Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 65 dela Džejms Gatri u našem katalogu
Ukratko
Iz perspektive galerije, najpoznatije delo umetnika Džejms Gatri je To Pastures New (1882). A Hind's Daughter (1883) i Revd Dr Andrew Gardiner (died 1892) (1888) čine triju koju svako oko prepoznaje. Od 65 dela umetnika Džejms Gatri u našem katalogu, galerija u nastavku predstavlja 64 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The scene unfolds in To Pastures New, an oil on canvas painted by James Guthrie. Completed in 1883, the work captures a quiet moment of movement across the landscape. The artist, who lived from 1859 to 1930, brings a sense of life to this specific rural setting through his careful application of oil pigments.
James Guthrie completed A Hind's Daughter in 1883. The work presents an essentially Scottish scene, capturing a small girl who has just straightened up after cutting a cabbage. She looks directly at the viewer from within a cabbage field, her presence inextricably merged with the surrounding landscape.
A somber, three-quarter length portrait of an elderly man, rendered with the quiet dignity of the academic tradition. The subject sits turned slightly to his right, his gaze directed toward the viewer's right, emerging from a dark, atmospheric void. Light falls with dramatic intent upon his forehead, weathered skin, and hands, creating a chiaroscuro effect that emphasizes the textures of his white hair and the heavy fabric of his black…
An elderly woman sits in profile, her presence anchored by the weight of an ornate chair. The light enters from the upper left, a soft wash that catches the curve of a cheek and the stillness of hands. She is draped in dark attire, a silhouette of deep blacks and browns that merges with the shadows of the room. The composition is quiet, placing her slightly off-center against a hazy,…
The afternoon air feels heavy and still as a man pauses on the sidewalk, his presence anchored by a sturdy pole. He wears a hat that casts a soft shadow over his features, and a cane rests in his hand, a silent companion to his slow, deliberate pace. At his side, a dog waits with loyal patience, while further off, another canine wanders through the scene. The world around them…
In "A Gallant of the Terror," James Guthrie presents a solitary figure caught in a moment of heavy introspection. This oil on canvas, painted about 1880, focuses on a weary man from the waist up. He sits in a quiet, shadowed space, his presence filling the frame with a sense of profound fatigue. A dark bicorne-style hat rests upon his head, and a blue jacket covers his shoulders, while a…
The portrait titled Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman presents a commanding presence on the canvas. This work, painted about 1908, captures the likeness of the statesman and Prime Minister Sir Henry Campbell-Bannerman. Born in Glasgow, the subject meets the viewer through the steady gaze of a man who has navigated the highest levels of British politics. The painting emerges from the hand of Sir James Guthrie, a significant…
The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896) is a portrait by James Guthrie. The subject is Anne Orr, also known as Mrs John Guthrie. She was the mother of the artist. This intimate study was painted about 1893.
In this intimate bust-length portrait, we encounter the artist himself, captured in a moment of profound introspection. The subject is positioned slightly off-center, his gaze directed toward the viewer's left while his eyes remain fixed forward, creating a sense of psychological depth. There is a certain gravity in his expression, a dignity that comes from a life spent observing the nuances of light and human character. He is dressed in…
Rev. Alexander Whyte, 1836 - 1921. Principal of New College, Edinburgh1900 · Scottish National Portrait Gallery
12
Christina Wilson, Mrs Thomas Steven, 1827 - 1913.1903 · Scottish National Gallery
13
The Velvet Cloak1907 · Scottish National Gallery
14
Herbert Henry Asquith, 1st Earl of Oxford and Asquith1920 · National Portrait Gallery
15
William Morris Hughes, 1862 - 1952. Prime Minister of Australia. (Study for portrait in Statesman of the Great War)1920 · Scottish National Portrait Gallery
16
Sir Alfred Milner, 1st Viscount Milner, 1854 - 1925. Statesman. (Study for portrait in Statesmen of the Great War)1921 · Scottish National Portrait Gallery
17
William Ferguson Massey, 1856 - 1925. Prime Minister of New Zealand (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1921 · Scottish National Portrait Gallery
18
David Lloyd George, 1st Earl Lloyd-George of Dwyfor, 1863 - 1945. Statesman1920 · Scottish National Portrait Gallery
19
Sir Winston Churchill, 1874 - 1965. Statesman1919 · Scottish National Portrait Gallery
20
General Louis Botha, 1863 - 1919. Soldier and statesman. (Study for portrait in Statesmen of the Great War, National Portrait Gallery, London)1918 · Scottish National Portrait Gallery
21
Arthur James Balfour, 1st Earl of Balfour, 1848 - 1930. Statesman. (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1920 · Scottish National Portrait Gallery
22
Sri Ganga Singh Bahadur, the Maharaja of Bikaner, 1880 - 1943. Statesman (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1920 · Scottish National Portrait Gallery
23
Edward Grey, 1st Viscount Grey of Fallodon1927 · National Portrait Gallery
24
Some statesmen of the Great War1927 · Scottish National Portrait Gallery
25
Edward Patrick Morris, 1st Baron Morris, 1859 - 1935. Prime Minister of Newfoundland. (Study for portrait in Statesmen of the Great War)1924 · Scottish National Portrait Gallery
26
Henry Herbert Asquith, 1st Earl of Oxford and Asquith, 1852 - 1928. Statesman1923
27
Andrew Bonar Law, 1858 - 1923. Statesman (study for portrait in Statesmen of World War I, 1914 - 1918, in the National Portrait Gallery, London)1924 · Scottish National Portrait Gallery
28
Edward Grey, Viscount Grey of Fallodon, 1862 - 1933. Statesman. (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1924 · Scottish National Portrait Gallery
29
Sir Eric Campbell Geddes, 1875 - 1931. Statesman. (Study for portrait in Statesmen of the Great War)1924 · Scottish National Portrait Gallery
30
Sir Joseph Cook, 1860 - 1947. Prime Minister of Australia. (Study for portrait in Statesmen of the Great War)1924 · Scottish National Portrait Gallery
31
Sir Robert Laird Borden, 1854 - 1937. Prime Minister of Canada. (Study for portrait in Statesmen of the Great War, National Portrait Gallery, London)1924 · Scottish National Portrait Gallery
32
George Nicoll Barnes, 1859 - 1940. Statesman. (Study for portrait in Statesmen of the Great War, National Portrait Gallery, London)1924 · Scottish National Portrait Gallery
33
Schoolmates1884 · Museum voor Schone Kunsten
34
The Shepherd Boy1883 · Scottish National Gallery
35
In a Monastery Garden1884 · Scottish National Gallery
36
Paid-Off1881
37
The Cottage on the Hill1881
38
Hard at It1883 · Kelvingrove Art Gallery and Museum
39
The Pedlar1881
40
Field Work in the Lothians1883
41
Gypsy Fires are Burning for Daylight's Past and Gone1881 · The Hunterian Museum and Art Gallery
42
Poppleton, The Artist at Work1882 · The Hunterian Museum and Art Gallery
43
Miss Helen Sowerby1882 · Nacionalna galerija Škotske
44
The Camp in the Woods1880
45
A Funeral Service in the Highlands1881 · Kelvingrove Art Gallery and Museum
46
Street in Oban, Night1890 · Yale Center for British Art
47
The Tennis Racket1890
48
Candlelight1890
49
Maggie Hamilton1892 · Kelvingrove Art Gallery and Museum
50
The Ropewalk1888
51
Tennis1890
52
The Stonebreaker1886
53
Oban1893 · Scottish National Gallery
54
Oban1893 · Scottish National Gallery
55
Errol Guthrie
56
Pastoral1887 · Nacionalna galerija Škotske
57
Pastureland1890 · Kelvingrove Art Gallery and Museum
58
Firelight Reflections1890
59
Old Willie, A Village Worthy1886 · Kelvingrove Art Gallery and Museum
60
In the Orchard1885 · Kelvingrove Art Gallery and Museum
61
Midsummer1890
62
The Morning Walk
63
St. Mary's Isle, Kirkcudbright
64
Statesmen of World War I1930 · National Portrait Gallery
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Džejms Gatri | Slike iz ovog spiska |
|---|---|---|---|
 Scottish National Portrait Gallery |
Edinburg | 19 | Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman, Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait), Rev. Alexander Whyte, 1836 - 1921. Principal of New College, Edinburgh |
 Scottish National Gallery |
Edinburgh | 10 | Revd Dr Andrew Gardiner (died 1892), Mrs Craig Sellar of Ardtornish (1844 - 1929), A Gallant of the Terror |
 Kelvingrove Art Gallery and Museum |
Glasgow | 6 | Hard at It, A Funeral Service in the Highlands, Maggie Hamilton |
 Nacionalna galerija Škotske |
Edinburg | 3 | A Hind's Daughter, Miss Helen Sowerby, Pastoral |
 National Portrait Gallery |
London | 3 | Herbert Henry Asquith, 1st Earl of Oxford and Asquith, Edward Grey, 1st Viscount Grey of Fallodon, Statesmen of World War I |
 The Hunterian Museum and Art Gallery |
Glasgow | 2 | Gypsy Fires are Burning for Daylight's Past and Gone, Poppleton, The Artist at Work |
 Museum voor Schone Kunsten |
Gent | 1 | Schoolmates |
 Yale Center for British Art |
New Haven | 1 | Street in Oban, Night |
Izaberite deceniju da biste videli original koji je definiše.
The scene unfolds in To Pastures New, an oil on canvas painted by James Guthrie. Completed in 1883, the work captures a quiet moment of movement across the landscape. The artist, who lived from 1859 to 1930, brings a sense of life to this specific rural setting through his careful application of oil pigments.
The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896) is a portrait by James Guthrie. The subject is Anne Orr, also known as Mrs John Guthrie. She was the mother of the artist. This intimate study was painted about 1893.
The portrait titled Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman presents a commanding presence on the canvas. This work, painted about 1908, captures the likeness of the statesman and Prime Minister Sir Henry Campbell-Bannerman. Born in Glasgow, the subject meets the viewer through the steady gaze of a man who has navigated the highest levels of British politics. The painting emerges from the hand of Sir James Guthrie, a significant…
An elderly woman sits in profile, her presence anchored by the weight of an ornate chair. The light enters from the upper left, a soft wash that catches the curve of a cheek and the stillness of hands. She is draped in dark attire, a silhouette of deep blacks and browns that merges with the shadows of the room. The composition is quiet, placing her slightly off-center against a hazy,…
Statesmen of World War I is an oil on canvas painting by Sir James Guthrie. Completed in 1930, the work arrived at a significant moment in the artist's life. This large-scale composition was commissioned by the South African financier Sir Abraham Bailey. It was intended to commemorate the various politicians and statesmen of Britain and its Dominions who held office during the First World War.
To Pastures New (1882). Slede A Hind's Daughter (1883) i Revd Dr Andrew Gardiner (died 1892) (1888).
23 godina: To Pastures New datira iz 1882, a Džejms Gatri je rođen/a 1859.
To Pastures New, A Hind's Daughter, Revd Dr Andrew Gardiner (died 1892), Mrs Craig Sellar of Ardtornish (1844 - 1929), Crowland, A Gallant of the Terror, Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman, The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896), Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait) i The Wash. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 65 dela umetnika Džejms Gatri, datiranih od 1880 do 1930.
Većinom u Scottish National Portrait Gallery (Edinburg), Scottish National Gallery (Edinburgh) i Kelvingrove Art Gallery and Museum (Glasgow). Tabela muzeja iznad sadrži njih sve.
U 1880s: 24 od 64 dela na ovoj stranici nastalo je tada, od čega je To Pastures New.
Na ovoj stranici, najstarije delo je iz A Gallant of the Terror (1880), a najnovije iz Statesmen of World War I (1930).
Man (6), Woman (3) i Rural scene (3), kroz svih 64 dela na ovoj stranici.
Oil On Canvas, za 14 od 64 dela na ovoj stranici.
Impressionism i Scottish realism, sudeći po originalima na ovoj stranici.
Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman, Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait) i Rev. Alexander Whyte, 1836 - 1921. Principal of New College, Edinburgh: Scottish National Portrait Gallery, Edinburg čuva 19 dela sa ove stranice.
Rođen u Grinoku, u Ujedinjenom Kraljevstvu, Džejms Gatri istaknuo se kao ključna figura u pejzažu umetnosti kasnog devetnaestog veka. Iako je prvobitno krenuo putem pravne karijere na Univerzitetu u Glaskou, poziv platna se pokazao neodoljivim, što ga je navelo da 1877. godine napusti studije prava kako bi se posvetio slikarstvu. Za razliku od mnogih svojih savremenika koji su tražili usavršavanje u pariskim studijima, Gatri je pratio samotniji put, oslanjajući se na sopstveno iskustvo. Iako je dobio kratko mentorstvo od figura kao što su Džejms Dramond u Glaskou i Džon Peti u Londonu, njegov umetnički identitet oblikovan je kroz duboku, ličnu povezanost sa prirodnim svetom i delima francuskih realista.
Njegov razvoj bio je duboko oblikovan uticajem umetnika Žul Bastijen-Lepaj, čiji je pristup realizmu pružio model za Gatijevog majstorstva u prikazivanju atmosfere i svetlosti. Ova povezanost pomogla mu je da postane istaknuti član „Dečaka iz Glaskoa” (Glasgow Boys), grupe poznate po pomeranju granica tradicionalnog škotskog slikarstva. Njegov rad je često išao dalje od puke dokumentacije, te je težio da zabeleži prolazne senzacije svetlosti i vazduha kroz slobodne poteze četkicom i živopisnu, ali često prigušenu paletu boja. Bilo da je prikazivao tiho dostojanstvo ruralnog života ili intimne detalje portreta, Gatri je posedovao retku sposobnost da emocionalnu težinu scene prenese na platno.
Gatijevo delo slavi se zbog svoje evokativne moći, posebno zbog njegove sposobnosti da pejzažima podeli duboki osećaj spokojstva. U delima kao što je Pastirsko prostranstvo (Pastureland), on pokazuje simfonijsku kontrolu nad svetlošću i senkom, stvarajući imerzivno iskustvo škotske ruralne sredine. Njegova tehnika često je obuhvatala elemente impresionizma, dajući prednost raspoloženju i senzaciji u odnosu na krutu, akademsku preciznost. To je očigledno u njegovom korišćenju tekstura—mekani krzno stoke, njiškanje trave na polju ili maglovita luminoznost letnjeg dana—sve je to izvedeno sa senzibilitetom koji govori o ritmovima prirode.
Njegovi pejzaži su često bili inspirisani škotskim granicama, posebno lokacijama kao što je Kokburnspet, gde je živeo veći deo svog života. Ova okruženja su poslužila kao kulisa za neka od njegovih najtrajnijih dostignuća, uključujući:
Tokom cele svoje karijere, Gatri je ostvario značajno institucionalno priznanje, što odražava njegov značaj za britansku umetničku scenu. Njegov uspon kroz rangove Kraljevske škotske akademije (Royal Scottish Academy) video je kako je izabran za pridružnog člana 1888, a zatim za punopravnog člana 1892. godine, da bi na kraju nasledio ser Džordža Rida kao predsednika akademije. Ovaj profesionalni prestiž uparen je sa ličnim počastima, uključujući viteško odlikovanje 1903. godine zbog njegovih ogromnih doprinosa umetnosti.
Pored njegovih pejzaža i portreta, Gatijeva istorijska važnost je učvršćena njegovom sposobnošću da zabeleži duh jedne ere. Njegine poznate godine obeležili su monumentalni zadaci, kao što je grupni portret velikih razmera Državnici Prvog svetskog rata (Statesmen of World War I), završen 1930. godine. Ovo delo, koje prikazuje sedamnaest političara i državnika, stoji kao svedočanstvo njegove veštine u rukovanju složenim kompozicijama i istorijskim težinom. Danas se Gati ne pamti samo kao slikar škotskog realizma, već kao umetnik koji je umeo da uhvati samu esenciju mira, svetlosti i neprolazne lepote prirodnog sveta.
