Ukratko
Od svih originala koje je Jean Vignaud ostavio, najpoznatiji je Death of Eustache Lesueur among the Carthusians (1812), koji se nalazi u kolekciji Musée des Beaux-Arts et d'Archéologie, Besanson. Odmah za njima slede Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus (1819) i Abelard and Heloise Surprised by the Abbot Fulbert (1819). Naš katalog sadrži 4 dela umetnika Jean Vignaud; galerija je čuvala 4 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Top 10 slika umetnika Jean Vignaud: izbor galerije
Muzeji u kojima se čuvaju originalna dela umetnika Jean Vignaud
4 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Jean Vignaud | Slike iz ovog spiska |
|---|---|---|---|
| Besanson | 1 | Death of Eustache Lesueur among the Carthusians | |
| Pariz | 1 | Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus | |
| Omaha | 1 | Abelard and Heloise Surprised by the Abbot Fulbert | |
| Nîmes | 1 | The Abbot Bonhomme (1759-1844) |
Jean Vignaud iz godine u godinu: originalna dela koja definišu svaku od njih
Tek deceniju, od 1812 do 1821, svet je dobio svako datirano originalno delo Jean Vignaud u ovom odabiru: evo ih, godinu po godinu.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus
Još od 1819
Pitanja kolekcionara o slikama umetnika Jean Vignaud
Po kojem delu je Jean Vignaud najpoznatiji/a?Otkrij odgovor
Death of Eustache Lesueur among the Carthusians (1812), Musée des Beaux-Arts et d'Archéologie, Besanson. Slede Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus (1819) i Abelard and Heloise Surprised by the Abbot Fulbert (1819).
Koliko je godina imao/la Jean Vignaud kada je nastalo delo Death of Eustache Lesueur among the Carthusians?Otkrij odgovor
38 godina: Death of Eustache Lesueur among the Carthusians datira iz 1812, a Jean Vignaud je rođen/a 1774.
Koliko je slika ostavio Jean Vignaud?Otkrij odgovor
Naš katalog sadrži 4 dela umetnika Jean Vignaud, datiranih od 1812 do 1821.
U kojim muzejima se nalaze remek-dela umetnika Jean Vignaud?Otkrij odgovor
Većinom u Musée des Beaux-Arts et d'Archéologie (Besanson), Petit Palais (Pariz) i Joslyn Art Museum (Omaha). Tabela muzeja iznad sadrži njih sve.
U kojim godinama je Jean Vignaud naslikao svoja najpoznatija dela?Otkrij odgovor
U 1819: 2 od 4 dela na ovoj stranici nastalo je tada, od čega je Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus.
Koja su prva i poslednja čuvena originalna dela umetnika Jean Vignaud?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz Death of Eustache Lesueur among the Carthusians (1812), a najnovije iz The Abbot Bonhomme (1759-1844) (1821).
Jean Vignaud: život i delo
The Life and Career of Jean Vignaud
Born in Beaucaire, France, Jean Vignaud was the son of a tailor. Rather than following his father's trade, he dedicated himself to the passion of painting. After beginning his journey as a self-taught artist, he served as a drawing teacher at the École Centrale de Nîmes. In 1796, he moved to Paris, where he worked for a engraver, using his leisure time to copy old masters in the Louvre and modern masters in the Luxembourg. His growing talent led to financial support from the Dutchman Wander Wold and eventually brought him into the studio of Jacques-Louis David. Supported by the Prefect of Police Dubois, who provided him with a studio and portrait commissions, Vignaud became a recognized figure at the Salon between 1806 and 1824.
Artistic Legacy and Notable Works
Vignaud was a history painter and portraitist whose works were frequently acquired by the State for museums and churches. His notable achievements include receiving a gold medal for La Mort de Lesueur chez les Chartreux, which is held at the Palace of Versailles. Other significant works include:
In 1820, he returned to Nîmes to serve as the first director of the newly opened school of drawing. He was also a collector of paintings, a collection that was acquired by the city of Nîmes in 1827 to enrich the newly founded Musée des Beaux-Arts.
