Ukratko
Od svih originala koje je James Herring ostavio, najpoznatiji je James Monroe (1834), koji se nalazi u kolekciji National Portrait Gallery, Vašington, D.C.. Odmah za njima slede Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) i Jacob Jennings Brown (1775-1828) (1835). Naš katalog sadrži 6 dela umetnika James Herring; galerija je čuvala 6 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Top 10 slika umetnika James Herring: izbor galerije
Muzeji u kojima se čuvaju originalna dela umetnika James Herring
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika James Herring | Slike iz ovog spiska |
|---|---|---|---|
| New York City | 5 | Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874) | |
| Vašington, D.C. | 1 | James Monroe |
James Herring iz godine u godinu: originalna dela koja definišu svaku od njih
Izbor obuhvata radove umetnika James Herring kroz 12 godina, od 1834 do 1845, čuvajući najlepše originale svake godine.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
Pitanja kolekcionara o slikama umetnika James Herring
Po kojem delu je James Herring najpoznatiji/a?Otkrij odgovor
James Monroe (1834), National Portrait Gallery, Vašington, D.C.. Slede Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) i Jacob Jennings Brown (1775-1828) (1835).
Koliko je godina imao/la James Herring kada je nastalo delo James Monroe?Otkrij odgovor
40 godina: James Monroe datira iz 1834, a James Herring je rođen/a 1794.
Koliko je slika ostavio James Herring?Otkrij odgovor
Naš katalog sadrži 6 dela umetnika James Herring, datiranih od 1834 do 1845.
U kojim muzejima se nalaze remek-dela umetnika James Herring?Otkrij odgovor
Većinom u New York Historical Society (New York City) i National Portrait Gallery (Vašington, D.C.). Tabela muzeja iznad sadrži njih sve.
U kojim godinama je James Herring naslikao svoja najpoznatija dela?Otkrij odgovor
U 1845: 2 od 6 dela na ovoj stranici nastalo je tada, od čega je William Lintz (ca. 1815-1874).
Koja su prva i poslednja čuvena originalna dela umetnika James Herring?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz James Monroe (1834), a najnovije iz William Lintz (ca. 1815-1874) (1845).
Čija se dela umetnika James Herring nalaze u New York Historical Society?Otkrij odgovor
Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) i William Lintz (ca. 1815-1874): New York Historical Society, New York City čuva 5 dela sa ove stranice.
James Herring: život i delo
The Life and Legacy of James Herring
Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.
Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.
Artistic Style and Contributions
The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.
Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.
Historical Significance
Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:
- The Morris Museum of Art
- The Mattatuck Museum
- Oolite Arts, 924 & 928 Gallery
As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.

