Ukratko
Od svih originala koje je John Fraser ostavio, najpoznatiji je Full Sail (1913), koji se nalazi u kolekciji Dallas Museum of Art, Dallas. Odmah za njima slede Surf at Orotava i Hulks off Portsmouth. Naš katalog sadrži 43 dela umetnika John Fraser; galerija je čuvala 43 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Top 10 slika umetnika John Fraser: izbor galerije
Izbor umetnika John Fraser se nastavlja, od 11 do 43
Muzeji u kojima se čuvaju originalna dela umetnika John Fraser
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika John Fraser | Slike iz ovog spiska |
|---|---|---|---|
| London | 42 | Surf at Orotava, Hulks off Portsmouth, The Wolf Rock lighthouse | |
| Dallas | 1 | Full Sail |
John Fraser iz godine u godinu: originalna dela koja definišu svaku od njih
1913 je godina svakog datiranog dela umetnika John Fraser u ovom odabiru: evo ih, rangiranih prema popularnosti.
Pitanja kolekcionara o slikama umetnika John Fraser
Po kojem delu je John Fraser najpoznatiji/a?Otkrij odgovor
Full Sail (1913), Dallas Museum of Art, Dallas. Slede Surf at Orotava i Hulks off Portsmouth.
Koliko je godina imao/la John Fraser kada je nastalo delo Full Sail?Otkrij odgovor
55 godina: Full Sail datira iz 1913, a John Fraser je rođen/a 1858.
Koja su deset najpoznatijih slika umetnika John Fraser?Otkrij odgovor
Full Sail, Surf at Orotava, Hulks off Portsmouth, The Wolf Rock lighthouse, A mediaeval sailing barge, A Maltese dghaisa, A ship off Tenerife, Seascape, Seascape i Seascape. Gornji rang pokazuje godinu i muzej za svako od njih.
Koliko je slika ostavio John Fraser?Otkrij odgovor
Naš katalog sadrži 43 dela umetnika John Fraser.
U kojim muzejima se nalaze remek-dela umetnika John Fraser?Otkrij odgovor
Većinom u National Maritime Museum (London) i Dallas Museum of Art (Dallas). Tabela muzeja iznad sadrži njih sve.
Čija se dela umetnika John Fraser nalaze u National Maritime Museum?Otkrij odgovor
Surf at Orotava, Hulks off Portsmouth i The Wolf Rock lighthouse: National Maritime Museum, London čuva 42 dela sa ove stranice.
John Fraser: život i delo
Early Life and Family Background
Born in 1858, John Fraser entered a world defined by the bustling commerce of London. He was raised in the Fleet Street area, a district deeply embedded in the city's professional and literary pulse. His upbringing was rooted in a stable, middle-class environment, shaped by the disciplined life of his father, John Fraser, who worked as an accountant. This foundation of order and precision likely provided a quiet backdrop to his formative years.
His mother, Margaret English Fraser, née Partis, completed the family unit during his early life. The household was one of established respectability, situated within the heart of the United Kingdom. While his father’s profession dealt in the meticulous management of figures, the environment of London provided the sensory complexity that would later inform his perspective. He grew up amidst the constant movement of a major metropolitan center, a setting that offered a stark contrast to the maritime themes that would eventually define his professional output.
Professional Career and Artistic Subjects
As a marine painter, Fraser dedicated much of his professional life to the study of the sea and its various coastal environments. His brush captured the maritime character of diverse locations, with subjects ranging from the shores of France and Spain to the rugged landscapes of Gibraltar and the Canary Islands. This focus on nautical scenes required a keen eye for the shifting movements of water and the specific light of these Mediterranean and Atlantic settings.
During his career, he maintained a studio at 7 The Mall, off Church Street, in the Hampstead area of London, between 1890 and 1892. His professional life was also marked by a significant collaboration with Commendatore Eduardo de Martino. The two worked together extensively, a partnership that saw them navigating the complexities of high-level commissions. While Fraser sought to follow in the footsteps of his collaborator, his own path eventually led him away from the easel and toward the commercial side of the arts.
In his later years, his occupation shifted from the studio to the management of a print shop located in Westminster. This transition marked a departure from the direct creation of marine oils, moving instead into the trade of printed imagery. His life's work remains tied to the maritime imagery he once rendered, a period of focused observation before his eventual move into the print trade.








