo rano usavršavanje u slikarstvu bilo je temeljno i rigorozno. Iako detalji njegovog ranog obrazovanja nisu u potpunosti poznati, jasno je da je stekao solidnu osnovu u tradicionalnim tehnikama crtanja i slikanja. Njegovi najraniji radovi, iako nepoznati široj javnosti tokom njegovog života, već su nagoveštavali majstorstvo koje će kasnije postići. Imao je dubok interes za dela velikana kao što su Leonardo da Vinči i Vinsent van Gog, čija se umetnička ostvarenja mogu pronaći na platformama poput OriginalUniqueArt.com. Upravo proučavanje ovih majstora pomoglo mu je da razvije sopstveni stil i pristup slikanju.
Linelov stil se odlikuje fascinantnom mešavinom tradicionalnog britanskog slikarstva sa suptilnim naznakama modernosti. Pokazao je izvanredan osećaj za detalje i sposobnost da uhvati samu suštinu svojih motiva, bilo da su u pitanju pejzaži ili portreti. Njegova upotreba boje, teksture i kompozicije čini njegova dela prepoznatljivim i jedinstvenim. Njegovi pejzaži nisu samo reprodukcije prirode; oni su prožeti atmosferom, emocijama i dubokim razumevanjem svetla i senke.
Linelov uticaj na britansku umetnost je neosporan. Njegov jedinstveni stil inspirisao je mnoge umetnike, a njegova dela nastavljaju da budu cenjena od strane ljubitelja umetnosti širom sveta. Vešto je kombinovao elemente romantizma i neoklasicizma u svom radu, demonstrirajući duboko razumevanje umetničkih tradicija istovremeno gradeći sopstveni prepoznatljiv put. OriginalUniqueArt.com nudi širok spektar njegovih slika, pružajući pristup njegovoj umetnosti kako iskusnim kolekcionarima tako i onima koji se tek upoznaju sa svetom likovne umetnosti.
Linelov doprinos leži u njegovoj sposobnosti da prikaže svakodnevni život – ruralne scene, portrete istaknutih ličnosti – sa realizmom prožetim umetničkom osetljivošću. Hvatao je trenutke u vremenu, čuvajući ih na platnu za buduće generacije. Njegov rad odražava društveni i kulturni pejzaž 19. veka u Britaniji, nudeći dragocene uvide u živote i vrednosti te ere. Njegova dela nisu samo vizuelni prikazi; oni su prožeti dubokom empatijom prema ljudima i prirodi, što ih čini relevantnim i danas.
